Madeleine Damien Movies

The interwoven love stories in Et La Tendresse?... Bordel! No 2 contrast three different ways of being together in modern French life. Carole is the mistress of Francois, a man who not only has a wife and children, but who makes a habit of having sexual liaisons with women besides his mistress and wife. The immaturity and vagueness of Regis and Julie undermines their initially very loving relationship once they get married. Finally, the straightforward friendship between Luc and Eva evolves into a love based on respect and understanding. ~ Clarke Fountain, Rovi

Bilitis (Patti D'Arbanville) is a boarding-school teenager on the verge of full erotic awakening, but during the summer she spends with a married couple in the 1930s the nearest she comes to exploring her sexuality is to be caught up in a sort of wave of sensuality. ~ Clarke Fountain, Rovi

In this French satire, a meek little bank (Jean-Louis Trintignant) clerk finds fame and fortune when he begins getting lessons from an impoverished novelist (Jean-Pierre Cassel) . Soon the clerk is wowing the Parisians with his ability to make the women swoon, and for his talent at attracting money. The film is also known as The French Way Is. ~ Sandra Brennan, Rovi

Leonardo (Franco Nero) is a painter who retreats to a house in the country to regain his lost inspiration. He is plagued by the presence of an erotic apparition. The gorgeous ghost soon moves the painter to the point he wishes to carry on a relationship with her. Leonardo is several bristles shy of a brush as he sinks deeper into insanity. When his fiancé arrives for a visit, she is murdered and chopped into little pieces by the troubled artist. Vanessa Redgrave and Gabriella Grimaldi also star in this story of madness and horror. ~ Dan Pavlides, Rovi

Louis Malle directed this light comedy about crime and class in the City of Light. Georges Randal (Jean-Paul Belmondo) is a young man living in Paris at the turn of the century who is due to inherit a considerable fortune. However, his uncle, who is acting as his guardian, manages to spend Georges' money before he ever gets a chance to see it. Georges is also deeply in love with Charlotte (Geneviève Bujold), his cousin, and wants to marry her; however, the same uncle has promised her hand to another, a man Charlotte does not love. Understandably angry, Georges makes plans to steal the family's jewelry, intended for Charlotte, away from his dishonest uncle. Georges soon discovers that he enjoys being a thief, and begins robbing the wealthy as protest against the bourgeoisie. However, as Georges' ill-gotten nest egg grows, he finds himself becoming a member of the idle rich he professes to despise. ~ Mark Deming, Rovi

The second screen version of Octave Mirbeau's novel (originally filmed in 1946 by Jean Renoir), Diary of a Chambermaid charts the ambitions of Celestine (Jeanne Moreau), a woman who comes to work in the 1930s for a Normandy estate occupied by Monsieur Rabour (Jean Ozenne), his daughter (Francoise Lugagne), and the daughter's husband, Monsieur Montiel (Michel Piccoli). Celestine quickly learns that M. Rabour is a more or less harmless boot fetishist, his daughter a frigid woman more concerned with the family furnishings than in returning the affections of her husband, who, in turn, can't keep his hands off the servants. The gamekeeper, Joseph (Georges Geret), is a fascist who keeps his masters informed of all the doings downstairs, and the next-door neighbor (Daniel Ivernel) is a veteran who can't stand Monteil and is sharing a bed with his housekeeper. Celestine picks her way through this minefield carefully, spurning the advances of all of the men until it's convenient for her. ~ Tom Wiener, Rovi