Eric Williams Movies

Considered the greatest horror anthology film, the classic British chiller Dead of Night features five stories of supernatural terror from four different directors, yet it ultimately feels like a unified whole. The framing device is simple but unsettling, as a group of strangers find themselves inexplicably gathered at an isolated country estate, uncertain why they have come. The topic of conversation soon turns to the world of dreams and nightmares, and each guest shares a frightening event from his/her own past. Many of these tales have become famous, including Basil Dearden's opening vignette about a ghostly driver with "room for one more" in the back of his hearse. Equally eerie are Robert Hamer's look at a haunted antique mirror that gradually begins to possess its owner's soul, and Alberto Cavalcanti's ghost story about a mysterious young girl during a Christmas party. Legendary Ealing comedy director Charles Crichton lightens the mood with an amusing interlude about the spirit of a deceased golfer haunting his former partner, leaving viewers vulnerable to Cavalcanti's superb and much-imitated closing segment, about a ventriloquist (Michael Redgrave) slowly driven mad when his dummy appears to come to life. Deservedly acclaimed and highly influential, Dead of Night's episodic structure inspired an entire genre of lesser imitators. ~ Judd Blaise, Rovi

Will Hay, he of the pince-nez, outraged sniff, and overall demeanor of dignified incompetence, stars in (and codirects) another of his popular British comedies. In My Learned Friend, Hay is a seedy lawyer, one of several people targeted for death by a vengeful escaped convict. As the criminal's victims pile up, Hay can't help but feel a bit insecure. When he ends up the only survivor on the list, Hay begins to really worry. A slapstick climax on the clock-face of Big Ben caps this rapid-fire comedy of murders. Released in 1943, My Learned Friend was Will Hay's final film; he died of a lingering illness in 1949. ~ Hal Erickson, Rovi

Released in the US as Forty-Eight Hours, Went the Day Well? is a solidly constructed wartime melodrama. Actually, the film covers 72 hours in the life of the small British village of Bramley Green, which serves as the focal point for an attempted German invasion. Immediately upon parachuting in the community, vicious Nazi officer Ortier (Basil Sydney) makes contact with local Fifth Columnist Oliver Wileford (Leslie Banks), using the film's British title as their password. Fortunately, Democracy is preserved when postmistress-telephone operator Mrs. Collins (Muriel George), picking up on a simple clue inadvertently left behind by the well-disguised Germans, alerts her neighbors of impending danger. The British home guardsmen and German soldiers seen in the film were drawn from the ranks of of the real-life Gloucestershire Regiment, who volunteered their services for this patriotic morale-booster. The episode screenplay of Went the Day Well (based on Graham Greene story) was unified by the direct-to-camera narration of the town gravedigger, a device deftly borrowed from Our Town. ~ Hal Erickson, Rovi

In this early film from director Sir Carol Reed, Edmund Gwenn stars as Joe Higgins, a hardworking tugboat captain who is ecstatic when he learns that he has won a lucrative soccer pool. To celebrate, Higgins quits his job and invites all his pals to the local tavern for a wingding. But during the party, the validity of the Liverpudlian captain's win comes into question. Star Gwenn would later be remembered by most movie lovers for his Academy Award-winning portrayal of Kris Kringle in 1947's Miracle on 34th Street. ~ Matthew Tobey, Rovi