Zane Grey Movies

Based on a Zane Grey novel published over a decade after the author's death, The Maverick Queen stars Barbara Stanwyck in the title role. As head of the outlaw gang called The Wild Bunch, Kit Banion (Stanwyck) wreaks havoc on the banks and railroads of the West. Pinkerton detective Jeff (Barry Sullivan) infiltrates the gang, falling in love with Kit along the way. Inevitably, one of the main characters expires in the other's arms, bringing this thrilling western to a poignant conclusion. Of interest to western buffs are the decidedly unsympathetic portrayals of gang members Butch Cassidy (Howard Petrie) and the Sundance Kid (Scott Brady). In the manner of High Noon, the film's continuity is tied together with a western ballad, written by Ned Washington and Victor Young and sung by Joni James. The Maverick Queen was Republic's first widescreen effort, lensed in a now-forgotten process called Naturama. ~ Hal Erickson, Rovi

The oft-filmed Zane Grey yarn The Vanishing American is given respectful treatment in this Republic "A" production. Eliminating Grey's premise that the American Indian's downfall was all part of Nature's scheme of things, the film begins in the late 19th century, with Scott Brady starring as Navajo protagonist Blandy. Embittered not only by deceitful whites but also by renegade Apaches, Blandy hopes to prevent further decimation of his people by stemming the activities of crooked Indian agent Blucher (Gene Lockhart) and duplicitious trader Morgan (Forrest Tucker). Blandy's allies include white landowner Marian Warner (Audrey Totter), whose open rangeland is dearly coveted by the nefarious Blucher and Morgan. Among the genuine Native Americans making cameo appearances are Jay "Tonto" Silverheels and Charles Stevens. ~ Hal Erickson, Rovi

RKO Radio's "Zane Grey" western series came to an end with the eighth entry, Wild Horse Mesa. Tim Holtstars as a cowboy who earns his keep by rounding up wild mustangs. When his boss is murdered after selling the horses, our hero and his Irish-Mexican sidekick Chito Rafferty (Richard Martin) try to find out who's responsible. It would spoil the viewer's fun to reveal the identity of the killer, but it can be noted that the film's leading lady is the lissome Nan Leslie. Wild Horse Mesa had been previously filmed in 1925 (with Tim Holt's father Jack), then again in 1933. ~ Hal Erickson, Rovi

Based on Zane Grey's 1922 novel To the Last Man, filmed previously by Paramount in 1923 and 1934, this fine RKO Western marked the return to his home lot of Tim Holt after a stint in the Army Air Corps. Returning to his Arizona homestead, Marvin Hayden (Holt) lands in the middle of the age-old feud between the Haydens and the Jorths, both families accusing the other of murder. The feud, however, has been engineered by someone else entirely and when the dust settles, Marvin announces his engagement to Ellen Jorth (Martha Hyer). Although both were ostensibly based on Zane Grey novels, Thunder Mountain bears no resemblance to the 1935 George O'Brien oater of the same title. ~ Hans J. Wollstein, Rovi

Zane Grey, that bottomless bounty of inspiration for Hollywood westerns, wrote the novel upon which Gunfighters was based. Randolph Scott stars as a gunslinger who's vowed to kill no more. He goes to work for a land baron (Griff Barnett) who's been driving out neighboring ranchers by fair means and foul. The baron's nice daughter (Dorothy Hart) falls for Scott, while the girl's nastier sister (Barbara Britton) is obsessed by her father's vicious henchman Bruce Cabot. Scott eventually chooses the right side in the ranch war, leading to a showdown with Cabot--and the breaking of his vow to never again fire a gun. Gunfighters was photographed in Cinecolor, a process that produced pleasing reds and blues but ignored yellows and greens. ~ Hal Erickson, Rovi

Filling in for RKO's Western ace Tim Holt, who was fighting the war in Europe, a young Robert Mitchum starred in this fine version of Zane Grey's 1937 story of a wild and woolly West. Ordered by his doctor to get some exercise, Chicago meatpacking king Col. Lamberth (Thurston Hall) reluctantly travels west to his Texas hacienda accompanied by his headstrong daughter Rill (Barbara Hale) and her Parisian maid Suzanne (Rita Corday). En route, they witness the killing of a stagecoach driver (Bill Williams), a crime blamed on Pecos Smith (Robert Mitchum), but actually committed by a gang headed by Brad Sawtelle (Harry Woods). Rill, who decides to masquerade as a boy after being accosted by a couple of ruffians, convinces her father to hire Pecos and his Irish-Mexican sidekick Chito Rafferty (Richard Martin). Naturally, Pecos discovers Rill's true gender after a few dicey moments and they fall in love. But the threat from Sawtelle and his gang is ever present and soon the Lamberth hacienda is engaged in an all-out war. ~ Hans J. Wollstein, Rovi

Jim Lacy (Robert Mitchum), Chito Rafferty (Richard Martin), and Dusty (Guinn "Big Boy" Williams) are three cowpokes working what was then known -- in the 1850's -- as the western Utah Territory. They know cattle, not mining, and they can't help but feel like they're missing out on something amid the influx of prospectors trying to work the Comstock Lode. But then they see most of these claims come to nothing, as the surface gold always seems to run out and leave owners with nothing but useless blue waste -- and the three are prone to count their blessings. But the machinations of a crooked mining company head Cash Burridge (Craig Reynolds) and a shoot-out at a crooked casino leave the trio on the run, and Lacy -- taking the alias "Nevada" -- headed into mining country with both the law and outlaws on his trail. And that's how he crosses paths with the Ides, a prospecting family, and their pretty daughter Hattie (ancy Gates), and also with saloon singer Julie Dexter (Anne Jeffreys), who's close to Burridge but starts to like Nevada's honesty and sincerity. Burridge knows the truth about that "useless" blue slag -- it's some of the richest silver ore ever assayed in the United States -- and plans to swindle his neighbors to get control of the Comstock Lode; and Julie cares enough about Burridge that she's ready to go along, up to the point where it involves murder, especially when Burridge's cover-up of his crime may end up with Nevada at the end of a rope. ~ Bruce Eder, Rovi

20th Century-Fox's Western Union was loosely based on a story by Zane Grey. The basic historical facts behind the connecting of telegraph wires between Omaha and Salt Lake City serve as a backdrop for a fictional story straight out of Manhattan Melodrama. Randolph Scott and Barton MacLane are cast as brothers who pursue wildly divergent paths in adulthood: Scott, an ex-outlaw, goes to work for Western Union, while MacLane remains a criminal, leading a concerted effort to sabotage the telegraph company. The Indians, too often merely villains in films of this nature, are treated with relative sympathy. When they do attack the whites, it is principally because they have been falsely accused of crimes committed by MacLane and his bunch. Western Union was the second Technicolor western effort from director Fritz Lang; the first was the equally popular The Return of Frank James. ~ Hal Erickson, Rovi

With Paramount abandoning its "Zane Grey" western series in 1941, 20th Century-Fox took up the cudgel with such films as The Last of the Duanes. George Montgomery stars as Buck Duane, who in 1870 returns to his Texas hometown, only to find out that his father has been murdered. Following the most obvious suspect, Duane discovers that the culprit is a member of a highly organized outlaw gang. Realizing that he's outnumbered (no kidding!), Duane joins the Texas Rangers, hoping not only to break up the gang but also expose its mysterious leader. Eve Arden is surprisingly but effectively cast as a dance-hall girl who briefly befriends the hero. Last of the Duanes was previously filmed by Fox in 1931, with George O'Brien in the lead. ~ Hal Erickson, Rovi

Paramount's "Zane Grey" series continued rolling into the 1940s with Knights of the Range. Taking a break from the studio's Hopalong Cassidy pictures, Russell Hayden stars as Renn Frayne, a college-educated youth who finds more than he bargained for when he heads westward. After a terrifying run-in with an outlaw gang run by a bloke named Gamecock (Morris Ankrum), Frayne aligns himself with heroine Holly Ripple (Jean Parker), whose father's cattle ranch is in danger of falling into the hands of the villains. Victor Jory manages to play on both sides of the fence as wily gambler Malcolm Lascallie. Knights of the Range was directed by Lesley Selander, who like star Hayden was an alumnus of the Hopalong Cassidy unit. ~ Hal Erickson, Rovi

In the tradtion of producer Harry Sherman's earlier Zane Grey westerns for Paramount, Heritage of the Desert features an essentially non-western star in the lead. Donald Woods plays John Abbott an eastern man-about-town who heads west to claim an inheritance. Crooked attorney Henry Holderance (C. Henry Gordon) contrives to have Abbott shot down before he ever arrives at his destination, but Abbott survives his wounds thanks to the tender ministrations of Miriam Naab (Evelyn Venable), daughter of friendly rancher Andrew Naab (Robert Barrat). Realizing that he's going to have to toughen himself up to survive in the west, Abbott does so, eventually paying Holderance back for his treachery. Heritage of the Desert was previously filmed in 1924, with Bebe Daniels, Ernest Torrence, Noah Beery and Lloyd Hughes. ~ Hal Erickson, Rovi

Roll Along, Cowboy was the second starring vehicle for Smith Ballew, producer Sol Lesser's answer to Gene Autry. Our hero reports for work at the ranch of middle-aged Ruth Robinson, only to find that she's being threatened by outlaws. With a song in his heart and a gun in his holster, Ballew routs the villains and wins the hand of Robinson's pretty daughter Cecilia Parker. The supporting cast includes former "Our Gang" regular Wally Albright and future cowboy star Gordon "Wild Bill" Elliot. According to the credits, Roll Along, Cowboy was based on a Zane Grey story, but doesn't say which one (Grey's novel were noticeably bereft of singing cowboys). ~ Hal Erickson, Rovi

Paramount borrowed John Wayne from Republic Pictures for the studio's second screen version of Zane Grey's Born to the West, which was also the Western's original release title. A couple of drifters, Dare Rudd (Wayne) and Dinkie Hooley (Sid Saylor), arrive in a Wyoming town hoping for a handout from Dare's rancher cousin, Tom Fillmore (Johnny Mack Brown). Dare takes but one look at Tom's girlfriend, Judy Worstall (Marsha Hunt), and decides to stay in town. He obtains the job of chuck wagon cook, but Judy, who is falling for the charming newcomer, convinces Tom to give Dare a job with more responsibilities. To get rid of a potential rival and to prove Dare's irresponsibility once and for all, Tom assigns his cousin the job of selling the herd. Unbeknownst to either Tom or Dare, however, saloon owner Bart Hammond (Monte Blue) also has his greedy eye on the herd and sets a trap for Dare. Hell Town used quite a bit of stock footage from the original silent version, Born to the West, which had starred Jack Holt. ~ Hans J. Wollstein, Rovi