Harry Fine Movies

This entry in Hammer Films' long-running vampire series of the '60s and '70s is one of the most evocative and original. The story features voluptuous twin Playboy centerfolds Madeleine and Mary Collinson as sisters who, without parents, are sent to stay with their oppressive uncle (Peter Cushing, looking more emaciated than ever), who happens to live near the sinister Karnstein Castle, the locale of countless vampiric happenings in two prequels (The Vampire Lovers and Lust for a Vampire). One of the twins wanders over and meets the dashing Count Karstein (Damien Thomas), a vampire who later uses the girl's blood to awaken his long-lost ancestor from the dead. Of course, the uncle predictably gives chase once trouble starts, but there is a clever plot twist as the count switches the twins before one is about to be burned at the stake for her supposed satanic involvements. Twins of Evil unabashedly exploits the twins' assets to pump up the film's sex appeal; it also seems to cater to viewers with a vampire fetish. Still, neither is necessarily a bad thing in a vampire film; Twins of Evil does create an effectively sensuous mood while also managing to sustain a fair amount of tension throughout the picture. Although Universal Pictures, the U.S. distributor, extracted nearly all of the flesh and bloodletting from its release, the original British cut retains everything and is the usual copy found on video. Like its predecessors, the script for Twins of Evil is loosely based on LeFanu's classic vampire story Carmilla. ~ Jeremy Beday, All Movie Guide

Like Socrates of ancient Athens, Michael Rimmer (Peter Cook) of modern England believes the key to success is to ask the right questions. Lots of questions. So he gets a job with an advertising agency that conducts polls, rises swiftly through the ranks, and eventually runs the agency. Then he bombards England with questions. His ingenious system enables him to predict the outcome of a general election. (Every voter in England had received a questionnaire.) So accomplished is Rimmer at asking questions that he finds his future wife through market research. To insure that he gets the right answers, Rimmer is not above manipulating the polls. For example, when he asks residents of Coventry their religion, 95 percent identify themselves as Buddhists, thanks to an influx of Rimmer stooges. Then he enters politics. In a short time, he gets himself elected to Parliament, becomes a cabinet minister and eventually moves into Ten Downing Street as prime minister after pushing the incumbent prime minister off an oil platform. By this time, every eligible voter in Britain can cast ballots with a television remote control. Alas, the electorate tires of the endless referendum questions that they must answer as part of their daily routine. This development serves only to catapult Rimmer to further success, for the people decide to place all decisions in his hands as dictator of England. So Rimmer keeps rising and rising and rising. And asking questions. ~ Mike Cummings, All Movie Guide

In this somber drama set during WWII, John (David Hemmings), Cliff (Tony Beckley), and Tom (Tom Bell) are three British soldiers trapped in German territory while waiting for their commanding officer to rescue them. John detests war, Cliff revels in it with a perverse enthusiasm, and Tom is simply weary of the whole business. While trying to avoid capture, the three find a German officer, Helmut (Alan Dobie), and take him prisoner. While they consider executing him on the spot, Helmut pleads with the Britons that if they'll let him live, he'll guide them to his commanders. They agree, but while Helmut proves good to his word, they're too late -- to the shock of all four, they discover that the German general has been murdered, leaving the Englishmen and their captive to find their own way behind enemy lines. The Long Day's Dying won awards at the 1968 Cannes and San Sebastian International Film Festivals for its director, Peter Collinson. ~ Mark Deming, All Movie Guide

In this lightweight comedy, David McCallum stars as Stanley Thrumm, a retiring British tour guide who strikes it rich one night in a casino on the Riviera. He's not sure that he wants to take the cash back to England, because he'll have to pay taxes on it, so he decides to put it in a Swiss bank account. But Carla Moretti (Sylva Koscina), an apparently helpful woman whom he has met, has designs on the loot, and she enlists her ex-husband in an effort to get it. Thrumm takes his winnings on a roundabout trek to Switzerland while Carla and her husband pursue, and the result is a long car chase with many comic diversions and a lot of Alpine scenery. ~ Michael Betzold, All Movie Guide

This James Bond parody brings a new sort of jet-set secret agent to the screen -- one who hates flying, is afraid to shoot people, and would rather stay at home! Col. Mostyn (Trevor Howard) is the head of a special branch of British intelligence who is appalled to discover that a number of his best agents are either leaving the force or have turned out to be traitors. It is decided that Mostyn and his men need a special agent to ferret out those who leave his employ while knowing too much and silence them permanently. Mostyn decides the right man for the job is his old army buddy Boysie Oakes (Rod Taylor), but there's a bit of a problem -- while the job requires a globe-trotting assassin who can stare calmly into the face of death, Oakes is a mild-mannered fun seeker who is terrified of airplanes and faints at the sight of blood. None of this dissuades Mostyn, who still gives Oakes the assignment, but when he finds out that flying and guns are a big part of his new job, he hires someone else to do the dirty work for him. Oakes eventually develops a taste for the cars, women, gadgets, and danger of his new career, but the real acid test comes when he actually has to go on an assignment himself. The Liquidator was directed by Jack Cardiff, who along with a respected career as a director was one of the most distinguished cinematographers in the British cinema, lensing such classics as The Red Shoes, The African Queen, and Black Narcissus. ~ Mark Deming, All Movie Guide

In this melodrama, a man is permanently crippled in a horseback riding accident and then learns that he will soon die. He spends his last few days taking care of his family and trying to get his wife to find another man. ~ Sandra Brennan, All Movie Guide

The hard lives of those living on the rugged Hebrides are chronicled in this drama that is partially comprised of footage from a documentary. The story centers on a farmer's wife who becomes miserable when her husband loses his livelihood and is forced to become a herring fisherman on those barren isles. The woman loathes life near the sea, and after her husband is forcibly inducted into the Navy, she moves in with her aunt. In the new village, she meets the handsome captain of a herring boat and they fall in love. Unfortunately, a cholera outbreak erupts. She must also cope with her son's desire to become a fisherman. Storms also wreak havoc in her life, but fortunately, she weathers it all and at last is able to be with the man she truly loves. ~ Sandra Brennan, All Movie Guide

The British Woman to Woman was the third film version of the war-horse stage play by Michael Morton. Hollywood's Douglass Montgomery plays David, a Canadian officer attached to the British secret service. Unhappily married to "ice princess" socialite Sylvia (Adele Dixon), David throws himself wholeheartedly into his espionage activities. While on a life-and-death mission in Paris, he falls in love with cabaret dancer Nicolette (Joyce Howard). Forced to evacuate Paris when the Nazis march in, David is unaware that Nicolette is pregnant. Years later, David searches desperately for Nicolette and the child he never knew, unaware that both are living in London. Will a happy ending follow? Well? best to wait until the final fadeout to be sure. ~ Hal Erickson, All Movie Guide