Esther Dale Movies

American actress Esther Dale concentrated her cinematic efforts on portraying warm-hearted aunts, mothers, nurses, neighbors and shopkeepers--though there were a few domineering dowagers along the way. She began her career on a semi-professional basis with a New England stock troupe operated by her husband, Arthur Beckhard. Esther was the resident character actress in stage productions of the late '20s and early '30s featuring such stars-to-be as Henry Fonda and Margaret Sullavan. She first appeared before the cameras in 1934's Crime Without Passion, filmed in Long Island. Esther then moved to Hollywood, where she popped up with increasing frequency in such films as The Awful Truth (1937) (as Ralph Bellamy's mother), Back Street (1941), Margie (1946) and The Egg and I (1947). Her participation in the last-named film led to a semi-regular stint in Universal's Ma and Pa Kettle series as the Kettles' neighbor Birdie Hicks. Esther Dale's last film, made one year before her death, was the John Wayne vehicle North to Alaska (1960), in which she had one scene as "Woman at Picnic." ~ Hal Erickson, All Movie Guide
1971  
R  
Based upon the novel by Lois Gould and adapted (under the pseudonym Esther Dale) by Elaine May, Such Good Friends focuses on Julie Messinger (played by Dyan Cannon), a woman with intense, often wild emotions that are held in check beneath a rather conventional façade. After her chauvinistic and self-centered husband Richard checks into the hospital for a simple mole removal that goes seriously wrong, Julie discovers that he has been titanically unfaithful to her. This is the straw that breaks the camel's back, and Julie decides it is time for her to break out of her shell, no matter what the consequences. She begins to exhibit a sexual interest in other men (sometimes indiscriminately, as when she seduces her family doctor, played by James Coco), and speaks her mind to others, including her egocentric mother (Nina Foch) and her hypocritical best friend (ennifer O'Neill). At the end, Julie wanders into Central Park and, presumably, a new life. ~ Craig Butler, All Movie Guide

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1960  
 
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Those familiar only with Johnny Horton's song hit North to Alaska might not be aware that the song came equipped with a movie. John Wayne and Stewart Granger star as a couple of lucky miners in Alaska Territory during the '98 gold rush. Since the Duke is the only man he can trust, Granger sends his pal to Seattle to fetch his fiance. Fabian appears in the cast (playing Granger's brother) primarily to attract teenage filmgoers; he gets to sing, of course, but he's better than usual. The film's centerpiece, an outsized brawl in the muddy streets of Nome, was repeated with several variations in Wayne's subsequent McLintock (1963). North to Alaska was based on a considerably more genteel stage play, Laszlo Fodor's Birthday Gift. ~ Hal Erickson, All Movie Guide

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Starring:
John WayneStewart Granger, (more)
1959  
 
Diane Brewster makes her first appearance as Samantha Crawford, a larcenous lass who proves to be quite a handful for Bret Maverick (James Garner). Claiming to be the daughter of George Cross (Tol Avery), who once lost a great deal of money to Bret, Samantha charms our hero into player poker with her--and handily beats him at his own game. Hoping to recoup his losses, Bret goes into partnership with Samantha as the owners of a gambling hall, ostensibly for the purpose of driving crooked gambler Joe Riggs (Ted DeCorsia) out of business. Little does Bret realize that he's been set up for yet another double-cross. ~ Hal Erickson, All Movie Guide

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1956  
 
Joel McCrea stars in this leisurely paced Western from Allied Artists (formerly Monogram) originally released in Cinemascope. Having lost his wife in childbirth en route to California, Dr. John Brighton (McCrea) builds a new home for himself and his baby daughter in an Oklahoma backwater town, lodging with kindhearted Mrs. Fitzgerald (Esther Dale). As the town grows up around him, Brighton becomes a well-respected local medico, championing the rights of the area's Indian population when nasty rancher Cass Dobie attempts to buy them out cheap. Unbeknownst to the townspeople, Dobie has discovered oil on the land belonging to Charlie Smith (Michael Pate), whose beautiful daughter, Maria (Gloria Talbott), is working as little Louise Brighton's (Laurie Mitchell) nursemaid. When Charlie is forced to kill Cass' brother, Mel (Douglas Dick), in self-defense, Cass vows revenge. Aided by female rancher Anne Barnes (Barbara Hale), Brighton learns about the discovery of oil and there is a final confrontation on main street. ~ Hans J. Wollstein, All Movie Guide

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Starring:
Joel McCreaBarbara Hale, (more)
1955  
 
The title tells all in this seventh entry in Universal's "Ma and Pa Kettle" series. This time around, Ma (Marjorie Main) and Pa (Percy Kilbride) take their brood to Hawaii, where Pa is to take over management of his cousin's fruit processing operation. The villains are a group of rival businessmen who kidnap Pa and spirit him off to a remote island. Before long, however, it's the bad guys who need rescuing. Some of the funnier scenes involve Ma and Pa's Hawaiian counterparts, played by Hilo Hattie and Charley Lung. With this entry, Percy Kilbride bade adieu to the role of Pa Kettle, leaving Marjorie Main to carry on alone in the remaining two series installments. ~ Hal Erickson, All Movie Guide

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Starring:
Marjorie MainPercy Kilbride, (more)
1955  
 
Despite its lurid title, Betrayed Women is more subdued than the usual "babes behind bars" melodrama. The scene is a Southern women's prison, where the inmates are subjected to all manner of sadism and brutality. State's attorney Jeff (Tom Drake) arrives to investigate prison conditions, whereupon he is taken hostage during a breakout fomented by gun moll Honey (Beverly Michaels) and lifer Kate (Carole Mathews). As it happens, another of the hostages, inmate Nora (Peggy Knudsen), has fallen in love with Jeff. Esther Dale does her usual as a cruel prison matron, stealing the show from the capable but colorless Tom Drake. ~ Hal Erickson, All Movie Guide

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Starring:
Carole MathewsBeverly Michaels, (more)
1952  
 
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Howard Hawks hoped to capture the screwball comic fervor of his 1938 film Bringing Up Baby with his 1952 comedy Monkey Business. As in the earlier film, Cary Grant stars as an absent-minded professor involved in a research project. This time he's a chemist seeking a "fountain of youth" formula that will revitalize middle-agers both mentally and physically. Though Grant's own laboratory experiments yield little fruit, a lab monkey, let loose from its cage, mixes a few random chemicals and comes up with just the formula Grant is looking for. This mixture is inadvertently dumped in the lab's water supply; the fun begins when staid, uptight Grant drinks some of the "bitter" water, then begins cutting up like a teenager. A harmless afternoon on the town with luscious secretary Marilyn Monroe rouses the ire of Grant's wife Ginger Rogers, but her behavior is even more infantile when she falls under the spell of the youth formula. Everyone remembers the best line in Monkey Business: foxy-grandpa research supervisor Charles Coburn hands the curvacious Monroe a letter and says "Get someone to type this". Even better is his next line: after Monroe sashays out of the room, Coburn turns to Grant and, with eyes atwinkle, murmurs "Anyone can type." Likewise amusing is Monkey Business's pre-credits gag, wherein Cary Grant opens a door and is about to step forward when director Hawks, off-camera, admonishes "Not yet, Cary." Among the co-conspirators on Monkey Business's carefree script are Ben Hecht, Charles Lederer and I.A.L. Diamond, with an original story by Harry Segall (Here Comes Mr. Jordan) as their source. ~ Hal Erickson, All Movie Guide

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Starring:
Cary GrantGinger Rogers, (more)
1952  
 
Ma and Pa Kettle at the Fair was Number Four in Universal's immensely successful "B"-picture series. It is giving away nothing to reveal that Marjorie Main and Percy Kilbride once more assume the title roles. The plot is motivated by Ma's desire to send daughter Rosie (Lori Nelson) to college. To that end, she intends to win a big cash prize at the upcoming county fair. Meanwhile, Pa uses his half of the winnings (which no one, as yet, has really won!) to purchase a race horse. When Mafails to win the money, the Kettles are forced to rely on the horse to save the day during a sweepstakes race. Towards the end of Ma and Pa Kettle at the Fair, a close-up of the racing statistics sheet is shown, revealing that one of the owners is "Quinn Martin"--a cute inside joke, inasmuch as Mr. Martin was a prolific scriptwriter and a friend of Ma and Pa Kettle producer Leonard Goldstein. ~ Hal Erickson, All Movie Guide

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Starring:
Marjorie MainPercy Kilbride, (more)
1951  
 
Can it be that June Allyson is Too Young to Kiss in this bit of MGM fluff? Well, not really. Pianist Cynthia Potter (Allyson) is well into her 20s, but she's posing as a 14-year-old musical prodigy. It's part of her desperate effort to become a client of highly selective concert-promoter Eric Wainwright (Van Johnson), who is only hiring "young" performers. Wainwright falls for Cynthia's subterfuge, building a huge promotional campaign predicated upon his new protégé's "youth." He even adopts a fatherly attitude towards Cynthia, who would prefer that their relationship be a bit more intimate. Though it may seem to be a rehash of the 1943 comedy The Major and the Minor, Too Young to Kiss remains fresh and funny throughout, thanks to the script-writing know-how of Frances Goodrich and Albert Hackett. Ironically, Allyson was thirty-four when this film was shot. ~ Hal Erickson, All Movie Guide

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Starring:
June AllysonVan Johnson, (more)
1951  
 
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Booth Tarkington's Alice Adams, coupled with his Penrod stories, were incorporated in the script of the 1951 Warner Bros. musical On Moonlight Bay. The role of the incorrigible Penrod is played by future Father Knows Best regular Billy Gray, but his is a strictly secondary part herein. The emphasis is on Penrod's hoydenish older sister, played by Doris Day. She falls in love with Gordon MacRae, whose mildly anti-capitalist sentiments sit not at all well with Doris' banker dad (Leon Ames). Once a subplot involving Penrod's prevarications concerning his father's drinking habits is out of the way, we are treated to several romantic scenes involving Doris and Gordon, and a steady stream of early-20th-century standards like "Till We Meet Again," "I'm Forever Blowing Bubbles," "Cuddle Up a Little Closer," and the title song. On Moonlight Bay ends with MacRae marching off to World War I and Doris promising she'll wait for him; she did, as was proven in the 1953 sequel By the Light of the Silvery Moon. ~ Hal Erickson, All Movie Guide

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Starring:
Doris DayGordon MacRae, (more)
1950  
 
Of the many attempts by Republic Pictures' CEO Herbert J. Yates to turn his lady friend Vera Ralston into a star, Surrender is one of the better efforts. Ralston plays a conscienceless "femme fatale" who works out a complex scheme to secure her financial comfort. The plan, enacted in a western border town, involves bigamy, betrayal, and ultimately murder. She plays one man against another all too well; in the end Vera's perfidy backfires, and she falls victim to her own machinations. Vera Ralston tries hard indeed but the audience can sense that she is basically too nice to be making such mean faces. ~ Hal Erickson, All Movie Guide

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Starring:
Vera RalstonJohn Carroll, (more)
1950  
 
A woman is torn between a comfortable lie and the painful truth in this drama. After she is abandoned by her unfaithful boyfriend Stephen Morely (Lyle Bettger), Helen Ferguson (Barbara Stanwyck) discovers that she's pregnant, and she has no choice but to go home to her family. Shortly after boarding the train, Helen meets Hugh and Patrice Harkness (Richard Denning and Phyllis Thaxter), a recently married couple who are travelling to visit Hugh's parents, who have yet to met his bride. Patrice, who is also with child, strikes up a conversation with Helen, and allows her to try on her beautiful wedding ring. Moments later, the train becomes involved in a terrible accident in which Hugh and Patrice are killed; because she was still wearing Patrice's ring, Helen is mistaken for the late Mrs. Harkness by Hugh's parents (Jane Cowl and Henry O'Neill), and is taken home with them as she recovers and has her baby. Helen begins to feel a part of the family until Stephen arrives, demanding money to keep her true identity a secret. No Man of Her Own was remade in 1996 as the comedy Mrs. Winterbourne. ~ Mark Deming, All Movie Guide

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Starring:
Barbara StanwyckJohn Lund, (more)
1950  
 
The second of Universal's "Ma and Pa Kettle" series, Ma and Pa Kettle Go to Town stars, as ever, Marjorie Main and Percy Kilbride. This time, the Kettles win a letter-writing contest, which offers as first prize an all-expense-paid trip to New York City. Once in Manhattan, the huge Kettle brood raises all sorts of Holy Ned, culminating in an episode involving stolen bank money. Somehow this all ends with a riotous, slapstick-laden square dance. The film's romantic subplot is handled by Richard Long as oldest son Tom Kettle and Meg Randall as his high-society wife Kim. Also carried over from the first Kettle entry are Ray Collins and Barbara Brown as the Kettle's wealthy in-laws. A winner at the box-office, Ma and Pa Kettle Go to Town helped pay for many of Universal's "prestige" releases of 1950. ~ Hal Erickson, All Movie Guide

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Starring:
Marjorie MainPercy Kilbride, (more)
1950  
 
Joseph Cotten stars in Walk Softly, Stranger as Chris Hale, a fugitive criminal who decides to hide out in a small Midwestern town. Here, Hale makes the acquaintance of Elaine Corelli (Alida Valli), who has had a grudge against the world since being crippled in a skiing accident. While endeavoring to help Elaine come out of her shell, Hale falls in love with her, and vows to mend his own ways. Though not released until 1950, Walk Softly, Stranger was filmed in 1948, a year before Joseph Cotten and Alida Valli were teamed in the more celebrated The Third Man. Future talk-show host Jack Paar appears in a fascinating supporting role as a suburban hubby. Walk Softly, Stranger was the last co-production between RKO and David O. Selznick's Vanguard Films. ~ Hal Erickson, All Movie Guide

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Starring:
Joseph CottenSpring Byington, (more)
1949  
 
The title couple and their enormous brood of bumpkins made their movie debut in the film version of Betty McDonald's humorous book The Egg and I (1947) where they appeared as supporting characters. Audiences found them funny and so the characters got their own long-running series of B movies. Ma and Pa Kettle is the first in that series and centers on the exploits of the impoverished hayseed family after Pa wins a contest by writing a jim-dandy slogan for a tobacco company. The Kettle's prize is a brand new, ultra modern, fully automated home. It's a good thing too, for Ma, Pa and their 15 kids were about to get booted out of their previous wreck of a home. Of course the film is at its funniest when the Kettles are trying to figure out how to operate their fancy new digs. ~ Sandra Brennan, All Movie Guide

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Starring:
Marjorie MainPercy Kilbride, (more)
1949  
 
Philip Yordan's stage hit Anna Lucasta posed two problems to Hollywood in 1949. For one thing, the story concerned a prostitute who is exploited by her greedy family. For another, the characters were black, thereby cutting the box-office potential in half in those racially divisive times. In adapting Anna Lucasta to the screen, Yordan and co-scripter Arthur Laurents "laundered" the property for popular consumption. Anna's sexual hijinks are only hinted at, and in fact an impressionable viewer might even get the idea that she's still a virgin when the film comes to an end. And the racial angle was tackled by transforming the characters into Polish-Americans, which enabled Paulette Goddard to assume the leading role. Otherwise, the film differs but little from the play: Thrown out of her house by her drunken father (Oscar Homolka), Anna is welcomed back into the fold only as bait to trap an unmarried, wealthy farmer. Anna squelches her family's avaricious plans by genuinely falling in love with the poor sucker who's been targeted as her husband. Broderick Crawford fares best as Anna's doltish brother-in-law, a characterization deftly combining boorish selfishness and lovable humor. Anna Lucasta was remade with most of its Broadway bite intact in 1958 -- this time with an all-black cast. ~ Hal Erickson, All Movie Guide

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Starring:
Paulette GoddardWilliam Bishop, (more)
1949  
NR  
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A disarming little trifle, Holiday Affair has in the years since its original release become a Yuletide perennial on television. War widow Janet Leigh hasn't the money to buy the model train that her son Gordon Gebert wants for Christmas. Robert Mitchum overhears the boy's plight, and offers to purchase the train for him, even though it will deplete his own money supply. This little gesture of kindness from Mitchum snowballs into a series of comic complications, thanks in part to the unwelcome intervention of Leigh's stuffed-shirt attorney boyfriend Wendell Corey. Harry Morgan shows up towards the end as a flustered night-court judge who helps tie some of the loose plot ends together. Based on a short story by John D. Weaver, A Holiday Affair didn't do too well at the box office, but its afterlife has been most satisfactory. ~ Hal Erickson, All Movie Guide

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Starring:
Robert MitchumJanet Leigh, (more)
1948  
 
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A Song is Born is a musical remake of the 1941 comedy Ball of Fire, with the same producer (Sam Goldwyn) and director (Howard Hawks) at the helm. It will be recalled that the original film, co-scripted by Billy Wilder, was an amusing spin on "Snow White and the Seven Dwarfs," wherein seven pedantic professors, working on a dictionary of slang, "adopted" an authority on the subject, breezy burlesque dancer Sugarpuss O'Shea. In the remake, the septet of scholars are working on an encyclopedia of music, but they're held up on the subject of "swing." When nightclub singer Honey Swanson (Virginia Mayo), escaping from her gangster suitor Tony Crow (Steve Cochran), takes refuge in the professors' home, she offers to introduce them to the world of popular music. This proves to be quite a tuneful undertaking, since two of the professors are played by Danny Kaye and Benny Goodman! The tang and zest of original plotline has been muted to the point of harmlessness, but the film is saved by the presence of Goodman, his fellow bandleaders Charlie Barnet, Tommy Dorsey and Mel Powell, and specialty performers Louis Armstrong, Lionel Hampton and Buck & Bubbles. A Song is Born was Danny Kaye's final starring vehicle for Sam Goldwyn. ~ Hal Erickson, All Movie Guide

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Starring:
Danny KayeVirginia Mayo, (more)
1947  
 
An aspiring ballerina begins following a prima ballerina hoping that she will become her replacement. Unfortunately, another dancer is chosen, causing the determined twinkle-toes to cause a little accident to destroy the usurper's career. It works and the hapless ballerina's career is destroyed. In the end, the conniving one atones for her treachery and the two become fast friends. Danny Thomas makes his feature film debut in this musical. ~ Sandra Brennan, All Movie Guide

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Starring:
Margaret O'BrienCyd Charisse, (more)
1947  
 
Based on the humorous autobiographical book by Betty McDonald, The Egg & I casts Claudette Colbert and Fred MacMurray as Manhattan-dwelling newlyweds. When MacMurray enthusiastically purchases an upstate farm in the hopes of cleaning up in the egg business, Colbert cautiously goes along. The film's humor is derived from the efforts of these two hopelessly citified slickers to adapt themselves to the rigors of rural life. In a plot complication added to the film, pretty neighbor Louise Allbritton upsets the equilibrium of MacMurray and Colbert's union, but both husband and wife are happily reunited at the finale (in real life, Betty McDonald and her husband were splitsville before the book even hit the stands). Retained from the novel, though heavily laundered, were the earthy characters of farmers Ma and Pa Kettle and their huge brood of children. Marjorie Main as Ma and Percy Kilbride as Pa struck so responsive a chord with filmgoers that Universal headlined them in their own "Kettle" series of B pictures, which endured until 1956. The Egg & I would be adapted into a live TV comedy serial in 1952, with Pat Kirkland and John Craven in the leading roles. ~ Hal Erickson, All Movie Guide

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Starring:
Claudette ColbertFred MacMurray, (more)
1947  
 
In this aqueous musical comedy, an opera singer brings his son to Michigan's Mackinac Island where the son falls in love with the star of the "aquacaper." It is difficult to woo her as she is constantly surrounded by her piano-playing bodyguard and her ever-present grandmother. It's musical and comedic chaos as the son attempts to overcome these and other obstacles while trying to win her heart. Highlights include Jimmy Durante singing his trademark tune "Inka Dinka Do." Other songs include: "M'Appari" from "Martha," "La Donna E Mobile" from "Rigoletto," Cole Porter's "You Are So Easy to Love," "A Little Bit of This and a Little Bit of That," "Chiquita Banana," and "When It's Lilac Time on Mackinac Island." ~ Sandra Brennan, All Movie Guide

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Starring:
Esther WilliamsLauritz Melchior, (more)
1946  
 
In this romantic melodrama, Bette Davis plays twin sisters for the first time (she would do so again in 1964's Dead Ringer). Kate Bosworth (Davis) is a sincere, demure girl and talented artist. Her twin sister Pat (also Davis) is a flamboyant, man-hungry manipulator. Orphans, the girls' guardian is their cousin, Freddie Lindley (Charles Ruggles), with whom Kate elects to spend a summer on Martha's Vineyard. There, she meets Bill Emerson (Glenn Ford), a handsome engineer spending a summer vacation as a lighthouse inspector. Kate falls deeply in love with Bill, but when Pat shows up, he goes for the more exciting sister, eventually marrying her. Devastated, Kate throws herself into her art, but she becomes discouraged under the tutelage of an abusive master, Karnock (Dane Clark). A sailing accident gives Kate the chance to take her sister's place -- but can she fool Bill into believing that this sweet, innocent woman is his philandering, scheming wife? A Stolen Life (1946), a remake of an earlier picture by the same name that had been produced by Paramount only seven years earlier starring Elisabeth Bergner in the twins role, was nominated for a Best Special Effects Oscar. ~ Karl Williams, All Movie Guide

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Starring:
Bette DavisGlenn Ford, (more)
1946  
 
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A woman struggling to rebuild her life becomes the victim of uncharitable rumors in this sudsy drama. After the recent death of her husband, and with her sons away at school, Jessica Drummond (Barbara Stanwyck) is lonely and out of sorts -- and uninterested in the potential suitors her mother, Mrs. Kimball (Lucile Watson), chooses for her. Jessica joins her close friend Ginna Abbott (Eve Arden) on a skiing trip and meets Maj. Scott Landis (George Brent), a handsome man who is clearly attracted to her. Jessica makes it clear that she has no interest in a short-term fling, and upon returning home, she meets Frank Everett (Warner Anderson), a sweet but dull man whom she begins dating. Frank is willing to marry Jessica, but by chance she meets Scott again, and while she's not willing to be seduced by him, she finds him more exciting and alluring than Frank. As Jessica debates the merits of passion vs. security, she becomes the subject of mean-spirited gossipmongers who speculate that her relationship with Scott has become inappropriately intimate for a new widow. My Reputation was shot in 1944, but it wasn't released until 1946, as the studio believed that it would be better received after the end of WWII. ~ Mark Deming, All Movie Guide

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Starring:
Barbara StanwyckGeorge Brent, (more)
1946  
 
Smoky is a Technicolor adaptation of Will James' beloved horse story, first filmed in 1933. Fred MacMurray plays a cowboy who is intrigued by a wild black stallion which refuses to be tamed. MacMurray ropes the stallion and determines to train it. "Smoky" responds to MacMurray, and horse and man form a strong bond; both are mavericks in a sense, and neither wants to be tied down to responsibility. During a cattle raid, Smoky is stolen and sold to various cruel owners. MacMurray finally catches up with his horse during a parade, in which Smoky breaks free from the junk cart he's been forced to pull. A third version starring Fess Parker was filmed in 1966. ~ Hal Erickson, All Movie Guide

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Starring:
Fred MacMurrayAnne Baxter, (more)
1946  
 
Nostalgic and sweet, this tuneful comedy centers on a mother's reminiscence of her wild time as a 1920s teenage flapper. Margie is first seen fully grown telling her stories to her own teenage daughter. Back then, Margie was a typical adolescent, crazy about boys (especially those in raccoon coats) and an expert on the day's fashions. Margie was quite the cat's meow back then and found herself pursued by a handsome young man. Unfortuantely for him, Margie and the other girls only have eyes for the dashing new French teacher. Though busy vying for the teacher's affections, the teens still have time to perform many of the 1920's most popular songs. ~ Sandra Brennan, All Movie Guide

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Starring:
Lynn BariVanessa Brown, (more)

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