Jesse Wayne Movies

If a comedy is to be made from the plight of the homeless, who have to scrape through their days returning deposit bottles and cleaning car windshields to get their daily bread as the rich get richer and more heartless, it may as well be Mel Brooks' Life Stinks. The trademark Brooks humor dominates this fable about a ruthless billionaire, Goddard Bolt (Mel Brooks), who wants to obliterate a poor section of Los Angeles and build a high-tech commercial center in its place. His only problem is that he owns only half the land needed for the construction, the other half belonging to equally ruthless billionaire Vance Craswell (Jeffrey Tambor), who has his own ideas for the land. The two try to buy each other out until, finally, a deal is struck: Craswell bets that Bolt cannot survive a month on the streets as a homeless man. If Bolt makes it, he gets the property. If he doesn't, Craswell gets it. Bolt agrees and, as a poor man, he begins to feel the pain of being uprooted and alone, even meeting a friendly homeless woman, Molly (Lesley Ann Warren) with whom he forms an attachment. ~ Paul Brenner, All Movie Guide

A space bum helps rescue a princess from an evil overlord with the help of a benevolent elder in this Star Wars send-up written and directed by Mel Brooks. Lone Starr (Bill Pullman) and his half-man, half-dog co-pilot, Barf the Mawg (John Candy), are content to scour the galaxy living the easy life. But they reluctantly come to the rescue when Druish Princess Vespa (Daphne Zuniga) is threatened by the evil Lord Dark Helmet (Rick Moranis), who wants to steal all of the air from her planet, Druidia. Trapped on a harsh desert world with Vespa and her robot chaperone, Dot Matrix (voice of Joan Rivers), Lone Starr and Barf are helpless to prevent Helmet from kidnapping the girl. But assistance arrives in the form of Yogurt (Brooks), a wizard who turns Lone Starr on to a mysterious power known as The Schwartz. Catching up with Helmet just as he's transforming his spaceship into a giant vacuum cleaner in orbit around Druidia, the reluctant heroes stage a dramatic showdown. Although it borrows most of its plot from the Star Wars series, Spaceballs also pokes fun at Star Trek, Snow White, and Planet of the Apes -- as well as the entire videocassette and movie marketing industries. The large supporting cast includes Dick Van Patten, Jim J. Bullock, and the voice of Dom DeLuise. John Hurt makes a cameo in a parody of the exploding chest scene he played in Alien. ~ Brian J. Dillard, All Movie Guide

This enjoyably sleazy action film stars Fred Williamson as Jake Turner, a burglar who also happens to be an ex-con and a former Green Beret. When Turner's drug-addicted wife dies, he begins murdering the dealers and mobsters whom he holds responsible, including genre favorite Joe Spinell (Maniac). Turner does a bit more traveling than the usual revenge-movie hero, spilling blood in Chicago, Las Vegas, and Italy as well as Los Angeles. Christopher Connelly co-stars with crime-movie veterans Val Avery and Cameron Mitchell. ~ Robert Firsching, All Movie Guide

In this sci-fi western four bank robbers and the sheriff that pursues them find themselves suddenly transported from the Old West into modern Houston during a tremendous electrical storm. ~ Sandra Brennan, All Movie Guide

Explorers turns out to be much ado about nothing, but it's so sublimely assembled we're willing to overlook the sappy climax. Young sci-fi geek Ben Crandall (Ethan Hawke) (could he possibly be based on director Joe Dante?) would give anything to travel in space. Thanks to his computer-happy pal Wolfgang Muller (River Phoenix), Ben gets his wish, together with best bud Darren Woods (Jason Presson). In the Great Beyond, the boys encounter an extraterrestrial (Robert Picardo), whose knowledge of earth is limited to what he's gleaned from 1960s TV sitcoms (this is unusual?) Lots of outer-space fun ensues before the film's inevitable downward spiral. Moderately successful in theatres, Explorers had a healthy second life on video and cable TV, especially after director Dante rethought the film and rearranged a few scenes for better dramatic (and comic) impact. ~ Hal Erickson, All Movie Guide

This routine film catalogues what happens to a teen's life when he is wrenched from an easy existence in affluent, East Coast suburbia and dropped into the lean, mean streets of a downscale L.A. suburb. James Spader is Morgan Hiller, displaced with his parents and brother when his father loses some of the wealth to which they were accustomed and the family moves to California. Morgan soon attracts Frankie (Kim Richards), the girlfriend of Nick (Paul Mones), a high school tough who does not appreciate Frankie's change of heart. The antagonism between Morgan and Frankie mounts as they both approach a high-noon showdown. Aside from some musical numbers which seem to have wandered in from another film about teen singers and dancers, the story is compelling and the film is notable for one of the early performances of Robert Downey in a subsidiary role. ~ Eleanor Mannikka, All Movie Guide

Navin Johnson, the consummate idiot, returns in this remake of Steve Martin's popular 1979 film The Jerk. As in the first, Johnson, the lily white adoptee of a black sharecropper sets out across the country in search of true love. This version was designed as a pilot for a TV series that never materialized. ~ Sandra Brennan, All Movie Guide

"I'm in love with a mermaid!" read the opening line of Leonard Maltin's original review for Splash. And with the delightful Darryl Hannah in the lead, who could fault Maltin for his public declaration of ardor? The story begins in 1959, when a young boy is rescued from a watery grave by an adolescent mermaid. Twenty-five years later, the boy has grown up--and lo and behold, it's Tom Hanks. Meanwhile, the mermaid, likewise grown up, has surfaced in search of Hanks, her long-lost love. On dry land, the mermaid is able to walk about on legs; any contact with salt water, and she reverts to her half-fish form. Adopting the name of Madison from a New York street sign, the girl manages to win Hanks' heart. Alas, a secret government lab, populated by such smarmy types as Richard B. Shull and Eugene Levy, captures Madison for research purposes--and possible vivisection. Egged on by his brother John Candy, Hanks rescues his beloved, joining her in the ocean depths as a mer-man (mer-fellow? mer-guy?) A captivating confection from the peerless creative team of director Ron Howard and screenwriters Lowell Ganz and Babaloo Mandel, Splash was a winner all the way--especially at the box office, where the $11 million film racked up a huge profit. Historical sidebar: Splash was the first release from Disney's Touchstone Pictures division. ~ Hal Erickson, All Movie Guide

In this comedy, a clumsy newspaper reporter visits her uncle's lab, accidently spills chemicals on herself, and finds herself invisible. She then uses her opaque state to get the scoop on a major art heist. ~ Sandra Brennan, All Movie Guide

Tommy Lee Jones won an Emmy for his searing performance as wanton killer Gary Gilmore in The Executioner's Song. The film covers the last nine months of Gilmore's life, beginning with his release from prison in 1976. Linking up with teen-age divorcee Nicole Baker (Rosanna Arquette), Gilmore makes a half-hearted effort to go straight, but ends up embarking on a robbery spree that culminates in two cold-blooded murders. Arrested and sentenced to be executed, Gilmore insists upon being put to death (Utah law required a firing squad for this); he spends his final days as a poster boy for anti-death penalty activists and as a "client" for an entrepreneur (Steven Keats) who wants to make a film of Gilmore's life. Adapted by Norman Mailer from his own book, The Executioner's Song originally aired in two parts on November 28 and 29, 1982. It has since been boiled down to a 97-minute theatrical film for European consumption, with additional scenes of violence and nudity. ~ Hal Erickson, All Movie Guide