John Darrow Movies

In this British gangster movie, a Chicago gang goes to cool their heels in London. There they try to overtake the town. Meanwhile the mob boss searches for the perfect job. He convinces a millionaire, the owner of a department store, to help his gang rob the store blind. The plot fails and the gangsters battle it out with the bobbies. ~ Sandra Brennan, All Movie Guide

This drama is based on a true story and chronicles the story of a veteran musician who must give up his beloved career after he is terribly injured in an auto accident. His children do little to help their struggling father. His daughter marries a wealthy man and bears a musically talented son. To tutor him, his mother unknowingly hires her estranged father. Later, the crabby woman and her husband go through a messy divorce and have a huge custody battle for the boy. The judge decides to award custody to the boy's grandfather. The film is underscored by many classical selections. ~ Sandra Brennan, All Movie Guide

Steamship captain Steve Andrews (Ralph Bellamy) is demoted to second officer when Marge Walker (Ann Sothern), daughter of Steve's boss, insists that her boyfriend Roy Dale (John Buckler) be put in charge of the ship. Dale's first assignment is to deliver a valuable cargo to Shanghai within a designated date. Marge stows away on board to be nearer to Dale, which earns her the unbridled scorn of the embittered Steve. During a violent storm at sea, Dale panics and leaves his post, obliging Steve to take over command of the ship. As a result, it is Steve who guides the vessel safely to Shanghai -- and instead of being brought up on charges of mutiny, he wins the love of Marge at fade-out time. Here as elsewhere, Ralph Bellamy and Ann Sothern work so well together that one might assume they were married in real life (which they weren't). ~ Hal Erickson, All Movie Guide

In this melodrama, a woman must spend a decade in prison after murdering her spouse. Upon entering jail, she had to give up her son who is told that his mother is dead. The boy grows up to become an artist. Upon her release from prison, she becomes an artist's model. She winds up posing for her own son who does not recognize her. ~ Sandra Brennan, All Movie Guide

In this crime drama, policemen pursue a convicted killer as he diligently searches for the real culprit. ~ Sandra Brennan, All Movie Guide

Dick Powell and Ruby Keeler reunite once again for this musical salute to the West Point Military Academy, including many scenes shot at West Point with "the full cooperation of the United States Army." Powell is Canary Dorcey, a private at a Hawaiian army post where he meets the perky Kitt Fits (Ruby Keeler), and she proceeds to flirt with him. Unable to handle the love games, Canary escapes Hawaii by getting an appointment at West Point, where he diligently pursues his studies and tries to forget about dames. But four years later, Kit shows up at West Point with her father, General Jack Fitts (Henry O'Neill), who has accepted the position of the new West Point commander. After some sparring and hedging, a visit to the Kissing Rock along the Flirtation Walk turns the two little lovebirds around, and soon enough they are appearing in the annual West Point musical revue, all forgiven. ~ Paul Brenner, All Movie Guide

Midnight Lady is a low-budget variation of the evergreen stage and screen meller Madame X. In one of her rare starring roles, Sarah Padden is cast as Nita St. George, the hard-boiled owner of a big-city speakeasy. Unexpectedly, Nita is reunited with her daughter Jean (Claudia Dell), who has been raised to believe that her mother is dead. When Jean is accused of murdering her no-good boyfriend, Nita selflessly takes the blame, never letting the girl know that she is really her mother. Just when it looks as though Nita will be convicted of murder, Jean is tricked into a confession -- but as it turns out, she didn't do it either! Unfortunately, this not uninteresting poverty-row drama is laid low by bad camera work and uneven acting. ~ Hal Erickson, All Movie Guide

A star football player in college, Garry King (Richard Arlen) finds post-college life very different; he betrays the trust of his best friend Steve (Preston S. Foster), finally losing his job. Meanwhile, his younger brother Bob (John Darrow), also a football star, is on the same track to ruin; when Garry reforms himself, events give him the opportunity to help Bob as well. Many football players and coaches of the time appear as themselves. ~ Bill Warren, All Movie Guide

Alias Mary Smith might have been completely forgotten were it not for the diligent efforts of "B"-picture aficionado John Cocchi, who in such books as Second Feature has elevated this unintentionally hilarious cheapie to near-classic status. John Darrow plays a bibulous playboy who rescues put-upon heroine Blanche Mehaffey from a purse-snatcher. Their subsequent romance is complicated by Mehaffey's efforts to prove gangster boss Matthew Betz guilty of murder, a trick she pulls off with the help of a squeezed lemon (no kidding!) The tightness of the film's budget is never more obvious than in the obligatory newspaper-headline close-ups; all of these headlines have been obviously plastered over a single copy of the trade paper Variety (sharp-eyed viewers will note that each news story begins with a report from the Culver City kennel club). The film reaches a giddy high point when the heroine, threatened with a jail sentence by DA Henry B. Walthall, asks plaintively, "Is it a nice jail?" ~ Hal Erickson, All Movie Guide

In this melodrama, a British aristocrat befriends a woman and hires her to begin distracting his son away from a conniving golddigger. She does, but finds herself falling in love with her titled boss instead. ~ Sandra Brennan, All Movie Guide

Having built up the comedy team of Bert Wheeler and Robert Woolsey into a surefire box-office draw, RKO Radio was possessed with the notion to briefly split up the team, showcasing each actor in his own separate vehicle in hopes of doubling their profitability. Woolsey's first (and last) solo effort was Everything's Rosie, which though ostensibly a screen original by Al Boasberg was actually a rip-off of the 1923 W. C. Fields stage vehicle Poppy (in which Woolsey had played a featured role). The bespectacled, cigar-chomping comedian is cast as Dr. J. Dockweiler Droop, a crooked-yet-lovable sideshow medicine man. Rescuing a two-year old urchin named Rosie from her harridan of a mother, Doc Droop raises the girl as his own. By the time she reaches maturity, the lovely Rosie (played as an adult by Anita Louise) is every bit the sharpster that her "father" is. When Rosie falls in love with wealthy Billy Lowe (John Darrow), Doc tries his best to make a good impression at a party given by Billy's mother, only to end up in the calaboose when he's accused of theft. Realizing that he's a millstone around Rosie's neck, Doc quietly shuffles out of her life, but not before smoothing the romantic path for the hero and heroine. Funny though he was in the Wheeler and Woolsey comedies, Bob Woolsey simply wasn't a strong enough performer to carry a picture by himself -- though in all fairness, it should be noted that Bert Wheeler fared almost as badly in his solo RKO effort, Too Many Cooks. ~ Hal Erickson, All Movie Guide

A pre-Dagwood Arthur Lake plays a hapless hayseed who becomes a popular crooner in this fluffy musical comedy that begins during the robbery of a big-city radio station. There the gunman forces him to sing on the air. The audience loves him and he is an instant star. Delighted with his sudden success, the bumpkin sends for his beloved pumpkin back home so they can marry. The young singer's boss, afraid that married life will steal away his new-found gravy train, tries his darnedest to break the young lovers up and even convinces a seductress to ruin the youth. Look closely for John Wayne in a bit part. Songs include: "The Shindig," "Where Can You Be?" and "You May Not Like It But It's A Great Idea." ~ Sandra Brennan, All Movie Guide