Pietro Notarianni Movies

A young man's infatuation for a beautiful older woman blooms amidst the outbreak of World War II in this bittersweet comedy-drama from Italy. Renato (Giuseppe Sulfaro) is a 13-year-old boy growing up in a small Sicilian community. Mussolini has risen to power and has declared war upon England and France, but Renato has other things on his mind -- mostly girls. While hanging out with his friends by the seashore, Renato spies Malèna (Monica Bellucci), the daughter of one of his schoolteachers, whose husband Nino (Gaetano Aronica) is fighting with Mussolini's army. Renato is immediately obsessed with Malèna and follows her like a lost puppy, spying on her whenever circumstances permit and imagining her as his co-star in elaborate erotic fantasies inspired by his favorite movies. Renato, however, is hardly the only man in town to be struck by Malèna's charms, and her beauty leads to resentment from the women of the community. Malèna's circumstances take a turn for the worst after her husband is reported to have died in combat, and she is forced to resort to prostitution to survive; she is brutally attacked by a pack of angry matrons and driven from town. Renato tries to keep track of her, and has some less than encouraging news to report when Nino turns out to be alive and finds his spouse is missing. Malèna was written and directed by Giuseppe Tornatore, best known for the art-house hit Nuovo Cinema Paradiso; Malèna was released in Europe at 106 minutes, while the American version was edited by ten minutes to tighten the pace and remove nudity and sexual material considered too strong for the U.S. marketplace. ~ Mark Deming, All Movie Guide

Intervista has been termed a semi-documentary: This is in fact the filmed autobiography of Italian director Federico Fellini, framed in the form of an interview conducted by a Japanese film crew. As the interview progresses Fellini's mind wanders to his earliest days (the reenacted events conflict with several of the "official" stories of his life). His fascination with filmmaking is manifested in the "wonderland" atmosphere of the old Cinecitta studios. With the cooperation of Fellini's loyal co-workers, we are permitted to see tantalizingly brief excerpts (some self-mocking) of Fellini's modus operandi. A visit by Fellini and guest-star Marcello Mastroianni to Anita Ekberg's home leads to a lavish (and poignant) "reliving" of the 1961 Fellini/Mastroianni/Ekberg effort La Dolce Vita. The climax of Intervista scene invokes Fellini's previous inward-looking classic 8 1/2, with a novel twist calculated to send the director's disciples home with a knowing smile. ~ Hal Erickson, All Movie Guide

In 1969, The Damned (La caduta degli dei) was director Luchino Visconti's most controversial film to date. Set in the 1930s, the film zeroes in on a Krupp-like family of German munition manufacturers. The Essenbeck clan is headed by the Baron (Rene Kolldehoff), but daughter Sophie (Ingrid Thulin) wants her Nazi boyfriend to take over the business. Soon the Baron is dead and Bruckman (Dirk Bogarde) becomes company president. Son Martin (Helmut Berger) is the dope-addicted teenager who sleeps with his mother and drags her into her own dependence on drugs. Ever in pursuit of more millions to add to their already bulging coffers, the family plays along with the Nazis, descending into corruption, betrayal and murder all along the way. The film was originally released in the U.S. with an X rating. ~ Hal Erickson, All Movie Guide

In this romance, a middle-aged playboy finds himself running his father's fur business after his father's death. He continues to allow his papa's mistress to run the business. The playboy's fiancee gets pregnant and he refuses to marry her. She dumps him in favor of his best friend. Soon the selfish man finds himself deserted by all his friends. He winds up involved with his father's patiently waiting lover. ~ Sandra Brennan, All Movie Guide