Henry Czerny Movies

In this drama, based on a true story, an unconventional New England principal tries some radical new techniques to reform his high school and ends up unemployed. ~ Sandra Brennan, All Movie Guide

Longtime Hollywood vice detectives Holt (Chris Penn) and Nin (Jeffrey Wright) have themselves become gangsters and drug users. When violence-prone Holt catches his girlfriend Lyndel (Sherilyn Fenn) with drug kingpin Truman Rickart's (Henry Czerny) number one henchman Sean (Anthony DeSando), Nin does everything he can to save the hood's life from his obsessed partner. But it might be a matter of too little too late: Holt already has Sean strung up in a pig-iron box that he's filling with cement. ~ Buzz McClain, All Movie Guide

Dana Delany stars in this made-for-TV movie as Margaret Sanger, a nurse who, in 1914, became a pioneering crusader for women's reproductive rights after she published a booklet on birth control techniques that flew in the face of a law established by Anthony Comstock (Rod Steiger) forbidding the dissemination of information on contraception. Sanger later helped to establish America's first birth control clinic in 1916, and in 1925 was one of the founders of Planned Parenthood. Choices of the Heart: The Margaret Sanger Story also stars Henry Czerny and Julie Khaner.
~ Mark Deming, All Movie Guide

An unemployed homeless man who once turned to God for the answers to life's problems decides to share the information he received with the rest of the world by penning a series of best-selling books, and now his remarkable story comes to the screen in a biographical drama from producer/director Stephen Simon. There was a time when Donald Walsch (Henry Czerny) had no place to go and no one to turn to, but that all changed when he directed the hardest questions he had ever asked at the entity many view as the be-all and end-all of human existence. The answers that he received would not only change his life, but the lives of millions of readers as well. An unlikely spiritual messenger whose works subsequently sold over seven million copies and translated into thirty-four languages, Walsch's remarkable tale finally comes to the big screen courtesy of the producer behind such spiritual-centric films as What Dreams May Come and Indigo. ~ Jason Buchanan, All Movie Guide

In a 1950s-era alternate universe where domesticated zombies play a functional role in society by delivering the milk, carrying the mail, and even helping out with household chores, one boy is about to find out just how big of a personal responsibility "pet" ownership truly is. When the Earth passed through a cloud of space dust and the dead arose from their graves to devour the flesh of the living, it first seemed that all hope for humanity was lost. Society's rapid slide into chaos, however, was soon halted when scientists at a company called ZomCom created a special collar that turned the rampaging animated corpses docile. Now, thanks to ZomCom, everything is under control -- or is it? Timmy Robinson (K'Sun Ray) isn't quite convinced. Quiet and withdrawn, the skeptical young boy spends so much time locked away in his room that he's almost become invisible around the household. His mother Helen (Carrie-Anne Moss) has recently purchased a zombie to help keep things tidy around the house though, and when the creature attempts to engage the curious youngster in a game of catch, a friendship is forged between boy and zombie that finds the amiable gut-muncher nicknamed Fido (Billy Connolly) practically becoming a part of the family. Things take a turn for the worse however, when Fido's collar malfunctions and Timmy's neighbors begin dying in droves. When ZomCom's top zombie control specialist Mr. Bottoms (Henry Czerny) moves in across the street from Timmy, the increasingly complicated situation threatens to place a serious stumbling block in the path of human-zombie relations. ~ Jason Buchanan, All Movie Guide

Armistead Maupin's colorful saga of life in San Francisco in the 1970s continues in this miniseries, the third following the characters of his serialized novel Tales of the City, which follows the story into 1981. After his relationship with Jon Fielding (Bill Campbell) comes to an end, Michael Tolliver (Paul Hopkins) throws himself back into dating, while Prue Giroux (Mary Kay Place) finds herself in a similar situation after her divorce. Mary Ann Singleton (Laura Linney) finds that moving ahead in her career in local television is an uphill battle, while her boyfriend Brian Hawkins (Whip Hubley) is feeling the strain of adjusting to his new job while staying faithful to Mary Ann. And DeDe (Barbara Garrick) has some startling news for Mary Ann that could have a major impact on her life. Produced for the Showtime premium cable network, Further Tales of the City also stars Olympia Dukakis, Bruce McCulloch, Henry Czerny, Sandra Oh, Parker Posey, Scott Thompson, and Joel Grey. ~ Mark Deming, All Movie Guide

A cop takes desperate measures to protect her identity in this urban thriller. Monica (Claire Forlani) is a police detective who has been sent undercover to crack open a drug-dealing operation run by Gale (Pete Postlethwaite). However, maintaining her cover has taken a heavy toll on Monica -- she's become romantically involved with Gale, and is now addicted to heroin. To make matters all the more dangerous for her, Monica has also been having a relationship with Denny (Henry Czerny), Gale's second in command. Denny lives in the same apartment building as an elderly woman named May (Lauren Bacall); Denny and May often get each other's mail, and as a result occasionally pass misdirected letters back and forth. When Denny is found dead, Monica begins to suspect that May might have a package from Denny that could blow her cover and reveal her true identity to Gale; desperate to find out how much May knows and what she could prove, Monica takes her hostage, but neither is sure what Monica will do when her need for heroin takes hold. Produced under the title The Limit, Gone Dark was the first directorial effort from producer and assistant director Lewin Webb. ~ Mark Deming, All Movie Guide

Actor Henry Adler (Tom McCamus) has a tenuous hold on his identity in Canadian director David Wellington's I Love a Man in Uniform. On his way to audition for a violent TV police show, he sees an officer shot in the line of duty. Using what he witnessed in his tryout, he impresses the casting director and gets the role of a tough street cop. But it's more than just a part for him: he takes his uniform home, goes out on the street, and gets mistaken for a real cop. Like Anthony John in A Double Life, he has become his character, and like Travis Bickle in Taxi Driver, he wants to clean the world of its filth. This film is not merely an exploration of one man's descent into madness; it is also an indictment of society's confusion of televised fiction with real life. ~ Steve Press, All Movie Guide

This Canadian movie about a boy and his dog during the early 1920s is set in the countryside southeast of Montreal. Twelve-year-old Sam MacKenzie (Tod Fennell) is the son of an Arctic explorer who vanished in the tundra. His mother Althea (Bronwen Booth) has remarried, but Sam isn't as close to his stepfather, country doc Asa Robinson (Henry Czerny), as he is to the wolf-like dog Kayla. Sam builds a dog sled to enter a race with Kayla, but he soon is stunned to learn a request was made to have local authorities kill Kayla. Peter Behrens' screenplay is based on the novel by Elizabeth Van Steenwik. ~ Bhob Stewart, All Movie Guide

After he is framed for the death of several colleagues and falsely branded a traitor, a secret agent embarks on a daring scheme to clear his name in this spy adventure. Though it drew its name from the familiar television series, director Brian DePalma's big-budget adaptation shares little more with the original show than the occasional self-destructing message and the name of team leader Jim Phelps (Jon Voight). The film focuses not on Phelps but his protégé, Ethan Hunt (a reserved Tom Cruise), who becomes a fugitive after taking the blame for a botched operation. He responds by banding together with a group of fellow renegades, and he is soon maneuvering his way through a twisted series of double crosses that mainly serve as excuses for spectacular high-tech action sequences. Much of the activity revolves around a missing computer disk, with the film's most famous scene depicting Hunt's delicate efforts to retrieve the disk from a secure, well-alarmed room in CIA headquarters. ~ Judd Blaise, All Movie Guide

This adaptation of Dostoevsky's novella does an exceptional job of retaining the multi-textured richness of the original story about the intimate thoughts of an anonymous lonely building inspector known only as the Underground Man. Everything about the misanthropic civil servant is dull and unpleasant. His job is boring and his only joy comes in using bureaucracy to spitefully torment contractors and architects who despise him. Realizing that he has no friends, the Underground Man does try to ingratiate himself with acquaintances and only ends up even more lonely and bitter. It does not help that he believes himself intellectually superior to those he encounters. He gets involved with a prostitute, Liza, whom he sees at a local brothel. His relationship with her is as complex as he is. On one hand he inflicts his seething rage and the pain of his isolation upon her; on the other, he cares about her and wants to help her escape her sordid situation. He decides to take her to his home, but once she is there, he finds that he is unable to overcome his misanthropy and ends up making her even more miserable. ~ Sandra Brennan, All Movie Guide

A conservative Presbyterian mother reaches out to the gay community for support after driving her homosexual son to suicide in this made-for-television movie adapted from Leroy Aaron's 1995 novel. Bobby Griffith (Ryan Kelley) hails from a devoutly Christian family. Lately Bobby's been questioning his own sexuality, and upon confiding this information to his older brother, the news quickly circulates to their parents and other siblings. While Bobby's father and siblings resolve to stand by him despite their opposition to his startling revelation, his mother Mary (Sigourney Weaver) believes that her son is committing a sin, and encourages him to change his ways with the help of the church. Despondent over his experiences in the church, Bobby decides that his best option is to move out of the family home, all the while hoping that his mother will find a means of accepting him for who he is. But Mary is staunch in her position, and when Bobby realizes he'll never live up to his mother's expectations he takes his own life. Devastated, Mary seeks consolation from her pastor but fails to find the answers she's looking for. In time, Mary begins a dialogue with the gay community, and discovers that sometimes support can come from the places we least expect. ~ Jason Buchanan, All Movie Guide