Peter-Hugo Daly Movies

The violent rise of gangland power in New York City at a time of massive political corruption and the city's evolution into a cultural melting pot set the stage for this lavish historical epic, which director Martin Scorsese finally brought to the screen almost 30 years after he first began to plan the project. In 1846, as waves of Irish immigrants poured into the New York neighborhood of Five Points, a number of citizens of British and Dutch heritage who were born in the United States began making an open display of their resentment toward the new arrivals. William Cutting (Daniel Day-Lewis), better known as "Bill the Butcher" for his deadly skill with a knife, bands his fellow "Native Americans" into a gang to take on the Irish immigrants; the immigrants in turn form a gang of their own, "The Dead Rabbits," organized by Priest Vallon (Liam Neeson). After an especially bloody clash between the Natives and the Rabbits leaves Vallon dead, his son goes missing; the boy ends up in a brutal reform school before returning to the Five Points in 1862 as Amsterdam (Leonardo DiCaprio). Now a strapping adult who has learned how to fight, Amsterdam has come to seek vengeance against Bill the Butcher, whose underworld control of the Five Points through violence and intimidation dovetails with the open corruption of New York politician "Boss" Tweed (Jim Broadbent). Amsterdam gradually penetrates Bill the Butcher's inner circle, and he soon becomes his trusted assistant. Amsterdam also finds himself falling for Jenny Everdeane (Cameron Diaz), a beautiful but street-smart thief who was once involved with Bill. Amsterdam is learning a great deal from Bill, but before he can turn the tables on the man who killed his father, Amsterdam's true identity is exposed, even though he has concealed it from nearly everyone, including Jenny. Gangs Of New York was the first film in two years from actor Leonardo DiCaprio; ironically, it was at one time scheduled to open on the same day as Catch Me if You Can, the Steven Spielberg project that DiCaprio began filming immediately after Gangs wrapped. ~ Mark Deming, Rovi

British independent filmmaker Andrew Kotting directed this drama that was loosely inspired by a novel by Emile Zola. Francine (Rebecca Palmer) and her sister, Kath (Demelza Randall), inherited their family's farm after the death of their parents, and together they've worked hard to keep the farm productive and profitable. Kath is a single mother whose boyfriend, Buto (Shane Attwool), has a unpredictable and sometimes violent disposition. Kath loves Buto, but his past behavior has earned the enmity of Francine, and she's not at all happy when Kath announces that Buto has finally asked for her hand in marriage. While Kath is delighted about the upcoming nuptials, it turns out Francine was right not to trust her future brother-in-law, as Buto's interest in marrying Kath is primarily motivated by a desire to lay claim to their farm. This Filthy Earth was screened in competition at the 2001 Edinburgh Film Festival. ~ Mark Deming, Rovi

Empty-nest syndrome confronts some harried parents in this BBC made-for-television movie. When two sets of parents go off to Cambridge for college enrollment interviews for their children, the realization that the kids are grown up and moving on finally hits home. The film has some touching moments with its somewhat familiar theme. It was followed by a sequel the following year, Cold Enough For Snow. ~ Bernadette McCallion, Rovi

The rise of teen culture in 1950s Britain provides the backdrop for Julien Temple's unconventional rock musical Absolute Beginners. The film centers on Colin, an 18-year-old with a talent for photography and a fondness for the neon nightlife of British jazz clubs. He also is in love with Crepe Suzette, an impulsive, ambitious young beauty who abandons him after attracting the attention of a powerful fashion designer. Depressed and aimless, Colin turns for help to a flashy ad executive (David Bowie) who promises to make him a star photographer. The former lovers take parallel paths to success, capitalizing on the youth mania gripping the nation. The film's nostalgic yet gently satirical look at teen culture is tempered by a recognition of the era's social tension, particularly a disturbing rise in racism. Despite these serious undertones, however, the film tells its story with a colorful vibrancy reminiscent of both MTV and old Hollywood musicals, filled with such show-stopping numbers as a memorable sequence in which Bowie dances on a giant typewriter. Critical reception was mixed, with some hailing the film's spectacular cinematography and ambitious scope, while others found the mixture of tones and style too inconsistent. The film also drew lukewarm response at the box office, with the memorable soundtrack receiving more attention than the film itself. ~ Judd Blaise, Rovi

This British rock musical tells a tale older than dirt -- the saga of the rise to fame of an eager young star, only to discover that fame is not all that it is cracked up to be. Hazel O'Connor is a young punk-rocker, singing her angry diatribes on the splintered stages on third-rate London venues. Soon enough, she meets up with a young, aspiring manager Phil Daniels, and she rises to the top. But success puts a damper on a burgeoning love relationship, and when Jon Finch arrives, playing a sleek and smooth record promoter, the duo's artistic independence is also compromised. ~ Paul Brenner, Rovi