Bobby Darin Movies

Darin and friends perform music and discuss Kennedy's inauguration. ~ All Movie Guide

Bobby Darin is one of the most admired vocalists of the fifties, sixties, and seventies. This disc contains a 1973 television special that is presented for the first time uncut. Darin performs over a dozen songs including such classics as "If I Were a Carpenter," "Midnight Special," "Beyond the Sea," and the classic "Mack the Knife." The special gains poignancy when one considers that Darin would pass away (at the age of 37) less than a year after this show originally aired. ~ Perry Seibert, All Movie Guide

Linda Ronstadt and George Burns join Darin in this TV special featuring his hits. ~ All Movie Guide

Rock Hudson stars in this frothy romantic comedy as filthy-rich American Robert Talbot. Talbot owns an Italian villa, where he traditionally stays only one month out of the year (September), but when Talbot suddenly decides to show up in July, Talbot's major overseer Maurice (Walter Slezak) is shocked out of his skin to see him -- it seems that Maurice has turned Talbot's villa into a hotel for the remaining eleven months of the year. But it's July in Italy, and love is in the air, and Talbot becomes distracted by the beautiful Lisa (Gina Lollobrigida) and soon he is trying to prevent her from marrying another man. Sandra Dee and Bobby Darin (in his first screen role) play young guests of the villa. ~ Paul Brenner, All Movie Guide

Don Siegel's only war film and unfortunately his only teaming with Steve McQueen, an actor whose rebellious persona jibed well with the director's vision, it puts the star in the familiar role of antihero. His character, Reese, is an embittered G.I. who has just been sent back to join his war-weary unit holding down a position opposite a pillbox on the Siegfried Line in Belgium. Recently demoted back to private from staff sergeant for drinking, he chafes under all authority, and is a pariah to fellow grunts, despite their awareness of his extraordinary courage in battle. A natural leader, he persuades his sergeant (Harry Guardino) to implement a plan he's formulated to keep the Germans at bay by making them believe that the small outfit is larger than it is. While this is temporarily effective, Reese knows that it's only a matter of time before the enemy discovers the truth, and takes it on his own authority to lead an attack on the well-defended pillbox, although his unit has been assigned only to hold their ground. ~ Michael Costello, All Movie Guide

This lightweight, nearly zero-gravity comedy by director Henry Levin relies on a novel by a male writer and a script by another man to come up with a nearly offensive story (in these more enlightened times) about how a woman can lie, manipulate, and generally deceive her husband, all in the "art" of hanging on to him. Sandra Dee is Chantal, married to Eugene (Bobby Darin, Dee's real-life husband), but first comes the story of how she hooked him. Next, comes the story of how he is trained to be a perfect husband, and then the final installment is unveiled. She uses a variety of tricks to keep him wondering whether or not he can trust her. For example, Chantal's mother calls her and "if a man answers" she hangs up, leaving the unhappy husband to think his wife has a clandestine lover. The premise that a woman's only role in life is to get and hold a husband has thankfully undergone a few revisions since 1962. ~ Eleanor Mannikka, All Movie Guide

Judy Garland: Duets collects several television appearances by the singer in which she performs with fellow celebrities. The release includes collaborations with Dean Martin, Frank Sinatra, Barbra Streisand, Bobby Darin, and Lena Horne. ~ Perry Seibert, All Movie Guide

Sing the classics with this karaoke sampler. Selections include Everybody Loves Somebody, Mona Lisa, My Favorite Things, On the Sunny Side of the Street, Amazing Grace and I'll Be Home for Christmas. ~ Mark Deming, All Movie Guide

Unable to get through to a particularly hostile patient, psychiatrist Peter Falk goes to gray-haired senior shrink Sidney Poitier for advice. This prompts Poitier to recall his experiences during World War II. While working on behalf of the government, Poitier was assigned the case of psycho Nazi sympathizer Bobby Darin. A complex flashback structure reveals the various influences that led to Darin's warped state of mind and to his life of crime. Poitier perceives that Darin is potentially dangerous, and insists that he needs further treatment. The government sees things differently, and allows Darin, who on the surface shows signs of recovery, to leave the hospital. The horrible results of this decision serve to convince Poitier to follow his own gut feelings no matter what his fellow "experts" might advise, and to continue probing even the most recalcitrant or deceptively "cured" of patients. Essentially a conformist psychological melodrama, Pressure Point truly comes to life whenever Bobby Darin is on the screen. His performance was outstanding, far better than his Oscar-nominated turn in 1963's Captain Newman MD. Unfortunately, the critics were aligned against Darin, possibly because of the singer/actor's well-publicized arrogance; Judith Crist went so far as to compare Darin to Dr. Samuel Johnson's walking dog, quipping that the most remarkable aspect of Darin's performance was not that he did it well, but that he did it at all. ~ Hal Erickson, All Movie Guide

This is the third time around for the Rodgers and Hammerstein musical. The action takes place in urban Texas instead of the traditional setting in rural Iowa. This film version contains five extra songs written exclusively by Richard Rodgers. Box office results were adequate at best, and movie going public deemed this version the least interesting of the three. The youth audience was lured by the casting of Ann-Margaret, Pat Boone and Bobby Darin. Alice Faye returned to the big screen after a sixteen year absence as Melissa Frake. Tom Ewell plays her husband, Abel. The plot finds a family traveling to Dallas for the Texas State Fair. Singing commences on the ferris wheel, the merry-go-round and in other locales. The only real action is the anticipation of a drag race between Wayne (Pat Boone) and the carrot topped, malevolent motorhead Red (Edward "Tap" Canutt). ~ Dan Pavlides, All Movie Guide

In this romantic comedy, an aspiring actress pays her bills by working as a maid for various households. One of her employers is a wealthy and prominent publisher. After accidentally running into each other a number of times on the New York streets without recognizing each other, they begin to fall in love. She wants to take him home, but she is ashamed of her humble quarters. Believing that the publisher is out of town, she decides to take the lover to that apartment and pretend that it is hers. The lover/ publisher did have a business trip, but it was canceled. He decides to go along with her ruse and pretends that he has never been in his own apartment before. The trouble is, he now has no home to go home to; instead, he begins bunking with his business partner. In the end, both would-be lovers learn the truth, but they still refuse to tell each other that they know. Things get a little crazy, especially when the maid has all her girl friends dress up as hookers and come for a wild party at his apartment. He has the last laugh when they end up in jail. ~ Sandra Brennan, All Movie Guide

Suburban housewives console themselves with pills and alcohol to tolerate their spouses' infidelities in The Happy Ending. Mary Wilson (Jean Simmons) is married to Fred (John Forsythe) and she prepares for their 16th wedding-anniversary party with tranquilizers and booze. The guests are clients of Fred's, a successful tax attorney. Harry (Dick Shawn) and wife Helen (Tina Louise) are two of the guests. Helen offers herself to Fred, as Mary entertains thoughts of bedding down with the playboy Sam (Lloyd Bridges) or a young gigolo (Bobby Darin). Agnes (Nanette Fabray) is the level-headed housekeeper who wryly observes the proceedings, and Shirley Jones is on hand as one of the guests. Mary ends up in the hospital in need of a stomach pump after a half-hearted suicide attempt. After the incident, her incredulous husband shallowly suggests that she needs a hobby. All is not well in the suburban Shangri-La in this feature, that tends to sympathize with the female characters. ~ Dan Pavlides, All Movie Guide