Billy Daniels Movies

Mickey Rooney plays labor racketeer Little Joe Braun in this fast-paced and surprisingly violent drama about one man's determination to clean up his union. Bill Gibson (Steve Cochran) is Little Joe's nemesis and is one of the men who can testify that he saw the labor boss in an incriminating conversation with a known criminal -- something that Little Joe denied under oath. Knowing that Cochran and one other witness can bring him down, the crooked labor boss starts on a campaign of terror. One of Bill's friends is set on fire, someone else is thrown into a cement mixer (in the opening scenes), and finally, Little Joe kidnaps Bill's son Timmy (Jay North). The odds at this point, seem very much in the labor boss' favor. ~ Eleanor Mannikka, All Movie Guide

A Big Apple nightclub singer inherits a riverboat from his late grandfather and learns, via flashback, the interesting story of how his granddaddy acquired the craft. When he won a bet during a fight over possession of the boat, the crafty old gambler not only acquired the riverboat but also the rights to the loser's granddaughter. When the singer learns of this he goes to the now-old loser, and with the help of the granddaughter, who has grown into a beautiful and talented young woman, reconciles with him. Together the three decide to turn the rickety old boat into a fabulous showboat. Songs include: "Cruisin' Down the River," "There Goes That Song Again" "Pennies From Heaven" and "Father Dear." ~ Sandra Brennan, All Movie Guide

Pop-music favorites Frankie Laine and Billy Daniels head the cast of The Sunny Side of the Street. Terry Moore plays Betty Holloway, receptionist at a major TV station. Hoping to secure a break for her singer boyfriend Ted Mason (Jerome Courtland), Betty enlists the aid of Laine. Mason's career really takes off when a team of TV writers discover that he's the childhood sweetheart of Gloria Pelly (Audrey Long), the daughter of an important sponsor. For a while, it looks as though poor Betty has lost Ted to Gloria, but there's still a few reels (and production numbers) left to go. Also featured in the cast are TV commercial spokeswoman Toni Arden as herself, and, in a minor role, future Gunsmoke co-star Amanda Blake. ~ Hal Erickson, All Movie Guide

When You're Smiling is distinguished by the presence of several top recording artists of 1950. The wafer-thin plotline concerns the misadventures of Texan Gerald Durham (Jerome Courtland), who arrives in the Big City to learn the ropes of the music business. Durham not only ends up with a recording contract, but also wins heroine Peggy Martin (Lola Albright) in the bargain. So much for the story. The principal selling card of When You're Smiling consists of the guest-star turns by Frankie Laine, Bob Crosby, The Modernaires, The Mills Brothers, Kay Starr and Billy Daniels. ~ Hal Erickson, All Movie Guide

Taken (as far as possible) from the Cole Porter musical comedy of the same name, Red, Hot and Blue stars Betty Hutton as an ambitious chorus girl. Hutton gets a job with a musical comedy bankrolled by gangsters, and is the wrong girl at the wrong place when one of the show's backers (William Talman) is bumped off. She is arrested for suspicion of murder, then is kidnapped by the villains to keep her from spilling the beans. The plot requires that she be rescued by hero Victor Mature, though many disgruntled audience members may have been rooting for the boisterous Hutton to be dumped in the East River. The stage version of Red Hot and Blue starred Ethel Merman, Jimmy Durante, and Bob Hope. Hutton is no Merman, but she gives her all to the brassy production numbers and the self-absorbed ballads--written not by Cole Porter, whose score was dispensed with, but by Paramount's in-house tunesmith Frank Loesser, who also plays a small role as one of the gangsters. ~ Hal Erickson, All Movie Guide

Set in pre-World War I Austria, this relatively sweet and cheerful film marks writer/director Billy Wilder's first and last try at musical comedy. Bing Crosby is Virgil H. Smith, a New Jersey-born phonograph salesman with a fox terrier mutt and orders to sell record players in Austria. Joan Fontaine is Johanna Augusta Franziska von Stoltzenberg-Stolzenberg, a countess with a bankrupt father and a black pedigree poodle that has just been picked to breed with the Austrian Emperor's (Richard Haydn) beloved black dog. Virgil and his fox terrier must convince the Emperor to buy a record player so that the product will gain favor amongst the Austrian people. Johanna must persuade her black poodle to mate with the Emperor's royal dog in order to ameliorate her father's financial woes. Virgil and Johanna have a love affair that overcomes class differences, opens up the phonograph market in Austria, and leaves the Emperor satisfied with a beautiful set of fox terrier puppies that could never have been the offspring of his own royal dog. ~ Aubry Anne D'Arminio, All Movie Guide

Elmer Rice's clever stage comedy Dream Girl is Hollywoodized and "dumbed down" almost beyond recognition in this 1948 film version. In place of the original play's Betty Field, Betty Hutton stars Georgina Allerton, who periodically escapes her humdrum existence by retreating into elaborate daydreams. Georgina's fantasy excursions disturb her parents (Walter Abel and Peggy Wood) and her married sister (Virginia Field), who wish that she'd grow up already and stop all this nonsense. Only when she falls truly in love with Clark Redfield (Macdonald Carey) does Georgina abandon her dream world. Like the previous year's Secret Life of Walter Mitty, the film version of Dream Girl substitutes the quiet whimsy of its source with slapstick and overstatement; additionally, Elmer Rice's three-dimensional supporting characters are transformed into cardboard stereotypes. And just so the audience doesn't miss anything, the producers have added a voiceover narration to explain what has just been seen. With all this going against Dream Girl, Betty Hutton emerges unscathed, delivering a lot better performance than her material warrants. ~ Hal Erickson, All Movie Guide

The third of four films bearing the title of The Perils of Pauline, this musical biopic purports to tell the life story of famed silent serial queen Pearl White. Right at the beginning, however, an introductory title informs the audience that what follows is merely "suggested" by incidents in White's life and career. Translation: The film is a fabrication from beginning to end, but an enjoyable one. Played on all four cylinders by Betty Hutton, White is introduced as a frustrated factory worker who aspires to become a dramatic actress. She joins a touring theatrical troupe managed by handsome but pompous Mike (John Lund), but fame and fortune elude her because she's unable to suppress her natural rambunctiousness. In desperation, White takes a job at a movie studio, where she promptly finds herself in the middle of a slapstick pie fight. With the help of bombastic director Mac (William Demarest), top-hatted villain portrayer Timmy (Billy De Wolfe), and imperious dramatics coach Julia (Constance Collier), Pearl soon becomes world-famous as the star of such cliffhanging, tied-to-the-railroad-tracks serials as The Perils of Pauline (hence the title of this film). At the height of her fame, she arranges for her theatrical mentor Mike to get a job as her leading man, forcing him to swallow his pride and admit that he's been in love with her from the moment he met her. A series of clichéd complications contrive to separate White and Mike, but he returns to her arms when she's seriously injured during a Parisian stage performance. A few fairly credible recreations of silent moviemaking techniques aside, The Perils of Pauline is wildly anachronistic and inaccurate (for one thing, Pearl White made most of her serials in New Jersey rather than Hollywood). As a musical comedy, however, the film passes muster, especially during the performance of such Frank Loesser tunes as "I Wish I Didn't Love You So" and "The Sewing Machine." As a bonus, the film rounds up several silent-movie veterans in cameo roles, including William Farnum, Chester Conklin, Jimmy Finlayson, Creighton Hale, Hank Mann -- and Paul Panzer, who played the sneering villain in the original 1914 Perils of Pauline. ~ All Movie Guide

As indicated by the title, Sepia Cinderella is an updated retelling of the classic fairy tale, featuring a cast of African-American performers. The "Cinderella" is this instance is a young man, played by Ruble Blakely. A struggling songwriter, Blakely scores an unexpected hit, then finds that he can't cope with success. He is brought down to earth by his faithful girlfriend (Sheila Guyse). Though produced by blacks for a predominantly black audience, Sepia Cinderella is strictly white-bread when honoring the conventional cliches. There's even the scene in which the hero must choose between a high-society debutante and the "regular" girl he left behind. ~ Hal Erickson, All Movie Guide

A curmudgeonly small-town doctor resents the presence of a new younger physician and his newfangled ways. He is especially dismayed by the new doctor's tendency to sing, a behavior the older fellow deems inappropriate. When the new doc meets a pretty young school teacher, romantic sparks fly. Unfortunately, she is engaged to the town pharmacist. This coupled with the older doctor's disapproval convinces the new fellow to leave town. The elder physician's maid intervenes and changes the young ones mind. It's a good thing too, for he saves the older one from a near fatal attack of appendicitis and earns both the veteran medic's gratitude and respect. Later the two take on a snooty new surgeon whose ambition has blinded him to simple common sense. ~ Sandra Brennan, All Movie Guide

Monsieur Beaucaire, Booth Tarkington's novel about an 18th-century French barber who poses as a swashbuckling aristocrat, was the surprising source for this Grade-A Bob Hope comedy. While in the original novel the tonsorial hero pretended to be someone he wasn't by choice, in this 1946 film Hope is coerced into posturing as a nobleman on the threat of death. It's "out of the frying pan" time here, since Hope will be a target for execution the moment he weds a Spanish princess in place of genuine noble Patric Knowles. Bob's actions will prevent a war between Spain and France, but it's likely he won't be around to celebrate the Peace. Hiding his cowardice by cracking wise at every opportunity, Hope manages to save both the day and himself; he even rescues Joseph Schildkraut, the film's nominal villain, from the guillotine. The female contingent is represented by Joan Caulfield as Bob's covetous girl friend, Marjorie Reynolds as a princess, and Hillary Brooke as a haughty schemer (who is given her just desserts in an early slapstick set-piece). Woody Allen has long expressed his affection for Monsieur Beaucaire, an affection made doubly obvious in "homage" fashion by Allen's 1975 costume comedy Love and Death. ~ Hal Erickson, All Movie Guide