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Candy Darling Movies

2010  
 
Born in a Long Island suburb in 1944, James Slattery immediately felt drawn to the feminine side of life -- to such a degree that he established himself as one of the most iconic of all female impersonators, Candy Darling. As given life by Slattery, this young, sexy, and alluring blonde actress single-handedly overtook Manhattan. She attained her greatest recognition for her portrayals in two Paul Morrissey-directed films: Flesh (1968) and Women in Revolt (1971), both produced by Andy Warhol. Mainstream stardom soon beckoned to Darling, but aside from bit appearances in such productions as Klute (1971) -- and playwright Tennessee Williams's decision to cast her in a production of his Small Craft Warnings -- she continued to suffer from marginalization. Internally, if Darling suffered from an intense and bitter loneliness that propelled her into a life-long search for love, she also wielded boundless courage -- the same courage that enabled her to transform herself from a Long Island-bred young man into a Manhattan glamour goddess. Tragically, she died of lymphoma at age 29, soon after attaining stardom. James Rasin's documentary Beautiful Darling pays unfettered tribute to Darling's all-too-brief life and career, with a combination of current and vintage interview material, rarely seen archival photos and footage, and extracts from Darling's movies. Rasin weaves much of the material around the theme of fidelity to one's true self and deepest convictions, as exemplified by Darling. Morrissey executive produced. ~ Nathan Southern, Rovi

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1973  
R  
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The secrets of a small New England town are violently exposed on Christmas Eve in this proto-slasher shocker. The owner of the long-abandoned Butler estate is desperate to sell, and dispatches his lawyer from New York to negotiate its purchase by the town council. Meanwhile, an inmate from a nearby insane asylum breaks loose and makes his way to the old mansion to take bloody revenge for a crime kept hidden for 35 years. The maniac makes mysterious phone calls to various prominent citizens, telling them that "Marianne" has returned, and lures each to the Butler house to meet their doom. The mayor's daughter, Diane, receives a visit from a man who claims to be Jeremy Butler, the mansion's owner, in town to investigate his lawyer's disappearance. Together they attempt to unravel the sinister mystery of the Butler house, which turns out to be a harrowing tale of incest, insanity and mass murder. Cult favorites Mary Woronov and John Carradine are featured in the cast of this eerie thriller, which also includes cameos from Warhol Factory legends Candy Darling and Ondine. ~ Fred Beldin, Rovi

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1972  
 
The well-known short-story writer Ring Lardner, Jr. wrote the screenplay for La Mortadella, an Italian/French production with mostly English dialogue. The story concerns the difficulties and reactions of Madelena (Sophia Loren), an Italian visitor to New York City. She has come to the country carrying a huge mortadella sausage which she intends as a gift for her fiancé. U.S. Customs has other ideas, however, and she is detained until she hits upon the idea of sharing the offending foodstuff with the customs officers. Finally allowed entry into the U.S., she grows disenchanted with her fiancé and other men she meets and is only with difficulty able to make her escape to a more agreeable location. ~ Clarke Fountain, Rovi

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1972  
 
In Warhol/Morrissey collaborations, such as this spoof of porn films, it is often more useful to describe the personalities shown on the screen, than to try to describe the story. All the women in this film are desperately tired of men. All of them are transvestites. Some of them are very improbable transvestites, such as Jackie Curtis, who has a booming bass voice. Others are so decadent that their gender is immaterial. Holly Woodlawn is an example of this ilk. However, whatever story there is devolves around the ambitions of poor little rich "girl" Candy Darling, who wants to be a film star, but must spend most of her time fending off the unnatural attentions of women's libbers. The actors, whose material is improvised, are occasionally quite witty, and the sendups of sex scenes and Darling's experiences on the casting couch show a good satirical sensibility. ~ Clarke Fountain, Rovi

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1971  
R  
With a storyline evocative of the previous year's smash gay-themed The Boys in the Band, this drama centers on a varied group of homosexuals who meet in a New York bar on a Christmas Eve to talk about their lives, their travails, and relationships. ~ Sandra Brennan, Rovi

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1971  
 
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Andy Warhol produced this mordant satire of the women's movement, directed by Paul Morrissey and staring a trio of female impersonators. Candy (Candy Darling) is an aloof heiress caught in an unhappy relationship with her brother. Jackie (Jackie Curtis) is a virginal intellectual who believes that women are oppressed in contemporary American society. And Holly (Holly Woodlawn) is a nymphomaniac who has come to loathe men, despite her attraction to them. Together, they join a militant feminist group, P.I.G. (Politically Involved Girls), but their newfound liberation doesn't make them any happier; Jackie gets mixed up with a male hustler and winds up as an unwed mother, Holly becomes a homeless alcoholic, and Candy tries to make a go of show business via the casting couch. Several other Warhol/Morrissey "superstars" appear in supporting roles, including Jane Forth, Geri Miller, and Maurice Braddell. ~ Mark Deming, Rovi

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1968  
 
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Flesh was filmmaker Paul Morrissey's first production for Andy Warhol. The story concerns a bisexual hustler (Joe Dallesandro) who does tricks so that he can pay for his wife's lover's abortion. The film made headlines when it was confiscated by the police during one of its earliest showings in 1970. Though this event is unlikely to repeat itself, Flesh is still explicit enough to elicit gasps from even the most jaded of underground-film enthusiasts. ~ Hal Erickson, Rovi

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Starring:
Joe DallesandroGeraldine Smith, (more)