Laszlo Gorog Movies

This feather-weight Hungarian comedy was helmed by popular local comedian Robert Koltai. It is the story of a hammy actor who tries to force his son to become a thespian too. To please his over enthusiastic father the son dutifully attends drama school. He falls in love with beautiful Eva and after they graduate they and their pal Geza begin working in a rural theater with a nest of has-beens and bad actors. It is there that the son begins to understand his father a little better. ~ Sandra Brennan, All Movie Guide

Boiling over with sexual shenanigans and general sleaziness the Mexico-set tale centers on a confused socialite who falls in love with an American engineer who was hired by her half- brother to oversee his mining outfit. At first the attraction between the girl and the Yank is purely sexual, but soon it turns to love. This causes the half-brother great torment, for he has fallen in love with his sister. Obsessed with jealousy, the conniving brother tries to bust things up by bringing in the girl's ex-lover. He is a cad and after trying unsuccessfully to seduce her, the creep results to rape. The next day, the despondent woman tries to kill herself, but the American shows up and reassures her that his love is true. This was the first film actress Merle Oberon had worked on in seven years and was filmed in her spectacular Mexican home. ~ Sandra Brennan, All Movie Guide

A man driving along a lonely back road at night is suddenly startled by what he sees, and is promptly killed by something that crashes through his windshield. The next day, in the nearby town of River Falls, teenagers Carol Flynn (June Kenney) and Mike Simpson (Gene Persson) decide to go looking for her father, who didn't get home last night. They find his wrecked truck and enter a nearby cave to begin searching for him. There they find his blood-covered hat and other signs of human remains and, as they go deeper inside, suddenly get trapped in a huge web -- then they spot its maker, a spider the size of a small house. They manage to escape and alert the county sheriff (Gene Roth), who doesn't take them seriously but does heed the warning of Mr. Kingman (Ed Kemmer), the science teacher at the local high school, to bring a pest-control crew along with his deputies, and a tanker loaded with DDT. They encounter the creature, and, after losing one of their men, dispatch it with the insecticide. Kingman persuades the sheriff to bring the carcass into town so that he can arrange to have it studied, leaving it in storage at the high school recreation room, for lack of anywhere bigger to keep it. As it turns out, the creature isn't dead, just stunned. As the local rock & roll band rehearses, the giant spider comes to bloodthirsty consciousness, breaking out of the building and ravaging the town. Bullets won't hurt it -- as Kingman says, you could punch holes in it all day without hitting a vital spot -- and the town is soon cut off when the telephone lines are knocked down. ~ Bruce Eder, All Movie Guide

The Mole People holds the dubious distinction of being the weakest of the Universal-International horror films. John Agar plays Dr. John Bentley, who leads a Middle Eastern expedition in search of a lost tribe of Sumerians. Bentley and his cohorts follow a tunnel deep, deep, deep below the surface of the earth, eventually coming across a tyrannical tribe of albino Sumerians, who use the semi-human Mole People as slaves. What follows is so dull and plodding that stars John Agar and Hugh Beaumont seem like Mel Gibson and Arnold Schwarzenegger in comparison. Some prints of The Mole People are minus the pre-credits "explanation" by 1950s celebrity egghead Dr. Frank Baxter. ~ Hal Erickson, All Movie Guide

Rosalind Russell plays yet another independent career woman in She Wouldn't Say Yes. This time she's a psychiatrist who sees no need for a man in her life. Her resolve weakens a bit when she meets Lee Bowman, a dashing combat sketch artist suffering from wartime emotional problems. Bowman falls in love with the shrink and determines to establish a beachhead, while Russell is equally determined to hold her ground. She doesn't say yes for the first 80 minutes of the film, but does in the last six. Even Rosalind Russell made jokes concerning the inordinate number of look-alike films she made in this vein. ~ Hal Erickson, All Movie Guide

Tales of Manhattan is a sumptuous multipart film centered around a formal tailcoat. The coat is specially designed for stage actor Charles Boyer, who wears it during a rendezvous with his lady friend (Rita Hayworth). The lady's husband (Thomas Mitchell) shoots Boyer, thus the tailcoat is damaged merchandise and sold at a discount to a bridegroom (Cesar Romero). When the groom's peccadillos catch up to him, the bride (Ginger Rogers) chooses to marry the best man (Henry Fonda) instead, and the coat is shipped off to a second hand store. It is purchased by a would-be composer (Charles Laughton), who wears it the night that he is to conduct his first symphony; alas, the coat is too tight and tears apart, nearly ruining the conductor's debut. Stitched back together, the coat is donated to a skid row mission, wherein the kindly proprietor gives the coat to a down and out drunkard (Edward G. Robinson) so that the shabby gentleman can attend his 25th college reunion. Later on, the coat is stolen by a crook (J. Carroll Naish) in order to gain entrance to a fancy charity ball. The crook holds up the ball and stuffs the loot in the pockets of the coat, but while escaping in an airplane he loses the outer garment. The coat floats down to an impoverished African American shanty community; a farmer (Paul Robeson) decides to distribute the "money from heaven" amongst his needy neighbors. At the end, the tattered coat adorns the shoulders of a scarecrow. Tales of Manhattan is one of the best "portmanteau" dramas turned out by Hollywood; it was directed by French expatriate Julien Duvivier, a past master of the multi-story technique. ~ Hal Erickson, All Movie Guide