Peter Cushing Movies
Imperious, intellectual-looking British actor Peter Cushing studied for a theatrical career under the guidance of Cairns James at the Guildhall School of Music and Drama. Cushing supported himself as a clerk in a surveyor's office before making his first professional stage appearance in 1935. Four years later, he came to America, where he was featured in a handful of Broadway plays and Hollywood feature films. He had a small part in The Man in the Iron Mask (1939) and also doubled for Louis Hayward in the "twin" scenes; he was among the rather overaged students in Laurel and Hardy's A Chump at Oxford (1940); and he was second male lead in the Carole Lombard vehicle Vigil in the Night (1940). After closing out his Hollywood tenure with They Dare Not Love (1941), he returned to stage work in England. His next film appearance was as Osric in Laurence Olivier's Hamlet (1948), which also featured his future co-star Christopher Lee in a nonspeaking bit (Cushing and Lee's paths would cross again cinematically in Moulin Rouge [1952], though, as in Hamlet, they shared no scenes).In the early '50s, Cushing became a TV star by virtue of his performance in the BBC production of George Orwell's 1984. Still, film stardom would elude him until 1957, when he was cast as Baron Frankenstein in Hammer Films' The Curse of Frankenstein. It was the first of 19 appearances under the Hammer banner; Cushing went on to play Van Helsing in Horror of Dracula (1958) and Sherlock Holmes in The Hound of the Baskervilles (1959), roles which, like Baron Frankenstein, he would repeat time and again. Though his horror film appearances brought him fame and fortune, Cushing ruefully commented that he'd prefer not to be so tightly typecast: It is significant that his entry in the British publication Who's Who in the Theatre lists all of his theatrical credits, but only one title -- Hamlet -- in his film manifest. In 1975, after a decade's absence, Cushing made a return to the theater in Washington Square, ironically playing the role originated on Broadway by fellow Sherlock Holmes interpreter Basil Rathbone. Many of Cushing's later film assignments were in the tongue-in-cheek category, notably his sneeringly evil Governor Tarkin in Star Wars (1977) and his backwards-talking librarian in Top Secret! (1984). Retiring from the screen in 1986, Peter Cushing penned two volumes of memoirs: An Autobiography (1986) and Past Forgetting (1988). ~ Hal Erickson, All Movie Guide
- 1984
Twenty-seven years after Hound of the Baskervilles (1959), Peter Cushing makes a belated return to the role of Sherlock Holmes in the made-for-television Masks of Death. Befitting his age, Cushing plays Holmes in retirement, content to play his violin and look after his bees. He is dragged back into action by a series of baffling East End murders. Each one of the victims has been discovered with an expression of stark, raw fear frozen on his or her face. With faithful Dr. Watson (John Mills) at his right hand, Holmes puts the pieces together. Ray Milland and Anne Baxter co-star in this stylish bouquet to the Baker Street Irregulars of the world. ~ Hal Erickson, All Movie Guide
- Starring:
- Peter Cushing, John Mills, (more)
- 1984
This semi-sequel to William Gibson's The Miracle Worker recounts the early adult years of the profoundly handicapped but brilliant Helen Keller. Helen, played by Mare Winningham, enters college, with her friend and mentor Annie Sullivan Macy (Blythe Danner) by her side. As Helen's international fame grows, she must withstand the pressures of those who'd treat her as a freak rather than a human being as well as Annie's near-strident demands that she excel at everything. The multi-faceted Ms. Keller lived too much of a life to be squeezed into a mere two-hour running time; the script betrays the strain of trying to show us more than it's able by wrapping up everything in a hurried, unsatisfying conclusion. Helen Keller: The Miracle Continues was initially telecast as part of the syndicated Operation Prime Time package in 1984. ~ Hal Erickson, All Movie Guide
- Starring:
- Mare Winningham, Blythe Danner, (more)
- 1984
In this film, a collection of rare and unique animals, including human beings, becomes a captivating hobby for the former commander of a Nazi concentration camp. ~ Iotis Erlewine, All Movie Guide
- 1982
In this umpteenth remake of the George M. Cohan-Earl Derr Biggers play Seven Keys to Baldpate, Desi Arnaz Jr. plays Kenneth Magee, the young writer who bets that he can bat out a mystery play in one evening. Magee squirrels himself away in a forbidding old mansion where, unbeknownst to him, a bizarre family reunion is scheduled to commence. As the participants begin dropping like flies, Magee finds himself in the middle of a genuine mystery. At least, he thinks he does. At least, the audience thinks he thinks he does. Of historical importance is the fact that House of Long Shadows represents the only co-starring effort of those titans of terror Vincent Price, Peter Cushing, Christopher Lee and John Carradine. The highlight is the cozy tete-a-tete between Price and Cushing during the climactic party scene. ~ Hal Erickson, All Movie Guide
- Starring:
- Vincent Price, Christopher Lee, (more)
- 1981
After cannibalizing Jules Verne's Journey to the Center of the Earth in his 1977 film Where Time Began, Spanish director Juan Piquer Simon returned to the author with this substandard retelling of Mysterious Island. The story concerns a shipwrecked group who discover natural wonders and a gold treasure on a dangerous island populated by dinosaurs and living seaweed. Terence Stamp is the bad guy. Supposedly the most expensive film made in Spain to that point, it has an admittedly strong genre cast including Peter Cushing, Paul Naschy, and Ian Sera, but is really a cheesy monster movie likely to appeal only to children too young to be critical of special effects. ~ Robert Firsching, All Movie Guide
- Starring:
- Terence Stamp, Peter Cushing, (more)
Chris Sarandon does the "far, far, better thing" when he tackles the dual role of Syndey Carton and Charles Darnay in this Anglo-American TV adaptation of Charles Dickens' A Tale of Two Cities. The ubiquitous producer/screenwriter combination of Norman Rosemont and John Gay was responsible for this lavish, faithful cinemazation of Dickens' multiplotted account of the French Revolution. Featured in the huge cast are Peter Cushing as Dr. Manette, Alice Krige as Lucie Manette, Billie Whitelaw as the vengeful, eternally knitting Madame DeFarge and Barry Morse as the odious aristocrat St. Evremonde. Poignantly, the film also offers the late Kenneth More, making one of his last appearances as Jarvis Lorry, and the magnificent Flora Robson, taking her final bow in the role of Miss Pross. An Emmy nomination went to Olga Lehmann's costume design. A Tale of Two Cities debuted December 2, 1980. ~ Hal Erickson, All Movie Guide
- Starring:
- Peter Cushing, Chris Sarandon, (more)
A valiant prince battles an evil sorcerer to rescue his true love in this colorful fantasy, which features high adventure and plenty of special effects. The hero must overcome a number of dangers, along the way receiving help from a beautiful street urchin and a magical rose. ~ Judd Blaise, All Movie Guide
- Starring:
- Christopher Lee, Milo O'Shea, (more)
- 1978
The leader of a right-wing political party discovers that a young man named Willi (Bud Cort), an illiterate woodcarver, is actually the son of Adolf Hitler. He and his chauffeur kidnap the boy from a mental hospital and then set out to prepare him to start the Fourth Reich. Believe it or not, this is a comedy ... ~ Brian Gusse, All Movie Guide
- Starring:
- Bud Cort, Peter Cushing, (more)
- 1978
In an attempt to sell his manuscript, a writer tries to persuade a prospective publisher that cats are ultimately evil by providing him with three different stories of kitty brutality in this anthology of horror. ~ Kristie Hassen, All Movie Guide
- 1977
Toward the end of 1918, soldiers in the Austrian army were well aware that things were not going well. In this story, an army cadet arrives to serve in Belgrade and receives orders to serve in a regiment which is accompanying a Hanoverian princess on her return to Vienna. While in Belgrade, the young man and the princess are able to meet, and they fall in love. The cadet knows that it is foolish to expect the Slavs, who have been drafted into the army, to fight very hard for an empire they would happily see dissolved, but his superior officers are oblivious to this simple fact, and as a consequence, they suffer serious military reverses. Inspired by their ancient code of military honor, the regiment's officers fight and die to preserve the regiment's battleflag, which comes into the keeping of the cadet. He is entrusted with the task of returning it to the Hapsburg royal family. ~ Clarke Fountain, All Movie Guide
- Starring:
- Simon Ward, Siegfried Rauch, (more)
- 1976
Made for television, The Great Houdinis tells the life story of famed American illusionist/escape-artist Harry Houdini and his wife Bess. Studiously avoiding covering the same ground as the 1953 Houdini theatrical-film biopic, director Mel Shavelson's script for Great Houdinis spends a great deal of time on the conflict between Harry's Catholic wife Bess and his Jewish mother. The spiritualism angle so important to the Houdini story allows the 1976 film to recreate Houdini's meetings with "true believer" Sir Arthur Conan Doyle. Again departing from the 1953 Houdini, this later film does not end with Houdini's death from peritonitis in 1926; instead, we watch as the widowed Bess desperately tries to make contact with her husband in the "other world," all the while debunking phony mediums, just as her husband had done. Paul Michael Glaser and Sally Struthers star as the Houdinis, with Ruth Gordon as Harry's mother Mrs. Weiss, Peter Cushing as Conan Doyle, Jack Carter as Houdini's brother, Adrienne Barbeau as his mistress, Nina Foch as a medium, and Vivian Vance as the all-around best friend/severest critic, who narrates the film. The Great Houdinis first aired on October 8, 1976. ~ Hal Erickson, All Movie Guide
- 1976
The New Avengers begins its two-season run with "old" avenger John Steed (Patrick Macnee), as fastidious and gentlemanly as ever, teamed with two new, young, and attractive partners: Purdey (Joanna Lumley), a sexy, cool-headed martial arts expert (sound familiar?), and Mike Gambit (Gareth Hunt), a rough-hewn ex-mercenary. Their first assignment sends the trio to the remote island of St. Dorca, where another secret agent has already met his doom at the end of some poisoned fishing hooks. The new avengers must pick up where their dead comrade left off and seek out a kidnapped scientist. Their search takes them to a sinister monastery, populated by a very Teutonic-looking band of monks which is preparing to thaw out "Germany's Greatest Treasure," cryogenically frozen since 1945. Biggest surprise: guest star Peter Cushing is not the villain of the piece! ~ Hal Erickson, All Movie Guide
- Starring:
- Patrick Macnee, Gareth Hunt, (more)
- 1976
A former policeman investigates a series of murders by centering on an organization which re-creates medieval battles. ~ John Bush, All Movie Guide
England's Tigon studios produced fairly sophisticated period horror films in the 1970s, including this drawing-room horror-mystery directed by Hammer stalwart Freddie Francis. Peter Cushing stars as a former priest who harbors a dark and horrible secret in his attic. The locked room serves as a prison cell for his crazed, cannibalistic adult son, who acquired his savage tastes in India during his father's missionary work there. Cushing fears that his son will escape to prey upon the effete guests at his rural English estate during a cross-country auto race... though there may be more to fear from one of his guests than from his monstrous son. Far too stuffy to generate any real suspense until the violent, blood-soaked climax, this is definitely one of Tigon's lesser efforts, benefiting mainly from the presence of Cushing and John Hurt as an unbalanced young gardener. Not to be confused with the 1933 horror classic of the same name. ~ Cavett Binion, All Movie Guide
- Starring:
- Peter Cushing, John Hurt, (more)
- 1974
When Macgregor (Peter Cushing) announces that he is no longer going to appear in horror films, but wants to work in romances, two screenwriters are sent to his eerie house to try to persuade the ghoulish man to keep doing horror films. They are not above dotting his house and the surrounding landscape with corpses of murdered people in order to drive their point home. At some point, the producer of the film steps in from outside the frame and takes charge of this film about films, firing everyone in the process. ~ Clarke Fountain, All Movie Guide
- 1974
- Add Frankenstein and the Monster from Hell to QueueAdd Frankenstein and the Monster from Hell to top of Queue
The sixth entry in Hammer Films' Frankenstein series, this film finds Baron Frankenstein (Peter Cushing) in charge of a lunatic asylum. When young doctor Simon Helder (Shane Bryant) is institutionalized for attempting to create synthetic life, Frankenstein is delighted: now he'll have an assistant for his own diabolical experiments. This time out, the monster is played by David Prowse, who later went on to international fame as Darth Vader in Star Wars (though of course Vader's voice was provided by James Earl Jones). A new wrinkle to the old story is the Monster's cannibalistic tendencies, allowing for a number of gruesome, gore-encrusted horror highlights. ~ Hal Erickson, All Movie Guide
- Starring:
- Peter Cushing, Shane Briant, (more)
- 1973
This creepy, atmospheric horror film from England's Amicus Productions dispenses with much of the tongue-in-cheek presentation of their popular '70s horror anthologies (such as Asylum and Dr. Terror's House of Horrors) in favor of a more adult-oriented approach. The story begins in the 18th century, as a young stable hand tries to prevent nobleman Fengriffen (Herbert Lom) from raping a young servant girl -- who happens to be the stable hand's wife -- and for this transgression has his hand lopped off. Flash forward to the present, where Fengriffen's ancestor (Ian Ogilvy) and his wife (Stephanie Beacham), now living on the ancestral estate, are haunted by the servant's vengeful spirit, as well as the severed hand itself, which roams the gloomy corridors of the mansion. Most video versions are taken from the TV print, which is missing some scenes of violence and nudity. ~ Cavett Binion, All Movie Guide
- Starring:
- Peter Cushing, Herbert Lom, (more)
- 1973
In this strange but fun genre hodgepodge, Prof. Van Helsing (Peter Cushing) is up against seven rotting vampires clad in gold masks. They were revived by Dracula (John Forbes-Robertson) at the behest of a Chinese priest in 1804 and a century later are terrorizing the village of Ping Kuei. One of the locals attends Van Helsing's lecture in Chungking and enlists the vampire-hunter, his son, and a pretty heiress (Julie Ege) in ridding the village of its curse. There's a lot of skillfully handled martial arts swordplay, hopping vampires, and more blood than usual before Cushing gets to run Dracula through with a spear. It's an interesting mix of Shaw Bros. martial-arts and Hammer gothic that doesn't always work, particularly with Forbes-Robertson's tarted-up Dracula apparently lingering way too long at the makeup table, but it's enjoyable enough for a rental. This was, sadly, Hammer's last Dracula film, despite plans to pit the vampire and Van Helsing in India the following year. Anchor Bay's widescreen video release contains both the original film and the hopped-up 75-minute 7 Brothers Meet Dracula, which played in American grindhouses. ~ Robert Firsching, All Movie Guide
- Starring:
- David Chang, Peter Cushing, (more)
This horror science-fiction thriller, a cult favorite, takes place in 1907. Professor Caxton (Christopher Lee), a fossil-hunter has discovered some sort of pre-human creature frozen in ancient Manchurian ice. He is traveling to London with his find on the Trans-Siberian Railway and is horrified to discover that his frozen man is missing, and corpses and zombies are appearing all over the train. It turns out that the frozen specimen is an alien with some unusual powers. The combined forces of Professor Caxton, his rival Dr. Wells (Peter Cushing), and a Cossack captain (Telly Savalas) are needed to save the world from this monstrous being. Skillfully told, with a good dose of humor, this film also features the train which appeared a year before in Nicholas and Alexandra . ~ Clarke Fountain, All Movie Guide
- 1972
Four short stories by master of macabre Robert Bloch are related by the inmates of a mental institution. In the first story, Richard Todd murders his wife and cuts her body into little pieces -- but that doesn't stop her from seeking revenge. In the second, Peter Cushing orders crooked tailor Barry Morse to weave a coat from a magic fabric in order to bring Cushing's son back from the dead (this one was previously dramatized on the TV series Thriller). The third story stars Charlotte Rampling as a schizophrenic whose "doppelganger" is manifested in the person of Britt Ekland. The final tale involves demented toymaker Herbert Lom and his army of killer robots. Robert Bloch himself adapted his original source material for the screen. Asylum was also known as House of Crazies. ~ Hal Erickson, All Movie Guide
- Starring:
- Peter Cushing, Britt Ekland, (more)
- 1972
In this little horror film, a wealthy sportsman (Calvin Lockhart) invites a house full of guests to a big-game hunt that he's devised. He's sure that one of the guests is a werewolf, and he intends to stalk it, find it, and kill it. As a film viewer, you are alerted at the outset that a mystery awaits and that clues will be unveiled that can point to the identity of the werewolf. In fact, near the conclusion, the film has inserted a 30-second interlude during which you must decide, once and for all, who the hunted beast is. This film is based upon a story by James Blish titled There Shall Be No Darkness. ~ All Movie Guide
- 1971
This entry in Hammer Films' long-running vampire series of the '60s and '70s is one of the most evocative and original. The story features voluptuous twin Playboy centerfolds Madeleine and Mary Collinson as sisters who, without parents, are sent to stay with their oppressive uncle (Peter Cushing, looking more emaciated than ever), who happens to live near the sinister Karnstein Castle, the locale of countless vampiric happenings in two prequels (The Vampire Lovers and Lust for a Vampire). One of the twins wanders over and meets the dashing Count Karstein (Damien Thomas), a vampire who later uses the girl's blood to awaken his long-lost ancestor from the dead. Of course, the uncle predictably gives chase once trouble starts, but there is a clever plot twist as the count switches the twins before one is about to be burned at the stake for her supposed satanic involvements. Twins of Evil unabashedly exploits the twins' assets to pump up the film's sex appeal; it also seems to cater to viewers with a vampire fetish. Still, neither is necessarily a bad thing in a vampire film; Twins of Evil does create an effectively sensuous mood while also managing to sustain a fair amount of tension throughout the picture. Although Universal Pictures, the U.S. distributor, extracted nearly all of the flesh and bloodletting from its release, the original British cut retains everything and is the usual copy found on video. Like its predecessors, the script for Twins of Evil is loosely based on LeFanu's classic vampire story Carmilla. ~ Jeremy Beday, All Movie Guide
- Starring:
- Peter Cushing, Madeleine Collinson, (more)
This badly-dated but interesting variant on the vampire subgenre is loosely based on the Simon Raven novel Doctors Wear Scarlet. The story details the seduction of an Oxford resident (Patrick Mower) into a satanic vampire society while studying in Greece. The chief twist here is that vampirism is treated not as a supernatural affliction, but as a bizarre form of sexual gratification -- an alternative lifestyle in which Mower is soon immersed, thanks to the manipulations of an exotic Greek siren. After some silly scenes featuring a lot of groovin' hippie orgies and silly psychedelic lighting effects, Mower returns to England to continue his sanguinary obsession in earnest, focusing his bloodthirsty desires on his prudish fiancee -- who is not so willing to embrace this new lifestyle. Despite the aforementioned painful attempts at hipness, this film shapes up to be an effective thriller -- perhaps the first to put a psychological spin on the vampire pantheon. Peter Cushing and Patrick Macnee are on hand in very small but effective supporting roles. Released also under the more "trendy" title Incense for the Damned. ~ Cavett Binion, All Movie Guide
