Joe Dante Movies

The trailer mayhem continues in this release featuring 20 vintage movie previews featuring commentary by such legendary filmmakers as Roger Corman, Joe Dante, Guillermo del Toro, Mick Garris, and John Landis. ~ Jason Buchanan, Rovi

Genre legend Joe Dante (The Howling, Gremlins) delivers hair-raising 3D chills with this visually immersive shocker about a pair of young siblings who discover a mysterious bottomless pit in their typical suburban basement. Shortly after moving from New York City to the quiet community of Bensonville with their single mother (Teri Polo), 17-year-old Dane (Chris Massoglia) and his ten-year-old brother, Lucas (Nathan Gamble), stumble across a locked trap door on their basement floor. Together with their new neighbor Julie (Haley Bennett), the two curious boys conduct a sequence of experiments in hopes of finding out exactly how deep the hole is, and what lies at the bottom. Later, just as the three youngsters begin to suspect that the hole reaches directly into infinity, a series of bizarre occurrences leave them convinced that something in the darkness has been waiting to escape, and that in order to defeat it they will have to face their greatest fears. ~ Jason Buchanan, Rovi

The battle of the sexes turns to all-out war in director Joe Dante's season-two episode of Showtime's Masters of Horror series. Based on a story by author Raccoona Sheldon and adapted for the screen by Sam Hamm, The Screwfly Solution tracks the progression of a vicious virus that transforms average men into murderous maniacs who impulsively attack every woman who crosses their path. When a suburban housewife and her teenage daughter set out in search of sanctuary, it doesn't take long for them to realize just how difficult it will be to escape an entire gender of homicidal psychopaths. Jason Priestley and Elliott Gould star as devoted scientists racing to find a cure for the virus before it's too late. ~ Jason Buchanan, Rovi

They're called trailers, because originally they trailed the feature presentation. But before long, movie marketers learned there was a better chance of grabbing the audience's attention before the film. Trailers have since gone on to become one of the quintessential elements of movie-going, as illustrated in this documentary from Michael J. Shapiro and Jeff Werner. Featuring interviews with Joe Dante, Leonard Maltin, voice-over artist Don LaFontaine and several others, Coming Attractions: The History of the Movie Trailer traces a century of movie previews. ~ Matthew Tobey, Rovi

The Cutting Edge: The Magic of Editing teaches the viewer how editors compile strips of film in order to create memorable moviegoing experiences. In addition to interviews with a variety of respected and award-winning editors, the movie offers clips form some of the most memorable films in the history of the artform. ~ Perry Seibert, Rovi

In a land where cartoon characters and flesh-and-blood people work side by side, one little black duck lands in a big pot of trouble in this comedy, which brings the beloved Looney Tunes characters into the real world. Daffy Duck (voice of Joe Alaskey) has grown tired of his status as Warner Bros.' leading avian second fiddle and demands that if he can't be given equal billing with his rival Bugs Bunny (also voiced by Alaskey), he wants to be released from his contract. Kate Houghton (Jenna Elfman), Warners' vice president in charge of comedy, is way ahead of Daffy and orders studio stuntman D.J. Drake (Brendan Fraser) to kick the duck off the studio lot. D.J. soon discovers getting rid of Daffy is no easy task, and the duck is in tow when Drake makes a startling discovery -- his father Damien Drake (Timothy Dalton), a movie star best know for playing ultra-suave secret agents, really is a secret agent, and he's been kidnapped by Mr. Chairman (Steve Martin), the evil leader of the monolithic Acme Corporation. Damien knows the secret hiding place of the priceless Blue Monkey Diamond and Mr. Chairman will stop at nothing to get it, so D.J. and Daffy set out to rescue Damien and save the diamond, one step behind Acme's musclemen and one step ahead of Kate and Bugs, who now realize how important Daffy is to the Looney Tunes franchise. Looney Tunes: Back in Action also stars Heather Locklear as a lounge singer working for Yosemite Sam (voice of Steve Babiar), Joan Cusack, John Cleese, Stan Freberg, and Roger Corman. ~ Mark Deming, Rovi

The Showtime cable series Jeremiah was set in a bleak, post-apocalyptic future, 15 years after a mysterious virus had killed off everyone past puberty. The only survivors of the holocaust were teenagers and twentysomethings, with the eponymous Jeremiah (Luke Perry) falling into the latter category. Following fragmentary clues left by his father, Jeremiah navigated the dismal, ravaged countryside in search of the "Valhalla Sector," an idyllic locale which may or may not have held the key to a brighter future. He was joined in his quest by the glib, supremely untrustowrthy Kurdy (Malcolm-Jamal Warner), and, on occasion, by other youthful remnants of the human race, both friendly and antagonistic. Co-executive produced by horror film specialist Joe Dante and Babylon 5 maven J. Michael Straczynski, the weekly, 60-minute Jeremiah was launched with a 100-minute pilot episode on March 30, 2002. ~ Hal Erickson, Rovi

Joe Dante directed this satirical action-comedy about talking tech toys accidentally juiced-up with military microchips. After the defense industry firm Globotech takes over a small toy company, Heartland Play Systems' CEO Gil Mars (Denis Leary) gives the green light to develop a new line of action figures, requesting an upgrade to more realistic figures from Heartland toy designers Larry Benson (Jay Mohr) and fumbling Irwin Wayfair (David Cross). Mars wants toys that act like the ones in TV commercials. The results are fierce fighting figures, the Commando Elite, programmed to seek out and destroy the kindly alien-like Gorgonites. In an effort to make the toys as natural as possible, Benson inserts Globotech's most powerful military computer chips. Meanwhile, in quiet Winslow Corners, Ohio, toy-store owner Stuart Abernathy (Kevin Dunn) and his 15-year-old son Alan (Gregory Smith) are stuck in a failing business, so when Heartland truckdriver Joe (Dick Miller) stops by with the Commando and Gorgonite toys, Alan is convinced they will be hot sellers, commenting, "Maybe this store will finally make a little money." With blistering blows to their blister packs, the Commandos burst out, receive orders from their leader Chip Hazard (voice of Tommy Lee Jones) and ready for an all-out assault on the Gorgonites. When the Gorgonite leader Archer (voice of Frank Langella) begins communicating with Alan, it causes the Commandos to perceive humans as another enemy, simply by their association with the "Gorgonite scum," so an attack on the Abernathy house begins. Unfortunately, the Gorgonites can offer only limited assistance, since they have been programmed to lose. The film combines animatronics, puppetry, and computer animation. The Commando Elite voices include surviving actors from Robert Aldrich's The Dirty Dozen (1967), while the Gorgonite voices reunited several This Is Spinal Tap (1983) cast members. A dedication to Phil Hartman (the voice of Phil Fimple) after the closing credits features a brief Hartman outtake. ~ Bhob Stewart, Rovi

The first superhero ever, created by Lee Falk in 1936, gets another shot at movie stardom 60 years after achieving fame in comics and serials. Billy Zane stars as Kit Walker, who discovers that he's the 21st in a line of purple-clad African superheroes known as "The Phantom" or, to superstitious Bengalla Island natives, "the Ghost Who Walks." When he's not fighting the evil Singh Brotherhood with his faithful wolf Devil and white horse Hero, the Phantom lives in the hidden Skull Cave. Kit discovers that Xander Drax (Treat Williams), a slimy industrialist, is plotting to take over the world by uniting the three long lost magical Skulls of Touganda. So he travels to New York, where he finds allies in crusading newspaper publisher Dave (Bill Smitrovich) and his niece, Diana (Kristy Swanson), who's also Kit's ex-girlfriend. Kit and Diana tackle Drax's forces, including the conflicted Sala (Catherine Zeta-Jones), in a quest for the Skulls that brings both sides back to Bengalla for a showdown. The Phantom's mixture of elaborate stunts with liberal doses of tongue-in-cheek humor was characteristic of screenwriter Jeffrey Boam, whose previous films included Innerspace (1987) and Indiana Jones and the Last Crusade (1989). ~ Karl Williams, Rovi

The third entry in the popular Beverly Hills Cop series finds Detroit cop Axel Foley (Eddie Murphy) returning yet again to Southern California, this time on the trail of two car thieves turned murderers. As he teams up again with L.A. cop Billy Rosewood (Judge Reinhold), Foley's investigation leads him to Wonder World, a theme park that is also the front for a major counterfeiting ring. More action and less wit are the trademarks of this film, which features Murphy dishing out his usual wisecracks, but with less flair and freshness than in the original film. Alan Young plays the old man who runs the amusement park, an interesting setting that still adds little to the tired premise. ~ Don Kaye, Rovi

Some teen girls take to the road in this made-for-cable remake of the 1956 original. Set in 1957, three guy-crazy friends take to the road in a stolen car, trying to track down one of their ex-lovers before he goes off into the Navy. The film was part of Showtime's "Rebel Highways" series of remakes. ~ Bernadette McCallion, Rovi

Stephen King wrote his first original screenplay for this horror gore fest that features cameos by directors Clive Barker, Joe Dante, Tobe Hooper, John Landis, and King himself (playing a cemetery attendant). The story concerns a twilight people named "sleepwalkers" --creatures similar to vampires and werewolves whose faces turn animalistic whenever they are frightened or angry and who require the lifeforce of a virgin to survive. A single-parent sleepwalker family, consisting of Mary Brady (Alice Krige) and her son Charles (Brian Krause), have taken up residence in a small Indiana town. Charles has expressed a romantic interest in the attractive Tanya Robertson (Madchen Amick), a girl in his high school literature class. Mary wants Charles to lure Tanya home so that she can suck out her life force, but it appears that Charles has fallen in love with her --that is, until their first date, at a picnic at the cemetery. There Charles changes from a shy romantic suitor into a brutal and violent force, slapping Tanya around and attempting to rape her. But Tanya wards off his advances by plunging a corkscrew into his torso. Charles staggers back home to mother, where she nurses him back to health. Then Charles and his mother seek vengeance upon the Robertson family. ~ Paul Brenner, Rovi