Wah Chang Movies

The works of "Puppetoon" creator and special effects wizard George Pal are perhaps best seen separately and in toto rather than lumped together in fragmentary form. The Fantasy Film Worlds of George Pal contains an abundance of enjoyable film clips, but most are far too short for the audience to fully appreciate Pal's cinematic contributions. The narration suffers from banality, while the overall pacing of the documentary is lumpy. Still, for those who've never seen Pal's Puppetoon shorts, or his early features The Great Rupert (1950) and Destination Moon, this compilation serves as a tantalizing teaser. Paul Frees narrates The Fantasy Film Worlds of George Pal, while several Pal associates and admirers, including Ray Bradbury, Roy Disney, Ray Harryhausen and Walter Lantz, are interviewed. ~ Hal Erickson, All Movie Guide

Tony Randall has the showcase of a lifetime in the marvelous George Pal production The Seven Faces of Dr. Lao. We first see Randall as Dr. Lao, an enigmatic Chinese medicine-show impresario. The doctor brings his travelling show into the frontier town of Abalone, which is chafing under the oppression of land-hungry Clint Stark (Arthur O'Connell). Newspaper editor Ed Cunningham (John Ericson) is conducting a campaign of words against Stark, but he is no match for the land baron's money, power, and hulking henchmen. Nonetheless, Cunningham continues his crusade, all the while attempting to romance icy young widow Angela Benedict (Barbara Eden). All of this is observed with bemusement by Dr. Lao, who has already established himself as a man of many talents by alternating between pidgin-English and eloquent articulation, depending on the circumstances. Each of the townspeople--including the three already mentioned--learn a great many truths about themselves when they attend Dr. Lao's unusual circus. In the course of straightening out everyone's problems, Lao metamorphoses into (1) Merlin the Magician, (2) Pan, (3) Medusa, (4) The Abominable Snowman, (5) Apollonius of Tyana and (6) a Talking Serpent. The combined talents of Randall, puppeteer Pal and make-up wizard William J. Tuttle (who won two Special Oscars) resulted in this captivatingly unique entertainment experience. Curiously, Tony Randall is not fond of Seven Faces of Dr.Lao, and refuses to be interviewed on the subject. Perhaps he was unhappy that much of the philosophy dispensed in the original Charles G. Finney novel The Circus of Dr. Lao was weeded out of Charles Beaumont's script....or perhaps he just didn't like having his head shaved for the part. ~ Hal Erickson, All Movie Guide

Master of the World was adapted by Richard Matheson from two Jules Verne novels, Robur le Conquerant (1896) and its sequel, Maitre du Monde (1904)--with more than a little of 20,000 Leagues Under the Sea thrown in. Set in 1868, the story is galvanized by an ominous warning of impending doom, delivered in a disembodied but resonent voice from a huge mountain just outside Morgantown, Pennsylvania. Hoping to find the source of the warning, the members of the Weldon Balloon Society, headed by munitions manufacturer Prudence (Henry Hull), send a motorized balloon to investigate. Also aboard Prudence's balloon is his daughter Dorothy (Mary Webster), her fiance Philip (David Frankham), and taciturn pilot Strock (Charles Bronson). Before long, the little party is captured by the brilliant but unbalanced Robur (Vincent Price), captain of the gigantic, state-of-the-art airship "Albatross." Robur explains that he is a man of peace, and that he is using his huge airship to wipe out all warfare by obliterating every weapon of mass destruction on earth--and never mind that a few innocent bystanders may also be killed in the process. Admiring Robur's intentions if not his methods, Strock bypasses every opportunity to stop the madman in his tracks, and for this he is branded a coward by the hotheaded Philip, sparking a battle of words and fists that will persist throughout the film. Meanwhile, Robur attacks such strategic military locations as Paris, Madrid and North Africa (courtesy of stock footage from other films), and as the carnage continues, Prudence renounces his war-profiteering ways. As for Strock, his admiration for Robur does not prevent him from a desperate climactic effort to rescue Prudence, Dorothy and Philip by planting a time bomb in the "Albatross"--a bomb that very well may go off before the "good guys" get off. ~ Hal Erickson, All Movie Guide

In George Pal's version of the H.G. Wells classic, Rod Taylor stars as George, a young scientist fascinated with the concept of time travel. On December 31, 1899, George seats himself in his jerry-built time machine and thrusts himself forward into 1917. A dyed-in-the-wool pacifist, George is distressed to see that World War I is raging all about him. He moves past the 1920s and 1930s into the 1940s, only to be confronted by another, even more terrible war. Next he stops in 1966, just as London is destroyed in a nuclear explosion. Retreating to his Time Machine, George is sealed in his cellar by molten lava. By the time he and his machine manage to escape their tomb, the year is 802,701. Looking around, George observes a seemingly idyllic world populated by gentle people. But he also notices that the citizens of the future, known as "Elois," behave more like mindless sheep than human beings. Befriending the lovely Weena (Yvette Mimieux), George learns to his dismay that humankind has forgotten all that it has learned through the centuries, preferring instead to frolic endlessly under the sun. Plot holes and inconsistencies abound in The Time Machine, but the film's true selling points was its Oscar-winning special effects; in this respect, producer-director Pal succeeded beyond anyone's wildest dreams. Another plus: the haunting musical score by Russell Garcia. ~ Hal Erickson, All Movie Guide