Joe Dante Movies

Director Joe Dante returns to his horror roots for this Parallel Zide/VooDoo production centering on a red-eye flight that's hijacked while transporting frightful contents. Writing duo Drew McWeeny and Scott Swan provide the script. ~ Jeremy Wheeler, All Movie Guide

Paul Bartel rips off his own Death Race 2000 in this mindless car-crash saga, containing more twisted metal than a bombed-out steel mill. The nominal storyline concerns an illegal auto race from Los Angeles to New York that promises the winner 100,000 dollars. David Carradine is Coy "Cannonball" Buckman, the race leader who drags his girlfriend, Linda (Veronica Hamel), along for the ride. Cade Redman (Bill McKinney) tools around in a loud red Trans Am, while Cannonball's nemesis barrels along in a big, black Plymouth, trying to outsmart Cannonball at every turn and exit ramp. The pile-ups keep building, and the cameos (Roger Corman, Martin Scorsese, Sylvester Stallone, Joe Dante, Paul Bartel) keep coming, but Cannonball must make it to New York to collect his winnings. ~ Paul Brenner, All Movie Guide

They're called trailers, because originally they trailed the feature presentation. But before long, movie marketers learned there was a better chance of grabbing the audience's attention before the film. Trailers have since gone on to become one of the quintessential elements of movie-going, as illustrated in this documentary from Michael J. Shapiro and Jeff Werner. Featuring interviews with Joe Dante, Leonard Maltin, voice-over artist Don LaFontaine and several others, Coming Attractions: The History of the Movie Trailer traces a century of movie previews. ~ Matthew Tobey, All Movie Guide

Explorers turns out to be much ado about nothing, but it's so sublimely assembled we're willing to overlook the sappy climax. Young sci-fi geek Ben Crandall (Ethan Hawke) (could he possibly be based on director Joe Dante?) would give anything to travel in space. Thanks to his computer-happy pal Wolfgang Muller (River Phoenix), Ben gets his wish, together with best bud Darren Woods (Jason Presson). In the Great Beyond, the boys encounter an extraterrestrial (Robert Picardo), whose knowledge of earth is limited to what he's gleaned from 1960s TV sitcoms (this is unusual?) Lots of outer-space fun ensues before the film's inevitable downward spiral. Moderately successful in theatres, Explorers had a healthy second life on video and cable TV, especially after director Dante rethought the film and rearranged a few scenes for better dramatic (and comic) impact. ~ Hal Erickson, All Movie Guide

"Don't expose him to bright light. Don't ever get him wet. And don't ever, ever feed him after midnight." This sage advice is ignored midway through Gremlins, with devastating results. This comic Joe Dante effort is set in a Norman Rockwell-esque small town at Christmastime. Seeking a unique gift for his son an erstwhile inventor (Hoyt Axton) purchases a cute, fuzzy little "Mogwai" from a Chinatown shopkeeper's (Keye Luke) grandson (John Louie), who dispenses the above-mentioned warning before closing the deal. Meanwhile, young bank clerk Billy Peltzer (Zach Galligan) must suffer such antagonists as rich-bitch Mrs. Deagle (Polly Holliday) and priggish Gerald (Judge Reinhold) while pursuing his romance with Kate (Phoebe Cates). These and a variety of other plot strands are tied together when the lovable mogwai (named Gizmo) is exposed to bright light and gotten wet. In short order, the town is invaded by nasty, predatory Gremlins, who lay waste to everything in sight as Billy and Kate try to contain the destruction. Like most of Joe Dante's works, Gremlins is chock-full of significant cameo appearances: in this instance, such pop-culture icons as Dick Miller, Jackie Joseph, Chuck Jones, Scott Brady, Harry Carey Jr., Steven Spielberg (the film's executive producer) and even Robby the Robot all show up briefly on screen. ~ Hal Erickson, All Movie Guide

Allan Arkush and Joe Dante co-directed this campy spoof of exploitation films -- Roger Corman's schlock factory in particular. Candice Rialson stars as Candy Wednesday, a movie hopeful who wants to be a star. Her slimy agent Walter Paisley (Dick Miller) directs her to the portals of Miracle Pictures, where she lands a plum role in the film "Machete Maidens of Maratau." Lead actress Mary McQueen (Mary Woronov) becomes jealous, and a series of disturbing murders occur, culminating in a shoot-out on top of the Hollywood sign. ~ Paul Brenner, All Movie Guide

The Showtime cable series Jeremiah was set in a bleak, post-apocalyptic future, 15 years after a mysterious virus had killed off everyone past puberty. The only survivors of the holocaust were teenagers and twentysomethings, with the eponymous Jeremiah (Luke Perry) falling into the latter category. Following fragmentary clues left by his father, Jeremiah navigated the dismal, ravaged countryside in search of the "Valhalla Sector," an idyllic locale which may or may not have held the key to a brighter future. He was joined in his quest by the glib, supremely untrustowrthy Kurdy (Malcolm-Jamal Warner), and, on occasion, by other youthful remnants of the human race, both friendly and antagonistic. Co-executive produced by horror film specialist Joe Dante and Babylon 5 maven J. Michael Straczynski, the weekly, 60-minute Jeremiah was launched with a 100-minute pilot episode on March 30, 2002. ~ Hal Erickson, All Movie Guide

Director Joe Dante stirred up a great deal of interest in Showtime's Masters of Horror series with his bluntly anti-Operation Iraqi Freedom political satire, Homecoming, scripted by Sam Hamm. An unnamed president is running for reelection during a divisive war, and one of his speechwriters, David Murch (Jon Tenney), goes on TV to speak with talk show host Marty Clark (Terry David Mulligan) and strident right-wing sexpot Jane Cleaver (Thea Gill of Queer as Folk). Another guest is Janet Hofstader (Beverly Breuer), the Cindy Sheehan-like mother of a fallen soldier, who demands to know what her son died for. Murch gets a bit teary-eyed and explains that he lost his older brother in Vietnam. "Believe me," he tells the grieving mom, "if I had one wish, I would wish for your son to come back, because I know he would tell us how important this struggle is." Cleaver is so impressed with Murch's handling of the situation that she takes him out for a drink later, picks his brain, and eventually seduces him. The Karl Rove-like Kurt Rand (Robert Picardo) interrupts their tryst, calling to let Murch know that the president plans to make his line part of his stump speech. Well, as they say, be careful what you wish for. Soon, the soldiers killed in the war do start returning from the dead, and it doesn't go the way Murch predicted. They're not back to feast on the living, but unhappily for the president and his supporters, they just want a chance to vote in the upcoming election. "We'll vote for anyone who ends this war," one explains. The spin machine goes into overdrive, but the dead are determined to make their voice heard. ~ Josh Ralske, All Movie Guide

John Goodman's full-throttle performance as a William Castle-inspired schlockmeister propels Joe Dante's delightful and charming comedy Matinee. The film takes place during the fall 1962 Cuban Missile Crisis, a time when America's innocence began to crumble. Goodman plays film producer Lawrence Woolsey, who is in Key West to premiere his latest horror epic, "Mant," the story of a man who turns into a giant insect ("Half Man! ... Half Ant! ... All Terror!"). He's busy rigging the local movie theater with all manner of gimmicks, such as Atomo-Vision and Rumble-Rama, and stationing a buxom nurse -- played by Woolsey's girlfriend and leading lady Ruth (Cathy Moriarty) -- in the lobby to assist potential heart attack victims. Amidst all the hubbub, a quartet of local teenagers gear up for the big premiere: Gene (Simon Fenton), a Navy brat whose father is on alert for the duration of the crisis; Stan (Omri Katz), Gene's friend who has a furious crush on Sherry (Kellie Martin); and Sandra (Lisa Jakub), the daughter of two beatnik free-thinkers. As the premiere of "Mant" gets closer and Soviet-U.S. tensions increase, the four teenagers' problems and desires also mount to the boiling point. ~ Paul Brenner, All Movie Guide

Sylvester Stallone gives comedy another try in this farce set in the 1930s. Angelo "Snaps" Provelone (Stallone) is the wealthy and powerful head of the Chicago mob, but his ailing father (Kirk Douglas) doesn't approve of his life in crime, and on his deathbed, Dad makes Snaps promise to go straight. Determined to honor his late father's wishes, Snaps decides to go into banking -- just as his life has fallen into chaos. Anthony Russano (Vincent Spano) informs Snaps that he's hijacked $50,000 of his money and wants to marry his daughter. Snaps discovers that his daughter Lisa (Marisa Tomei) is actually involved with the chauffeur, Oscar (Jim Mulholland), but Anthony's girlfriend Theresa (Elizabeth Barondes) has convinced her beau that Snaps is her father. Snaps hopes to use this misunderstanding as a way of getting his money back, but in the meantime, he has to deal with a wary banking board, rival mob boss Vendetti (Richard Romanus), prissy elocution coach Thornton (Tim Curry), and Snaps' one-time girlfriend Roxanne (Linda Gray). Oscar's stellar supporting cast includes Don Ameche, Chazz Palminteri, Harry Shearer, Eddie Bracken, Yvonne DeCarlo, and Bruce Davison. ~ Mark Deming, All Movie Guide

The sophomore effort for director Joe Dante, a future protégé of Steven Spielberg, this low-budget, high-camp horror spoof of Jaws (1977) features several chiller stars of yesteryear. Insurance investigator Maggie McKeown (Heather Menzies) is dispatched to find two missing teenage hikers near Lost River Lake. She hires surly backwoods drunkard Paul Grogan (Bradford Dillman) to serve as her guide. Searching the area, they find an abandoned military facility. The only resident is Dr. Robert Hoak (Kevin McCarthy), former head of a top-secret project to breed piranha for use in the Vietnam War. The project was closed down years ago, but Hoak has continued raising a deadly strain of the flesh-eating fish. When Hoak is knocked unconscious, Maggie and Paul accidentally release the piranha into a local river, which leads to the lake where a children's summer camp and a newly opened tourist resort will provide plenty of fish food for the hungry predators. Maggie and Paul race to warn the locals, but their pleas fall on skeptical ears, such as those of resort owner Buck Gardner (Dick Miller) -- until the piranha reach the swimmers. Piranha (1978) was co-written by John Sayles, making his motion picture debut. ~ Karl Williams, All Movie Guide

Rock 'n' Roll High School is a prime example of a 1970s movie phenomenon: a cult film that was deliberately designed to be a cult film. High-schooler Riff Randell's (P.J. Soles) efforts to meet the Ramones are continually thwarted by rock & roll-hating principal Evelyn Togar (Mary Woronov). Ms. Togar is the zealous sort who conducts experiments on laboratory rats to prove the adverse effect of rock music on innocent teenagers. Riff knows that she'll have to be twice as clever and devious as Togar to get her daily supply of Ramones -- and thereby hangs our tale. A secondary plot involves the efforts of pimply student Eaglebauer (Clint Howard) to arrange a date with the very particular Riff. A deliciously anarchistic climax caps this never-a-dull-moment spoof of 1950s rock & roll musicals. ~ Hal Erickson, All Movie Guide