Allan Cuthbertson Movies

In this British crime drama a small-town detective gets tired of Scotland Yard's constant meddling and takes a leave-of-absence from his regular duties to start his own detective agency. It is there that he solves the puzzling jewelry store heist that caused the death of the owner's wife who worked there. ~ Sandra Brennan, All Movie Guide

The Informers of the title are a loose grouping of underworld types, upon whom Scotland Yard inspector Nigel Patrick depends for crucial information. Patrick gets in trouble with his superiors when he refuses to reveal the identity of his informants. He gets into even more trouble, when, while investigating the murder of one of his snitches, Patrick is framed on a corruption rap by trollop Margaret Whiting. The Informers was based on Death of a Snout, a novel by Douglas Warner. It was also released under the titles Underworld Informers and The Snout. ~ Hal Erickson, All Movie Guide

Life at the Top is a belated sequel to Room at the Top, John Blaine's "angry young man" British novel that was made into a film in 1959. Laurence Harvey is back as Joe Lampton, the man-on-the-rise protagonist who in Room had given up true love in favor of a career-boosting (and antiseptic) marriage to his boss' daughter. Ten years have passed: Lampton is a business success, but utterly bored by his dead-end marital setup. His wife feels the same, and it isn't long before Mr. and Mrs. Lampton begin conducting separate affairs. While the original Room was a fairly accurate evocation of its era, Life at the Top works too hard and too noisily to be "mod," in reflection of the ethereal Swinging London era. The inclusion of flashbacks from Room at the Top, in which Harvey is seen making love to Simone Signoret, only serves to emphasize the shortcomings of the sequel. The best moments in the later version can be found in the early establishing scenes set in Yorkshire. Life at the Top was followed by a TV series called Man at the Top, starring Kenneth Haigh as Lampton, which in turn was followed by a theatrical feature of the same name. ~ Hal Erickson, All Movie Guide

In this confused parody, a lovely South Seas island girl travels to England following her father's death and becomes the ward of her cousin. The women is exotically beautiful and men turn into fools whenever she passes by. But the innocent lass has no idea that she is so lovely and seductive. At one point she poses nude for an artist and nearly starts a riot amongst the normally staid upper-crust gentlemen. In the end, the beautiful native girl marries the son of her kindly cousin who eventually becomes the head of his father's school. Meanwhile his father moves to the girl's native island. ~ Sandra Brennan, All Movie Guide

From Richard Lester, the director of 1980's Superman II and the 1964 A Hard Day's Night, comes this less-successful sequel to the The Mouse that Roared. The Prime Minister of the Duchy of Grand Fenwick (Ron Moody) is in a bind because he has no money to renovate his castle and there is a serious problem with his small country's main export, wine. The stuff tends to explode. So the Prime Minister asks the U.S. for aid to develop space research, knowing full well they are not going to give him money to remodel his castle. Once the U.S. grants a cool million to the country, Russia adds in a used rocket, and things start popping. Like it or not, the Duchy is suddenly involved in space research and contributing to the madness is the discovery that its unique wine makes good rocket fuel. ~ Eleanor Mannikka, All Movie Guide

Based upon a novel by Shelley Smith, The Running Man opens at the memorial service for Rex Black (Laurence Harvey), the owner of a small air transport company who is believed to have drowned in a recent glider accident. It soon turns out, however, that Black is very much alive; he faked his death as a means of getting back at the insurance company who denied an earlier claim because he was one day late in making his payment. He has enlisted the cooperation of his wife Stella (Lee Remick) in this scheme. While she waits for the insurance company to approve the claim, he disguises himself, assumes a new identity (that of Charles Erskine, a shoe salesman) and goes to wait for Stella in Spain. Once there, he meets drunken Australian millionaire Jim Jerome in a bar; when Jerome inadvertently leaves his passport at the bar, Rex confiscates it and hatches a new plan to collect on Jerome's insurance as well. In the meantime, Stella has met with insurance representative Stephen Maddox (Alan Bates), who eventually approves her claim. She journeys to Spain, but finds Rex a changed man, and isn't comfortable with either his new personality or his latest scheme. To make matters worse, Maddox shows up. Is it a coincidence or is he suspicious? The rest of the film hinges on the answer to this question, as well as what Maddox's plans are in either case. ~ Craig Butler, All Movie Guide

Filmed in Germany by American director John Huston, Freud is a sincerely felt but overly simplistic biopic of the pioneering psychotherapist. The brooding, introspective Montgomery Clift was a curious choice for the role of Sigmund Freud; at times he looks more off the beam than some of his patients (his comic-opera Viennese accent doesn't add to the credibility). The screenplay takes the shape of a detective mystery, attempting to link various crises in Freud's private and professional life with his theoretical conclusions, most often doing so within well-staged dream sequences. Less successful are the scenes with the poor unfortunates who come to Freud for help, notably an embarrassing sequence with a young man suffering from an Oedipus complex. Freud was at one point supposed to have been scripted by existentialist playwright Jean-Paul Sartre, who gave up after he realized that the subject would require a four- or five-hour film at the very least. ~ Hal Erickson, All Movie Guide

Based on James Barlow's novel The Burden of Proof, this is a thoughtful drama revolving around the relationship between a schoolteacher and his students, in particular a fifteen year old girl (played by the debuting Sarah Miles, although she was in fact 21 at the time), who has become infatuated with him. But when he rejects her advances during a school trip to France, out of spite she accuses him of rape. The resulting court-case dominates the latter stages of the film.
In its depiction of school life there does seem to be a ring of truth, even if the situations are somewhat exaggerated and for its time this was very strong stuff with its controversial scenario. But the early 60s was an era when film-makers were challenging social taboos, and subjects that had until then remained off-limits were being explored. Victim (1961) is another good example of this trend. As the movie also examines the precarious state of the man's marriage, this also gives more poignancy to his predicament. A fine cast is employed here, including a young Terence Stamp who went on to become a major star of the late 60s. ~ Mark Hockley, All Movie Guide

Danny Kaye headlines this lively WW II-era comedy. He plays a foot soldier who with his fellow troop is preparing for D-day. Trouble begins when he is caught pretending to be the most important generals in England, a man he closely resembles. The two look so much alike that military intelligence assign him to keep on impersonating the general so as to keep the Nazis on their toes. He is good at his job and fools many of the general's staff. He does not, however, fool the general's estranged wife. Still in order to protect her country, she goes along with the ruse. Things get really sticky when the real general is killed and Army intelligence asks Kaye to continue with the deception. ~ Sandra Brennan, All Movie Guide

In this Edgar Wallace mystery, the trouble begins when a Rhodesian jewel thief kills a policeman and simply disappears. Now it is up to an intrepid detective, a former cop, to solve the crime. ~ Sandra Brennan, All Movie Guide

Italian director Mario Bava took a brief hiatus from horror films to make this fairly interesting Viking-themed adventure. Iron (Cameron Mitchell) is a Viking leader whose long-lost brother Erik (Giorgio Ardisson) was raised by Queen Alice of England. Alice's counselor, Gunnar (Andrea Checchi) betrays her and helps the Vikings take over, while the shipwrecked Erik is nursed back to health by Rama (Alice Kessleri), the twin sister of Iron's wife Daja (Ellen Kessleri). Naturally, Erik returns home and must fight Iron and defeat Gunnar in order to save the country. It doesn't quite work out that way, however, as the ruthless counselor kills Iron, leading the Vikings and British to join forces with Erik and take Gunnar down. ~ Robert Firsching, All Movie Guide

Two excellent actors shine in powerful roles in this drama by Ronald Neame that pits one Scottish army colonel against another. Alec Guinness is Lt. Col. Jock Sinclair, a man who temporarily takes over command of a regiment until his replacement, Col. Basil Barrow (John Mills) arrives. Sinclair comes from the lower echelons of the social order but was at least able to work himself up the echelons in the military hierarchy. He is fairly well-liked though still a little rough around the edges for some. When Barrow takes over, the two men clash almost at once. Barrow is from the upper crust, went to all the "right" schools, and believes in discipline and then a little more discipline, as well as efficient and proper bureaucratic processes. The differences between the two men threaten to rupture the unity of the regiment, especially after Sinclair assaults a soldier he finds in the company of his daughter. Barrow opts to report his behavior, leading to a climactic series of events. ~ Eleanor Mannikka, All Movie Guide