Paul Falkenberg Movies

A nudist camp provides the primary setting for this exploitation film that chronicles the camps attempts to gain respectability in a community. The story centers around the daughter-in- law of a prissy magnate. After her husband dies, the woman decides that she needs a major change in her life. When she accidently finds a nudist colony, she decides that this is the change she has been looking for. Of course her late husband's father is morally outraged by her actions until he visits the camp himself to bring her back. Soon he finds he likes the lifestyle and becomes a convert. ~ Sandra Brennan, Rovi

A sedentary little German town is thrown into a tizzy when several trunks show up from Cairo, Egypt, all marked "O.F." This is followed by a telegram announcing that "O.F." is arriving soon and will expect accommodations. A newspaper reporter tells everyone that the mystery man is a millionaire. In preparation for his arrival, the town goes into a frenzy of construction, building a cinema, an opera house, a casino and several other moneymaking enterprises. It turns out that the reporter has no more idea of who "O.F." is than anyone else; he was simply tired of the village's backward attitude and wanted to improve its economy. Coda: An actress named Ola Fallon vents her anger upon discovering that her staff has inadvertently sent her luggage to the wrong town. A warmhearted German satire, Trunks of Mr. O.F. was fortunately completed just before the burgeoning Nazi movement declared such films as "inessential." The film served to introduce a young ingenue by the name of Hedi Keisler, who went on to Hollywood fame and fortune as Hedy Lamarr, and was also the third film of a wide-eyed stage comedian who was born Laszlo Lowenstein, but who billed himself as Peter Lorre. ~ Hal Erickson, Rovi

German filmmaker G.W. Pabst and Hollywood expatriate Louise Brooks re-team after the success of Pandora's Box for the silent film Diary of a Lost Girl. On the day of her confirmation, innocent young Thymiane Henning (Brooks) is given a lockable diary as a present. She's distraught because the housekeeper Elisabeth (Sibylle Schmitz) is leaving under curious circumstances and turns up presumably dead. Her duties are taken over by the conniving Meta (Franziska Kinz), who accepts the advances of Thymiane's pharmacist father (Josef Ravensky). Trying to understand Elisabeth's fate, Thymiane agrees to meet her father's assistant, Meinert (Fritz Rasp). She passes out, he carries her up to her room, and by the next scene she has borne a child by him. Meta snoops in Thymiane's diary and finds out it was Meinert's baby, so she suggests they get married. Thymiane refuses, so they throw her in a creepy reformatory for fallen women and leave her baby with a midwife. While in the reformatory, she meets Erika (Edith Meinhard), with whom she eventually escapes. To escape from poverty and homelessness, the girls then become nominal prostitutes in a brothel and are "sexually liberated." ~ Andrea LeVasseur, Rovi