Lou Cutell Movies

Josh Evans wrote and directed this cynical glimpse at power players and hustlers working the shadowy side of the film industry. After his mother's death, talented eccentric Sonny Daye (William McNamara) arrives on the Hollywood scene. His brother, Franky Syde (Frank Whaley), confident of Sonny's abilities, allows crass, scurrilous producer Sid Dalgren (Tony Danza) to see Sonny's journal. Recognizing Sonny's gift, Sid makes moves to manipulate and exploit him. Sid's girlfriend, Vanessa (Natasha Gregson Wagner), sees Sonny in a different light. The Glam cast includes director Evans' mother, Ali MacGraw. Some of the Glam character names link with characters introduced in Evans' directorial debut, Inside the Goldmine (1994), a film that also featured Wagner, the daughter of Natalie Wood and Robert Wagner. Shown at the 1997 Vancouver Film Festival. ~ Bhob Stewart, All Movie Guide

Clad in a blonde wig, Joe Pesci stars as the title character, a luckless actor. Unable to make it in the real showbiz world, Jimmy starts fantasizing about fame and fortune. His delusions eventually turn into reality when, through a fluke, Jimmy becomes known to one and all as "Jericho," a Robin Hood-like vigilante. Victoria Abril appears in a supporting role and the film's climax features a number of cameo performances. ~ Hal Erickson, All Movie Guide

Set in the 1950s, Voyager concerns the travels of an American construction engineer (Sam Shepard) who is wandering throughout Europe, recounting his life story through a series of flashbacks while meeting a variety of new characters. At first, he meets a man whom he knew during his time as a student in Europe in the days before World War II. Shortly afterward, he meets a beautiful young German woman (Julie Delpy), whom he accompanies on a journey to her home in Athens, Greece. Voyager is a slowly-paced and well-performed with a surprising, tragic conclusion. ~ Stephen Thomas Erlewine, All Movie Guide

In a film originally made for television, a detective accidentally involves himself with a female con artist who is planning a $12 million diamond robbery. ~ John Bush, All Movie Guide

Forest Whitaker stars as the brilliant jazz saxophonist Charlie "Bird" Parker in this elegiac biopic. Director Clint Eastwood pays full homage to Parker's musical genius, but also devotes ample time to the musician's twin demons--drugs and alcohol-which accelerated his death at the age of 34. In his struggles to gain widespread acceptance for his music, "Bird" is forever stymied by his own self-destructiveness, and forever bailed out by the love of his life, Chan Richardson Parker (Diane Venora). The film bemoans the decline of the brand of jazz fathered by Parker, which came to be replaced by more conventional material -- as illustrated by the "descent" into the mainstream of Parker's mentor Buster Franklin. Also starring in Bird is Samuel E. Wright as Dizzy Gillespie. That's the real Charlie "Bird" Parker on the film's soundtrack, though most of the background music has been re-orchestrated. ~ Hal Erickson, All Movie Guide

Co-written by Paul Reubens and Phil Hartman, Pee Wee's Big Adventure marks the debut of director Tim Burton, who stamps the entire film with his quirky trademark style. The premise: Pee Wee (Reubens), an overgrown pre-pubescent boy sporting a molded Princeton cut, blush, lipstick, and a shrunken gray flannel suit, lives an idyllic life in his bizarre home (some have compared the remarkable set design to the expressionistic The Cabinet of Dr. Caligari) until someone nabs his most prized possession: a fire engine-red customized bicycle. He then embarks on an epic cross-country search to find his lost love, not to mention more than a little adventure. Along the way, he makes friends with various oddball characters, visits the Alamo, endures various hallucinatory nightmares, and has a supernatural run-in with a spectral trucker. In this reprisal of his popular standup routine, Reubens is wonderful as the nerdy man child; he plays it silly, yet he manages to imbue the role with some sensitivity without ever seeming maudlin. The score by Danny Elfman is terrific -- as is the case in nearly every film Burton has directed -- and the script is fresh and inventive. Some of the most memorable moments: the opening sequence involving Pee Wee's morning activities is a stroke of genius (note the bunny slippers and talking breakfast), as are the scenes at the truck stop, and the "Hollywood" version of Pee Wee's story at the end (starring James Brolin and Morgan Fairchild in surprise cameos). In all, Pee Wee's Big Adventure is a delightful film, enjoyable for children as well as adults. ~ Jeremy Beday, All Movie Guide

Enterprising Mel (Vic Tayback) purchases a nursery school for the purpose of bulldozing the property and erecting a parking lot for his diner. This scheme causes the school's faculty and students, not to mention the diner staff, to regard Mel as a super-villain--and in fine "sitcom retribution" fashion, it is Mel himself who suffers most from the situation. Future Designing Women regular Rue McClanahan is cast in the unlikely role of Mother Goose! ~ Hal Erickson, All Movie Guide

Mel (Vic Tayback) makes the latest in a long line of efforts to improve efficiency at the diner by installing a computer. Alas, our hero has made a fatal error, as proven when clumsy Vera (Beth Howland) gets her hands on the computer and neatly erases all evidence of Mel's existence! This episode originally aired as a last-minute replacement for the long-delayed "Vera's Secret Lover." ~ Hal Erickson, All Movie Guide

Director Alan Parker and writer Bo Goldman chronicle the emotional disintegration of an unhappy marriage. Albert Finney and Diane Keaton play George and Faith Dunlap, a seemingly happily married couple living with their four daughters in a converted farmhouse in Marin County, California. George is inwardly empty and decides to have an affair with Sandy (Karen Allen), who has doubts about how long their affair will last. Faith is also suffering from ennui and takes up with Frank Henderson (Peter Weller), the contractor for the Dunlap's tennis court. Frank, after discovering about Faith's affair, is in a confused state: he wants to leave and live with Sandy but doesn't want his wife to date other men and demands the love of his daughters -- all of whom now detest him. ~ Paul Brenner, All Movie Guide

Adapted for the screen by novelist Joseph Wambaugh himself, The Black Marble stars Robert Foxworth as a burned-out, hard-drinking cop who is teamed with idealistic lady officer Paula Prentiss. These two polar opposites wade their way through a seamy urban world of corruption and hopelessness. The film is peppered with supporting players, of which include Harry Dean Stanton, James Woods, John Hancock and Barbara Babcock. ~ Hal Erickson, All Movie Guide

Future WKRP in Cincinnati co-star Howard Hesseman reprises his role as Mr. Plager, the gay, culturally inclined member of Bob's therapy group. Urged on by Bob and the other patients, Plager writes, produces, and directs a play. Unfortunately, Plager's masterpiece, though ostensibly set during WWI, is a thinly disguised carbon copy of the group's therapy sessions, replete with characters based on Mr. Carlin, Mr. Petersen, Mrs. Bakerman -- and Bob himself. (For the record, these "faux" roles are filled by Jerry Devine, Lou Cutell, Amzie Strickland, and Frank Ashmore, respectively). Scripted by Andrew Smith, "Group on a Hot Tin Roof" was originally scheduled to air in February or March of 1978, but was moved up to January 28, due to Bob Newhart's absence from several other like-vintage episodes. ~ Hal Erickson, All Movie Guide

After writing, directing, and starring in The Adventure of Sherlock Holmes' Smarter Brother, Gene Wilder added the producer's hat to his three-headed beast in The World's Greatest Lover. Wilder plays Rudy Valentine, a Milwaukee baker who enters a talent search in the Hollywood of the 1920s, initiated by movie studio mogul Zitz (Dom DeLuise), to find a new Rudolph Valentino. He travels to Hollywood with his wife Annie (Carol Kane) in hopes of taking a screen test, but Annie falls in love with the real Valentino. Jealous of the Latin Lover, Rudy disguises himself as a sheik in an attempt to look like Valentino. Rudy then invites Annie to a rendezvous at the studio, where he tries to seduce his own wife. ~ Paul Brenner, All Movie Guide