Charles Cyphers Movies

Something fishy's going on at Sunnydale High -- the swim team is winning meets. Everyone at school is hyped up about the team's success. Even Principal Snyder (Armin Shimerman) asks Willow (Alyson Hannigan) -- still teaching Jenny's (Robia La Morte) computer class -- to give a swimmer a better grade. One student, however, is not so happy with the team -- Buffy (Sarah Michelle Gellar). After a swimmer tries to grope her while on a date, her slayer sense is sparked. Her suspicions are magnified when two swimmers end up being skinned alive. Meanwhile, another swimmer, Gage (Wentworth Miller), is bitten by Angel, who spits out the blood in apparent disgust over its taste. Everyone suspects the swimmers of using steroids. Later, after Gage transforms into a fish-man or "gill monster," the truth about the swim team is clear. Also, Willow is made a permanent computer teacher for the rest of the season. ~ Matt Collar, Rovi

Jessica (Angela Lansbury) decides to retire her trusty typewriter and signs up for a computer course. While deep in study, she stumbles across a case of illegal computer hacking--which of course leads to murder. The victim this time out is one of the two men in charge of the computer school, while the suspects include the dead man's wife, his mistress, and the elusive hacker (or at least, the hacker was elusive until Jessica entered the scene!) ~ Hal Erickson, Rovi

Inheriting the Cleveland Indians baseball team from her late husband, covetous ex-showgirl Rachel Phelps (Margaret Whitton) wants to move the franchise to Miami, primarily to take advantage of the many personal perks she's been promised by that city. But Cleveland won't yield its lease on the Indians unless the year's attendance falls below 800,000. Figuring that chances for this are already good given Cleveland's inability to win a pennant, Phelps tries to make doubly certain that the fans won't turn out by ordering the club manager to put together the worst team possible. The new players include has-been Jake Taylor (Tom Berenger), blind-as-a-bat pitcher Ricky Vaughn (Charlie Sheen), self-protective free agent Roger Dorn (Corbin Bernsen), and Willie Mays Hayes (Wesley Snipes), who is constitutionally incapable of hitting straight. Surprisingly, this band of misfits begins winning games, so Whitton decides to break their spirit by forcing them to fly from game to game in a World War II prop plane, assigning them a rickety old bus for road games, and divesting them of their precious whirlpool.

Still, the team's talent and esprit de corps grows, especially after "Wild Thing" Ricky Vaughn dons a pair of glasses and is able to see where he's lobbing his 100-mile-an-hour pitches. Once the players are told that Phelps plans to dump them all whether they win the pennant or not, the team defiantly adopts an "us against the you-know-what" attitude. In a nailbiting 20-minute climax, the Indians face down their hated Yankee rivals in the pennant playoff game. The film's conclusion ties up several loose plot ends, notably the off-and-on romance between the irresponsible Berenger and his "ex" Lynn Wells (Rene Russo). Though set in Cleveland, Major League was filmed virtually in its entirety in Milwaukee, with the Brewers' play-by-play announcer Bob Uecker giving a terrific performance as the Indians' drink-besotted color commentator. The film represented not only the fictional comeback of the Cleveland Indians, but the actual comeback of producer/director David S. Ward, who'd been in a professional slump for several years. Though containing few surprises, Major League was a box-office smash, inspiring a 1994 sequel, inventively titled Major League II. ~ Hal Erickson, Rovi

When Ronald Moody (Paul Lieber), the man convicted of killing DeeDee McCall's husband Steve, is paroled, McCall (Stepfanie Kramer) reopens the case on which Steve had been working at the time of his death. She also defies orders and begins tailing Moody, hoping to find a connection between him and the case. With grim inevitability, Moody turns up dead, and McCall is the Number One suspect. It is up to Hunter (Fred Dwyer) to find out who placed the phone call which framed McCall--and who had earlier set up her husband for extermination in the same manner. Franc Luz appears as the late Sgt. Steve McCall in flashbacks. ~ Hal Erickson, Rovi

Hunter's Blood is a bloody action thriller reminiscent of Deliverance or The Hills Have Eyes in which an innocent, peaceful group of people is pitted against a clan of bloodthirsty savages. Five men set out to do some deer hunting in a remote area of Arkansas. David (Sam Bottoms) and his father, Mason (Clu Gulager), experienced hunters, lead a group of city-bred amateur hunters into an area where there have been a series of mysterious disappearances. Soon, they find themselves in danger as they are themselves stalked. While Hunter's Blood is not of the quality of the films that inspired it, the acting is uniformly excellent and the direction by Robert Hughes is fact-paced and exciting. ~ Linda Rasmussen, Rovi

Paul Kersey's (Charles Bronson) self-appointed one-man vigilante squad goes bi-coastal in Michael Winner's sequel to his Death Wish. Kersey has taken up residence in Los Angeles, but lunatic violence follows him across the country like toilet paper sticking to his shoe. Kersey's Spanish cook is immediately gang-banged and killed, while his daughter, still suffering from a catatonic stupor after her brutal rape in the first film, finds herself raped yet again. Vincent Gardenia as New York detective Frank Ochoa, reprises his role from the first film here -- traveling to Los Angeles to locate Kersey but finding death waiting for him off a LA freeway ramp. After all this mayhem, Kersey cannot cringe in hiding for long, and once again he loads up his tube socks with rolls of quarters and goes hoodlum hunting. ~ Paul Brenner, Rovi

Tommy Lee Jones won an Emmy for his searing performance as wanton killer Gary Gilmore in The Executioner's Song. The film covers the last nine months of Gilmore's life, beginning with his release from prison in 1976. Linking up with teen-age divorcee Nicole Baker (Rosanna Arquette), Gilmore makes a half-hearted effort to go straight, but ends up embarking on a robbery spree that culminates in two cold-blooded murders. Arrested and sentenced to be executed, Gilmore insists upon being put to death (Utah law required a firing squad for this); he spends his final days as a poster boy for anti-death penalty activists and as a "client" for an entrepreneur (Steven Keats) who wants to make a film of Gilmore's life. Adapted by Norman Mailer from his own book, The Executioner's Song originally aired in two parts on November 28 and 29, 1982. It has since been boiled down to a 97-minute theatrical film for European consumption, with additional scenes of violence and nudity. ~ Hal Erickson, Rovi

The year is 1997. Manhattan Island is now a heavily guarded maximum-security prison, where the scum of the earth have converged. When Air Force One crash-lands in Manhattan, the president (Donald Pleasence) is held hostage by its denizens. One-eyed mercenary Snake Plissken (Kurt Russell) is strong-armed into rescuing the chief executive. He is aided, not always willingly, by a tough gal (Adrienne Barbeau) and a manic cab driver (Ernest Borgnine). Escape from New York was followed by a sequel of sorts in 1996, Escape From L.A., again starring Kurt Russell. ~ Hal Erickson, Rovi

Following the phenomenal box-office success of his seminal horror classic Halloween, director John Carpenter teamed up with producer Debra Hill for a second independent horror project, this time in the mode of an old-fashioned ghost story. The end result was The Fog, a spooky romp about a dark secret that returns to haunt the Pacific fishing community of Antonio Bay on the 100th anniversary of the town's charter. Carpenter sets the mood in the film's prologue, which features grizzled old sea salt Mr. Machen (John Houseman) spinning ghost stories for a group of local children. For his final tale, he recounts the legend of the Elizabeth Dane -- a ship which crashed 100 years ago against the very rocks upon which the children are sitting. Meanwhile, as the clock strikes midnight on the fateful anniversary of that disaster, eerie phenomena begin to plague the town as a dense fog bank creeps toward the bay. Seeming to appear from nowhere and emitting a ghostly glow, the fog surrounds a small trawler filled with drunken fishermen, who glimpse the vague outline of a decrepit sailing vessel before being brutally killed by shadowy figures brandishing hooks and swords. That morning, news of their disappearance is relayed to the town by Stevie Wayne (Adrienne Barbeau), owner and operator of the local radio station. The news reaches the wife of one of the fishermen, city councilwoman Kathy Williams (Janet Leigh) and local boy Nick Castle (Tom Atkins), who takes a trip out to the abandoned boat to investigate, accompanied by teenage drifter Elizabeth Solley (Jamie Lee Curtis). As the day progresses, a grim series of events paints a decidedly unpleasant picture of Antonio Bay's founders, and foreshadows the ghostly retribution that awaits the town's present-day residents. When Mrs. Williams visits local priest Fr. Malone (Hal Holbrook) about a benediction for that night's centennial ceremony, he relates a ghastly tale discovered in his grandfather's journal, which details the town fathers' decision to murder a group of lepers who had planned to build a commune outside of Antonio Bay. Just as the night's proceedings are haunted by the horrors of the past, the ghosts of the murdered dead have returned to seek symbolic revenge by claiming the lives of six townspeople, arriving amid the ominous fog bank which has completely engulfed Antonio Bay. Carpenter reportedly shot and inserted additional gory scenes after the original 'PG' cut failed to impress preview audiences. ~ Cavett Binion, Rovi

The first volley in the never-ending "Presley movie" blitzkrieg, the made-for-TV Elvis: The Movie stars Kurt Russell as the King, Season Hubley as Priscilla, Pat Hingle as Col. Parker, Shelley Winters as Elvis' mom, and Bing Russell (Kurt's real-life father) as Elvis' dad. The film recounts Presley's life from age ten to his 1969 Vegas comeback. Presley imitator Ronnie McDowell expertly dubs in Kurt Russell's renditions of "Love Me Tender," "Heartbreak Hotel," et al. When first telecast on February 11, 1979, the ratings for Elvis: The Movie went through the roof, even beating out a competing telecast of Gone With the Wind. ~ Hal Erickson, Rovi

In his final all-out act of larceny, mechanic "Crazy" Cooter (Ben Jones) hot-wires the Presidential limousine, which President Carter has sent ahead to Hazzard County in preparation for a trip home to Georgia. Taking "Limo One" on a joyride, Cooter ends up hiding it in the Dukes' barn, forcing Jesse (Denver Pyle) to do some quick thinking to return the vehicle without landing in Federal Prison. Meanwhile, Boss Hogg (Sorrell Booke) worries that the disappearance of the limo will expose his own crooked chop-shop operation. In the light of this episode's plotline, it's a bit ironic that Ben Jones (Cooter) would later leave show business to become a Georgia congressman! Featured among the supporting players Gordon Hurst, brother of Rick Hurst, who would soon join the regular cast in the role of Deputy Cletus Hogg. ~ Hal Erickson, Rovi

Hal Ashby's 1978 melodrama examines the impact of the Vietnam War on the "war at home" among the men who fought it and the women in their lives. Left alone in Los Angeles when her gung-ho Marine husband Bob (Bruce Dern) heads to Vietnam in 1968, proper wife Sally Hyde (Jane Fonda) decides to volunteer at the V.A. hospital where her new friend Vi (Penelope Milford) works. There she meets Luke Martin (Jon Voight), a former high-school classmate and Marine who has returned from 'Nam a bitter paraplegic. As their relationship grows, Sally sees the effect of the war on the soldiers after they come back, inspiring her to rethink her priorities; Luke's spirits begin to lift, and a hospital tragedy helps focus his anger toward meaningful protest. After a Hong Kong visit with her increasingly withdrawn husband, Sally finds a love and companionship with Luke that she had never known with her husband. Once Bob comes home with his own injury, however, the three must find a way to deal with a changing world and with a system that betrayed the men fighting for it. ~ Lucia Bozzola, Rovi

Hot on the heels of his theatrical-feature megahit Halloween, writer-producer John Carpenter concocted this nailbiting made-for-TV suspenser. Lauren Hutton stars as stylish career girl Leigh Michaels, who lives in an ultra-modern, glassed-in high rise apartment. Leigh's relatively tranquil existence is shattered when she begins receiving disturbing phone calls--and ostentatious gifts--from a man living in the high-rise next to hers. Despite the increasingly threatening tone of her mystery caller, Leigh is unable to get any help from the police, simply because there's no real evidence that she's in danger. Rest assured, however, that she is--and that, in traditional "John Carpenter heroine" fashion, she will ultimately deal with her tormentor all by herself. Filmed under the title High Rise, Someone's Watching Me! first aired November 24, 1978, on NBC. ~ Hal Erickson, Rovi