Joe Dante Movies
Born and raised in New Jersey, Joe Dante was a garrulous, semi-obsessed "movie nut." As a teenager, Dante wrote articles and criticism for "#Castle of Frankenstein," a popular "fanzine" for horror-film aficionados. While attending the Philadelphia College of Art, Dante and his friend Jon Davidson put together The Movie Orgy (1968), a 7-hour compilation of kitschy film clips that was screened on the college-campus circuit under the sponsorship of Schlitz beer. Dante went on to write for The Film Bulletin, then joined Roger Corman's New World Pictures, starting out editing trailers. When Dante made noises about becoming a director, Corman challenged him to whip up a picture for $50,000; the result was Hollywood Boulevard, an elongated (and frequently sidesplitting) inside joke about low-budget moviemaking. With Piranha (1978) and The Howling (1980), Dante began attracting critical attention as a director to keep an eye on. For producer Steven Spielberg, Dante directed his most profitable film, Gremlins (1984), a funny and frightening compendium of filmic "quotes" from past movie classics, full of cameo appearances by such pop-culture icons as Chuck Jones, Dick Miller, and Robby the Robot. For television, Dante has directed episodes of Police Squad, Amazing Stories, Twilight Zone and Tales from the Crypt. While Dante is best known for his stylish "scare" pictures, one of the director's finest and most personal projects was Matinee (1993), a nostalgic (and very movie-savvy) glance back at what it was like to grow up as a film buff in the early 1960s. ~ Hal Erickson, All Movie Guide- 2010
Director Joe Dante returns to his horror roots for this Parallel Zide/VooDoo production centering on a red-eye flight that's hijacked while transporting frightful contents. Writing duo Drew McWeeny and Scott Swan provide the script. ~ Jeremy Wheeler, All Movie Guide
The traditional horror anthology makes a triumphant comeback in this collection of four frightfully horrific tales from directors Monte Hellman, Ken Russell, Sean S. Cunningham, John Gaeta, and Joe Dante. When seven strangers accept a mysterious invitation to tour a Hollywood studio lot, they become trapped in a room and discover that their only hope for escape is to reveal the most terrifying tale they know. ~ Jason Buchanan, All Movie Guide
- Starring:
- Henry Gibson, Jayce Bartok, (more)
- 2006
They're called trailers, because originally they trailed the feature presentation. But before long, movie marketers learned there was a better chance of grabbing the audience's attention before the film. Trailers have since gone on to become one of the quintessential elements of movie-going, as illustrated in this documentary from Michael J. Shapiro and Jeff Werner. Featuring interviews with Joe Dante, Leonard Maltin, voice-over artist Don LaFontaine and several others, Coming Attractions: The History of the Movie Trailer traces a century of movie previews. ~ Matthew Tobey, All Movie Guide
- Starring:
- Robert Osborne, Joe Dante, (more)
- 2006
- Add Masters of Horror: The Screwfly Solution to QueueAdd Masters of Horror: The Screwfly Solution to top of Queue
The battle of the sexes turns to all-out war in director Joe Dante's season-two episode of Showtime's Masters of Horror series. Based on a story by author Raccoona Sheldon and adapted for the screen by Sam Hamm, The Screwfly Solution tracks the progression of a vicious virus that transforms average men into murderous maniacs who impulsively attack every woman who crosses their path. When a suburban housewife and her teenage daughter set out in search of sanctuary, it doesn't take long for them to realize just how difficult it will be to escape an entire gender of homicidal psychopaths. Jason Priestley and Elliott Gould star as devoted scientists racing to find a cure for the virus before it's too late. ~ Jason Buchanan, All Movie Guide
- Starring:
- Jason Priestley, Elliott Gould, (more)
Director Joe Dante stirred up a great deal of interest in Showtime's Masters of Horror series with his bluntly anti-Operation Iraqi Freedom political satire, Homecoming, scripted by Sam Hamm. An unnamed president is running for reelection during a divisive war, and one of his speechwriters, David Murch (Jon Tenney), goes on TV to speak with talk show host Marty Clark (Terry David Mulligan) and strident right-wing sexpot Jane Cleaver (Thea Gill of Queer as Folk). Another guest is Janet Hofstader (Beverly Breuer), the Cindy Sheehan-like mother of a fallen soldier, who demands to know what her son died for. Murch gets a bit teary-eyed and explains that he lost his older brother in Vietnam. "Believe me," he tells the grieving mom, "if I had one wish, I would wish for your son to come back, because I know he would tell us how important this struggle is." Cleaver is so impressed with Murch's handling of the situation that she takes him out for a drink later, picks his brain, and eventually seduces him. The Karl Rove-like Kurt Rand (Robert Picardo) interrupts their tryst, calling to let Murch know that the president plans to make his line part of his stump speech. Well, as they say, be careful what you wish for. Soon, the soldiers killed in the war do start returning from the dead, and it doesn't go the way Murch predicted. They're not back to feast on the living, but unhappily for the president and his supporters, they just want a chance to vote in the upcoming election. "We'll vote for anyone who ends this war," one explains. The spin machine goes into overdrive, but the dead are determined to make their voice heard. ~ Josh Ralske, All Movie Guide
- Starring:
- Jon Tenney
- 2004
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The Cutting Edge: The Magic of Editing teaches the viewer how editors compile strips of film in order to create memorable moviegoing experiences. In addition to interviews with a variety of respected and award-winning editors, the movie offers clips form some of the most memorable films in the history of the artform. ~ Perry Seibert, All Movie Guide
- Starring:
- Kathy Bates
- 2004
Edgar G. Ulmer was one of the most fascinating figures of Hollywood's Golden Age. While Ulmer directed the occasional big-budget major studio film (most notably The Black Cat starring Boris Karloff and Bela Lugosi and The Strange Woman with Hedy Lamarr), Ulmer was a maverick who valued his creative freedom and he most often worked for"Poverty Row studios, most notably PRC, where he was allowed to make films as he pleased as long as they were done fast and cheap. Ulmer made a handful of small masterpieces for the minor league studios, most notably Detour, The Naked Dawn, Bluebeard, and Ruthless, and he also directed several important Yiddish-language films as well as an early all African-American cast musical. However, Ulmer's own version of his life was often dotted with creative embellishment and stories that no one could verify (particularly pertaining to his early career in Germany), and despite his very real degree of ability and influence, much of Ulmer's story remains shrouded in uncertainty. Documentary filmmaker Michael Palm explores both the art and the illusion of this singular artist in Edgar G. Ulmer: The Man Off-Screen, which features interviews with some of Ulmer's more noted admirers (Peter Bogdanovich, Wim Wenders, Joe Dante), actors who worked with him (John Saxon, Ann Savage), and members of his family (Arianné Ulmer Cipes). ~ Mark Deming, All Movie Guide
- 2002
The Showtime cable series Jeremiah was set in a bleak, post-apocalyptic future, 15 years after a mysterious virus had killed off everyone past puberty. The only survivors of the holocaust were teenagers and twentysomethings, with the eponymous Jeremiah (Luke Perry) falling into the latter category. Following fragmentary clues left by his father, Jeremiah navigated the dismal, ravaged countryside in search of the "Valhalla Sector," an idyllic locale which may or may not have held the key to a brighter future. He was joined in his quest by the glib, supremely untrustowrthy Kurdy (Malcolm-Jamal Warner), and, on occasion, by other youthful remnants of the human race, both friendly and antagonistic. Co-executive produced by horror film specialist Joe Dante and Babylon 5 maven J. Michael Straczynski, the weekly, 60-minute Jeremiah was launched with a 100-minute pilot episode on March 30, 2002. ~ Hal Erickson, All Movie Guide
This made-for-cable black-comedy stars Beau Bridges as a governor in a future United States, with an unusual plan for his state. Bridges stars as Jim Farley, the Governor of Idaho, who decides that the only way to keep the new immigrants out of his state is to close down the borders. Defying the President (Phil Hartman), he gets some help implementing his plan from some zealots in militias. Bridges won the Emmy for his performance. ~ Bernadette McCallion, All Movie Guide
- Starring:
- Beau Bridges, James Coburn, (more)
Some teen girls take to the road in this made-for-cable remake of the 1956 original. Set in 1957, three guy-crazy friends take to the road in a stolen car, trying to track down one of their ex-lovers before he goes off into the Navy. The film is part of Showtime's "Rebel Highways" series of remakes. ~ Bernadette McCallion, All Movie Guide
- Starring:
- Paul Rudd, Julie Bowen, (more)
- 1994
In the television miniseries Picture Windows, a number of acclaimed Hollywood directors and top stars team up for short stories about love. In "Soir Bleu," directed by Norman Jewison, Tully (Alan Arkin) is a clown who has fallen in love with a married woman. To make matters more complex, her husband is the manager of the circus Tully works for. He also beats her, and Tully is desperate to do something to free her from her awful predicament. Peter Bogdanovich directs "Song of Songs," in which George Segal plays Ted, who runs a bakery and has both a wife (Sally Kirkland) and a mistress (Brooke Adams). Soon Ted learns the hard way about the difference between love and lust. And in "Language of the Heart," directed by Jonathan Kaplan, an aging orchestra conductor (Michael Lerner) uses the wisdom of his years to help bring together a poor but gifted busker and a lovely young dancer. Picture Windows was originally produced for the Showtime premium cable network. ~ Mark Deming, All Movie Guide
The third entry in the popular Beverly Hills Cop series finds Detroit cop Axel Foley (Eddie Murphy) returning yet again to Southern California, this time on the trail of two car thieves turned murderers. As he teams up again with L.A. cop Billy Rosewood (Judge Reinhold), Foley's investigation leads him to Wonder World, a theme park that is also the front for a major counterfeiting ring. More action and less wit are the trademarks of this film, which features Murphy dishing out his usual wisecracks, but with less flair and freshness than in the original film. Alan Young plays the old man who runs the amusement park, an interesting setting that still adds little to the tired premise. ~ Don Kaye, All Movie Guide
- Starring:
- Eddie Murphy, Judge Reinhold, (more)
Ward and June Cleaver have nothing on suburban couple Tom Hanks and Carrie Fisher. Together with their perfect son, Hanks and Fisher are so clean that they squeak. Thus, when new neighbors Henry Gibson, Brother Theodore and Courtney Gains begin evincing bizarre behavior, Hanks is slightly put out. Fisher thinks that Hanks is getting all worked up over nothing. Hanks and his fellow suburbanites endure all sorts of slapstick misadventures in the vain hope of getting "the goods" on the newcomers. ~ Hal Erickson, All Movie Guide
- Starring:
- Tom Hanks, Bruce Dern, (more)
The 1987 portmanteau comedy feature Amazon Women on the Moon lampoons several film genres in general and the 1954 sci-fi cheapie Cat Women of the Moon in particular. Other sketches in Amazon Women include an opening bit with Arsenio Hall; a vignette titled "Son of the Invisible Man" wherein a naked Ed Begley Jr. runs around in full view of the nonplussed supporting cast; the It's Alive parody "Hospital", which offers the spectacle of Michelle Pfeiffer giving birth to Mr. Potato Head; and a Siskel & Ebert takeoff, featuring Arche Hahn as a TV viewer whose entire life is given a "thumbs down." Directed by several hands, including Joe Dante, Carl Gottleib, Peter Horton, John Landis, and Robert K. Weiss, Amazon Women on the Moon also features a satire of the Kroger G. Babb school of "sex hygiene" exploitation cheapies, with syphilis victim Carrie Fisher being counseled by unctuous doctor Paul Bartel. ~ Hal Erickson, All Movie Guide
- Starring:
- Rosanna Arquette, Ralph Bellamy, (more)
- 1985
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The works of "Puppetoon" creator and special effects wizard George Pal are perhaps best seen separately and in toto rather than lumped together in fragmentary form. The Fantasy Film Worlds of George Pal contains an abundance of enjoyable film clips, but most are far too short for the audience to fully appreciate Pal's cinematic contributions. The narration suffers from banality, while the overall pacing of the documentary is lumpy. Still, for those who've never seen Pal's Puppetoon shorts, or his early features The Great Rupert (1950) and Destination Moon, this compilation serves as a tantalizing teaser. Paul Frees narrates The Fantasy Film Worlds of George Pal, while several Pal associates and admirers, including Ray Bradbury, Roy Disney, Ray Harryhausen and Walter Lantz, are interviewed. ~ Hal Erickson, All Movie Guide
This lifeless action feature finds mafia hitman Carmine Longo (Mike Lane) seeking vengeance against the Zebra Force led by Cougar (Timmy Brown). Frank Barnes (Jim Mitchum) joins the group when his Zebra Force buddy is killed. Lindsey Crosby (son of Bing) plays a police sergeant, and Frank Sinatra, Jr. appears briefly as the mob lawyer Kozlo. Only those interested in the offspring of aging or dead performers could find anything of interest in this film. ~ Dan Pavlides, All Movie Guide
- Starring:
- James Mitchum, Mike Lane, (more)
- 1982
At times so funny that it hurts, Police Squad! Help Wanted! consists of the first three episodes of the legendary TV cop-show spoof Police Squad!. Leslie Nielsen stars as deadpanned, dimwitted Lt. Frank Drebin, Alan North is Drebin's assistant, Captain Hocken, and Rex Hamilton costars as Abraham Lincoln. The guest stars are Lorne Greene, George Stanford Brown and Florence Henderson--none of whom survive past the opening credits. The titles of the three episodes are "A Substantial Gift", "Ring of Fear" and "Rendezvous at Big Gulch", titles that have very little relationship with the plot at hand; "Substantial Gift", for example, is the story of a bank clerk who shoots her colleague and claims to be robbed-a storyline stolen from the old Lee Marvin series M Squad, of which Police Squad! is a merciless lampoon. Series creators Jerry and David Zucker and Jim Abrahams (of Airplane fame) serve as directors, along with Joe Dante. The gags, one-liners and nonsequiturs are spewed out at such a fast clip that each episode needs to be seen more than once for maximum enjoyment. And, as always, the Zuckers and Abrahams take every opportunity to poke fun at the city of Milwaukee, as witness the rendezvous at the corner of 53rd and Galena (in real life, those streets are parallels). Originally telecast in March of 1982, the inaugural three Police Squad episodes are gems of comic insanity. The series' remaining three episodes have also been bundled together on videotape, under the title More! Police Squad! ~ Hal Erickson, All Movie Guide
- 1978
Documentary filmmaker Christian Blackwood, whose previous subjects have included John Huston and Thelonious Monk, aims his sights at low-budget movie maven Roger Corman. Hollywood's Wild Angel traces Corman from his screenwriting days to his earliest directorial efforts at the newly-formed American International Pictures in the mid-1950s. As Corman's fame and reputation grows, he gives a leg-up to the careers of dozens of aspiring filmmakers-so long as they don't bother him about such details as money and working hours. Among the Corman associates and protegees interviewed are David Carradine, Peter Fonda, Ron Howard, Paul Bartel, Martin Scorcese, Joe Dante and Peter Bogdanovich. And, of course, this 58-minute documentary offers generous samples of such Corman classics as A Bucket of Blood, Little Shop of Horrors, The Trip, The Wild Angels and the Edgar Allan Poe film cycle of the early 1960s. ~ Hal Erickson, All Movie Guide
Pam Grier and Margaret Markov reteamed a year after Black Mama, White Mama for this similarly crowd-pleasing exploitation effort. They play Roman slaves who eventually rebel against their male oppressors. Mixing elements from the Italian peplum and the Filipino women's prison movies, The Arena also adds some po-faced feminist theory while still managing to exploit its scantily-clad stars. Italian film regulars Lucretia Love and Rosalba Neri look strangely out of place in a movie filmed in their own country, but fans of drive-in movies should be pleased. ~ Robert Firsching, All Movie Guide
- 1969
A teenage boy leaves home and travels West to visit his brother. Under the impression his older sibling is a fashion model, he arrives to find his brother is the gay boy-toy for a houseful of homosexual men. The younger brother takes his brother's lead and joins in the fun in this voyeuristic flesh feast of male nudity. ~ Dan Pavlides, All Movie Guide
- Starring:
- Wayne Douglas
- 1962
One of Hollywood's great directors, Vincente Minnelli, turns a jaundiced eye towards the film industry in this drama about the inner workings of the movie business. Jack Andrus (Kirk Douglas) is an actor whose career has gone into a tailspin along with his personal life; after a severe bout with alcoholism, a messy break-up with his wife, a life-threatening auto accident, and a nervous breakdown, Andrus has spent three years in a private mental hospital in Connecticut. Andrus is approached by Maurice Kruger (Edward G. Robinson), a noted filmmaker who worked many times with Andrus in the past, offering him a small role in his next picture, and with the blessings of his doctors, the actor flies to Rome to return to work. However, once he arrives, Andrus finds the project is in chaos -- his role has been recast, Kruger is constantly battling with producer Tucino (Mino Doro), leading man Davie Drew (George Hamilton) is squabbling with both %Kruger and his girlfriend Veronica (Daliah Lavi), and the female lead (Rosanna Schiaffino) can't recite her dialogue in English. With the shooting in shambles, Kruger asks Andrus to take over the dubbing work in hopes of bringing the film in on schedule, and against his better judgement Andrus agrees. As Andrus tries to rise to this new challenge -- made all the more trying by the arrival of his ex-wife Carlotta (Cyd Charisse) -- the production receives its biggest setback when Kruger suffers a heart attack after a bitter argument with his wife (Claire Trevor). Andrus takes over the direction of the picture, and proves a capable hand for the job, bringing in the project on time and on budget. However, Kruger expresses resentment rather than gratitude, claiming that Andrus is trying to put an end to his career. Two Weeks In Another Town was adapted from a novel by Irwin Shaw. ~ Mark Deming, All Movie Guide
- Starring:
- Kirk Douglas, Edward G. Robinson, (more)
