Roy Goddard Movies

The Carry On series is living on fumes in this late entry. An unofficial burlesque of the Emmanuelle series (albeit with a single modification: the spelling of the name was changed to 'Emmannuelle' to avoid legal complications), the film centers upon Emmannuelle Prevert (Suzanne Danielle) and her unsuccessful attempts to make love to her husband Emile (Kenneth Williams), a French ambassador. Emile grants Emmannuelle permission to bed down with anyone she likes and her prodigious intercourse rate turns her into a celebrity and a frequent talk show guest. Meanwhile, Theodore Valentine (Larry Dann) is hopelessly in love with her and wants to marry her. Emmannuelle, however, is obsessed with arousing her husband Emile's sexual desire at almost any cost. ~ Paul Brenner, Rovi

This drama is comprised of two short films originally made to be shown on British television. The first short is the story of a scientist who invents a miraculous new drug that no one pays attention to. Distraught, the scientist is just about to end his life when his drug saves a child's life. In the second drama, the patriarch of an Irish family falls for the mechanisms of a con artist and threatens to squander the family savings on the foolish scheme. ~ Sandra Brennan, Rovi

Morning Departure isn't about a commuter train but instead the story of an imperiled submarine. On a routine postwar mission, the sub strikes a forgotten mine and sinks to the bottom. The twelve-man crew comes face to face with the probability of permanent entombment and eventual suffocation; the tension is sharpened when it is learned that eight of the men will be able to escape, but four will have to stay behind. The film concentrates on the wildly varying reactions of the officers and crew, from stiff-lipped stoicism to raving lunacy. Based on a play by Kenneth Wooland, Morning Departure was released in America as Operation Disaster. ~ Hal Erickson, Rovi

His Hollywood career a thing of the past, director Herbert Brenon returned to his native England in 1934, where he continued making films until his retirement in 1940. Brenon's first project upon his arrival in London was the feature-length documentary Royal Cavalcade. Covering a 25-year period, the film is an encapsulation of the comings and goings of the British empire since the 1910 coronation of King George V. The highlights, drawn from the newsreel files of several English and European archives, include Captain Scott's arrival at the South Pole (and the tragic aftermath), the First World War, the Roaring 20s, and the Depression. Of special interest to show-biz buffs is the footage of the first Royal Command Performance at the Palace in 1911, featuring such matchless performers as Anna Pavlova and George Robey. ~ Hal Erickson, Rovi