Dan Dailey Movies

To get experience a young girl assists her father, a detective, on some difficult cases. ~ All Movie Guide

[124828] This TV movie is a sequel to 1972's Daughters of Joshua Cabe (which was also a TV movie). Cabe (Dan Dailey) is an itinerant western trapper hoping to gain extra homesteading land by pretending to have a family. He hires three "fallen women" (Ronne Troup, Brooke Adams and Christina Hart) to pose as his daughters. Unfortunately, the real father of one of the girls kidnaps his daughter, compelling the remaining ladies to track down their missing "sister". Like the earlier movie, Daughters of Joshu Cabe Return was produced by Aaron Spelling, and was the pilot for a potential TV series. It didn't sell, but Spelling was back in 1976 with another "three girls" adventure project, Charlie's Angels. ~ Hal Erickson, All Movie Guide

Koska. ..and His Family was an unsold 60-minute pilot, originally telecast on the last day of 1973. Koska (Herb Edelman), an unemployed aerospace engineer, decides to become an inventor. He sets up a lab in his own home, where he is constantly driven bonkers by his physical education teacher wife (Barbara Barrie), his voting-age kids (Jack David Warner and Ellen Sherman) and his aphasiatic grandpa (Liam Dunn). Only Koska's unquenchable optimism enables him to persevere. Though obviously inspired by the success of All in the Family, Koska...and His Family takes pains not to imitate any of the trademarks or characterizations of its role model. ~ Hal Erickson, All Movie Guide

A fire at a big corporation, deemed suspicious, is investigated by a private eye. ~ All Movie Guide

Veteran Hollywood song-and-dance man Dan Dailey essays one of his most unusual roles as Karate expert Dexter Lloyd Bayliss. Elliot Ness (Robert Stack) is suspicious when Bayliss, who is known to be "tight" with the mob, sets up a martial-arts classroom for teenage kids. As it turns out, Bayliss is teaching these impressionable youngsters how to become professional assassins for the Underworld...and he's very, very good at his job. This is the only episode of The Untouchables to be written by a woman $Kitty Buhler). ~ Hal Erickson, All Movie Guide

Popular Mexican comedian Cantinflas (Mario Moreno) plays the title character in this star-studded, amusing comedy drama by George Sidney. Pepe is the same sort of impoverished stereotype Cantinflas made famous in several of his comedies; in this case he is a hired hand on a ranch who chases down a horse for his employer. A boozing Hollywood director buys a white stallion belonging to Pepe's boss and the determined ranch hand decides to take off for Hollywood to get the horse back. Once in this new and strange environment -- where a lot of cameos by the likes of Jimmy Durante, Frank Sinatra, Zsa Zsa Gabor, Bing Crosby, Maurice Chevalier, and many others enliven the action -- Pepe becomes a friend to the alcoholic director. Unfortunately, what is missing here is "Cantinfletico." That is the nickname for the rambling non-sequitur characteristic of Cantinflas that no one else could master. The film was originally released at 195 minutes, then edited down to 157. ~ Eleanor Mannikka, All Movie Guide

John Steineck's novel The Wayward Bus was retranslated into pop-entertainment terms for the screen. Most of the story takes place on the charter bus owned by driver Rick Jason. Travelling slowly through a treacherous California mountain region, the passengers -- including Jason's spiteful, alcoholic wife Joan Collins-- undergo a variety of life-altering experiences. The journey has its most profound effects upon an iconoclastic travelling salesman (Dan Dailey) and lonely stripper (Jayne Mansfield). This is one instance in which the oblong CinemaScope lens is inappropriate to the intimacy of the story. ~ Hal Erickson, All Movie Guide

The Wings of Eagles is filmmaker John Ford's paean to his frequent collaborator--and, it is rumored, drinking buddy--Cmdr. Frank "Spig" Wead. John Wayne stars as Wead, a reckless WW1 Naval aviator who (it says here) was instrumental in advancing the cause of American "air power". In private life, Wead becomes estranged from his wife Minnie (Maureen O'Hara) after the death of their baby. Drinking heavily, Wead tumbles down the stairs of his home, and as a result he is apparently paralyzed for life. With the help of happy-go-lucky Navy mechanic Carson (Dan Dailey), Wead is able to regain minimal use of his legs, but it seems clear that his Naval career is over. Fortunately, he manages to find work as a prolific Hollywood screenwriter, and after the attack of Pearl Harbor he is called back to active duty to oversee the construction of "jeep carriers". Not one of John Ford's more coherent films--in fact, it's downright sloppy at times--The Wings of Eagles nonetheless contains several highlights, not least of which are the "I'm gonna move that toe" scene with John Wayne and Dan Dailey, and Ward Bond's inside-joke performance as irreverent film director "John Dodge". ~ Hal Erickson, All Movie Guide

Cooked up by Betty Comden and Adolph Green, It's Always Fair Weather could well have been titled On the Town Ten Years Later. Like 1949's On the Town (also a Comden/Green collaboration), this MGM musical follows the exploits of three servicemen buddies, played by Gene Kelly, Dan Dailey and Michael Kidd. The difference here is that the threesome has just been discharged from service. The boys agree to get together again exactly ten years after their parting. Flash-forward to 1955: Kelly, who'd dreamed of being a show biz entrepreneur, is a small-time boxing promoter, heavily in debt to the Mob; Dailey has abandoned his plans of becoming an artist in favor of a stuffy, grey-flannel existence as an ad executive; and Kidd, who'd aspired to being a master chef, is running a modest diner. On behalf of TV-personality Dolores Gray, network-staffer Cyd Charisse contrives to reunite the three men on a This is Your Life style TV special, but all three are hostile to the notion. ~ Hal Erickson, All Movie Guide

Taxi stars Dan Dailey as Ed Nielson, a been-there-done-that Manhattan cabbie. Nagged by his mother (Blanche Yurka) to find himself a wife, Ed must also contend with a blood-sucking loan company, demanding huge payments for his cab. His life is further complicated when he falls in love with one of his fares: Mary, a young Irish immigrant (Constance Smith), freshly arrived in New York in search of her husband. The girl discovers that her hubby is a louse, but she's forced to stay with him lest she face deportation. Despite his own problems -- not to mention the huge cab fare that Mary's running up while searching for her husband -- Ed vows to rescue his new love from an ungovernable fate. Though running only 77 minutes, Taxi boasts no fewer than six screenwriting credits. ~ Hal Erickson, All Movie Guide

Despite the lighthearted promotional campaign mounted by 20th Century-Fox when the film was first released, The Kid from Left Field is not a comedy. The title character is young Christy Mathewson Cooper (Billy Chapin), the son of former big-league ballplayer Larry Cooper (Dan Dailey), who is now reduced to hawking peanuts at the ballpark. Securing a job as a batboy with a team called the Bisons, Christy amazes the players and management by giving them tips on how to win games. What no one knows is that Christy is passing along information provided by his father. Impressed by Christy's apparent expertise, third baseman Pete Haines (Lloyd Bridges) tells team secretary Marion Foley (Anne Bancroft) about the boy. She, in turn, tells Bisons owner Whacker (Ray Collins), a "Bill Veeck" type ever on the alert for a new publicity gimmick. Whacker promptly appoints the pint-sized Christy as manager of the team, replacing the ill-tempered Billy Lorant (a truly venomous performance by Richard Egan). Larry is about to spill the beans concerning Christy's baseball knowledgeability, but he decides not to, considering himself a burnt-out has-been. And that's all that can be revealed without giving away the ending. Its whimsical premise notwithstanding, Kid from Left Field is treated as a straight drama, with several near-noir long shots of the shadow-drenched ballpark. The film was remade for television in 1978 as a vehicle for Gary Coleman. ~ Hal Erickson, All Movie Guide

Pride of St. Louis is the story of one of baseball's most colorful characters, Jerome Herman "Dizzy" Dean. While playing amateur ball in 1928, Dizzy (Dan Dailey) is hired by the St. Louis Cardinals. He spends a year or so playing with the Cards' Texas farm team, during which time he woos and wins department-store clerk Pat Nash (Joanne Dru, who ironically was the real-life aunt of pro baseball player Pete LaCock!) Once in the majors as a pitcher, Dean is joined on the Cards lineup by his younger brother Paul (Richard Crenna), whom the press nicknames "Daffy." Through a combination of spectacular ballplaying and zany publicity stunts, Dizzy and Daffy become nationwide favorites. Their popularity really soars after they help the Cardinals win the 1934 World Series. After this triumph, things begin to go downhill for Dizzy, who endures several injuries and finally "loses" his pitching arm. Dean is rescued from a binge of self-pity by his old friend Johnny Kendall (Richard Hylton), whose dad is a brewery executive. Johnny convinces his dad to sponsor a series of St. Louis Browns radio broadcasts, and to hire Dizzy as a play-by-play announcer. Ol' Diz gets in a lot of trouble with local schoolteachers because of his eccentric grammar ("he slud into third base," etc.) but things eventually turn out A-OK. Pride of St. Louis takes any number of liberties with the facts, but the real Dizzy Dean didn't care so long as 20th Century-Fox ponied up a huge sum of money for the rights to his life story: "Jeez," he said at the time, "they're gonna give me 50,000 smackers just fer livin'!" Future NBC news commentator Chet Huntley shows up in one of the closing scenes as sportscaster Tom Weaver. ~ Hal Erickson, All Movie Guide