Cesare Danova Movies

When Ronald Moody (Paul Lieber), the man convicted of killing DeeDee McCall's husband Steve, is paroled, McCall (Stepfanie Kramer) reopens the case on which Steve had been working at the time of his death. She also defies orders and begins tailing Moody, hoping to find a connection between him and the case. With grim inevitability, Moody turns up dead, and McCall is the Number One suspect. It is up to Hunter (Fred Dwyer) to find out who placed the phone call which framed McCall--and who had earlier set up her husband for extermination in the same manner. Franc Luz appears as the late Sgt. Steve McCall in flashbacks. ~ Hal Erickson, All Movie Guide

The TV detective series Blacke's Magic starred Hal Linden as dapper professional magician Alexander Blacke, and Harry Morgan as Alexander's con-man father Leonard. Together, Blacke and Blacke solved mysteries with the help of Alexander's prestidigatory skills and Leonard's flim-flammery. In the series' two hour pilot, the Blackes attend a magician's convention, where an old friend of Alexander's is murdered. All the magic tricks performed on the episode were real, requiring Hal Linden to acquire a few conjuring skills post-haste. The Blacke's Magic pilot aired on Sunday, January 5, 1986; the series itself premiered the following Wednesday. ~ Hal Erickson, All Movie Guide

Director John Landis put himself on the map with this low-budget, fabulously successful comedy, which made a then-astounding 62 million dollars and started a slew of careers for its cast in the process. National Lampoon's Animal House is set in 1962 on the campus of Faber College in Faber, PA. The first glimpse we get of the campus is the statue of its founder Emil Faber, on the base of which is inscribed the motto, "Knowledge Is Good." Incoming freshmen Larry "Pinto" Kroger (Tom Hulce) and Kent "Flounder" Dorfman (Stephen Furst) find themselves rejected by the pretentious Omega fraternity, and instead pledge to Delta House. The Deltas are a motley fraternity of rejects and maladjusted undergraduates (some approaching their late twenties) whose main goal -- seemingly accomplished in part by their mere presence on campus -- is disrupting the staid, peaceful, rigidly orthodox, and totally hypocritical social order of the school, as represented by the Omegas and the college's dean, Vernon Wormer (John Vernon). Dean Wormer decides that this is the year he's going to get the Deltas expelled and their chapter decertified; he places the fraternity on "double secret probation" and, with help from Omega president Greg Marmalard (James Daughton) and hard-nosed member Doug Neidermeyer (Mark Metcalf), starts looking for any pretext on which to bring the members of the Delta fraternity up on charges.

The Deltas, oblivious to the danger they're in, are having a great time, steeped in irreverence, mild debauchery, and occasional drunkenness, led by seniors Otter (Tim Matheson), Hoover (James Widdoes), D-Day (Bruce McGill), Boon (Peter Riegert), and pledge master John "Bluto" Blutarsky (John Belushi). They're given enough rope to hang themselves, but even then manage to get into comical misadventures on a road trip (where they arrange an assignation with a group of young ladies from Emily Dickinson University). Finally, they are thrown out of school, and, as a result, stripped of their student deferments (and, thus, eligible for the draft). They decide to commit one last, utterly senseless (and screamingly funny) slapstick act of rebellion, making a shambles of the university's annual homecoming parade, and, in the process, getting revenge on the dean, the Omegas, and everyone else who has ever gone against them. ~ Bruce Eder, All Movie Guide

Italian filmmaker Ovidio Assonitis, who had ripped off The Exorcist with his successful Chi Sei? (1974) here turns his attentions to the post-Jaws ecokill film with silly results. The titular beast kills swimmers and divers before attacking a sailing regatta (an idea which, paradoxically, was re-appropriated for the American Jaws 2). The film's most outstanding feature is its cast, which includes John Huston, Shelley Winters, and a phoned cameo by Henry Fonda. Bo Hopkins and Claude Akins are also along for the minimal excitement. ~ Robert Firsching, All Movie Guide

Shades of "The Handy Housewife Helper" on The Honeymooners! Lamont (Demond Wilson) goes ballistic when he finds that the money he has been saving up for acting lessons has been squandered by his dad, Fred (Redd Foxx), who has purchased the "Watts franchise" for a kitchen appliance called the Whopper Chopper. Stuck with dozens of the useless utensils and with no prospect of selling any of them, Fred decides to exact revenge on the TV host who persuaded him to buy the Choppers in the first place. ~ Hal Erickson, All Movie Guide

In this made-for-TV movie, six persons have won a cruise-ship vacation, but they find that the awards were just a trick to begin a killing game. ~ John Bush, All Movie Guide

Usually cited as the absolute nadir of Bob Hope's film career, Boy, Did I Get a Wrong Number! is by no means a classic, but it isn't nearly as bad as some of his other sixties efforts (take a look a Private Navy of Sgt. O'Farrell sometime). The plot is set in motion by movie sex bomb Elke Sommer, who flees from the set of her latest picture when she refuses to do yet another bathtub sequence. Sommer hides out in the home of real estate agent Hope, who is forced to keep the buxom starlet under wraps lest his wife Marjorie Lord misunderstand. Phyllis Diller plays Hope's maid, who conspires with her boss to keep Sommer out of sight. The plot lumbers forward to a wild climax wherein Hope, accused of Sommer's murder (she's still very much alive), embarks upon a slapstick car chase, chock full of Sennett-like sight gags. Though cheaply produced and perilously anachronistic, Boy, Did I Get a Wrong Number! is professionally assembled by director George Marshall, a Hope colleague from way back. The film turned a tidy profit, thanks largely to the popularity of Hope's costar Phyllis Diller. ~ Hal Erickson, All Movie Guide

In this frontier spin on Shakespeare's The Taming of the Shrew, Joan Hackett guest-stars as Margarita, the fiery, sharp-tongued daughter of a Mexican nobleman (Jay Novello). Having frightened off most of her potential suitors, Margarita may never be married-a sorry state of affairs for younger sister Eleana (Susan Silo), who cannot be wed until Margarita takes a hustand. It is up to Adam Cartwright to play "Petruchio" to Margarita's "Kate". Also in the cast are Cesare Danova as Luis, Eugene Iglesias as Carlos and Valentin DeVargas as Manuel. Written by Suzanne Clauser (with no credit afforded the Bard of Avon!), "Woman of Fire" first aired on January 17, 1965. ~ Hal Erickson, All Movie Guide

Lucy (Lucille Ball) goes ga-ga over handsome Italian millionaire Umberto Fabriani (Cesare Danova). Alas, Fabriani speaks no English, and Lucy isn't much better at Italian, despite the "assistance" of that master linguist Mr. Mooney (Gale Gordon). Things get worse when, during an intimate dinner, Lucy accidentally spills spaghetti sauce all over Fabiani's tuxedo. This situation culminates with a nocturnal foray into a closed-up dry cleaning establishment--where Lucy is unceremoniously plunked into a vat of green dye! ~ Hal Erickson, All Movie Guide

Gidget Goes to Rome was the third film to be inspired by the beach-happy characters created by Frederick Kohner back in the mid-1950s. This time, surfer gal Francie "Gidget" Lawrence is played by newcomer Cindy Carol. Per the title, the film finds Gidget vacationing in the Eternal City with faithful boyfriend Jeff, aka Moondoggie (James Darren). Chaperoning the pair is Aunt Albertina (Jessie Royce Landis), but that doesn't stop Gidge and Jeff from experiencing brief extracurricular flirtations in Rome. The question: how do the producers get Cindy Carol into a bikini without diverting from the plotline? The answer: a slapstick setpiece during a fashion show. The last of the theatrical Gidget features, Gidget Goes to Rome was followed by a handful of TV-movie sequels and two separate weekly sitcoms. ~ Hal Erickson, All Movie Guide

In this sci-fi fantasy, based on a Jules Verne story, two 18th-century men are preparing for a duel when they find themselves caught in the tremendous tailwind of a passing comet. They get sucked onto the comet's head where they find a strange world inhabited by dinosaurs and cave men. The rivals are forced to split up. When they see each other again, each has become the leader of rival cave-man clans during a war. Peace is restored when the heroes each fall for a woman belonging to the other's clan. ~ Sandra Brennan, All Movie Guide