Paul Daneman Movies

The romantic melodrama tells the story of an American beauty who romantic journeys to England in obedience to her late mother's last request. There she encounters the son of her mother's former beau and romantic sparks fly. ~ Sandra Brennan, Rovi

All the charm and joie de vivre of the 1953 Gregory Peck/Audrey Hepburn Roman Holiday is purged from this hollow TV remake. The stunning but lifeless Catherine Oxenberg assumes the Hepburn role of a young princess who escapes the protocol of court life for a romantic fling in Rome. Tom Conti stands in for Gregory Peck as the American journalist who falls in love with the Princess. Ed Begley Jr. takes over Eddie Albert's part of the eccentric photojournalist who acts as comic relief to the leads. Heading the list of mistakes committed in this remake is the fact that Oxenberg behaves more like a bored Danielle Steele character than the impressionable, virginal heroine of the original. Rome may be eternal, but the 1987 Roman Holiday is terminal. ~ Hal Erickson, Rovi

Blake (Gareth Thomas) and his crew launch a search for a valuable crystal, necessary to decode messages from the Federation. At the same time, a space vessel that has been missing for 700 years returns to the Federation base. Unfortunately, the ship carries a deadly virus, which ultimately infects the all-important decoding crystals. Once again, it is up to crew member Avon (Paul Darrow) to figure a way out of the present predicament. "Killer" was originally broadcast on February 20, 1979. ~ Hal Erickson, Rovi

Among the first of the late 60s anti-war films that reflected growing concern over the Vietnam War, How I Won the War takes a cold, dark look at the Good War, World War II. In adapting Patrick Ryan's 1963 novel, screenwriter Charles Wood and director Richard Lester offered a narrative fractured by characters making side comments to the camera, stylized cinematography, inserts of newsreel war footage, and plenty of absurdist humor and slapstick. Ernest Goodbody (Michael Crawford) is a bumbling British officer who manages to get most of his small company of musketeers killed while on a mission in North Africa to set up a cricket pitch behind enemy lines for officers of the advancing British army. The rest of the company dies in an ensuing campaign in Europe near the war's end, but all of the men continue to march along, appearing as monochromatic ghosts. (Original prints of the film intercut real battle footage tinted to match the color of the soon-to-be ghost soldier. Some prints of the film, including one shown on Turner Classic Movies, present the newsreel shots in black and white, undercutting the stylized touch.) The story is framed as a flashback, with Goodbody relating his version of events to a German officer (Karl Michael Vogler), while the real version of events, demonstrating Goodbody's ineptitude, plays out on screen. Among the supporting players are John Lennon, who had worked with Lester on A Hard Day's Night and Help; Roy Kinnear, a Lester regular, as a fat soldier who is certain his wife is cheating on him; Jack MacGowran as the troop's designated fool, and Michael Hordern as a general almost as oblivious to his suffering men as Goodbody. ~ Tom Wiener, Rovi

When a private eye cannot convince the police to investigate the murder of his boss, he takes up the case complete with missing bodies, strange papers and safety deposit box. ~ Rovi

In this remake of the British thriller, a young TV journalist assists Scotland yard with the strange murder of a reclusive millionaire whose corpse was found locked in a vault. The key to the vault was on the table beside the corpse. ~ Sandra Brennan, Rovi

Time Without Pity carried the name "Joseph Losey" on the credits -- the first time in three years that the blacklisted director was permitted to use his own name on a film. This British-made suspense film was based on a play by Emlyn Williams. Michael Redgrave stars an anguished father whose son (Alec McCowan) is accused of murder. With time running out, Redgrave struggles to prove his son innocent of the charge. The paranoia prevalent in Time Without Pity can be attributed to Losey's own experience at the hands of the HUAC, though this element never gets out of artistic control. ~ Hal Erickson, Rovi

Droll British farceur Fred Emney is the star of Fun at St. Fanny's. Emney plays Dr. Septimus Jankers, headmaster of an exclusive boy's college. When the insititution is threatened with a shutdown instigated by its creditors, Dr. Jankers decides to "shake down" a wealthy, middle-aged student threatening to withhold that worthy's long-overdue student accreditation. The overaged "schoolboy" is played by music hall-TV comedian Cardew Robinson, who in 1956 was at the height of his popularity--so much so that he plays "himself'. Fun at St. Fanny's is chock full of the sort of healthily vulgar humor indigenous to the British stage of the 1940s and 1950s; even the title is a cheeky double-entendre. ~ Hal Erickson, Rovi