Lil Dagover Movies

This drama provides an account of an honorable German soldier during the Franco-Prussian War of 1870. A German soldier is filled with guilt when he kills a French officer. After killing him, he goes through the officer's clothing and learns his name. A short time later, he is wandering through a French village and see's the dead officer's name on a door. He goes there and meets the man's mother and daughter. They do not know that he is dead. The German resembles the woman's son and so offers him hospitality. He stays in the home and soon falls in love with the daughter. He finally confides the truth to her; she requests that he refrain from telling the mother who is dying. Just before the woman passes on, the daughter convinces the German to don the dead officer's uniform to comfort her mother. Later he goes outside still wearing it. He is instantly shot by Prussian troops. ~ Sandra Brennan, All Movie Guide

Confessions of Felix Krull was adapted from the last novel by German author Thomas Mann. Horst Buchholtz stars as a German soldier sent to Paris during World War I. He casts aside his uniform and gets a job as an elevator operator. A handsome lug, Buchholtz is pursued by virtually every female who enters his little compartment. But the lad is shy, and besides, he'd rather discuss anthropology. You'll have to watch the film for yourself to see what, if anything, Felix Krull has to confess. ~ Hal Erickson, All Movie Guide

Thomas Mann's sprawling German novel Buddenbrooks could hardly be confined to a "conventional" film length, thus it's no surprise that this 1959 movie version was released in two lengthy parts. Put simply, Buddenbrooks is the story of the decline and fall of a once prestigious European family. Anxious to preserve their rapidly diminishing wealth, the Buddenbrook clan undergoes several marriages of convenience -- which serve only to weaken the strain until, as the 20th century dawns, only two members of the family are left. Among the many international luminaries playing the various Buddenbrook progeny are Lilo Pulver, Nadja Tiller, Hansjörg Felmy, Hanns Lothar, Lil Dagover, and Werner Hinz. When released in the U.S. in 1962, the film was trimmed from 219 to 199 minutes; a 1964 reissue combined both parts and truncated the film's length even farther. Two years later, a BBC television production of Buddenbrooks was offered in a multi-part version à la The Forsyte Saga. ~ Hal Erickson, All Movie Guide

The popular stage drama Das Maedchen Irene (This Girl Irene) was adapted for the screen by director Reinhold Schuenzel. Sixteen-year-old Irene (Sabine Peters) is one of two daughters of widow Jennifer Lawrence (Lil Dagover). When Jennifer announces her plans to remarry, Irene is shocked and disappointed, determining to despise her stepfather before she even meets him. Her hatred becomes an obsession, and by the third act Irene has vowed to shoot and kill her mother's new husband! Though disaster is ultimately averted, things get mighty tense in the last few moments. ~ Hal Erickson, All Movie Guide

Based on the best-selling book by Egon Erwin Kisch, this Czechoslovakian production tells the true story of one of the most flagrant turncoats in European history. A officer on the pre-WWI Austrian military staff, Colonel Redl has no qualms about accepting bribes from and passing secrets to the hated Russians. Playing both sides of the fence, Redl also accepts gratuities from his fellow Austrians to get the goods on "undesirables" from within. His justification? As a member of the "lower orders," Redl feels that he could never have cracked the aristocratic upper circles of the European military without resorting to treachery. The real Redl's homosexuality is not an issue in this film, though it certainly would be in Istvan Szabo's 1985 production Colonel Redl (not a remake of the 1931 film, but instead adapted from John Osborne's A Patriot for Me). ~ Hal Erickson, All Movie Guide

The Pedestrian (Der Fussganger) was the second filmed directorial effort of German actor Maximillian Schell. Billed third under Gustav Rudolf Sellner and Ruth Hausmeister, Schell plays Andreas Giese, a Krupp-like industrialist whose past suddenly returns to haunt him. A newspaper article reveals that Giese was responsible for the wartime destruction of a Greek village and the wholesale slaughter of the villagers. Whether or not Giese feels remorse for his actions is ultimately beside the point: his family is torn apart and his son kills himself as a result of the accusation. Here as in other films, Schell exhibits his fondness for female European film stars of days gone by: Elizabeth Bergner, Lil (Metropolis) Dagover, Francoise Rosay and Peggy Ashcroft appear in key minor roles. The winner of several international awards and a "best foreign picture" Oscar nominee, The Pedestrian was also produced and written by Schell. ~ Hal Erickson, All Movie Guide

During the 1814 Congress in Vienna, the crowned heads of Europe gather together to decide the shape (and fate) of the continent (which would hold -- with some serious cracks -- for exactly 100 years) and devise a strategy for dealing with Napoleon. The ordinary Austrians chafe at the cost of hosting these dignitaries, while the dignitaries find some of the efforts at entertaining them well-intentioned but absurd; the Russian czar Alexander (Willy Fritsch), for instance, doesn't understand why anyone would think he came all the way to Vienna to watch a Russian ballet. Meanwhile, the Austrian prince chancellor Metternich (Conrad Veidt) hopes to keep the Czar away from the congressional table by diverting him with a bevy of beautiful women. But Alexander is one step ahead of Metternich; the Russian leader has engaged the services of an exact double, Oralski (also played by Fritsch), to fulfill his least important social obligations. Into this game of political deception comes glove-maker Christel Weinzinger (Lilian Harvey), whose efforts at greeting the dignitaries (and promoting her shop) leave her mistaken for an anarchist, until the Czar -- advised of her beauty -- intercedes on her behalf. She ends up being romanced by both the Russian ruler and his double, until Metternich's intrigues and Napoleon's distant machinations combine to bring the focus back to official events. Filmed in German, French, and English-language versions, Der Kongress Tanzt was a worldwide success, and one of Harvey's most popular films. ~ Bruce Eder, All Movie Guide

Fritz Lang was a stickler for realism in his American films; not so his German silents, which were fanciful to the point of being fairy tales. Der Müde Tod, Lang's first big critical success, is an allegorical tale of love, fidelity and death. The heroine (Lil Dagover), who in her dreams is confronted by Mr. Death, argues for the life of her beloved, but is unable to make the personal sacrifices that Death insists upon. Originally presented in three parts, Der Müde Tod was often boiled down to a single film for its non-German showings. Its English-language titles range from The Weary Death to Between Two Worlds to Beyond the Wall to Destiny. ~ Hal Erickson, All Movie Guide

In this mystery, a young countess almost loses her life. Investigators soon discover that the attempt is linked to a murder that occurred 20-years ago. The plot is based on an Edgar Wallace story. ~ Sandra Brennan, All Movie Guide

Dr. Mabuse: The Gambler is the eight-reel version of Fritz Lang's twenty reeler, two-part silent thriller, Dr. Mabuse. Mabuse (Rudolph Klein-Rogge) a sinister mesmerist/psychiatrist, toys with the weaknesses of the rich and influential. He worms his way into the confidence of wealthy men, plays cards with them, hypnotizes them into cheating at their businesses, then puts them in a position to be blackmailed so that he can corner the stock market. A devilishly ingenious plan-but Mabuse is up against the plodding, methodical police detective Wrenk, whose subconscious is not so easily swayed...at least, not at first. In 1932, Lang directed a talkie sequel to Dr. Mabuse the Gambler, The Testament of Dr. Mabuse. ~ Hal Erickson, All Movie Guide