Patricia Cutts Movies

Popular professional hypnotist Pat Collins appears in this episode, in which Lucy (Lucille Ball) seeks out a cure for Mr. Mooney's insomnia. In the course of Collins' nightclub act, a hypnotized Lucy and Mooney (Gale Gordon) impersonate Laurel and Hardy, and Lucy does impressions of Jackie Gleason and Carol Channing. Eventually, Collins comes up with a post-hypnotic suggestion that will enable Mooney to catch a little shut-eye--and which, of course, Lucy will inadvertently trigger at all the wrong moments! ~ Hal Erickson, All Movie Guide

There's no love lost between small-town busybody Bessie Carnby (Lillian Gish) and her neighbors Henry and Samantha Wilkins (Peter Lind Hayes, Patricia Cutts) -- nor does Bessie's daughter, Camilla (Maggie McNamara), make a secret of her dislike for the mousy Henry. Eventually, Bessie decides to bury the hatchet and pays a visit to the Wilkinses -- and in the process, comes to the conclusion that Samantha has murdered Henry and disposed of his body. Thanks to Bessie's persistence, Samantha is arrested, convicted, and executed. Only afterward does Bessie learn the whole truth -- and this time, it looks as though justice will not be done. Originally scheduled to air on November 22, 1963, "Body in the Barn" was rescheduled for July 3, 1964, as the final episode of Alfred Hitchcock's ninth season on the air. ~ Hal Erickson, All Movie Guide

While having lunch at the Plaza Hotel in New York, advertising executive Roger O. Thornhill (Cary Grant) has the bad luck to call for a messenger just as a page goes out for a "George Kaplan." From that moment, Thornhill finds that he has stepped into a nightmare -- he is quietly abducted by a pair of armed men out of the hotel's famous Oak Room and transported to a Long Island estate; there, he is interrogated by a mysterious man (James Mason) who, believing that Roger is George Kaplan, demands to know what he knows about his business and how he has come to acquire this knowledge. Roger, who knows nothing about who any of these people are, can do nothing but deny that he is Kaplan or that he knows what they're talking about. Finally, his captors force a bottle of bourbon into Roger and put him behind the wheel of a car on a dangerous downhill stretch. Through sheer luck and the intervention of a police patrol car and its driver (John Beradino), Roger survives the ride and evades his captors, and is booked for drunk driving. He's unable to persuade the court, the county detectives, or even his own mother (Jesse Royce Landis) of the truth of his story, however -- Thornhill returns with them to the mansion where he was held, only to find any incriminating evidence cleaned up and to learn that the owner of the house is a diplomat, Lester Townsend (Philip Ober), assigned to the United Nations. He backtracks to the hotel to find the room of the real George Kaplan, only to discover that no one at the hotel has ever actually seen the man. With his kidnappers once again pursuing him, Thornhill decides to confront Townsend at the United Nations, only to discover that he knows nothing of the events on Long Island, or his house being occupied -- but before he can learn more, Townsend gets a knife in his back in full view of 50 witnesses who believe that Roger did it. Now on the run from a murder charge, complete with a photograph of him holding the weapon plastered on the front page of every newspaper in the country, Thornhill tries to escape via train -- there he meets the cooly beautiful Eve Kendall (Eva Marie Saint), who twice hides him from the police, once spontaneously and a second time in a more calculated rendezvous in her compartment that gets the two of them together romantically, at least for the night. By the next day, he's off following a clue to a remote rural highway, where he is attacked by an armed crop-dusting plane, one of the most famous scenes in Hitchcock's entire film output. Thornhill barely survives, but he does manage to learn that his mysterious tormentor/interrogator is named Phillip Vandamm, and that he goes under the cover of being an art dealer and importer/exporter, and that Eve is in bed with him in every sense of the phrase -- or is she? ~ Bruce Eder, All Movie Guide

As famous for the gimmick with which the film was shown as for its genuinely spine-tingling story, The Tingler follows a pathologist (Vincent Price) as he searches for the cause of a series of deaths and discovers that the victims have a large insect-like creature growing on their spinal chords. The creature attacks when the people are frightened and is only killed when the host emits a blood-curdling primal scream. This is coupled with a subplot to scare the deaf-mute owner of a silent movie house to death. Along the way, a couple of characters are injected with LSD and begin hallucinating like mad. When one of the nasty monsters "escaped" into a movie theater, the film's gimmick would begin. In order to further frighten audiences, director William Castle had certain theater seats rigged with small Army surplus devices that would deliver a mild electric shock to the spine in hopes of inducing terrified screams. Castle also planted audience members who would scream and faint. The house lights would go up, the film would stop and ushers would carry the unconscious person out of the theater. ~ Perry Seibert, All Movie Guide

Though Merry Andrew is more subdued than earlier Danny Kaye efforts, it's still a lot of fun. Kaye is cast as Andrew Larabee, a mild-mannered but highly unorthodox archeology professor at a British boy's school. While on an expedition in Italy, Andrew allows a traveling circus to pitch camp on his archeological site. Falling in love with Selena (Pier Angeli), the acrobat daughter of carnival owner Antonio Gallini (Salvatore Baccaloni), Professor Larabee soon finds himself participating in their show as a clown, ringmaster, and (accidental) lion-tamer. When time comes for Andrew to return to his stuffy academic existence -- not to mention his equally stuffy fiancée (Patricia Cutts) -- he chooses instead to hit the sawdust trail in the company of the fair Selena. The five Saul Chaplin-Johnny Mercer songs are enjoyable, but the engaging "patter numbers" written by Kaye's wife, Sylvia Fine, are sorely missed. ~ Hal Erickson, All Movie Guide

Postman Evans helps 3 women who wish for better lives after throwing coins into a wishing well in this drama. ~ All Movie Guide

Set WW II-era Britain, this romantic venture begins when a working-class woman and a RAF officer fall in love. The affair causes upset in both families as they are aware that such inter-social class relationships are frowned upon. The parents' attitudes change when the officer is reported missing in action. ~ Sandra Brennan, All Movie Guide

The fourth directorial effort of actor Robert Montgomery, Eye Witness was lensed on location in England. Montgomery plays an American attorney whose British pal (Michael Ripper) has been accused of murder. Ripper insists that he spent the evening of the crime with a woman, who has seemingly disappeared from the face of the earth. Montgomery dedicates himself to locating the missing witness before sentence can be pronounced. A compact courtroom drama highlighted by unexpected moments of humor, Eye Witness was released in some areas as Your Witness. ~ Hal Erickson, All Movie Guide

In this melodrama, a London girl falls happily in love with a Frenchman and immediately goes blind. Convinced her affliction is a Divine punishment for her sins, she joins a convent. The good sisters know she does not belong there and gently convince her to leave. Shortly after returning to secular life, the Frenchman marries her and they move to France to live in his parents' manor. There, the poor bride begins feeling like an unwelcome guest and like someone wants her dead, but cannot prove it. She expresses her fears, but no one believes her and after a particularly terrible fight, she miscarries. Feeling unloved by her own husband, the poor woman returns to England. There she undergoes a potentially dangerous but successful operation to restore her sight. Still upset her husband's lack of belief, she returns to France to prove her allegations. ~ Sandra Brennan, All Movie Guide