Danielle Darrieux Movies

By the Pricking of My Thumbs director Pascal Thomas returns to the written word of Agatha Christie for inspiration, and the result is a lively whodunit centering on a deadly family gathering and the exquisite sleuthing skills of hyper-perceptive crime-fighter Superintendent Bataille. For the past twenty-odd years, elderly dowager Camilla Tresillian (Danielle Darrieux) has maintained a quiet existence in her sprawling mansion, where her every need is attended to by professional caretaker Marie-Adeline (Alessandra Martines) and stern-eyed personal maid Barrette (Carmen Durand). The familiar silence of Camilla's world is suddenly interrupted, however, when a series of relatives including her spendthrift nephew Guillaume (Melvil Poupaud) and his second wife Caroline (Laura Smet) are summoned to her mansion for a long overdue family gathering. Much to the Guillaume's dismay, his first wife Aude (Chiara Mastroianni) is also on the guest list, as is worldly adventurer Thomas Rondeau (Clement Thomas), who has always carried a torch for the pretty divorcée. Likewise, notorious ladies man Fred Latimer (Xavier Thiam) turns up casting a longing gaze at Caroline, and as the rest of the guests begin to arrive it becomes increasingly apparent that they all anticipate a hearty inheritance from their increasingly frail host. When Judge Trevoz (Jacques Sereys), a special guest of Camilla's, becomes the first victim in a painstakingly planned double homicide, it begins to appear as if Guillaume's greed has finally gotten the best of him. As with most well executed crimes, however, the truth is a far cry from initial appearances and fortunately Superintendent Bataille just so happens to be vacationing in the region. Now, as the clue-sniffing sleuth and his policeman nephew interrupt Camilla's party in hopes of ferreting out a killer, it quickly becomes apparent that everyone in the mansion has a motive for murder. ~ Jason Buchanan, Rovi

French filmmaker Josée Dayan directs the erotic drama Les Liaisons Dangereuses, based on the 18th century novel by Choderlos de Laclos and updated by screenwriter Eric-Emmanuel Schmitt. A co-production of France and Canada, this French-language television miniseries is reimagined with a swinging '60s setting. Madame de Mertueil (Catherine Deneuve) and Vicomte de Valmont (Rupert Everett) are a couple of wealthy and seductive aristocrats. Advancing in years, Mertueil grows jealous when she learns that her old flame Gercourt (Andrzej Zulawski) is planning to marry the much younger Cécile Volanges (Leelee Sobieski). The bored rich couple plot a scheme to have Valmont seduce Cécile before the wedding. Valmont also goes to visit Rosemonde (Danielle Darrieux) in Saint Tropez, where he meets the married woman Marie Tourvel (Nastassja Kinski). Featuring a musical score by Angelo Badalamenti and period costumes by Jean-Paul Gaultier. Les Liaisons Dangereuses premiered on U.S. television on WE: Women's Entertainment in March 2004. ~ Andrea LeVasseur, Rovi

A screwball comedy that covers one week in the lives of a group of Parisians, Ca Ira Mieux Demain relies on chance encounters between its characters to propel its plot. Included amongst the characters are two girls, Annie (Sophie Guillemin) and Marie (Isabelle Carre); Marie's mother Elisabeth (Jeanne Balibar); the bourgeois and anal-retentive Sophie (Nathalie Baye) and her husband Xavier (Jean-Pierre Darroussin); and the put-upon Franck (Didier Bezace), who is constantly being harangued by his wife, Celine (Nathalie Besancon), about his unhealthy eating habits. ~ Rebecca Flint Marx, Rovi

Based on a popular novel with the English title Devil in the Flesh by Alexandre Jardin, this little drama tells the story of Virgile (Thomas Langmann), a sixteen-year old boy who has grown tired of being a virgin, and decides to seduce Carla (Kristin Scott-Thomas), an older woman. Rather to his surprise, despite his callowness, she proves to be quite willing. One highlight of the film is the performance of veteran screen actress Danielle Darrieux as Virgile's grandmother, L'Arquebuse. ~ Clarke Fountain, Rovi

In a standard tale of intrigue and foul play, Michel Sauvage (Lambert Wilson) has just gotten away with murder and is now marrying rich heiress Ariane (Ingrid Held) in hopes of taking all she's worth. Unfortunately for Michel, the murder victim's hard-fisted, tippling neighbor Madam Krantz (Danielle Darrieux in a great comic performance) has just blown into Paris with the intention of tracking down the killer. On one hand, Michel has to defend himself from her prying, and on the other, protect his wife's fortune from the increasingly attractive and avaricious Helene, Ariane's half-sister (Dominique Sanda). ~ Eleanor Mannikka, Rovi

In the style of an operetta, like director Jacques Demy's more famous film the Umbrellas of Cherbourg, this melodramatic story is set in Nantes in 1955 and centers around the tragedies of three or four intertwined lives. First, there is the young steel worker (Richard Berry) who is out on strike and has rented a room from an upper-class widow (Danielle Darrieux), a woman in sympathy with the strikers. The blue-collar worker has a girlfriend he finds less and less interesting just as she is more and more pregnant, and their relationship seems fated to end, one way or another. Then there is Edith (Dominique Sanda), the daughter of the widow, married to a wealthy, impotent, skinflint of a merchant caught up in his own neuroses, and, whether for that reason or several others, Edith is a part-time hooker. One evening she shows up in the worker's rented room, wearing a fur coat and nothing else -- and the two share a night of passion. Now mother, daughter, the worker, and the daughter's husband have formed a very unstable chain of relationships, due to snap because at least one link is exceedingly weak. Enhanced by excellent choreography, this film still did poorly at the box office when it was first released. In order to save it and encourage audiences to see it for its own merits, 76 French critics took out an ad in Le Monde to promote the film, and some critics said that if this movie failed, so would all of French cinema. Perhaps it is not surprising then that Chambre En Ville won the French Critics' Prix Méliès in 1982. ~ Eleanor Mannikka, Rovi

In this caper comedy, Jean Gabin plays Lambert, an escaped convict in search of some robbery money he hid a long time ago. He and a companion, disguised as priests, take a plane into Rome. On the way their plane is hijacked, and, in order to get to their money, they must stop the hijacking. ~ Clarke Fountain, Rovi

Alice (Danielle Darrieux), a widowed Frenchwoman, goes on a vacation to Italy. Upon her return, she relates the particulars of her holiday. Within a 24-hour time frame, Alice gets on the wrong boat, winds up in Switzerland where she whiles away the hours at a casino, meets a handsome young German army deserter named Thomas (Robert Hoffman), spends the night with her new acquaintance, pays his sizeable gambling debts, and helps him elude the authorities. When they part, Thomas promises Alice that he'll give up gambling, but as the 24 hours draw to a close, Alice is heartbroken to discover that she's misjudged the insensitive Thomas. This melancholy fable was based on a short story by Stefan Zweig. ~ Hal Erickson, Rovi

Jacques Demy directed this frothy tribute to the Hollywood musicals of the 1940s, a follow-up to his earlier success The Umbrellas of Cherbourg (1964). Twin sisters Delphine and Solange (played by real-life sisters Catherine Deneuve and Françoise Dorleac) live in the small coastal town of Rochefort, where they run a school teaching dancing and music. Both feel frustrated in Rochefort, and they dream of travelling to Paris, where they believe romance and opportunity awaits them. Meanwhile, their single mother, Yvonne (Danielle Darrieux), who runs a cafe in town, pines for her lost love, Simon (Michel Piccoli). One day, one of Yvonne's regular customers, a sailor with an artistic bent named Maxence (Jacques Perrin), shows her a painting of the imaginary girl of his dreams, and she looks just like Delphine, whom he's never met. Meanwhile, Simon has returned to Rochefort, bringing with him a close friend, American pianist Andy Miller (Gene Kelly); Simon has made friends with Solange and introduces her to Andy, who immediately falls in love with her. Sadly, Les Demoiselles de Rochefort was Françoise Dorleac's last film; she died in an auto accident shortly after completing the picture. ~ Mark Deming, Rovi