Peter Cushing Movies
Imperious, intellectual-looking British actor Peter Cushing studied for a theatrical career under the guidance of Cairns James at the Guildhall School of Music and Drama. Cushing supported himself as a clerk in a surveyor's office before making his first professional stage appearance in 1935. Four years later, he came to America, where he was featured in a handful of Broadway plays and Hollywood feature films. He had a small part in The Man in the Iron Mask (1939) and also doubled for Louis Hayward in the "twin" scenes; he was among the rather overaged students in Laurel and Hardy's A Chump at Oxford (1940); and he was second male lead in the Carole Lombard vehicle Vigil in the Night (1940). After closing out his Hollywood tenure with They Dare Not Love (1941), he returned to stage work in England. His next film appearance was as Osric in Laurence Olivier's Hamlet (1948), which also featured his future co-star Christopher Lee in a nonspeaking bit (Cushing and Lee's paths would cross again cinematically in Moulin Rouge [1952], though, as in Hamlet, they shared no scenes).In the early '50s, Cushing became a TV star by virtue of his performance in the BBC production of George Orwell's 1984. Still, film stardom would elude him until 1957, when he was cast as Baron Frankenstein in Hammer Films' The Curse of Frankenstein. It was the first of 19 appearances under the Hammer banner; Cushing went on to play Van Helsing in Horror of Dracula (1958) and Sherlock Holmes in The Hound of the Baskervilles (1959), roles which, like Baron Frankenstein, he would repeat time and again. Though his horror film appearances brought him fame and fortune, Cushing ruefully commented that he'd prefer not to be so tightly typecast: It is significant that his entry in the British publication Who's Who in the Theatre lists all of his theatrical credits, but only one title -- Hamlet -- in his film manifest. In 1975, after a decade's absence, Cushing made a return to the theater in Washington Square, ironically playing the role originated on Broadway by fellow Sherlock Holmes interpreter Basil Rathbone. Many of Cushing's later film assignments were in the tongue-in-cheek category, notably his sneeringly evil Governor Tarkin in Star Wars (1977) and his backwards-talking librarian in Top Secret! (1984). Retiring from the screen in 1986, Peter Cushing penned two volumes of memoirs: An Autobiography (1986) and Past Forgetting (1988). ~ Hal Erickson, All Movie Guide
- 1968
A guilt-ridden plastic surgeon becomes murderously obsessed with restoring the beautiful face of his fashion-model fiancee in this horror film. It was he, in a jealous rage, who accidentally disfigured her, when he burst into a photography session, got into a fight with the cameraman and ended up burning her face with a hot lamp. Now, desperate to restore her, he begins harvesting the pituitary glands and the facial skin (removed with a laser) from the severed heads of prostitutes and using them on her wounded face. It works, but they pay a price and both become increasingly insane because the "beauty treatment" is only temporary. One day, an angry band of hippies storms the doctor's house, for he has killed one of their friends. Using his deadly laser, the doctor tries to defend himself, but the laser goes out of control causing all sorts of death and gory destruction. Fortunately, things are not as they seem, and at that point the surgeon awakens from his nightmare and prepares to take his beautiful fiancee to a party. The promo posters for the film advertised "This Is Not a Woman's Picture! No women will be allowed in alone!" ~ Sandra Brennan, All Movie Guide
- Starring:
- Peter Cushing, Sue Lloyd, (more)
- 1967
In this war drama, an Army intelligence officer stationed in Saigon labors to discover the identity of the double-agent in his department who has been sending classified information to the Soviets. ~ Sandra Brennan, All Movie Guide
Set during the Victorian era, the film stars Peter Cushing as a Holmeslike detective on the trail of a serial killer. The mystery angle is minimal, since we know virtually from the beginning that the killer is a gigantic....moth! It seems that Wanda Ventham, daughter of addled scientist Robert Flemyng, has spent too much time in her dad's lab, and can turn herself into a malevolent moth at will. Flemyng tries to mollify Ventham by creating a playmate for her-and the result is two murderous moths. Blood Beast Terror was also released as The Vampire-Beast Craves Blood. ~ Hal Erickson, All Movie Guide
- 1967
The famed British horror trio of Christopher Lee, Peter Cushing, and director Terence Fisher brought John Lymington's sci-fi novel Night of the Big Heat to the screen in this slow-moving shocker. The plot concerns a small British island where alien protoplasm creatures are attempting to raise the temperatures to match those of their home planet. The result is a winter heat-wave so intense that most of the island's residents go up in flames. Lee and Cushing are among the few survivors able to battle the malignant extraterrestrial scourge. Fisher proves once again that his deliberately paced directorial style is better suited to Gothic horror than to what should be fast-moving sci-fi. ~ Robert Firsching, All Movie Guide
- 1967
The Avengers' sixth season opened with an exciting harkback to the classic third-season episode "The Cybernauts." The plot is set in motion by the brother of the man whose earlier attempt to use robotic technology to take over the British economy was foiled by Steed and Emma. Thirsting for revenge, the villain conspires with a trio of shady scientists to transform the Avengers into "living puppets." Horror-film perennial Peter Cushing guest stars as the deceptively charming Paul Beresford. Written by Philip Levene, "Return of the Cybernauts" made its British TV debut on September 30, 1967; its first American telecast was delayed until an open timeslot was found on February 21, 1968. ~ Hal Erickson, All Movie Guide
- 1967
A murderous mummy is on the loose and it's got the Hammer Films stamp on it, but this tame terror flick never gets the bandages off when it comes to thrills, chills, and gore. A British archeological team consisting of Sir Basil Walden (Andre Morrell), Paul Preston (David Buck), a photographer (Tim Barrett), and psychic linguist Claire (Maggie Kimberley) discover the tomb of Kah-to-Bey, a young heir to Pharaoh who died trying to escape a rebellion. The boy was buried by a loyal slave named Prem, whose mummy stands in a Cairo museum. The expedition is joined by Preston's wealthy, press-hungry father Stanley (John Phillips), who insists they return to Cairo with the body despite warnings of a curse by the tomb's guardian. The curse soon proves to be true as the slave's mummy is reanimated by the guardian and begins murdering each of the explorers who entered the tomb. While Stanley Preston unsuccessfully tries to save his own skin, Paul and Claire find themselves in a showdown with the seemingly indestructible mummy -- until they discover that the strange writing on the boy Pharaoh's shroud may be the secret to their survival. ~ Patrick Legare, All Movie Guide
- Starring:
- Andre Morell, John Phillips, (more)
The Torture Garden is an "omnibus" chiller, adapted from four short stories by Robert Bloch (Psycho). Each is introduced by Burgess Meredith, playing a sinister carnival barker by the name of Dr. Diabolo. The doctor's audience consists of five people, four of whom are apprised of their ultimate fates as Diabolo weaves his stories. In "Enoch," a young playboy falls under the spell of a cannibalistic cat. In "Terror Over Hollywood," a famous movie star is revealed to be an android. In "Mr. Steinway," the "villain" is a killer piano. And in "The Man Who Collected Poe," the title character murders another collector over a valuable Poe manuscript--only to receive retribution from ol' Edgar himself. If we told you anything about the fifth person in Meredith's audience, we'd be giving away the ending, wouldn't we now? The individual episodes tend to rise and fall depending upon the strength of their stars. Among those present in Torture Garden are horror-flick regulars Jack Palance, Peter Cushing, Robert Hutton, Michael Ripper and Niall McGinniss. No, this isn't a Hammer Production; it was put together by Hammer's principal British rival of the 1960s, Amicus Films. ~ Hal Erickson, All Movie Guide
- Starring:
- Jack Palance, Burgess Meredith, (more)
- 1966
At a cancer research lab off the coast of Ireland, a group of scientists dies under mysterious circumstances. Before anyone notices their demise, the human and bovine inhabitants of the island's lone, tiny village begin to turn up dead -- with their bodies the consistency of tapioca pudding. Renowned bone doctors Brian Stanley (Peter Cushing) and David West (Edward Judd) are dispatched from the mainland to solve this medical mystery. West's rich-girl paramour, Toni Merrill (Carole Gray), bribes her way into the expedition by providing air transport. When daddy needs his plane back, the group becomes trapped on the isolated island just as the true extent of the science-run-amok menace becomes apparent. One of three films Hammer horror vet Terence Fisher lensed for small British outfit Planet Studios, Island of Terror was followed by Island of the Burning Doomed. ~ Brian J. Dillard, All Movie Guide
- Starring:
- Peter Cushing, Edward Judd, (more)
- 1966
- Add Daleks: Invasion Earth 2150 A.D. to QueueAdd Daleks: Invasion Earth 2150 A.D. to top of Queue
This entertaining sequel to 1965's Dr. Who and the Daleks has been released under several titles: Invasion Earth 2150 AD, Daleks Invade Earth: 2150 AD, and Daleks-Invasion Earth 2150 AD. So guess when the story takes place? Peter Cushing returns as eccentric time-traveller Dr. Who, idol of millions of BBC viewers and PBS pledge drive fans. This time, Dr. Who, his niece Susan (Roberta Tovey) and a flustered London bobby (Bernard Cribbins) are whisked into the future via the Doc's TARDIS call box. In 2150, London is under siege from the extraterrestrial Daleks, with whom Dr. Who has crossed swords in the past. The Daleks intend to convert the earth into a huge spaceship by activating the planet's metallic core. Props essential to the action include flying saucers, death rays and robots, all of which look a lot more expensive than those silver-painted tinker toys seen on the Dr. Who TV series. Coproducer Milton Subotsky based his screenplay upon a Dr. Who television continuity written by Terry Nation. ~ Hal Erickson, All Movie Guide
- Starring:
- Peter Cushing, Bernard Cribbins, (more)
- 1966
A woman who works for American Intelligence headquarters in Saigon relates important military information to her husband, a communist agent. ~ All Movie Guide
Dr. Who was/is the longest-running entertainment series ever to run on the BBC, and for a variety of reasons, including its sassy humor, delightfully idiotic sets and special effects, and some first-class star-turns by a series of usually underrated actors in the title role, it generated a fanatic and devoted following in the U.K. One of the earliest "Doctors" in the movies was the great horror favorite Peter Cushing, and in this movie he saves the universe and, not incidentally, our dear old earth, from domination by the mostly robot and decidedly anti-biological Daleks (predecessors of the Borg, no doubt), a group of endearingly awfully designed (and made) A-frame shaped robots which, when massed together, appear to be engaged in a bumper-car race. No matter, the story races along at a furious and improbable pace, punctuated by wisecracks and gags, most of them from the almost-wise Doctor himself as he races about in his infinitely large (on the inside) antique London telephone booth known as "the Tardis" (Time And Relative Dimensions In Space), protecting the innocent. Fans of the series will be delighted with the film, but as is so often the case, newcomers to the series will wonder what all the fuss is about. The cumulative cheesiness of the whole Dr. Who concept does take quite a bit of getting used to, and any attempt to take the series or this movie seriously is doomed to failure. ~ Clarke Fountain, All Movie Guide
- Starring:
- Peter Cushing, Roy Castle, (more)
- 1965
Not to be confused with David Hewitt's abominable Dr. Terror's Gallery of Horrors (AKA The Blood Suckers), this clever horror omnibus is one of the better early anthologies from Amicus Productions, thanks to Freddie Francis' stylish direction and a tongue-in-cheek approach from writer Milton Subotsky (who would later apply the same sardonic treatment to the EC Comics-based productions Tales from the Crypt and The Vault of Horror). The framing story is set in a train car, where five passengers have their fortunes told by the all-seeing Dr. Schreck (Peter Cushing), who refers to his ominous tarot deck as his "House of Horrors." Their respective stories involve all manner of occult happenings: a jazz musician's involvement with a voodoo curse; an estate haunted by a werewolf; a doctor (Donald Sutherland) who suspects that his wife has become a vampire; a cottage besieged by a monster kudzu vine; and the most entertaining segment, in which arrogant art critic Christopher Lee is avidly pursued by a snubbed artist's severed hand. In the end, it doesn't take a jaded horror buff to deduce Schreck's true identity or the ultimate destination of the train passengers, but it's a fun ride nonetheless. Not all of the stories work (the vampire story's "twist" ending is rather silly, the voodoo tale painfully dated), and the effects are generally sub-par, but Francis keeps the pace snappy throughout, giving the entire film a throwaway, Halloween spook-house feel. Hammer horror fans will certainly find this a keeper on the strength of Cushing and Lee's performances. ~ Cavett Binion, All Movie Guide
- Starring:
- Peter Cushing, Christopher Lee, (more)
Adapted from the Robert Bloch short story "The Skull of the Marquis de Sade," this inventive gothic chiller from Amicus stars Peter Cushing as Professor Maitland, a collector obsessed with obtaining artifacts reputed to have occult powers -- including the title object, believed to be from the crypt of the notorious French nobleman. Shortly after the Professor brings home his latest find, the skull begins making nightly rounds (the gliding camera peers through the eye sockets for the nifty "skull-cam" point-of-view shots) before eventally dominating Maitland's will. Despite the potentially cheesy premise (which sounds better suited to a William Castle project), the film is remarkably subtle and spooky thanks to the deft hand of director Freddie Francis and an excellent performance from Cushing. ~ Cavett Binion, All Movie Guide
- Starring:
- Peter Cushing, Christopher Lee, (more)
- 1965
Hammer Films co-produced this lavishly mounted adventure, the fourth adaptation of the novel by H. Rider Haggard. In Jerusalem, Leo Vincey (John Richardson) meets with a slave girl, Ustane (Rosenda Monteros), who has been charged with bringing him to an immortal queen, Ayesha (Ursula Andress). Ayesha, who desires Leo because of his resemblance to her long-dead lover, offers riches if he will travel to her lost city in the mountains, where a magical flame will also give him eternal life. Accompanied by his adventurous friend Major Horace Holly (Peter Cushing), Leo sets out for the fabled city across the desert, but along the way Ustane causes trouble when she decides she wants Leo for her own. She (1965) was followed by a sequel, The Vengeance of She (1968), although the follow-up did not star Andress. ~ Karl Williams, All Movie Guide
- Starring:
- Ursula Andress, Peter Cushing, (more)
Hammer Studios followed up Evil of Frankenstein with this entertaining sequel, again starring Peter Cushing as the quintessential mad scientist obsessed with the reanimation of dead bodies and the creation of superhuman creatures. His latest project involves transferring the mind of a wrongly-executed man into the body of his lover (former Playboy centerfold Susan Denberg), whose own suicide left her horribly disfigured. After restoring her beauty, the Doctor performs the mind-transference, which comes off without a hitch... until the lust for revenge against his executioners begins to surface. He/she then pursues this vendetta by seducing and murdering those who wronged him. Hammer stalwart Terence Fisher directs this quirky entry with his usual flair -- aided considerably by a decent budget -- and spices things up with a fair share of titillation (courtesy of Ms. Denberg). ~ Cavett Binion, All Movie Guide
- Starring:
- Peter Cushing, Susan Denberg, (more)
- 1964
Hardly the best of Hammer Studios' Frankenstein epics, The Evil of Frankenstein is too much the mixture as before to be truly memorable. Back in business once more is Baron Frankenstein (Peter Cushing), who finds his fabled monster (Kiwi Kingston) frozen in a block of ice. Once the creature is thawed out, the Baron, worried that the big lug might develop a mind of his own, engages the services of a hypnotist (Peter Woodthorpe). Instead of keeping the monster docile, the hypnotist decides to use old "Frankie" for his own evil designs, and we're off and running again. At 84 minutes, Evil of Frankenstein was too short for a two-hour network TV slot, so Universal (the film's American distributor) tacked on 13 minutes of pointless additional footage, featuring timorous villagers Steven Geray, Maria Palmer and William Phipps. The film was followed by a vastly superior sequel, Frankenstein Created Woman. ~ Hal Erickson, All Movie Guide
- Starring:
- Peter Cushing, Peter Woodthorpe, (more)
- 1964
A small German town falls prey to an unseen monster that turns its victims into lifeless statues in this mid-'60s outing from Hammer Studios. When the girlfriend of bohemian artist Bruno Heitz (Jeremy Longhurst) becomes the latest townsperson to turn up dead, her corpse transformed to stone, Bruno hangs himself, leaving the town to assume his guilt. But when his father, Prof. Heitz (Michael Goodliffe), comes to investigate, he too encounters the Gorgon and turns to stone. Just before dying, the professor dashes off instructions to his other son, Paul (Richard Pasco), about how to exonerate Bruno. Suspicion falls on Dr. Namaroff (Peter Cushing), proprietor of the local madhouse, although one of his patients (Joyce Hemson) seems just as likely a culprit. Then along comes Prof. Carl Maister (Christopher Lee), a folklore expert from the University of Leipzig, who claims that the murderer is actually a human possessed by the spirit of Magaera, one of Medusa's snake-haired sisters from Greek mythology. Together, Paul and Dr. Namaroff attempt to root out the incognito Gorgon while Paul courts lovely amnesiac Carla Hoffman (Barbara Shelley). Directed by Hammer veteran Terence Fisher, The Gorgon is one of several films to feature British horror mainstays Lee and Cushing side by side. In the States, the film appeared with The Curse of the Mummy's Tomb on a double bill promoted by the distribution of a unique giveaway item: black stamps. ~ Brian J. Dillard, All Movie Guide
- Starring:
- Peter Cushing, Christopher Lee, (more)
- 1963
Squire Trevenyan (Peter Cushing), magistrate of an 18th century coastal village where a little smuggling has always gone on (and been tolerated), learns that a group of wreckers have moved into the district, destroying ships and slaughtering their survivors in order to steal the cargo. The local populace, consisting mostly of tradesmen, honest fishermen and some part-time smugglers, all want the wreckers stopped, and appeal to the squire; but Trevenyan also learns that his son Christopher (John Fraser) is involved with the daughter of a tradesman who receives stolen goods. He intends to act on wreckers and smugglers alike, and gets the support of the local nobility (Miles Malleson). But then Christopher Trevenyan is caught up in a killing -- in self-defense -- of one of the wreckers, and the squire is so certain of the corruption of the village, that he declines to use his son as a witness against the wreckers. Rather, he brings in soldiers and starts a campaign against the smugglers and fishermen, the wreckers' leader, Black John (Bernard Lee), standing with him and diverting attention from himself. The citizenry appeals to a local highwayman known as the Captain (William Franklyn), who proceeds to kidnap Christopher, with a vow to kill him if two convicted men are transported to a colony. The squire is now trapped -- Black John, who is eager for the sentences to be carried out so that the troops can be withdrawn and his wreckers return to work, threatens to denounce him if he delays deporting the men; and Trevenyan rationalizes his decision as being in keeping with the law, even though it will cost his son's life. The only way out for the innocent parties on all sides can come from Christopher's bravery and the Captain's sense of honor, and the slim chance that they find a common goal that will spare young Trevenyan's life. ~ Bruce Eder, All Movie Guide
- 1962
A ruthless crook abducts the wife and child of a bank manager and then masquerades as an insurance company detective while scheming to rob the institution in this crime drama. Unfortunately, some of the manager's employees learn about the plot and the terrified manager must beg them to remain silent. Fortunately, the cops have been on the case all along. ~ Sandra Brennan, All Movie Guide
- 1962
In this engaging costume melodrama of skulduggery on the low seas set back in the 18th-century, the swamps of a small seaside town and the nocturnal activities of the towns' men provide the atmosphere and action. The Royal Crown suspects a bit of smuggling is going on in this locale, and they send Captain Collier (Patrick Allen) and his crew to check it out. As the Captain gets into his investigation, mysterious swamp phantoms cloud up the real issue which seems plain enough to see. Captain Collier suspects that the odd village vicar (Peter Cushing) might be hiding something, and what better way to do that than by fortuitous ghosts to scare away the curious -- or by posing as someone he is not? ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Peter Cushing, Yvonne Romain, (more)
- 1962
In this drama, set after the end of WW II, a young man returns to his father's small Bavarian village and is dismayed to learn that he died after he married a young woman and escaped from the communists. The young man listens, but he believes there is more to the story, and so begins looking into it himself. He then discovers that an important scientist has exchanged places with his father. The woman and another are planning to sneak the doctor to the east, but the son intervenes and helps the scientist escape the country. ~ Sandra Brennan, All Movie Guide
- 1961
The Risk is a mild melodrama concerning the political aspects of germ warfare. A group of British scientists led by Peter Cushing develop a means of wiping out the bubonic plague and typhus. Unfortunately the method is variable enough to run the risk of spreading the very diseases it is designed to destroy. When the British government refuses to allow the results of the experiments to be published, the scientists seek out support from a big-time publisher (Raymond Huntley) who has his own diabolical agenda. The Risk has moments of genuine tension, though not enough to fully realize the storyline's potential. ~ Hal Erickson, All Movie Guide
- Starring:
- Tony Britton, Virginia Maskell, (more)
- 1961
Although released in the United States as a 63-minute black-and-white film, this 93-minute British swashbuckler from the producer/directors of Jack the Ripper is actually a lush color spectacle which looks like one of the Hammer Films adventures of the time, even though it was produced by New World. The similarities are not only cosmetic, however, as the film was co-written by Hammer stalwart Jimmy Sangster and co-stars studio regulars Peter Cushing, Miles Malleson, the dwarf Skip Martin, and Adrienne Corri (the future Clockwork Orange starlet who has a discreet nude scene here with German actress Kai Fischer). The ridiculous story concerns Jason, the young son of the notoriously decadent pervert Lord Netherton (Andrew Faulds), leader of London's infamous sex den, the Hellfire Club. Jason's mother (Jean Lodge) flees with the child after he is viciously whipped for walking in on one of his father's orgies. Many years later, his parents have died and Jason (Keith Michell) has become a Dutch circus acrobat, but decides to return to England to claim the ancestral mansion which is rightfully his. Posing as a coachman to his evil, perverse cousin Thomas (Peter Arne), whose oversight of the Hellfire Club has lifted its kinky membership into being the de facto power behind King George II's rule, Jason tries to defeat the club, gain back his inheritance, and rescue his childhood love (Fischer), whom Thomas kidnaps. ~ Robert Firsching, All Movie Guide
- 1961
There is nothing like suspecting your husband of murder to add suspense to a marriage, at least that is the case in this standard whodunit with a compelling plot. George Radcliffe (Gary Cooper) testifies in court against a man suspected of murdering George's business partner, absconding with a lot of cash in the process. Several years later, when his wife, Martha (Deborah Kerr), is confronted by a blackmailer (Eric Portman) who says her husband murdered his partner, she gets suspicious. George did come into a lot of money just at that time. And to make matters worse, life starts to turn very menacing for the confused and frightened Martha. This was Gary Cooper's last feature film. He succumbed to cancer a few months before The Naked Edge was released. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Gary Cooper, Deborah Kerr, (more)
- 1960
Having portrayed Robin Hood on TV for five years, Richard Greene reprises the role in Hammer Films' Sword of Sherwood Forest. This time, Robin does a little undercover work to determine the wicked machinations of the Sheriff of Nottingham (played by Hammer stalwart Peter Cushing). Our Hero and the Merrie Men do their best to foil a plot to kill the Archbishop of Canterbury (Jack Gwillim). Sarah Branch co-stars as the obligatory Maid Marian. Sword of Sherwood Forest was released in the US by Columbia Pictures. ~ Hal Erickson, All Movie Guide
- Starring:
- Richard Greene, Peter Cushing, (more)
