Frank Fenton Movies

Action specialist B. Reeves Eason cools his jets as director of Behind Jury Doors. William Collier Jr. plays a hotshot reporter assigned to cover the murder trial of a prominent doctor. Once he meets the doc's pretty daughter Helen Chandler, Collier vows to prove the defendant's innocence. Problem is, someone on the jury has been bribed...maybe. Behind Jury Doors was one of the more polished productions to emerge from poverty-row Mayfair Studios. ~ Hal Erickson, All Movie Guide

Wild and Woolly stars young Jane Withers as a hoydenish resident of a modern frontier town. Revelling in the town's 50th anniversary celebration, Jane is brought down to earth by the long-standing feud between her ex-desperado grandfather (Walter Brennan) and a pompous politician (Berton Churchill). The two oldsters challenge one another to a shootout, but at the last moment grandpa Brennan decides not to show up. Branded a coward, Brennan redeems himself by foiling a bank robbery scheme which has been overheard by Jane. If for nothing else, Wild and Woolly is memorable for teaming Jane Withers with Our Gang stalwart Carl Switzer. ~ Hal Erickson, All Movie Guide

This early feminist tale was a box-office flop that was released after years of script doctoring. Producer Samuel Goldwyn insisted that the story be made into film, because he wanted to pair his romantic stars Joel McCrea and Miriam Hopkins for a fifth time. Hopkins plays Virginia Travis, an architect who is chafing at the gender bias keeping her career in check. She approaches an aging, inept real estate developer, B.J. Nolan (Charles Winninger), promising to turn his latest suburban housing project into a winner. But Nolan is in debt, and his millionaire son Kenneth (McCrea) won't loan him any money. Virginia recruits two movie theater ushers to pose as the elder Nolan's servants in order to convince Kenneth that his dad is on the road to success. Virginia must also defeat Nina Tennyson (Leona Maricle), an attractive woman who is after Kenneth's money. Virginia gets Kenneth drunk and then has him sign a contract that will rescue the housing development. As they transact business, they fall in love. ~ Michael Betzold, All Movie Guide

The owner of a racehorse, the owner's lovely niece and a jockey must deal with a number of travails before the big race in this comedy. The uncle must win so he can afford to keep the bank from foreclosing on his horse farm. Unfortunately, his horse breaks his leg and all seems to be lost. Fortunately the girl finds a clever veterinarian who uses a new technique to repair the leg and therefore save the farm. ~ Sandra Brennan, All Movie Guide

While New York Sleeps is when fast-talking reporter Barney Callahan (Michael Whalen) prowls the night beat for a great metropolitan newspaper. At present, Callahan is trying to find out who's responsible for a series of baffling murders. The victims were all bond carriers, and the cops have already targeted the most likely suspects. With the help of photographer Snapper Doolan (Chick Chandler), Callahan bypasses the Obvious and goes after the least likely suspect-who, of course, is the guilty party. When not on the job, Callahan relaxes by romancing long-legged showgirl Judy King (Jean Rogers), as good an excuse as any for an extended nightclub musical number. ~ Hal Erickson, All Movie Guide

In this adventure, set in Shanghai, a gunrunner gets entangled with a conspiracy to deliver customs certificates. Unfortunately, his contact has died and the money has disappeared. He being pursued by other smugglers when Japanese bombs are dropped. He is saved from the firestorm by a French singer. Together they flee the city and board a refugee ship. ~ Sandra Brennan, All Movie Guide

In this fourth film in RKO's series based on Leslie Charteris' modern Robin Hood "The Saint", George Sanders plays Simon Templar, alias the title character. The Saint's quarry is a ring of gamblers who have been fixing horse races. Inspector Fernack (Jonathan Hale), the Saint's friendly adversary, has been accused of accepting bribes to cover up the crooks' activities, prompting our hero to try to clear Fernack's reputation. Aided by his girlfriend (Wendy Barrie) and petty criminal Pearly Gates (Paul Guilfoyle), the Saint routs the gamblers, but not before nearly losing his own life. George Sanders would play the Saint twice more before leaving the series to become The Falcon, a Saint-like sleuth in another of RKO's B-picture series. ~ Hal Erickson, All Movie Guide

Dumb but honest insurance agent Henry Twinkle (Lew Ayres) is in love with Mary Blake (Rita Johnson), the secretary of Henry's boss. To impress Mary, Henry sells a huge policy to wealthy Gus Fender (Lloyd Nolan), who turns out to be a notorious gangster on the lam from the law. If he wants to save his job, Henry will have to protect Fender from being killed. After a series of hair-raising adventures, hapless Henry ends up collecting the reward money for Fender's capture, only to be duped into turning it all over to the gangster for bail money. Saving Henry's hide-and his relationship with Mary-is a share of seemingly worthless stock which unexpectedly pays off big-time. ~ Hal Erickson, All Movie Guide

When the film rights to its "Saint" series proved too expensive to renew, RKO Radio came up with a lookalike property in the form of "The Falcon", even engaging George Sanders, the best of the "Saint" impersonators, to play the studio's newest gentleman detective. The Gay Falcon opens as Gay Lawrence (Sanders) -- aka the Falcon -- is hired to guard a priceless diamond. When the owner of the gem is murdered, suspicious immediately falls upon Lawrence's ex-con chauffeur Goldie (Allen Jenkins). Two more killings occur before Lawrence is able to uncover the insurance scam behind it all. Along the way, he romance a pair of toothsome leading ladies, Helen (played by series regular Wendy Barrie) and Elinor (Anne Hunter). Hans Conried contributes a sparkling bit as a snide police sketch artist. ~ Hal Erickson, All Movie Guide

The plot of the RKO Radio programmer The Falcon Takes Over will be instantly recognizable to anyone who has seen the 1944 Philip Marlowe mystery Murder My Sweet: indeed, both films were based on the same Raymond Chandler novel, Farewell My Lovely. It all begins when brutish prison escapee Moose Malloy (Ward Bond) forces nervous Broadwayite Goldie Locke (Allen Jenkins) to drive him to a posh nightclub, where Moose hopes to be reunited with his old girlfriend. Unable to find his elusive sweetheart, Moose tears the joint apart, obliging Goldie to flee for his life. As it happens, Goldie is the assisant of private eye Gay Lawrence (George Sanders), aka The Falcon, who has been hired by foppish socialite Lindsey Marriot (Hans Conried) to ransom a necklace stolen from Marriot's lady friend Diane Kenyon (Helen Gilbert). Shortly afterward, Marriot is murdered, and the Falcon discovers that there's an inextricable link between the dead man and the inimitable Moose Malloy. The rest of the film follows the plot convolutions set down by Chandler in Farewell My Lovely, carefully retailed to suit the breezy urbanity of George Sanders as the Falcon. Though Murder My Sweet is the better of the two versions of the Chandler novel, The Falcon Takes Over has a few advantages of its own, notably the casting of future Oscar winner Ann Revere as blowzy murder suspect Jessie Florian. ~ Hal Erickson, All Movie Guide

Bob Hope's first starring vehicle for producer Sam Goldwyn borrows the title of Bob's 1942 autobiography They Got Me Covered and very little else. Co-scripted by Leonard Q. Ross (aka Leo Rosten), Leonard Spigelgass and Harry Kurnitz (among many others!), the film casts Hope as Robert Kittredge, the Moscow correspondent for a major American news service, who is fired when he neglects to file a report about Hitler's invasion of Russia. Hoping to get back in the good graces of his boss Norman Mason (Donald MacBride), Kittredge steals another reporter's story about a Nazi spy ring operating in New York. Though officially a comedy, the film is curiously unfunny at times, with Hope playing an unsympathetic, unappealing character who'll step on anyone -- including his long-suffering sweetheart (Dorothy Lamour) and a hysterical kidnap victim (Phyllis Povah) -- to get ahead. Otto Preminger is funnier (perhaps intentionally) as the head Nazi. A few good gags notwithstanding, They Got Me Covered is nowhere near as satisfying as Hope's second Goldwyn effort, The Princess and the Pirate. ~ Hal Erickson, All Movie Guide

In this drama a big-city reporter moves to a tiny town to begin running the newspaper he half-owns. His in-your-face reporting style does not make him very popular; especially when he begins causing trouble for the incumbent mayor's opposition. It is the candidate's pretty niece who teaches the arrogant journalist a valuable lesson. ~ Sandra Brennan, All Movie Guide