Joe Dallesandro Movies
Leading actor Joe Dallesandro gained more than his 15 minutes of fame in the '60s and '70s thanks to his presence in the experimental films of Andy Warhol. Most often cast as androgynous characters, Dallesandro was the star of the Warhol/Paul Morrissey trilogy Flesh, Trash, and Heat, and later played the title roles in the selfsame production team's Blood for Dracula and Flesh for Frankenstein for which Dallesandro was praised by the cognoscenti for his "naturalistic" performances. After making his "mainstream" debut in The Gardener, he worked extensively in Europe. He made fleeting appearances as Lucky Luciano in Coppola's The Cotton Club (1984) and as the father of Darren E. Burrows in John Waters' Cry-Baby (1991). Dallesandro has also been prominently featured in such TV weeklies of the 1980s as Fortune Dane, Wiseguy, and The Hollywood Detective. ~ Hal Erickson, All Movie GuideTwo men are driving a refuse truck to a dump site and stop for a hamburger. Krassky (Joe Dallesandro), one of the two, strikes an acquaintance with Johnny (Jane Birkin), the girl who works in the restaurant. They swiftly become lovers. However, Krassky is basically a homosexual, and must consummate their lovemaking in a slightly unusual way. His fellow truck-driver, Padovan (Hugues Quester), is also his lover. Padovan is intensely jealous, and attempts to kill Johnny. When Krassky fails to defend her, Johnny berates him, and he and Padovan resume their journey together. ~ Clarke Fountain, All Movie Guide
- Starring:
- Jane Birkin, Joe Dallesandro, (more)
In Louis Malle's apocalyptic fantasy Black Moon, Lily (Cathryn Harrison, granddaughter of Rex) drives down a lonesome road, and soon finds herself in a alternate world full of non sequiturs and bizarre characters. At times, this looks like a David Lynch film, what with an old woman conversing with a rat, a pack of naked children chasing a pig, a talking unicorn, a strange set of possibly incestuous siblings (one of whom is "underground" film star Joe Dallesandro), and several other warped set pieces. Malle reportedly culled inspiration for the narrative of this film from his own dreams. ~ Hal Erickson, All Movie Guide
- Starring:
- Cathryn Harrison, Therese Giehse, (more)
A strange gardener who can turn into a tree can also create people-killing posies. He does just that, and sends the fatal flowers to a woman who has caught his interest. ~ All Movie Guide
- Starring:
- Katharine Houghton, Joe Dallesandro, (more)
Incest, necrophilia, and Joe Dallesandro? It must be Andy Warhol. Warhol did indeed co-produce this 1973 schlock spectacular -- originally presented in 3D -- that was directed by Factory fave Paul Morrissey. Starring Udo Kier in the role of "Ze Baron," Flesh for Frankenstein is a horror story for a new 'n' lewd generation. This time around, the mad scientist has created the nymphomaniacally-inclined Adam and Eve, whose mission it is to spawn a new race. Along for the ride --somewhat literally -- is a lusty stable boy (Dallesandro) who main duty it is to entertain the Baron's equally lusty wife/sister. Sex, gore, unconvincing bat attacks, and the highest camp this side of the Appalachian Trail combine for a dizzyingly outrageous midnight movie. Flesh for Frankenstein got a second chance at life when it was screened at the 2002 Philadelphia Gay and Lesbian International Film Festival. ~ Rebecca Flint Marx, All Movie Guide
- Starring:
- Joe Dallesandro, Udo Kier, (more)
The second of two horror films shot in a single production term and bearing the name of pop-art icon Andy Warhol (whose participation pretty much ended with the use of his name), this film is slightly superior to its higher-profile predecessor, Andy Warhol's Frankenstein. Direction is credited to Warhol factory filmmaker Paul Morrissey, though there still exists a very vocal camp who insist that the real credit should go to Italian director Antonio Margheriti. Euro-horror leading man Udo Kier assays the title role, playing the count as a pale, anemic-looking blood junkie with an overwrought accent. Finding the supply of "weer-gin" blood diminishing rapidly in Romania, Dracula is forced to seek a fix in a predominantly Catholic Italian province, where he is certain a few virgins still exist. He travels with his assistant (Arno Juerging) and his coffin-sealed sister to the decrepit, crumbling mansion of the financially-strapped Marquis DiFore (a tour-de-force performance from Bicycle Thief director Vittorio de Sica) who welcomes the affluent Count with open arms, hoping to marry off any one of his four daughters. Dracula clearly has other intentions for the girls... but his plans are rudely thwarted by beefy, socialist handyman Mario (Joe Dallesandro), who has been dutifully divesting the young maidens of their -- ahem -- virtue, thus tainting their blood and making it unsafe for vampiric consumption. Very unsafe, it turns out -- as we are treated to protracted scenes of the death-pale Count vomiting up gallons of blood. Rated "X" at the time of its release (and subsequently re-rated "R" ten years later), this outrageous catalogue of depravity features wildly campy performances, inane dialogue and an outrageous climax. ~ Cavett Binion, All Movie Guide
- Starring:
- Joe Dallesandro, Udo Kier, (more)
Heat is one of the more mainstream films produced by Andy Warhol's "Factory" and directed by Paul Morrissey. It is something of a send-up of Sunset Boulevard, with male beauty Joe Dallesandro in the William Holden part. In the film, Dallessandro seeks to advance his career by bedding anyone who is able to help him, from corpulent lady motel owners, to the gay boyfriend of a movie star's ex-husband. His career moves land him in bed with a fading but still-influential movie star (Sylvia Miles), and they enjoy a brief relationship. This ends, however, when Dallessandro decides that he wants to handle his career on his own. ~ Clarke Fountain, All Movie Guide
- Starring:
- Sylvia Miles, Joe Dallesandro, (more)
The lives of many are in the hands of Italian Police Commissioner Castroni, who is challenged by four young terrorists who are wreaking havoc upon the entire community. ~ All Movie Guide
This Andy Warhol production finds Joe Dallesandro as Joe, a lice-ridden impotent junkie who lives with Holly (Holly Woodlawn) in a Lower East Side slum in New York. Holly is a transvestite who spends time collecting trash, going to the Fillmore East, and cruising for sex. Joe is only interested in his next fix, and graphic displays of needles piercing flesh and degrading human situations deglamorize drug use better than any board of education film or public service messages. Jane (Jane Forth) is the acid casualty housewife who listens to Pink Floyd. Male and female nudity and masturbation are featured. The color process is not credited, but technical aspects are better overall than most previous Warhol productions. Woodlawn was the inspiration for the Lou Reed song "Take a Walk on the Wild Side." ~ Dan Pavlides, All Movie Guide
- Starring:
- Joe Dallesandro, Holly Woodlawn, (more)
This characteristically offbeat, but tedious, Andy Warhol film was finished just before Warhol was seriously wounded by a gunshot wound inflicted by one of his disgruntled followers. It was released soon after Warhol's recovery. Though the film tends to be a muddled, haphazard collection of seemingly unrelated scenes, it begins clearly enough by introducing the main character: the flamboyant, verbose Ondine, an infamous homosexual who makes a passing attempt to live life as a heterosexual. Ondine is also adventuresome enough to try and learn "college wrestling" from a young male prostitute. In the most memorable scene of the film, a nude boy standing over a motorcycle is buried in trash after he and other willing parties participate in a food-and-garbage orgy. The film is re-edited from his earlier 25-hour marathon Four Stars. ~ Dan Pavlides, All Movie Guide
This experimental western from cult icon Andy Warhol concerns nine people in a ghost town looking for love. A truly twisted improvisational comedy should have emerged, but Taylor Mead's shrill screeching and some annoying in-camera editing results in a fairly grating experience. Ramona Alvarez (Viva) and her perpetually stoned nurse (Mead) run into five gay cowboys led by Louis Waldon. They all want to have sex with a handsome drifter (Tom Hompertz), except for the transvestite sheriff (Francis Francine), who can't be bothered about anything but his outfit. Ramona is raped by the cowboys then has sex with Hompertz and wants to form a suicide pact in the afterglow. Hompertz wants no part of such a pact, however, and rides off into the sunset with another man (Eric Emerson). All of this takes nearly two hours, and although there are some cute moments, it never comes together as a whole. Improvisation is difficult to stretch into a coherent feature-length film without at least some attempt at setting up individual scenes. Warhol does none of that here, although he would do better with later films directed by Paul Morrissey, this film's executive producer. His sole interest appears to be in putting attractive young men in front of his camera and having them seduce each other and act silly. Viewers will either be mildly amused, bored, or terribly annoyed, depending on individual tolerance levels. ~ Robert Firsching, All Movie Guide
- Starring:
- Viva, Taylor Mead, (more)
Flesh was filmmaker Paul Morrissey's first production for Andy Warhol. The story concerns a bisexual hustler (Joe Dallesandro) who does tricks so that he can pay for his wife's lover's abortion. The film made headlines when it was confiscated by the police during one of its earliest showings in 1970. Though this event is unlikely to repeat itself, Flesh is still explicit enough to elicit gasps from even the most jaded of underground-film enthusiasts. ~ Hal Erickson, All Movie Guide
- Starring:
- Joe Dallesandro, Geraldine Smith, (more)


















