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Hideo Koi Movies

1970  
 
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This variation on the Japanese "yakuza" (organized crime) genre focuses on a female yakuza leader in turn-of-the-century Japan. During a fight with a rival gang, she accidentally blinds a woman from another clan. The guilt she feels over this incident starts to affect her psychologically, leading her to question her commitment to the yakuza lifestyle. ~ Brian Gusse, Rovi

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1967  
 
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The sole foray into the giant-monster arena from Nikkatsu Studios (producers of the classic The Burmese Harp) presents a cutesy clone of Toho's Rodan with a plot lifted from British city-stomper Gorgo. Unfortunately for monster fans, there is little of the earlier films' creativity on display. An infant version of the title creature (only one of an apparent species) is found on Obelisk Island by a group of Japanese reporters, caged and spirited away to Japan to become a media attraction. Naturally, this incurs not only the ire of the island natives, but the wrath of Baby Gappa's full-grown parents, who storm off to Tokyo to inflict rubber-suited mayhem on some particularly cheap-looking model buildings. Nikkatsu's lack of experience with the genre shows in the goofy-looking monster suits, shoddy effects and exaggerated cuteness. It's also evident from the film's tongue-in-cheek approach that the producers had no illusions about the inherent silliness of this project -- an attitude somewhat less prevalent in Toho's monster series. Also known as Monster from the Prehistoric Planet. ~ Cavett Binion, Rovi

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Starring:
Tamio KawajiYoko Yamamoto, (more)
 
1952  
 
Life of Oharu features Kinuyo Tanaka in the title role. Oharu is a middle-aged prostitute in 17th century Japan. As she prays before a statue of Buddha, Oharu reviews her past. Her road to degradation began when, as a teenager, she disgraced her family by falling in love with a samurai (Toshiro Mifune). Oharu became the mistress of a prince, who cast her off after she bore his son. She was then sold into prostitution by her father, and thus began a catch-as-catch-can existence alternating between brief happiness with those she genuinely loved and servitude to those she despised. A potential happy ending, reuniting her with her royal son, is dashed by the much-maligned Oharu herself, who opts for the life of a beggar. Directed by Kenji Mizoguchi, a lifelong advocate of equitable treatment for Japanese women, Life of Oharu was adapted from a novel by Saikaku Ibara. ~ Hal Erickson, Rovi

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Starring:
Kinuyo TanakaToshiro Mifune, (more)