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Noel Dainton Movies

1945  
 
That daring pulp-novel detective Sexton Blake is back again in The Echo Murders. David Farrar stars as Blake, a Sherlock Holmes wannabe who takes on a gang of Nazi spies. While solving a series of baffling murders, Blake is captured and beaten by the bad guys, but emerges from his ordeal none the worse for wear and with hardly a crease in his trousers. In one scene, our hero uses acid to burn off the ropes that bind his hands, miraculously doing no harm whatsoever to his wrists. Of interest is the presence in the cast of future British leading man Dennis Price, who like David Farrar seems to be grateful to have the work. ~ Hal Erickson, Rovi

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Starring:
David FarrarDennis Price, (more)
 
1944  
 
In this sci-fi comedy, a nutty inventor and his loyal butler use his time machine to travel to Elizabethan times. ~ Sandra Brennan, Rovi

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1944  
 
A factory secretary is disclosed as being a thief by discharged Army soldiers. ~ Rovi

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1944  
 
In this drama, an amnesiac gardener, who lost his memory after he was buried alive during WW I, works for a wealthy man whose son is about to marry an actress. When he is accused of stealing, the honest gardener becomes so upset that his memory returns. He then remembers that he is a wealthy military officer. He also realizes that the actress is none other than his own daughter. ~ Sandra Brennan, Rovi

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1944  
 
Bud Flangan and Chesney Allen, members in good standing of Britain's Crazy Gang comedy troupe, carry the story in Dreaming. The story involves a cheeky British soldier who is knocked unconscious and begins...yes, dreaming. Our hero imagines himself at New York's Stage Door Canteen, at the Ascot races, in Northern Africa and in the middle of Nazi Germany. There's not much in the way of plot, but Flanagan & Allen seldom needed plots, merely premises. Hazel Court shows up in several different characterizations as the hero's dream girl. It might prove interesting to compare Dreaming to the similar 1945 Fred MacMurray vehicle Where Do We Go From Here? ~ Hal Erickson, Rovi

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1944  
 
In this romance, a young woman gets into a real mess when her mother begins meddling in her romantic life by conning her into becoming engaged to her boss. Unfortunately, the girl loves another who has gone off to fight the war. Upon his return, he is enraged to learn about the engagement. Mayhem ensues until the whole mess is straightened out and the lovers are reunited. ~ Sandra Brennan, Rovi

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1943  
 
Once again comedian Arthur Lucan dons an old woman's togs to become the tart-tongued Irish washerwoman. This time Mother Riley ends up mixed up with gangsters and busts up a ring of smugglers. ~ Sandra Brennan, Rovi

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1943  
 
The popular British music hall and radio team of Gert and Daisy (Elsie and Doris Waters) heads the cast of It's in the Bag. The whole thing starts when the cackling cockney duo sells an old dress. Turns out that there's 20,000 pounds sewn in the lining of the frock, a fact that precipitates a merry chase. Also in pursuit of the money is Reginald Purdell, whose honesty is a matter of grave doubt. It's in the Bag comes to a literally explosive climax in a deserted theater. ~ Hal Erickson, Rovi

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1943  
 
In this episode of the mystery adventure series, Simon "The Saint" Templar finds a dead man on his doorstep. Soon the ace investigator finds himself mired in more murder, smuggling and a South American mine. ~ Sandra Brennan, Rovi

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Starring:
Hugh SinclairJean Gillie, (more)
 
1943  
 
Released in the US as The Randolph Family, Dear Octopus was based on the internationally popular play by Dodie Smith. The story is motivated by the Golden Wedding anniversary of Charles and Dora Randolph (Frederick Leister, Helen Haye). As the relatives gather, each reveals his or her personal quirks and shortcomings. Caught in the middle is family secretary Penny Fenton (Margaret Lockwood), who has the unenviable task of sorting and smoothing out the family's many deep-set hostilities and jealousies so that a good time will be had by all. The basic premise of Dear Octopus is established early on; the rest of the film is variations on a single theme, albeit consistently amusing ones. ~ Hal Erickson, Rovi

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Starring:
Margaret LockwoodMichael Wilding, Sr., (more)
 
1942  
 
In this entry in the British Somewhere series, the four crazy soldiers get a much-needed furlough and end up in the posh home of a wealthy buddy. All of them have a ball, most particularly the host, who gets to fall in love with his dream girl. ~ Sandra Brennan, Rovi

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1941  
 
Scottish stage, radio and film favorite Will Fyffe heads the cast of Neutral Port. The star is cast as crusty Captain Ferguson, who is forced to dry-dock his torpedoed ship at the mythical port of Esperanto. Anxious not to injure its neutrality, the country refuses to allow Ferguson to seize a Nazi supply ship as compensation for the loss of his own vessel. But the good captain takes matters into his own hands by stealing not one but two German ships. When these are shot from under him, the captain returns to Esperanto to face the consequences, but chances are he'll be back in business again before the sun sets. ~ Hal Erickson, Rovi

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Starring:
Will FyffeLeslie Banks, (more)
 
1938  
 
When the Russians find and destroy the hidden artillery, the 13 man Austrian gun crew is suspected of harboring a traitor in this World War I drama. Nobody knows which soldier informed, however. The tension mounts as the Austrian high command orders all 13 soldier executed to eliminate the turncoat. The rest of the soldiers must identify the traitor to save their own lives. ~ Rovi

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1935  
 
Add Murder in the Red Barn to Queue Add Murder in the Red Barn to top of Queue  
The film opens on a theatrical stage where the principal players are introduced in a manner that suggests the audience already knows the story about to be played out. It begins inside the Red Barn in Polstead, Suffolk, where local girl Maria Marten (Sophie Stewart) dances with local, middle-aged squire and magistrate William Corder (Tod Slaughter) during a merry barn dance. Stealing a moment from the festivities, Carlos, a gypsy (Eric Portman) declares his love for Maria, but she rebuffs him and does not disclaim her interest in Corder. Corder is angered when a gypsy palm reader gives him a bad fortune and all of the gypsies are ejected from the party. Maria catches up with Corder later and shares a drink with him at his home; meanwhile, her father (D.J. Williams) notes Maria's absence and suspects her out with the gypsy. Corder, in the meantime, has become intimate with Maria and sends her home, promising marriage. A chance encounter with Carlos is interrupted by Maria's father, who pleads with Corder to have the gypsy barred from the locality. Corder then travels to London and loses big with a disastrous tumble of the dice; Corder schemes to recoup his losses through wooing a local widow of means, plans that do not include Maria.

Over time, Maria's delicate condition becomes apparent and her father casts her out of the family home. Maria approaches Corder for help, but becoming aware of her dire situation threatens to tell her father the truth. Corder renews his pledge to marry Maria and tells her to meet him at the Red Barn in couple of hours. Once there, Corder shoots Maria with a pistol and buries her body under the floor, but misplaces a damning piece of evidence at the scene. Disarmed by the pleas of Maria's grieving mother (Clare Greet, a favorite actress of Alfred Hitchcock's), Maria's father resumes the search for her. Carlos appears at Corder's and begins to pressure him about Maria's whereabouts; they are interrupted and Corder sets a trap for the gypsy which he barely escapes. Carlos, Corder, Mr. Marten and a number of police constables all end up at the Red Barn; at first it looks bad for Carlos, but when Corder's own dog begins sniffing around in the barn, Corder finds himself facing a spell of misfortune that will make his poor luck at the dice table seem insignificant by comparison.
~ David Lewis, Rovi

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Starring:
Tod SlaughterSophie Stewart, (more)
 
1934  
 
In this crime drama, two gangs of criminals compete to find a cache of purloined jewels. Both gangs really want them and use all sorts of devious tricks to beat out their rivals. Eventually both converge at a creepy old mansion. ~ Sandra Brennan, Rovi

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1932  
 
This ironic little British character study stars Stuart Rome as a "most likely to succeed" type. Rome has been invited to give a speech to his old classmates about self-sufficiency and optimism in the face of worldwide depression. Unfortunately, to finance his trip to London, the impoverished Rome must hock everything he owns. The hero's regaining of his own self-respect is the core of this understated drama. Reunion wasn't seen in the US until the early 1950s, when hungry-for-product TV stations were running every British picture they could get their hands on. ~ Hal Erickson, Rovi

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1932  
 
This musical concerns the opening of a luxury hotel and some of its residents, including an alcoholic who is being blackmailed and a wallet-stealing prostitute. ~ Steve Huey, Rovi

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1932  
 
Coming in at an economical 44 minutes (and costing an economical 3700 pounds), Star Reporter was one of several collaborations between director Michael Powell and acclaimed mystery writer Philip MacDonald. A sly character named Mandel (Garry Marsh) persuades Lord Longbourne (Spencer Trevor) to participate in an insurance scam: Mandel will abscond with a precious diamond belonging to Longbourne's daughter, Lady Susan Loman )Isla Bevan), and Longbourne can cash in on the insurance money. Things go awry when Lady Loman's chauffeur, Major Starr (Harold French), foils their efforts and Mandel is killed in a fall from a rooftop. Starr, who it turns out is the star reporter of the title, then proposes to Lady Loman, who accepts. ~ Craig Butler, Rovi

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