Franklin Scott Movies

Carroll O'Connor stars as NYPD chief of detectives Frank Nolan in Brass. The script, pseudonymously cowritten by O'Connor and Alvin Boretz, dramatizes two real-life incidents: a sniper attack on Penn Station and a murder in the CBS network parking lot. Though consigned to a desk job, Nolan insists upon hitting the streets to solve the crimes at hand. Vincent Gardenia, who'd previously costarred with Carroll O'Connor on All in the Family as Archie Bunker's next-door neighbor, appears as Chief Mike Maldonato. The director was former actor Corey Allen, best remembered as James Dean's "chicken run" opponent in Rebel Without a Cause. Intended as the pilot for a weekly series, Brass debuted September 11, 1985. ~ Hal Erickson, All Movie Guide

Not surprisingly, this fascinating dissection of Gypsy life in America was vilified by several ethnic special-interest groups, who'd previously delivered their mimeoed missives to novelist Peter Maas, on whose book the film was based. Sterling Hayden is the "king" of a New York-based gypsy tribe, who on his deathbed passes his crown to his reluctant grandson, Eric Roberts. Roberts' scuzzy father Judd Hirsch, envious that he's been passed over, begins plotting the demise of his own son. It appears at first that the boy, a thoroughly assimilated Manhattanite, would be more than willing to give up his invisible throne to Hirsch, but there's something about his heritage that always draws him back to his own people. Several genuine gypsies took part in the film as extras, bit players and technical advisers; reportedly, they also spent much of the shooting time trying to cadge a few dishonest dollars from cast and crew. ~ Hal Erickson, All Movie Guide

Adapted by Waldo Salt and Norman Wexler from Peter Maas's book, Sidney Lumet's drama portrays the real-life struggle of an honest New York City cop against a corrupt system. Neophyte officer Frank Serpico (Al Pacino) is determined not to let his job get in the way of his individuality. Despite his colleagues' leery reactions, he keeps one foot firmly planted in the counterculture, sporting a beard and love beads and living in bohemian Greenwich Village, while he performs his police duties with dispatch. Serpico's peers genuinely ostracize him, however, when he refuses to take bribes like everybody else. Appalled by the extent of police corruption, Serpico goes to his superiors, but when he discovers that they have ignored his charges, he takes the potentially fatal step of breaking the blue wall of silence and going public with his exposé. Serpico's revelations trigger an independent investigation by the Knapp Commission, but they also make him a marked man, permanently changing his life. Shot on location with a gritty emphasis on documentary-style realism, Serpico presents a city in decay both literally and morally, as everybody is in on the take, and the cops and criminals are almost interchangeable. Released in late 1973, after months of revelations of Presidential malfeasance in the breaking Watergate scandal, Serpico's true story of bureaucratic depravity touched a cultural nerve, and the film became a hit with both critics and audiences, particularly for Pacino's complex performance as the honest, long-haired whistleblower. One year after his star-making triumph in The Godfather, Pacino was nominated for an Oscar again, and lost again; Lumet and Pacino would reunite two years later for another true New York story, Dog Day Afternoon. ~ Lucia Bozzola, All Movie Guide