Cyril Cusack Movies

In this drama, a cub reporter from the Daily Gazette attempts to catch a bank robber. He is assisted by a woman who wants to provide him with valuable information. Unfortunately she is killed before he can meet with her. The reporter eventually finds the crook, catches him and sends him to the police. ~ Sandra Brennan, All Movie Guide

One of the few "Inspector Hornleigh" films to gain a wide US distribution, Mail Train stars Gordon Harker as Hornleigh and Alastair Sim as his dumb-like-a-fox assistant Sergeant Bingham. Borrowing a bit from the 1939 British box-office hit Night Train, the plot pits Hornleigh and Bingham against a clever gang of Nazi espionage agents. Most of the action takes place aboard a speeding train, with our heroes never quite certain who can be trusted and who can't. Phyllis Calvert contributes to the intrigue as one Mrs. Wilkinson, who is, as the phrase goes, not all she seems to be. With Walter Forde in the director's chair, it shouldn't be surprising that Mail Train contains as many laughs as thrills. ~ Hal Erickson, All Movie Guide

Once a Jolly Swagman is the story of Bill Fox (Dirk Bogarde), a factory worker who dreams of fame and fortune as motorbike racer. After the standard romantic complications with "right" and "wrong" girl, the film arrives at its central crisis: Fox's attempts to organize a driver's union, and the repercussions he suffers because of this activity. The dedicated-but-dour Dirk Bogarde is complemented by Bonar Colleano, essaying another of his "wise guy Yank" characterizations as driver Tommy Possey. The speedway sequences are excellent. Though only his second film, Once a Jolly Swagman was Dirk Bogarde's first starring assignment. ~ Hal Erickson, All Movie Guide

In this drama, set after the war, a WW II flying ace and hero comes to the aid of a hooker who is being harassed by a policeman. He pushes the abusive cop away during the tussle; the cop falls, hits his head, and dies. The former flier is promptly tried and given a three-year prison sentence. He escapes one night during a heavy fog. He is taken in by a caring woman who tries convincing him to surrender. The fugitive at first refuses, but then after seeking sanctuary in a church relents because he does not want the parson to have to lie on his behalf. His surrender is made easier by the knowledge that the woman will wait for him. ~ Sandra Brennan, All Movie Guide

In 1948, "The Archers" -- the writing and directing team of Michael Powell and Emeric Pressburger -- had completed The Red Shoes, one of their greatest international successes, but it had yet to be released when the Rank Organization, doubting the commercial appeal of the picture, severed ties with the team and Powell and Pressburger signed a new deal with Alexander Korda's London Films. Their first project for Korda, The Small Back Room, was a dramatic change of pace, a thriller set in London in the midst of World War II. Sammy Rice (David Farrar) is explosives expert who works with British military intelligence as part of a ragtag munitions research team studying new ways to defuse enemy weapons and improve allied arms. While he's brilliant on the job, Rice is a troubled man with an artificial leg that causes him chronic pain and an appetite for alcohol that stands between him and those around him, especially his girlfriend and secretary Susan (Kathleen Byron). Rice's latest project is finding a way to defuse a new German bomb that's cleverly disguised as a children's toy, but Rice finds himself battling his superiors when Waring (Jack Hawkins), an unscrupulous businessman who has been pressed into service with the explosives team, and his colleague Professor Mair (Milton Rosmer) begin lobbying the Army to purchase a new weapon that Rice feels is both ineffective and dangerous. Despite excellent reviews and a fine cast that includes Cyril Cusack, Sidney James and Robert Morley in a cameo appearance, The Small Back Room was a box office disappointment on its original release, and it appeared in edited form in the United States under the title Hour of Glory, though later video releases allowed Americans to see the film in its original British cut. ~ Mark Deming, All Movie Guide

In this costume adventure set in France during the Reign of Terror, a mysterious man known only as the Scarlet Pimpernel rescues noblemen from the guillotine and leads them to safety across the English Channel. Chauvelin (Cyril Cusack) is determined to unmask the Pimpernel and bring him to justice. When evidence begins to suggest that the hero is actually foppish Sir Percey Blakeney (David Niven), Chauvelin blackmails Percey's wife, Marguerite (Margaret Leighton), into cooperating on the threat that he'll expose the criminal activities of her brother Armand (Edmund Audran). However, Marguerite doesn't much care for her husband, hardly believes he could be the heroic Pimpernel, and is startled when she finds out that he truly is the masked vigilante. The Elusive Pimpernel was originally shot in color as a musical, but the musical numbers were cut before the film was released, and the picture's American distributor chose to make only black-and-white prints (though the current home-video release is in color). ~ Mark Deming, All Movie Guide

Glenn Ford plays a convict who breaks out of a 19th century Nevada prison in the company of several less handsome inmates. When they enter a snowbound California village, they find that all the men have left to prospect for silver; only the women remain. The village is known as Convict Lake because, years earlier, $40,000 of stolen money was hidden somewhere in the area. Town matriarch Ethel Barrymore seems to know where it is, but she ain't talkin'. After recovering the money, the convicts are forced to shoot it out with the returning menfolk. All prisoners are rounded up by the law except for Glenn Ford, who has fortuitously been cleared of false charges, allowing him a fadeout embrace with costar Gene Tierney. ~ Hal Erickson, All Movie Guide

Allegedly based on a Rudyard Kipling novel, this draws most of its inspiration from the 1939 film made of Kipling's narrative poem Gunga Din. Stewart Granger, Robert Newton and Cyril Cusack play three boisterous English soldiers stationed on the Northern India frontier. Walter Pidgeon and David Niven are the threesome's superior officers, who are aggravated by the soldiers' drunken exploits but who appreciate how valuable they are to the regiment. The soldiers three become heroes once more when they thwart a native uprising. Producer Pandro S. Berman, coincidentally, had been in charge of production at RKO when Gunga Din was filmed. ~ Hal Erickson, All Movie Guide

Saadia is an MGM-ized version of the Francis D'Autheville novel Echeck au Destin. Produced, directed and written by the always fascinating Albert Lewin (The Moon and Sixpence, Picture of Dorian Gray), the film stars Cornel Wilde as Si Lahssen, the progressive ruler of the Moroccan province of Anahout. Henrik (Mel Ferrer), Anahout's chief physician, rescues a beautiful dancing girl named Saadia (Rita Gam) on the operating table. In doing so, he is in direct violation of local sorceress Fatima (Wanda Rotha). The sorceress vows to destroy Henrik -- and by extension, Saadia, whom he loves, and Si Lahssen, whom she loves. The film isn't entirely successful, but deserves an A for effort. ~ Hal Erickson, All Movie Guide

This anthology is comprised of three stories. In the first a naive American tycoon boards the famous Orient Express and finds himself victimized by con-artists until a helpful train guard comes to aid him. The second tale centers on an impoverished Irishman's daughter who wants to marry the son of a miserly Scottsman. She and he are told they cannot marry, but the Irishman steps in and saves the day. The third tale centers upon a Norwegian artist who kills his own brother. It is his own wife who sees that he gets his come-uppance. ~ Sandra Brennan, All Movie Guide

Jacqueline, played by Jacqueline Ryan, is the daughter of a Belfast shipyard worker Mike McNeil, played by John Gregson. The worker's worth is compromised by his crippling fear of heights. Dismissed from his job, he finds solace in the bottle. All seems hopeless until Jacqueline breaks through Gregson's self-imposed gloom and helps him to regenerate. Jacqueline wouldn't be as effective as it is were it not for the lead actress's blessed avoidance of cloying cuteness. ~ Hal Erickson, All Movie Guide

The Man Who Never Was is the true story of how the Allies threw the Nazis off track in planning the invasion of Sicily. The British Royal Navy exhumes the corpse of a man who died of natural causes, arranging to make it appear as though the dead man was a special services operative carrying the secret invasion plans. The elaborate ruse includes creating a fictional identity for the "spy," then faking a drowning for the corpse and having the body wash up on shore with false information. The plan is complicated by Lucy Sherwood (Gloria Grahame), the girl friend of the dead man, and Patrick O'Reilly (Stephen Boyd), a German espionage agent. The Man Who Never Was moves too slowly to maintain excitement, but it works well on a pure storytelling level. ~ Hal Erickson, All Movie Guide