Royal Dano Movies

Cadaverous, hollow-eyed Royal Dano made his theatrical entree as a minor player in the Broadway musical hit Finian's Rainbow. In films from 1950, he received his first important part, the Tattered Soldier, in John Huston's 1951 adaptation of Stephen Crane's The Red Badge of Courage. Thereafter, he was often seen as a Western villain, though seldom of the cliched get-outta-town variety; in Nicholas Ray's Johnny Guitar (1954), for example, he fleshed out an ordinary bad-guy type by playing the character as a compulsive reader with a tubercular cough. He likewise did a lot with a little when cast as Mildred Natwick's deep-brooding offspring in Hitchcock's The Trouble With Harry. Some of Dano's non-baddie characters include Peter in The King of Kings (1961) and Mayor Cermak in Capone (1975); in addition, he played Abraham Lincoln in a multipart installment of the mid-'50s TV anthology Omnibus written by James Agee. Toward the end of his life, Royal Dano had no qualms about accepting questionable projects like 1990's Spaced Invaders, but here as elsewhere, he was always given a chance to shine; one of Dano's best and most bizarre latter-day roles was in Teachers (1982), as the home-room supervisor who dies of a heart attack in his first scene -- and remains in his chair, unnoticed and unmolested, until the fadeout. ~ Hal Erickson, All Movie Guide
1977  
R  
Everybody knows that Howard Hughes ordered most of his 1930 aviation epic Hell's Angels refilmed to accommodate his latest discovery, platinum blonde Jean Harlow. Everybody also knows that Hughes and Harlow had an affair. These "givens"are used as springboard for exploitation filmmaker Larry Buchanan's Hughes and Harlow: Angels in Hell. Neither Lindsay Bloom nor Victor Holchak are half as fascinating as the real-life characters they portray, and this coupled with a stretched-to-the-limit budget results in a film that never quite reaches its potential. Still, we can't resist that supporting cast: Royal Dano, Adam Roarke and Linda Cristal. ~ Hal Erickson, All Movie Guide

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1977  
 
The cast of the popular old TV series Peyton Place reunite when Allison MacKenzie and Rodney Harrington are found dead. Other than that, and a decade's worth of gossip, nothing much has changed there. ~ Sandra Brennan, All Movie Guide

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1977  
 
Bad Georgia Road, an unpleasant little thriller directed by John Broderick, is the story of a young woman (Carol Lynley) who inherits an illegal liquor distillery from a relative. She turns it into a money-making business only to come up against the mob, who is her chief competition. The direction by Broderick is haphazard, the performances are uniformly poor, and there is little emphasis on production values or plot coherence. The only saving grace of this dismal melodramatic thriller is an appearance by Andy Warhol star and underground film-actress Mary Woronov who gives some life to her role. All in all, Bad Georgia Road is a poor, forgettable film. ~ Linda Rasmussen, All Movie Guide

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1977  
 
After burying his victim in an underground box with a limited air supply, a kidnapper rushes to the location where the ransom is to dropped--only to be killed in a car crash. Racing against time, the police desperately seek out clues as to the victim's whereabouts before his oxygen runs out. Joining the hunt is medical examiner Quincy (Jack Klugman), who hopes that a discarded piece of apple will provide enough forensic evidence to save a life. This is one of a handful of second-season Quincy, M.E. episodes deemed worthy of two network rerun showings. ~ Hal Erickson, All Movie Guide

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1976  
R  
Stacy Keach plays Lou Ford, a deputy sheriff whose brutal childhood experiences have left him emotionally warped. Ford is prized by his community for his no-mercy treatment of criminals. But the danger that he will snap and begin killing indiscriminately is ever-present. Based on the novel by Jim Thompson, in this adaptation Ford's psychotic breaks are signalled by lightning flashes. Director Burt Kennedy handles his material in the manner of his earlier Welcome to Hard Times: nothing is quite of this earth, and everything is painted in broad, violent morality-play strokes. Despite Kennedy's predilection for "cutting in the camera" (that is, filming each scene with only one or two different camera angles, so that his directorial vision will survive the editing room), Killer Inside Me gives evidence of having been severely tampered with in the post-production process. ~ Hal Erickson, All Movie Guide

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Starring:
Stacy KeachSusan Tyrrell, (more)
1976  
R  
It is hard to get more deliriously fever-pitched than the ending of Mandingo -- in which a plantation master is shot and his main slave gets boiled in oil -- but Drum (Mandingo's mangy sequel) certainly tries. Hammond Maxwell (Warren Oates), the late slave-owner's son (from Mandingo), is trying to follow in his father's footsteps and purchases Drum (Ken Norton) and Blaise (Yaphet Kotto) from bordello hostess Marianna (Isela Vega). Marianna is actually Drum's mother, although her lesbian lover Rachel (Paula Kelly) in fact brought up the boy. Thrown into the package to Hammond is Drum's girlfriend Regine (Pam Grier), who was purchased to satisfy the carnal urges of Mr. Hammond. However, Augusta Chauvet (Fiona Lewis), setting her sites on Hammond, has other plans. Drum is such a perfect specimen of slave that neither men nor women can keep their hands off of him. Drum looks stoic until a climactic slave revolt breaks out, guaranteeing more blood and carnage than Mandingo could ever hope to provide. ~ Paul Brenner, All Movie Guide

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Starring:
Warren OatesIsela Vega, (more)
1976  
 
Big-game hunter David Farrow (Roy Thinnes) is hired to track down bank robbery suspect Clel Bocock (William Smith), who has escaped into the swamps of Louisiana. Complications arise when Farrow confronts Bocock's backwoods family and falls in love with the fugitive's wife, Mara (Sandra Dee). Originally intended for broadcast in 1968, The Manhunter was, for reasons unknown, consigned to the shelf until it was sold to British television, where it debuted in the spring of 1972. The film finally aired in America courtesy of the NBC network on April 3, 1976. ~ Hal Erickson, All Movie Guide

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1976  
PG  
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Clint Eastwood's fifth film as a director and eighth Western as a star (ninth if you count Paint Your Wagon), The Outlaw Josey Wales chronicles the hero's violent journey westward after the Civil War. With fresh memoris of his family's slaughter by Red Leg soldier Terrill (Bill McKinney), Confederate Josey Wales (Eastwood) refuses to join his captain Fletcher (John Vernon) and the rest of his comrades in surrender to a U.S. Army regiment. Deemed a dangerous outlaw after a bloody one-man battle with that regiment, Josey is pursued by U.S. cavalry soldiers led by the unwilling Fletcher and the murderous Terrill, as well as by bounty hunters who eventually learn how coolly lethal Wales can be. Despite his desire to remain a lone fugitive, Josey soon has a crew of travelling companions that includes Cherokee Lone Watie (Chief Dan George) and the pretty Laura Lee (Sondra Locke) and her vigorous Grandma Sarah (Paula Trueman), settlers on their way to a ranch near ghost town Santa Rio. The few Santa Rio residents welcome the group, but their peace and Josey's burgeoning romance with Laura Lee are soon interrupted by Terrill's arrival. A skillfully violent man of few, well-chosen words, Josey Wales resembles Eastwood's previous Western heroes in Sergio Leone's trilogy, A Fistful of Dollars (1964), For a Few Dollars More (1965), and The Good, the Bad, and the Ugly (1966). However, the emphasis on friends and family served notice that, in the words of one critic, "the Man With No Name doesn't live here anymore." Indeed, Josey Wales would be Eastwood's last western before 1985's Pale Rider. Although it did not garner similar critical praise when it was released, Eastwood considers The Outlaw Josey Wales to be the equal of the Oscar-winning Unforgiven (1992). ~ Lucia Bozzola, All Movie Guide

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Starring:
Clint EastwoodChief Dan George, (more)
1976  
 
Dick Van Patten and Ruth Buzzi guest star as Carter and Amy Merkl, who are extremely grateful after the Squad 51 paramedics save their lives. Before long, however, the Merkls' persistent expressions of gratitude become downright annoying and obnoxious--especially when the couple insists upon hanging around the station house, day and night. Other emergency cases include a CPR attempt gone bad, a child struck in the eye by a BB gun (no, his name isn't Ralphie), a boat fire, and a potentially fatal false alarm. ~ Hal Erickson, All Movie Guide

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1975  
 
It's still the same old story...but what a story. This umpteenth filmization of the classic Mark Twain novel stars Ron Howard as Huck and Donny Most as Tom Sawyer. After faking his own murder to escape his brutish Pap (played by Howard's real-life father Rance), Huck and fugitive slave Jim (Antonio Fargas) fashion a raft and head off down the Mississippi. The darker elements and sociological commentary of the Twain original are carefully excised from this version, the better to allow more time for the antics of those "royal" rapscallions, the King (Jack Elam) and the Duke (Merle Haggard). Mark Twain himself makes a guest appearance, in the person of Royal Dano. Filmed along the Sacramento River in California (a frequent movie "stand-in" for the Mississippi), Huckleberry Finn was first broadcast March 25, 1975. ~ Hal Erickson, All Movie Guide

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1975  
R  
Ben Gazzara stars in this low-level depiction of legendary gangster Al Capone, who rose to command the mob underworld in 1920's Chicago. Born in Brooklyn, Capone joins his first gang at the age of 11. From there, he graduates to the infamous "Five Points Gang" run by Johnny Torrio (Harry Guardino). After moving to Chicago a few years later and wiping out Torrio's crimeboss uncle, Capone becomes Torrio's right hand man. Capone becomes head of the area's prostitution and racketeering business, but, as his mind deteriorates from syphillis, so does his empire. There's not much to recommend here, aside from a surprisingly good appearance by Sylvester Stallone as fellow gangster Frank Nitti. Gazzara is frankly awful in the title role and producer Roger Corman uses stock shootout footage from other gangster films, including footage of the St. Valentine's Day Massacre from his own, earlier movie on the subject. ~ Don Kaye, All Movie Guide

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Starring:
Ben GazzaraSusan Blakely, (more)
1975  
 
1950s western star Rod Cameron appears in this episode as Martin Broule, the owner of a riding academy. Several horses have been stolen from Broule's establishment, and Officers Jim Reed (Kent McCord) and Pete Malloy (Martin Milner) investigate accusations that Broule himself is the thief. Elsewhere, the two mobile cops set a trap for a burglar. ~ Hal Erickson, All Movie Guide

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1974  
R  
A small California village is attacked by zombies in this 1974 thriller. ~ John Bush, All Movie Guide

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Starring:
Michael GreerMarianna Hill, (more)
1974  
R  
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Director James Ivory has disowned this Hollywood drama, inspired by the Fatty Arbuckle/Virginia Rappe case and based on a satirical poem by Joseph Moncure March, which was heavily cut by American International Pictures from two hours to 90 minutes. The story concerns Jolly Grimm (James Coco), whose career as a famous silent film comic is coming to an end with the advent of talking pictures. He plans a last hurrah by making one more silent film and invites a collection of Hollywood big shots to his mansion in hopes of convincing one of them to distribute the picture. His mistress, Queenie (Raquel Welch), encourages him, but it quickly becomes apparent the film is a bomb. As Jolly Grimm keeps drinking, his mood becomes less jolly and more grim, particularly when movie star Dale (Perry King) starts getting quite familiar with Queenie. Meanwhile, young starlet Nadine (Annette Ferra), after finding her sister in bed with a guest, seeks out Jolly for solace. When Jolly tries to comfort her by kissing her full on the mouth, a drunken party guest, thinking Jolly is trying to seduce the girl, begins to beat Jolly senseless. Dale halts the fracas, but when Jolly doesn't thank Dale properly for saving him from a shellacking, Dale retreats with Queenie to the boudoir. Jolly, already keyed up to a dangerous level, awaits their emergence from the bedroom with a gun in his hand. ~ Paul Brenner, All Movie Guide

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Starring:
James CocoRaquel Welch, (more)
1974  
 
This pilot for a 1974-75 CBS TV series focuses on an ex-Marine (Ken Howard) who returns to Depression-era America to find his sister, who is heading a gang. ~ John Bush, All Movie Guide

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1974  
 
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Angie Dickinson essays the title role in Big Bad Mama. This Depression-era crime caper casts the future star of Police Woman as sexy Ma Barker type Wilma McClatchie, who forces her nubile daughters (Susan Sennett, Robbie Lee) into participating in a robbery/kidnapping/murder spree. Wilma seems to be as motivated by the erotic thrill of lawbreaking as she is by the financial gains. She evens hops in the sack with her daughters, as does her common-law husband, played by William Shatner. A sequel appeared in 1987. ~ Hal Erickson, All Movie Guide

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Starring:
Angie DickinsonWilliam Shatner, (more)
1973  
PG  
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John Wayne plays a lawman who has to deal with the problems of fatherhood in a big way in Cahill: United States Marshall. Wayne is J.D. Cahill, whose singular desire to track down law breakers strains his relationship with his two teenage sons --17-year-old Danny (Gary Grimes) and 12-year-old Billy Joe (Clay O'Brien). The film begins as Cahill is hot on the trail of a gang of outlaws. After the big showdown, he returns to town to discover that the local bank has been robbed. The sheriff and the deputy have been killed, and four bank robbers are imprisoned in the jail. He is stunned when he finds out that one of the robbers in jail is Cahill's son Danny. It seems that during Cahill's absence from home, his two sons have been enticed into a criminal life by nefarious outlaw Abe Fraser (George Kennedy). ~ Paul Brenner, All Movie Guide

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Starring:
John WayneGary Grimes, (more)
1973  
 
When Cliff Robertson was toasted by Ralph Edwards on the TV series This is Your Life in 1972, Robertson was standing on the set of Ace Eli and Roger of the Skies. This production was announced as an "upcoming release"-though as it turned out, the film lay on the shef for several years thereafter. Robertson plays a barnstorming stunt flyer of the Roaring Twenties. Accompanying him from job to job is his 11-year-old son, Eric Shea. Despite having a child in tow, Robertson has no trouble scoring with the local lovelies wherever they go. 20th Century-Fox had so little faith in Ace Eli and Roger of the Skies that the company changed many of the names in the production credits: producer "Boris Wilson" was really Robert Fryer, director "Bill Sampson" was actually John Erdman and screenwriter "Chips Rosen" was known to friends and family as Claudia Salte. Only poor Cliff Robertson was denied the opportunity to cloak himself in an alias. ~ Hal Erickson, All Movie Guide

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1973  
 
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A police officer who would rather use his brains than his gun is put into a situation where neither can help him in this police drama. John Wintergreen (Robert Blake) is a sawed-off and street-smart Arizona motorcycle cop who dreams of climbing the ladder and becoming a police detective, but his ambitions are scoffed at by his partner, Zipper (Billy "Green" Bush). Wintergreen's superiors tend not to take him seriously due to his short stature, but when he stumbles upon the site of a murder, he digs up enough relevant evidence to insure his advancement to detective status. However, after a few days on the job, Wintergreen begins to realize just how corrupt his superior Poole (Mitchell Ryan) truly is after Poole attempts to frame a local hippie, Bob Zemko (Peter Cetera), for a crime he didn't commit. Adding fuel to the fire is Poole's discovery that he and Wintergreen have been dating the same woman, dancer-turned-barmaid Jolene (Jeannine Riley). Electra Glide in Blue was the first (and to date only) directorial credit for James William Guercio. Successful in the music industry as a manager and producer, Guercio was best known for his association with the top-selling jazz-rock group Chicago; several members of the band appear in the movie, as does a young Nick Nolte in a bit part. On a note of sad irony, Terry Kath, the longtime Chicago vocalist who died in 1978 from a self-inflicted gunshot to the head, plays a gun-wielding killer in this film. ~ Mark Deming, All Movie Guide

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Starring:
Robert BlakeBilly Green Bush, (more)
1972  
 
Two gunshot victims are down in a liquor-store robbery, and the store owner (Victor Izay) is consumed by guilt over being forced to shoot the robber. As the paramedics deal with this crisis, Dr. Early has his hands full with a wino (Royal Dano) suffering from a particularly nasty case of "the shakes." Elsewhere, a hippie is bitten by a black widow spider; a pipefitter is trapped in a chemical plant accident; and a dog proves not to be the "best friend" of a female patient. And in less traumatic subplot, paramedic Johnny Gage (Randolph Mantooth) develops a hankering for a pretty student nurse. ~ Hal Erickson, All Movie Guide

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1972  
PG  
Add The Culpepper Cattle Company to QueueAdd The Culpepper Cattle Company to top of Queue
Gary Grimes stars in this revisionist western as Ben Mockridge, a 16-year-old boy who has long dreamed of living the life of a cowboy. Wanting adventure, he persuades Frank Culpepper (Billy Green Bush) to take him along on a cattle drive, and Ben learns the hard way just how lonesome, exhausting, and violent the life of a cowhand can be. As one of the men on the drive puts it, "Being a cowboy is what you do when you can't do anything else." Hal Needham, who would later direct a string of successful films starring Burt Reynolds, can be spotted in a small role as Burgess, one of the cowboys. ~ Mark Deming, All Movie Guide

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Starring:
Gary GrimesBilly Green Bush, (more)
1972  
 
In this rites-of-passage drama, two suburban children, one 12-years old, and the other 14, run away and head for L.A. En route they meet a hunter and his retarded son. They later meet and become friends with a pair of dope smoking hippies who operate a tavern. ~ Sandra Brennan, All Movie Guide

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1972  
PG  
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The oft-told story of the rise and fall of the James Younger gang is given the Dragnet treatment in The Great Northfield, Minnesota Raid. With meticulous attention to detail, the film recreates the outlaw gang's most infamous escapade: the September 7, 1876, robbery of "the biggest bank west of the Mississippi" in Northfield, MN. Cliff Robertson plays Cole Younger, and Robert Duvall appears as Jesse James, herein depicted as a pair of vengeance-driven sociopaths, but no worse than the greedy railroad magnates who've driven them into a life of crime. Younger is also quite the manipulator, convincing the immigrant farmers of Northfield that the bank is completely impervious to robbery, thereby increasing the deposits that he intends to steal. Duvall's Jesse James is a cold-blooded murderer, but, like Younger, not without his own personal charm. The climactic raid is filmed cinéma vérité style, looking more like a haphazard CNN news event than a well-oiled machine (this film is not, thankfully, the standard "slick" Hollywood product). Though it drags in spots, The Great Northfield, Minnesota Raid is a superb, iconoclastic reproduction of an era long past. ~ Hal Erickson, All Movie Guide

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Starring:
Cliff RobertsonRobert Duvall, (more)
1972  
 
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Filmed for television, this story concerns a series of killings in the Louisiana bayou. The sheriff on the case believes that a werewolf is behind the murders. The film was adapted from a book by Leslie H. Whitten. ~ John Bush, All Movie Guide

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