F. Scott Fitzgerald Movies

F. Scott Fitzgerald's masterpiece, often regarded as one of the greatest American novels of the 20th century, is brought to the screen in this made-for-TV feature, produced in collaboration with the A&E Cable Network in the United States, and Granada Entertainment in Great Britain. Nick Carraway (Paul Rudd) is a young bond salesman who rents a cottage near the mansion of the wealthy but reclusive Jay Gatsby (Toby Stephens). In time, Nick gets to know his neighbor, who has accumulated a vast fortune through vague, suspect means, but has carefully forged an outward image of refinement and charm. Years ago, before he left to fight in World War I, Gatsby was a poor man named Gatz and was in love with a beautiful woman from a wealthy family, Daisy (Mira Sorvino). When he returned, Gatz was determined to remake himself so that he might be seen fit to someday win her hand, even though Daisy had by this time married the socially prominent but boorish Tom Buchanan (Martin Donovan). Gatsby has yet to give up on his romantic dream and enlists Nick, who is distantly related to Daisy, in his plan. This production marked the fourth time that The Great Gatsby had been committed to film -- the best known version being Jack Clayton's 1974 adaptation, featuring Robert Redford as Gatsby and Mia Farrow as Daisy. ~ Mark Deming, All Movie Guide

In this light-weight romantic story, based on F. Scott Fitzgerald's Myra Meets His Family and set in the 1920s, a young woman is out for a carefree time until one day she decides she needs to marry, and then her life changes more than she could have imagined. When Myra (Sean Young) picks out a dashing rich friend (Lenny von Dohlen) as her lucky future bridegroom, she is unprepared for his off-beat parents. After arriving at the family mansion to meet her future in-laws, the unsuspecting young Myra is at first treated with a certain aloofness and then with straightforward cruelty. After several twists of fate, Myra has an opportunity to give as good as she got. ~ Eleanor Mannikka, All Movie Guide

Many observers consider the 60-minute Bernice Bobs Her Hair to be the best-ever filmed adaptation of F. Scott Fitzgerald. Bernice (Shelley Duvall), a shy retiring girl of the Roaring 20s, yearns to be popular. On the advice of her flapper cousin Marjorie (Veronica Cartwright), Bernice cuts her unfashionable long hair into a short bob, begins dressing more stylishly, and learns the Most Valuable Rule: "When you're with a man, there are only three topics of conversation: you, me and us." Bernice Bobs Her Hair first aired on PBS' American Playhouse on April 5, 1977. It was telecast in tandem with a dramatization of Sherwood Anderson's oft-adapted I'm a Fool. ~ Hal Erickson, All Movie Guide

This third film version of F. Scott Fitzgerald's classic 1925 novel was one of the most hyped movies of the summer of 1974. Robert Redford stars as self-made millionaire Jay Gatsby, who uses his vast (and implicitly ill-gotten) fortune to buy his way into Long Island society. Most of all, Gatsby wants to win back the love of socialite Daisy Buchanan (Mia Farrow), now married to "old money" Tom Buchanan (Bruce Dern). Calmly observing the passing parade is Nick Carraway (Sam Waterston), Gatsby's best friend, who narrates the film. Francis Ford Coppola's screenplay is meticulously faithful to the original novel, but Theoni V. Aldredge's costume design and Nelson Riddle's nostalgic musical score won the film its only Oscars. The huge supporting cast includes Howard Da Silva, who played Wilson in the 1949 Great Gatsby, and a very young Patsy Kensit as Daisy's daughter. ~ Hal Erickson, All Movie Guide

F. Scott Fitzgerald's short story "Winter Dreams" is brought to life in this 1957 Playhouse 90 presentation. John Cassavetes stars as Dexter Green, who has spent most of his life trying to fulfill the ambitions and hopes of his socially ambitious mother and his conservative father. Thanks to his mom's aggressiveness, Dexter has achieved financial success and prestige in his community--and, as a bonus, he is poised to marry the girl carefully selected by his parents. But things change radically when wealthy but fickle Judy Holt (Dana Wynter) slinks into Dexter's life. Actor Joseph Sweeney was a last minute-replacement for Edmund Gwenn, who was slated to play the role of Mr. Gordon. ~ Hal Erickson, All Movie Guide

Loosely based on F. Scott Fitzgerald's Paradise Revisited, MGM's The Last Time I Saw Paris is a star-studded soap opera, luxuriously lensed by director Richard Brooks. In his last film as an MGM contractee, Van Johnson plays reporter Charles Wills, who while covering the VE Day celebrations in Paris, meets and falls in love with the gorgeous Helen Ellsworth (Elizabeth Taylor). Soon afterward, Charles and Helen are married. Charles supports his wife with a low-paying wire service job, devoting his evenings to writing a novel. After numerous rejections, Charles is more than willing to give up writing and live off the revenue of a Texas oil well in which he'd invested. As he squanders his newfound riches on creature comforts, he loses his literary ambitions and, slowly but surely, the love and devotion of his wife. His self-destructive behavior is halted only by a devastating tragedy. Donna Reed costars as Charles sister-in-law Marion, who carries a torch for him throughout the picture, and Eva Gabor contributes a supporting role. Since lapsing into public domain in 1982, The Last Time I Saw Paris has become a cable-TV and video-store fixture, though print quality varies sharply. ~ Hal Erickson, All Movie Guide

Based on a novel by Erich Maria Remarque, Three Comrades represented one of the few successful screenwriting efforts of F. Scott Fitzgerald. Set in Germany in the years just following World War I, the film stars Robert Taylor, Franchot Tone and Robert Young as three battle-weary, thoroughly disillusioned returning soldiers. The three friends pool their savings and open an auto-repair shop, and it is this that brings them in contact with wealthy motorist Lionel Atwill--and with Atwill's lovely travelling companion Margaret Sullavan. Taylor begins a romance with Sullavan, who soon joins the three comrades, making the group a jovial, fun-seeking foursome (this plot element bears traces of Hemingway's The Sun Also Rises, as well as the 1931 film The Last Flight). Though Sullavan suffers from tuberculosis (her shady past is only alluded to), she is encouraged by her male companions to fully enjoy what is left of her life. This becomes increasingly difficult when one of the comrades, Young, is killed during a political riot (it's a Nazi riot, though not so-labelled by ever-careful MGM). In the end, the four comrades are only two in number, with nothing but memories to see them through the cataclysmic years to come. Despite its Hollywoodized bowdlerization of the Remarque original, Three Comrades remains a poignant, haunting experience. ~ Hal Erickson, All Movie Guide

The Beautiful and Damned is one of the earliest cinemazations of an F. Scott Fitzgerald novel. Kenneth Harlan and Marie Prevost play a jazz-age married couple who go through money like water. The least responsible of the two is Prevost, but Harlan isn't far behind. Things are okay so long as Harlan's wealthy grandfather Tully Marshall is around to foot the bills. But when Marshall dies, the profligate duo are forced to (horrors!) look for work. Once they've fattened their bank account, the couple goes back to their old hedonistic lifestyle, but a close brush with death brings them to their senses. Harry Myers and Louise Fazenda provide expert comedy relief to this cautionary fable. ~ Hal Erickson, All Movie Guide