Vincent D'Onofrio Movies
An actor whose hulking presence belies his ability to slip quietly into an astonishing variety of roles,
Vincent D'Onofrio is one of Hollywood's most unpredictable and compelling performers. Throughout his career,
D'Onofrio has played a diverse range of characters, from
Full Metal Jacket's fatally unhinged army recruit to a wholly convincing
Orson Welles in
Ed Wood to a bisexual porn star in
The Velocity of Gary.
Born in Brooklyn, NY, on June 30, 1959,
D'Onofrio was raised in the diverse locales of Hawaii, Colorado, and Miami's Hialeah section. His career as an actor began on the stage, with study under Sonia Moore of New York's American Stanislavsky Theatre and Sharon Chatten at the Actors Studio.
D'Onofrio's early years in the theater were filled with an obligatory helping of obscurity and miniscule paychecks (so miniscule that he worked for a time as a bouncer to help pay the bills). His fortunes began to shift in 1984, when he joined the American Stanislavsky Theatre as a performer. There, he appeared in such well-regarded productions as Of Mice and Men and
David Mamet's Sexual Perversity in Chicago, and also made his Broadway debut in Open Admissions.
D'Onofrio debuted onscreen in the straight-to-oblivion 1983 comedy
The First Turn-On!, but it was not until his haunting portrayal of Pvt. Pyle (a role for which the actor gained 70 pounds) four years later in
Stanley Kubrick's
Full Metal Jacket that he earned much-deserved notice for his work. Defying easy categorization,
D'Onofrio next appeared in the romantic comedy
Mystic Pizza (1988), slimming down to his normal weight and giving a convincing portrayal as
Lili Taylor's lovestruck boyfriend.
Having thus given audiences a glimpse of his remarkable versatility,
D'Onofrio spent the next few years making his presence felt in such films as
JFK (1991), in which he played assassination witness Bill Newman;
The Player (1992), which cast him in the pivotal role of ill-fated screenwriter David Kahane; and
Nancy Savoca's
Household Saints (1993), which, through a particularly odd feat of casting, had him playing the father of
Lili Taylor. Although
D'Onofrio worked at a prolific pace, it was not until he portrayed Conan the Barbarian author
Robert E. Howard in the 1996
The Whole Wide World that he really had his screen breakthrough. A low-key romantic drama about the relationship between Howard and a schoolteacher (
Renée Zellweger), the film allowed
D'Onofrio to take center stage, rather than lend support to better-known co-stars. Critics roundly applauded his performance, but although the actor kept working steadily, he was by no means a Hollywood fixture. Eschewing the limelight, he turned in particularly memorable performances in
Feeling Minnesota (1996) as
Cameron Diaz's cuckolded fiancé and in the 1997 blockbuster
Men in Black, which cast him as the film's resident bad guy.
D'Onofrio had long since become an established actor by the 2000's, and he would remain a solid force on screen in such films as
The Cell,
Happy Accidents,
Steal This Movie, and
Thumbsucker. D'Onofrio would also find just as much notoriety on the small screen, most notably as Detective Robert Goren on the phenomenally successful
Law & Order spin-off
Criminal Intent, and even step behind the camera, penning, helming and starring in the drama Mall. ~ Rebecca Flint Marx, Rovi

- 1989
- R
- Add The Blood of Heroes to Queue
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Blood of Heroes features a sport that you're not likely to see on ESPN. It's called "juggers", and Rutger Hauer is the champion jugger in the post-apocalyptic world; he goes from village to village with his entourage, brutishly taking on all comers. The action culminates in the bloody "league championship." Joan Chen costars as Hauer's apprentice in the film, which was released in Australia as Salute of the Jugger. ~ Hal Erickson, Rovi
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- Starring:
- Rutger Hauer, Joan Chen, (more)

- 2006
- PG13
- Add The Break-Up to Queue
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A once-loving Chicago couple whose happily-ever-after quickly turned into a never-again finds their crumbling romance complicated when both parties refuse to move out of the pair's recently purchased condo. The Break-Up is a romantic comedy that starts where all the others end. The future once looked promising for thirtysomething couple Brooke (Jennifer Aniston) and Gary (Vince Vaughn), but lately it seems like a series of increasingly petty and intolerable squabbles have snuffed any semblance of romance in their relationship. Their confrontation endlessly fueled by mean-spirited suggestions of revenge tactics from friends and family and their stubborn refusal to budge resulting in an excruciating stalemate, Brooke and Gary ultimately decide to spitefully stick it out as hostile roommates until the weaker party eventually admits defeat. As the competition to drive one another out grows increasingly intense and outrageous, however, Brooke eventually comes to the realization that she's not fighting for possession of the condominium as much as she is fighting to salvage her relationship with the man she once viewed as the love of her life. ~ Jason Buchanan, Rovi
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- Starring:
- Vince Vaughn, Jennifer Aniston, (more)

- 2000
- R
- Add The Cell to Queue
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In this science fiction thriller, child psychiatrist Catherine Deane (Jennifer Lopez) has developed a technique that allows her to travel through the minds of her patients. When Stargher (Vincent D'Onofrio), a multiple murderer who methodically drowns his victims and performs bizarre rituals with their bodies, falls into a coma, FBI agent Peter Novak (Vince Vaughn) asks Deane to enter the killer's psyche, in the hope of finding a missing girl whom Stargher has kidnapped; if she's not soon found, in all likelihood she'll die in his torture cell. However, once Deane enters the bizarre world of Stargher's mind, she finds getting out to be a very difficult matter. The Cell was the first feature from director Tarsem, who previously made award-winning commercials and music videos, including the video for R.E.M.'s "Losing My Religion." The supporting cast includes Catherine Sutherland, Marianne Jean-Baptiste, Dylan Baker, and Pruitt Taylor Vince. ~ Mark Deming, Rovi
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- Starring:
- Jennifer Lopez, Vince Vaughn, (more)

- 2002
- R
- Add The Dangerous Lives of Altar Boys to Queue
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The Dangerous Lives of Altar Boys brings Chris Fuhrman's well-received, posthumously published teen novel to the screen. Set in the 1970s, the film concerns two rebellious Catholic schoolboys -- bashful, pensive Francis (Emile Hirsch) and whip-smart, impulsive Tim (Kieran Culkin) -- who spend their free time pulling elaborate pranks and creating a comic book featuring themselves and their friends, Wade (Jake Richardson) and Joey (Tyler Long), as superheroes. Their alter egos are brought to life in animated sequences by Spawn creator Todd McFarlane. Their grim, strict, one-legged teacher, Sister Assumpta (Jodie Foster), is drawn as a motorcycle-riding supervillain. Vincent D'Onofrio plays the more easygoing Father Casey. Egged on by Tim, Francis admits that he has a crush on Margie Flynn (Jena Malone). Tim encourages Francis to pursue Margie, at one point even sending her a mash note and signing his friend's name. Francis and Margie eventually begin seeing each other. But when Margie reveals a terrible, painful secret to Francis, it sets off a chain of events that leads to tragedy. The Dangerous Lives of Altar Boys marks the feature debut of director Peter Care. It was screened at several festivals, including the 2002 Sundance Film Festival. The film sparked a small controversy at the 2001 Cannes Film Festival, where it was rejected, allegedly in retaliation for producer Foster's decision to forego heading up the fest's jury in order to replace Nicole Kidman in Panic Room. ~ Josh Ralske, Rovi
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- Starring:
- Kieran Culkin, Jena Malone, (more)

- 1983
- R
- Add The First Turn-On! to Queue
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In this standard story of sex at summer camp, four campers are trapped for awhile in a cave and begin to fabricate supposedly true tales of their past sexual exploits -- giving rise to several flashbacks as their imaginary adventures unfold one by one. Even the nature-studies counselor who is trapped with them gets in on the act and relates a bizarre story when it is her turn to contribute. As time goes by and no help seems to be on the way, the group -- virginal to the core -- begins to wonder if their lives will end in that unwanted state. ~ Eleanor Mannikka, Rovi
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- Starring:
- Georgia Harrell, Michael Sanville, (more)

- 2008
- R
- Add The Narrows to Queue
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A 20-year-old man at a crucial crossroads in life finds himself caught between two worlds and two women in director François Velle's feature adaptation of author Tom McLoughlin's original novel Heart of the Old Country. Mike Manadoro (Kevin Zegers) is a Bay Ridge, Brooklyn shutterbug who lives with his father, Vinny (Vincent D'Onofrio), a former Department of Sanitation worker who is now retired on disability. Despite the fact that Vinny is officially retired, he still manages to draw a healthy income thanks to his side job as Bay Ridge's main numbers runner. It's Mike's job to drive his father on his "rounds," and while Vinny is taking care of business Mike passes the time by snapping pictures of the neighborhood locals. Seeing great promise in Mike's impressive portfolio, an influential professor offers the amateur photographer a partial scholarship to a high-profile university in Manhattan. It's the opportunity of a lifetime to be sure, though Mike soon finds out that there are strings attached. Unfortunately for Mike, Vinny is a proud man who refuses to allow his son to seek out financial aid. But Vinny has underestimated his son's desire to accomplish something more in life, and before long Mike is leading a double life in order to forge ahead into the future. Unbeknownst to his father, Mike accepts a job delivering "packages" for a local mobster named Tony (Titus Welliver). But while the job does help Mike bring in the cash he needs to cover his tuition, his two worlds begin to collide after he meets beautiful and refined fellow student Kathy (Sophia Bush). Unfortunately Mike's longtime girlfriend, Gina (Monica Keena), is none too happy about this latest development, and the situation quickly begins to spiral out of control. ~ Jason Buchanan, Rovi
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- Starring:
- Kevin Zegers, Vincent D'Onofrio, (more)

- 2009
-
In this darkly comic outing, which won the 2009 Academy Award for Best Live Action short, two gay men move into an apartment building, little realizing that the flat owns a very complicated and troubled history. Suddenly thrust into tumult of which they have no prior knowledge, the couple must contend with an obnoxiously nosy neighbor, a strung-out-drug dealer, and an overly intimidating, gun-packing husband with a deadly agenda. ~ Nathan Southern, Rovi
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- Starring:
- Vincent D'Onofrio, Kevin Corrigan, (more)

- 1998
- PG13
- Add The Newton Boys to Queue
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Richard Linklater's fifth feature is a major departure from his previous work -- his first big-budget picture, it's also the first of his films since his 1987 Super-8 effort "It's Impossible to Learn to Plow by Reading Books" not set during his signature 24-hour time frame, offering instead a ravishing bankrobber period piece buoyed by a gentleness of spirit rare among movies of any genre. Its true story tells of the four Texas-born Newton brothers, who between 1919 and 1924 were the most successful robbers in the U.S.; led by the newly-paroled Willis Newton (Matthew McConaughey, in arguably his strongest performance to date), the gang -- siblings Jess (Ethan Hawke), Joe (Skeet Ulrich) and Dock (Vincent D'Onofrio), as well as nitroglycerin expert Brentwood Glasscock (Dwight Yoakam) -- embarks on a crime spree which spreads across the U.S. and into Canada, heisting bank vaults only at night in order not to hurt or kill anyone. (As Willis figures it, the bankers -- all covered by insurance -- are merely thieves themselves anyway.) A sweetly contemplative film, The Newton Boys is almost an anti-crime caper -- no one gets killed, and the violence which does occasionally erupt is handled with a light comic touch. By no means a master storyteller, Linklater has instead crafted a movie tailored to his own strengths, among them his skillful direction of actors, his flair for period detail and his unerring sense of rhythm; like all of his work, The Newton Boys is also informed by its maker's deep and abiding love for the film medium itself, complete with any number of striking visual and emotional references to classics ranging from Greed to Jules et Jim. While viewers expecting slam-bang action typical of the genre will undoubtedly be disappointed, those seeking a more humane and poetic alternative will be utterly charmed. ~ Jason Ankeny, Rovi
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- Starring:
- Matthew McConaughey, Skeet Ulrich, (more)

- 1992
- R
- Add The Player to Queue
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Robert Altman takes a scalpel to Hollywood ethics in the 1990s (or the lack thereof) in his acidic satire The Player, adapted from Michael Tolkin's novel. (Tolkin also wrote the screenplay.) The film concerns a sleek and smooth Hollywood studio executive who starts receiving death threats from a disgruntled writer because he has committed the ultimate Hollywood sin -- he promised the writer he would call him back and he never did. This is particularly ironic because the studio executive, Griffin Mill (Tim Robbins), is considered "writer-friendly," spending his days listening to pitches from such noted screenwriters as Buck Henry, who is pushing "The Graduate, Part II" and Alan Rudolph, who is hawking a Bruce Willis action film described as "Ghost meets The Manchurian Candidate." But The Player finds Griffin's comfortable life style in danger of collapse. He is trying to find a way to unload his girlfriend (Cynthia Stevenson) whose independence and intelligence make her a poor candidate for a trophy wife. More importantly, it seems that Larry Levy (Peter Gallagher), a slippery executive from Twentieth Century Fox, is angling for his job. And then there are those nasty postcards and faxes from a screenwriter threatening to kill him. Altman cast over 65 stars in cameo roles as texture for his scabrous tale. ~ Paul Brenner, Rovi
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- Starring:
- Tim Robbins, Greta Scacchi, (more)

- 2002
- R
- Add The Salton Sea to Queue
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The feature film debut of producer and TV director D.J. Caruso, this pulpy noir mystery is a dark tale of redemption set among southern California crystal methamphetamine "tweakers." Val Kilmer stars as Danny Parker, a former trumpet player who has become a tattooed speed freak living in a cesspool of murderous dealers and hardcore addicts near the desert lake of the title. Danny's fall from grace is the result of a hidden agenda, however -- he's seeking answers about the murder of his beloved wife. He's also working undercover for a pair of brutal narcotics cops (Anthony Lapaglia and Doug Hutchison), while trying to rescue his beautiful neighbor Colette (Deborah Kara Unger) from an abusive situation and her own demons. As he and his slacker buddy Jimmy the Fin (Peter Sarsgaard) are antagonized by the sadistic, noseless dealer Pooh Bear (Vincent D'Onofrio) and his henchman, Danny draws closer to the truth about his wife's death, but the crime's solution isn't quite what he expected. Produced by Frank Darabont, The Salton Sea co-stars Adam Goldberg, Meat Loaf, Luis Guzman, and Azura Skye. ~ Karl Williams, Rovi
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- Starring:
- Val Kilmer

- 1998
-
Made for television, The Taking of Pelham One Two Three is adapted from the suspense novel by John Godey, previously filmed as a theatrical feature in 1974. The earlier version was highlighted by the verbal cat-and-mouse game between a cynical veteran NYPD detective, played by Walter Matthau, and a world-weary master criminal, played by Robert Shaw. The remake offers two detectives, Piscotti (Edward James Olmos and Ray (Lorraine Bracco), who match wits with a man calling himself Mr. Blue (Vincent D'Onofrio), who has masterminded the hijacking of a New York subway car. As his cohorts hold the 14 passengers hostage, Mr. Blue demands a $5 million ransom, to be delivered in one hour, or else the captives will be killed one by one. Though the dark humor which pervaded the 1974 version is largely absent here, the remake pulls off the neat trick of being highly suspenseful and subtle and low-key at the same time. The Taking of Pelham One Two Three debuted February 1, 1998, on CBS. ~ Hal Erickson, Rovi
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- Starring:
- Edward James Olmos

- 1999
- R
- Add The Thirteenth Floor to Queue
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The increasingly blurry lines between what is real and what is an artificial construct - both physically and philosophically - are the point of focus in the science fiction drama The Thirteenth Floor. In 1937, a man named Fuller (Armin Mueller-Stahl) gives a note to Ashton (Vincent D'Onofrio), the bartender at a swank hotel, that's addressed to Douglas Hall (Craig Bierko). Fuller tells Ashton it's crucial that no one else sees the note, and that the information enclosed is of great importance. Moments later, Fuller transports himself to 1998. He's soon found murdered, and a shirt stained with Fuller's blood is found in Hall's apartment. Fuller and Hall both work for Intergraph Computer Systems, a cutting edge artificial intelligence firm, and the "past" Fuller was visiting was actually a stunningly realistic recreation of Los Angeles 50 years ago, complete with people you can meet and places you can visit, that exists only in a microchip. The message he left with Ashton, however, is real. Some people, including LAPD detective Larry McBain (Dennis Haysbert) believe Hall murdered Fuller to assume his position of leadership at Intergraph. Jane (Gretchen Mol), Fuller's daughter, soon arrives on the scene, and Hall finds himself infatuated; Hall is determined to clear his name, so with the help of Whitney (also played by (Vincent D'Onofrio), he into the virtual 1937 in hopes of discovering just what happened. The Thirteenth Floor makes copious use of digital effects technology to allow its characters to travel between 1937 and 1998 - ironically using computer technology to create a world that exists inside a computer. ~ Mark Deming, Rovi
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- Starring:
- Craig Bierko, Armin Mueller-Stahl, (more)

- 1998
- R
- Add The Velocity of Gary to Queue
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Dan Ireland directed this romantic comedy-drama (adapted by James Still from his own play) about a romantic triangle. Doughnut shop waitress Mary Carmen (Salma Hayek) is the girlfriend of bisexual porn star Valentino (Vincent D'Onofrio), but she's frozen out after Valentino gets a look at Midwestern hunk Gary (Thomas Jane). Rivalries end, and the three become close after Valentino succumbs to the AIDS virus. Shown at the 1998 San Sebastian Film Festival. ~ Bhob Stewart, Rovi
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- Starring:
- Salma Hayek, Vincent D'Onofrio, (more)

- 1996
- PG
- Add The Whole Wide World to Queue
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A touching and unusual love story, The Whole Wide World was based on a memoir by Novalyne Price Ellis, in which she recalled her brief romance with Robert E. Howard, creator of Conan the Barbarian and one of the finest and most prolific pulp writers of his day. In 1933, Novalyne Price (Renee Zellweger) is a pretty but shy Texas schoolteacher who would like to be a writer some day. A friend offers to introduce her to Howard (Vincent D'Onofrio), who writes broad, bold yarns about superhuman heroes and damsels in distress and has little patience for writers of more pretentious fiction. Novalyne likes Howard and he seems to like her, but she finds him a hard man to deal with. He lives in the world of his stories, and he devotes as much time as possible to his bedridden mother, which leaves him little time to pursue a romance. But when Howard discovers that another man has been courting Novalyne, he's heartbroken -- even if they didn't have a conventional romance, he felt there was a special emotional bond between them, and he hates to see it thrown away. Renee Zellweger and Vincent D'Onofrio both deliver fine performances and are a believable (if unconventional) romantic couple; D'Onofrio also co-produced. ~ Mark Deming, Rovi
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- Starring:
- Vincent D'Onofrio, Renée Zellweger, (more)

- 1996
- R
After director Alex Cox alienated the powers that be in Hollywood with Straight to Hell and Walker, his anarchic follow-ups to Repo Man and Sid and Nancy, it would be nearly a decade before he made a film in the United States again. After making the critically acclaimed, underseen Highway Patrolman in Mexico, he agreed to direct The Winner, based on the play A Darker Purpose by Wendy Riss. Vincent D'Onofrio stars as Philip, a soft-spoken, rather dimwitted young man who stumbles into an incredible lucky streak in Las Vegas. Every Sunday, he enters the same casino, wins some money, and goes home. While Philip himself is pretty nonchalant about his lucky streak, it earns him the attention of a lot of unsavory characters. Louise (Rebecca De Mornay, who also executive produced the film), a tacky nightclub singer, and her impotent hitman boyfriend, Jack (Billy Bob Thornton), plan to get Philip to fall in love with Louise and offer her a fortune to pay off her debt to the sinister, seemingly omnipotent Kingman (Delroy Lindo), the casino owner who employs Jack. A small-time hood, Joey (Frank Whaley) and his motley crew (Richard Edson and Saverio Guerra) plan to rip Philip off, but their plans are complicated when the antic, impulsively violent Joey begins to feel a strange attraction to his would-be prey. Wolf (Michael Madsen), Philip's thuggish brother (and Louise's former lover) arrives in town, practically guaranteeing some kind of violent showdown. After shooting the film, Cox returned to Mexico to work on his next project. While he was away, the producers then re-edited The Winner without his consent, and replaced the film's soundtrack. Cox has since distanced himself from the final product. ~ Josh Ralske, Rovi
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- Starring:
- Vincent D'Onofrio, Rebecca De Mornay, (more)

- 2005
- R
- Add Thumbsucker to Queue
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A high-school senior finds that fate (and modern medicine) plays some interesting tricks with his personality in this dramatic comedy. Justin Conn (Lou Taylor Pucci) is a neurotic teenager who has a difficult time with his peers, especially Rebecca (Kelli Garner), a cute girl in his debate class with whom he is somewhat mutually infatuated. It isn't much better at home with his obnoxious younger brother Joel (Chase Offerle), his father, Mike (Vincent D'Onofrio), who is busy having a midlife crisis, and mother Audrey (Tilda Swinton), who's infatuated with one of her favorite TV actors (Benjamin Bratt). All this anxiety has to go somewhere, and Justin's manifestation of his troubles comes in the form of sucking his thumb, which makes him even more of an outcast. Dr. Perry Lyman (Keanu Reeves), an orthodontist who seems to double as a new age therapist, treats Justin with hypnosis; meanwhile, the school psychologist decides he has Attention Deficit Disorder, and treats him with medication. Suddenly, Justin stops sucking his thumb and becomes an outgoing overachiever, single-handedly taking his school debate team to the state championship. But Justin's relationshop with his debate coach, Mr. Geary (Vince Vaughn), becomes strained, and the boy tries to mold yet another new identity for himself. Thumbsucker was the first feature film from Mike Mills, who previously distinguished himself in commercials and music videos. ~ Mark Deming, Rovi
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- Starring:
- Lou Taylor Pucci, Tilda Swinton, (more)