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Ken Curtis Movies

It was while attending Colorado College that American actor/singer Ken Curtis discovered his talent for writing music. After an artistic apprenticeship on the staff of the NBC radio network's music department in the early '30s, Curtis was hired as male vocalist for the Tommy Dorsey Orchestra, then went on to work for bandleader Shep Fields. Preferring country-western to swing, Curtis joined the Sons of the Pioneers singing group in the 1940s, and in this capacity appeared in several western films. Columbia Pictures felt that Curtis had star potential, and gave the singer his own series of westerns in 1945, but Ken seemed better suited to supporting roles. He worked a lot for director John Ford in the '40s and '50s, as both singer and actor, before earning starring status again on the 1961 TV adventure series Ripcord. That was the last we saw of the handsome, clean-shaven Ken Curtis; the Ken Curtis that most western fans are familiar with is the scraggly rustic deputy Festus Haggen on the long-running TV Western Gunsmoke. Ken was hired to replace Dennis Weaver (who'd played deputy Chester Good) in 1964, and remained with Gunsmoke until the series ended its 20-year run in 1975. After that, Ken Curtis retired to his spread in Fresno, California, stepping back into the spotlight on occasion for guest appearances at western-movie conventions. ~ Hal Erickson, Rovi
1991  
 
Add Conagher to Queue Add Conagher to top of Queue  
This well-wrought made-for-cable television western is faithfully adapted from a Louis L'Amour novel and centers on the budding relationship between brave but lonely widow (Katharine Ross) who runs a remote stagecoach way station and the handsome cowpoke (Sam Elliot) who comes to help her out. ~ Sandra Brennan, Rovi

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Starring:
Sam ElliottKatharine Ross, (more)
 
1990  
PG13  
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John Waters does a quirky spin on '50s nostalgia in Cry-Baby, his musical homage to Rebel Without a Cause and Romeo and Juliet. Set in Baltimore in 1954 at the birth of rock & roll, the film features Johnny Depp as Wade "Cry-Baby" Walker. Depp is pure charisma as a juvenile delinquent with a permanent tear slithering down his cheek, a reminder of his state-executed parents. In the depths of his despair appears goody-goody girl Allison (Amy Locane), who has a sexual crush on Cry-Baby. But Allison's Pat Boone-like boyfriend, Baldwin (Stephen E. Miller), the leader of the squares, is dead set against Cry-Baby and the rest of the juvenile delinquents and leads a revolt against them. In the resultant riot, the juvenile delinquents are blamed for the chaos, and Cry-Baby finds himself dispatched to reform school. ~ Paul Brenner, Rovi

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Starring:
Johnny DeppAmy Locane, (more)
 
1988  
PG  
The made-for-TV Once Upon a Texas Train offers us the once-in-a-lifetime teaming of Richard Widmark, Willie Nelson and Angie Dickinson. Nelson plays a veteran outlaw who robs a bank less than 6 hours after being paroled from jail. He uses the money to reunite his old gang, then sets about to repeat the train robbery that had gotten him arrested 20 years earlier. This time, however, Nelson is himself targetted for theft by a young, hungrier band of desperadoes. Widmark plays the lawman who caught Nelson before and intends to do so again. Written and directed by the reliable Burt Kennedy, Once Upon a Texas Train premiered January 3, 1988. ~ Hal Erickson, Rovi

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1983  
 
 
1981  
PG  
The Old West calls to one lone individual in this western film. ~ Rovi

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1981  
 
An adventuresome author in 1849 travels to California's Sutter's Fort to work in a saw mill. After gold is discovered, the community is plagued by the antics of greedy treasure seekers. This made-for-television drama is based on the true stories by Bret Hart. ~ Kristie Hassen, Rovi

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1976  
G  
Add The Pony Express Rider to Queue Add The Pony Express Rider to top of Queue  
Designed for the regional family trade, Pony Express Rider is a fond harkback to the Saturday afternoon westerns of old. Stewart Paterson plays the title character, a young frontiersman hoping to avenge his father's death. He takes a job with the Pony Express mail service in hopes of running across his dad's murderer. The supporting cast is populated with such always-welcome reliables as Joan Caulfield, Henry Wilcoxon, Ken Curtis, Slim Pickens and Dub Taylor. Pony Express Rider was directed by Robert J. Totten, a specialist in episodic television horse operas. ~ Hal Erickson, Rovi

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1974  
 
The record-breaking 20th season of Gunsmoke also proved to be the series' last stand--not because it had lost its huge fan base (the series still managed to rank among the 30 highest-rated series for the 1974-75 season) but because, after two decades, James Arness had decided to move beyond his familiar role of Matt Dillon, US Marshall of Dodge City, Kansas. Of the six main characters, only Arness and Milburn Stone had been with the show from the get-go; Ken Curtis as Festus Haggen was a comparative newcomer, having joined the cast during Season Eight, while Buck Taylor as Newly O'Brien was practically a babe in the woods, with a mere eight seasons to his credit. Wait, we said six regulars, and that's only five. What of Amanda Blake as Miss Kitty Russell, owner of the Long Branch Saloon, a role she too had been essaying since 1955. Well, actress Blake had opted to call it quits at the end of Season 19, after nearly six hundred episodes of warning her erstwhile sweetheart Matt Dillon to "be careful". Rather than hire a Kitty lookalike as Blake's replacement, the produced chose an older, less glamorous but no less talented performer as the new owner of the Long Branch: Fran Ryan, cast as "Miss Hannah". This cast change aside, life went on as usual in Dodge, with stalwart Marshal Dillon keeping a tight rein on his jurisdiction and making sure that outlaws, drunks, bullies, rapists and other riffraff would not remain in town for long (though he no longer shot down an unidentified miscreant in the middle of main street, as he'd done in the opening sequence of the earlier episodes: That particular sequence had long since been replaced by an "action" shot of Matt Dillon riding his horse on the open Kansas prairie). The 635th and final episode, "The Sharecroppers", was a low-key comic exercise emphasizing Festus, in no way suggesting that a two-decade era was about to come to an abrupt end. In point of fact, it hadn't ended--at least not for James Arness, who would star in half a dozen feature-length Gunsmoke specials produced between 1987 and 1995. ~ Hal Erickson, Rovi

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Starring:
James ArnessMilburn Stone, (more)
 
1973  
G  
Add Robin Hood to Queue Add Robin Hood to top of Queue  
Robin Hood is one of the first animated films produced by the Walt Disney Company after Walt Disney's death in 1967. For the film, the studio's animators took the Disney tradition of adding human-like animal sidekicks to established tales (Cinderella, Pinnochio) a step further by making Robin Hood's legendary characters creatures themselves. Robin Hood (Brian Bedford) is a wily fox; Maid Marian (Monica Evans) is a beautiful vixen; Little John (Phil Harris) is a burly bear; Friar Tuck (Andy Devine) is a soft-spoken badger; the Sheriff of Nottingham (Pat Buttram) is a greedy wolf; and the scheming Prince John (Peter Ustinov) is a sniveling, groveling, thumb-sucking undersized lion with a serpent sidekick named Sir Hiss (Terry Thomas). The film begins after Prince John and Sir Hiss have tricked the true King into leaving the country on a phony crusade. With the help of the Sheriff of Nottingham, they tax the life out of Nottingham's peasants, leaving them all penniless but with the courageous Robin Hood as their only hope. ~ Aubry Anne D'Arminio, Rovi

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Starring:
Brian BedfordAndy Devine, (more)
 
1973  
 
That Gunsmoke was the longest-running dramatic series in TV history was common knowledge by the time the program entered its nineteenth season in the fall of 1973. What few could have predicted that year was Gunsmoke's unassailable popularity despite its age, as proven by the fact that it would rank as the season's 15th highest-rated program, outranking such favorites as Good Times, Barnaby Jones, The Streets of San Francisco and The Carol Burnett Show. Fewer still could possibly imagine that this would be the final season for one of the series' three original stars. No, James Arness hadn't hung up his guns in the role of Marshal Matt Dillon, despite his yearly song-and-dance about retiring, which was generally staged in order to secure a better financial deal from CBS. Nor was Milburn Stone preparing to take down his shingle as Doc Adams, even though he had not entirely recovered from the heart attack that had briefly sidelined him in 1971. It was Amanda Blake,who since the show's inception in 1955 had brought her unique combination of ethereal beauty and earthy practicality to the role of golden-hearted saloon owner Kitty Russell, who was preparing to make her exit. Nothing was said about Kitty's imminent departure in Blake's final regular Gunsmoke episode "Disciple"; in fact, it would not be until the made-for-TV movie sequel Gunsmoke: Return to Dodge in 1987 that we found out Kitty had left Dodge to start life anew in New Orleans. (Ironically, "Disciple" was written in such a manner to suggest that it was actually James Arness' swan song--which of course proved not to be the case!) ~ Hal Erickson, Rovi

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Starring:
James ArnessAmanda Blake, (more)
 
1972  
 
With the cancellation of Bonanza in December of 1972, Gunsmoke remained standing as the last of the "golden age" TV westerns as it entered its record-breaking eighteenth season on the air. Heading the cast just as they had way back when the show got under way in 1955 are James Arness as Marshal Matt Dillon, Amanda Blake as Kitty Russell, and Milburn Stone (back from a brief respite while recovering from a heart attack) as Doc Adams. Also, Buck Taylor returns for his sixth season in the role of gunsmith Newly O'Brien, just as Ken Curtis is back for his ELEVENTH season as deputy Festus Haggen. If nothing else, Gunsmoke certainly afforded job security to actors! The season begins with one of the series' rare two-parters, "The River", a showcase for star James Arness as Matt is ambushed, left to drown in a raging river, and rescued by a brace of "raft" kids. Figuring prominently in the proceedings are several reliable character actors, among them Jack Elam and Slim Pickens. Subsequent episodes would provide ample acting opportunity for such familiar players as Richard Kiley, Mariette Hartley, Victor French, Anne Francis, Vic Tayback, Harry Morgan, Alan Hale Jr., Diana Hyland, Margaret Hamilton, William Devane and a young, pre-stardom Harrison Ford and Richard Dreyfuss! By season's end, it was clear as crystal that Gunsmoke had not yet worn out its welcome: The series closed out its eighteenth season as America's fourth highest-rated TV series. ~ Hal Erickson, Rovi

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Starring:
James ArnessAmanda Blake, (more)
 
1971  
 
Seventeen seasons and 540 episodes since it burst on the TV scene as the first truly "adult" western back in 1955, Gunsmoke returned with 24 all-new episodes in the fall of 1971. Amazingly, two of the original regulars are still on tap: James Arness as US Marshal Matt Dillon of Dodge City, and Amanda Blake as golden-hearted saloon owner Miss Kitty Russell; also, Ken Curtis as Festus Haggen and Buck Taylor as Newly O'Brien are back in the saddle, having been with the series for ten and five seasons, respectively. Conspicuous by his absence for during the first few months of Season Seventeen is Milburn Stone as cantankerous Doc Adams. Having suffered a heart attack, Stone went on a brief hiatus, replaced in seven consecutive episodes by Pat Hingle as Dr. John Chapman, who makes his first appearance in the appropriately titled episode "New Doctor in Town (it was explained that Doc had to go to Baltimore to "update" his medical skills). Stone returned in the season's 12th installment "Gold Train", Part One of the only three-part story in Gunsmoke history. Nor is Pat Hingle the only prominent actor to make a guest appearance this season. Others include Mercedes McCambridge, Ellen Burstyn, Jan-Michael Vincent, Richard Kiley, Pippa Scott, Buddy Ebsen, Harry Carey Jr., Henry Jones, and Jeanette Nolan, in a reprise of her colorful "Dirty Sally" characterization. Gunsmoke closed out its record-breaking seventeenth season as the fourth highest-rated TV series in America--beating out even its NBC competition, Rowan and Martin's Laugh-In. ~ Hal Erickson, Rovi

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Starring:
James ArnessAmanda Blake, (more)
 
1970  
 
Having twice "cheated the hangman" by eluding CBS' efforts to cancel the series, the venerable western Gunsmoke was still safely imbedded in its by-now-familiar Monday evening slot for a sixteenth season--the longest-running dramatic series in TV history, with no end in sight! Still in harness after all those years were three of the series' original regulars: James Arness as Matt Dillon, Amanda Blake as Kitty Russell, and Milburn Stone as Doc Adams. Likewise in attendance were two relative newcomers, no less popular: Ken Curtis as Festus Haggen and Buck Taylor as Newly O'Brien. Among the guest actors passing through Dodge this season are Ricardo Montalban, Suzanne Pleshette, Vera Miles, Loretta Swit, L.Q. Jones, Annette O'Toole, Anthony Zerbe, Forrest Tucker and David Carradine. Perhaps the most interesting episode of the season is "Captain Sligo", which was directed by William Conrad, the actor who originated the role of Marshal Matt Dillon in the original radio version of Gunsmoke. A close second in the "most interesting" category is the two-part "Pike", in which Jeanette Nolan guest stars as a grizzled female desert rat named "Dirty Sally" Fergus, a recurring character who proved entertaining enough to be spun off into her own series, Dirty Sally, in January of 1974. ~ Hal Erickson, Rovi

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Starring:
James ArnessAmanda Blake, (more)
 
197z  
 
A civil war soldier participates in the Battle of Perryville, 1862. ~ Rovi

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1969  
 
Rescued from cancellation when it was moved from Saturdays to Mondays during its thirteen season, the venerable TV western Gunsmoke continued to steadily climb in the ratings throughout the next two years, and by the time Season Fifteen rolled around the series was the second most popular TV program in America, beaten out only by its Monday-night competition Rowan and Martin's Laugh-In. There are three essential elements keeping Gunsmoke afloat in its fifteenth year on the air: The consistent excellence of the scripts, the brilliantly chosen supporting players, and of course the irresistible chemistry amongst its leading players. James Arness (Matt Dillon), Amanda Blake (Miss Kitty) and Milburn Stone (Doc) had been with the show since its inception in 1955; Ken Curtis (Festus Haggen) was entering his eighth season with the series, and his sixth as a full-fledged costar; and Buck Taylor (Newly O'Brien) had registered so well during his two years on Gunsmoke that he was finally afforded billing in the opening credits this year. Incredibly, CBS was determined that the 15th season of Gunsmoke would be its last--not because of any falloff of viewership, but because it "skewed old" so far as sponsors were concerned. The network was in the process of "de-ruralizing" itself, and over the next two years would drop such longtime favorites as The Beverly Hillbillies and The Ed Sullivan Show in order to clear the way for hipper, "younger" shows that would appeal to a more urban audience. As it turned out, however, Gunsmoke would be spared the axe by a widespread grass-roots campaign to keep the show on the air--a movement that went all the way to Washington DC, with a statement bemoaning the series' imminent demise entered into the Congressional Record! Needless to say, when the fans spoke, CBS listened, and Gunsmoke was at the very last moment renewed for a 16th season. ~ Hal Erickson, Rovi

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Starring:
James ArnessAmanda Blake, (more)
 
1968  
 
Despite stiff competition from NBC's top-rated Rowan and Martin's Laugh-In, the venerable CBS western Gunsmoke continued to flourish in its (relatively) new Monday-night timeslot during its 14th season on the air, finishing the year as America's sixth most popular TV program, with a 24.9 ratings share. Still at peak form were the series' veteran stars James Arness as Matt Dillon, Amanda Blake as Miss Kitty, Milburn Stone as Doc Adams and Ken Curtis as Festus Haggen, with relative newcomer Buck Taylor no less impressive in the role of garrulous gunsmith Newly O'Brien. Also, though the program had started way back in the censor-ridden 1950s, Gunsmoke had admirably grown and matured with changing times, offering hard-hitting episodes about racial prejudice, sexual harrassment, child abuse, alcoholism and other social ills that were just as timely in Dodge City of the 1870s as they were in the United States of the late 1960s. Among the talented actors appearing in guest roles in the 26 episodes comprising Season Fourteen are future Dallas patriarch Jim Davis, octogenarian character man Burt Mustin (playing a man even older than himself!), John Ford "regular" Harry Carey Jr., longtime Michael Landon costar and associate Victor French, soon-to-be Police Squad stalwart Leslie Nielsen, and the ubiquitous Bruce Dern, who seems to have appeared in every TV western ever made except for The Cisco Kid. ~ Hal Erickson, Rovi

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Starring:
James ArnessAmanda Blake, (more)
 
1967  
 
Rescued from cancellation by an eleventh-hour decision from CBS president William Paley, Gunsmoke entered its 13th season in a brand-new timeslot: Monday evenings at 7:30 PM, rather than Saturdays at 10. It was felt that an earlier slot would attract younger fans and stronger sponsors; and besides, the only real competition at that time was NBC's The Man From UNCLE, which was dying on the vine in its fourth and final season. However, NBC pulled a fast one by cancelling UNCLE in January of 1968 and replacing it with Rowan and Martin's Laugh-In, which turned out to be the "hottest" show of the year. Even so, Paley's instincts were right on target: Despite Laugh-In's spectacular ratings ascendancy, Gunsmoke performed better than it had in years, ending the season as network television's fourth most popular series. Nor was it only the timeshift that brought Gunsmoke back from the dead. With the dismissal of producer Philip Leacock, whose executive decisions had met with wide disfavor not only with the series' fans but also with its four main stars, Gunsmoke became the creative responsibility of John Mantley, who'd been on the producing staff since 1965. Quickly, Mantley repaired much of the damage incurred during the past few seasons by hiring writers who were simpatico with the established Gunsmoke format in particular and the "adult western" genre in general, and paring down the use of celebrity guest stars who, in the past, had only been sporadically effective within the show's framework. Also, Mantley managed to hire one of the series' most welcome cast additions: Buck Taylor as Dodge City's new gunsmith Newly O'Brien, a man of infinite resourcefulness--as he proved in his debut episode "The Plunderers", in which he used his wits to save both himself and Miss Kitty (Amanda Blake) from a dangerous pack of bandits--and unlimited charm. Although actor Taylor (the son of veteran western sidekick Dub Taylor) had appeared only once before on Gunsmoke in a villainous role, he adapted to the series like a fish to water, more than holding his own with veteran series stars James Arness (Marshal Matt Dillon), Milburn Stone (Doc Adams), Ken Curtis (Festus Haggen) and the aforementioned Amanda Blake. ~ Hal Erickson, Rovi

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Starring:
James ArnessAmanda Blake, (more)
 
1966  
 
Beginning with its 12th season, Gunsmoke switched from black-and-white to color, one of the last major network series to do so. This necessitated the reshooting of the series' familiar opening sequence, in which Marshal Matt Dillon (James Arness) outdraws an unidentified desperado on the deserted main street of Dodge City. Happily, the sequence was moved back outdoors, where it belonged: During the past several seasons, the "showdown" opening had been staged in a painfully phony studio "exterior". Also,the addition of color rather surprisingly enhanced rather than detracted from the naturalistic "look" of the four main players, James Arness, Amanda Blake (as Miss Kitty), Milburn Stone (as Doc) and Ken Curtis (as Festus). Unfortunately, for the most part the series was still weighed down by the phlegmatic writing that had plagued season eleven; of the 29 new episodes this season, only a handful (notably the two-part season finale "Nitro!") are truly memorable. Conversely, the season's guest-star roster is much stronger than in the previous year. Among the talented players making one-shot appearances are such up-and-coming youngsters as Bruce Dern (and his then-wife Diane Ladd), Jon Voight, Tom Skerritt) and Zalman King, and such veterans as Carroll O'Connor, Fritz Weaver and Alan Hale Jr.. And in the episode "The Jailer", the great Bette Davis etches an searing portrait of an embittered woman who lives only for revenge. With the western format in the doldrums on network television, and with Gunsmoke's ratings lower than ever, the decision was made to cancel the series at the end of season 12. But at the very last moment, CBS president William Paley decided to give the venerable property a new lease on life--and in a brand-new timeslot. ~ Hal Erickson, Rovi

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Starring:
James ArnessAmanda Blake, (more)
 
1965  
 
By the time Gunsmoke entered its record-breaking eleventh season in the fall of 1965, the series had past beyond the realm of ordinary western and into the lofty heights of American institution. Unfortunately, its ratings were not quite so lofty: The series had long ago relinquished the Number One slot to rival western Bonanza, and had dropped to 30th place, just belong the juvenile adventure series Flipper. Blame for this cannot be laid at the feet of its ever-reliable leading players, James Arness (Matt Dillon), Amanda Blake (Miss Kitty), or Milburn Stone (Doc Adams), nor the newest member of the regular cast, Ken Curtis as erstwhile deputy Festus Haggen. Rather, the series' drop in viewership and quality was most likely the result of new producer Philip Leacock's habit of hiring writers who seemed either uncomfortable or unfamiliar with the established Gunsmoke formula, and with his over-reliance upon celebrity guest stars. Some of these players, notably Forrest Tucker, John Saxon, Michael Ansara, James Gregory, Darren McGavin, Lee Van Cleef and James Whitmore, adapted quite well to their surroundings; others (and why mention names?) did not. This season marks the first time that all four of the main Gunsmoke actors are billed in the opening credits, rather than just James Arness. Also, the design of the closing titles was altered, replacing the standard line art of the Dodge City skyline with photographs of the various artifacts found in Matt Dillon's office--including that old, battered coffeepot. Finally, in an ongoing effort to provide the series with a tall, good-looking male supporting character (Burt Reynolds had long since left the series), Roger Ewing was cast as Thad Greenwood, a gangly townsman who occasionally aided Matt and Festus in tracking down miscreants. Unfortunately, Ewing's character was uncompelling and vaguely defined, and by the end of Season Eleven he was gone. ~ Hal Erickson, Rovi

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Starring:
James ArnessAmanda Blake, (more)
 
1964  
 
The fact that Gunsmoke is able to enter its 10th season despite ever-descending ratings is a tribute not only to the series' solid story and production values but also its most fervent fans. Had it been any other series, Gunsmoke would have ground to a halt as the result of its many artistic setbacks during its tenth year on the air. For one thing, the series lost its longtime producer and spiritual guide Norman McDonnell, who had grown weary of battling over story content and dialogue with star James Arness, who for all intents and purposes now "owned" the Gunsmoke franchise. McDonnell's replacement was British-born Philip Leacock, who at first seemed to have a strong grip on the series' established formula, but who within a year would compromise Gunsmoke's austerity and realism with an influx of writers unfamiliar with the western format--not to mention a plethora of "celebrity" guest stars who were hired more for name value than their appropriateness to the series. The first inkling of this trend occurred during the first weeks of Season Ten, when Leacock dreamed up a publicity stunt whereby local TV personalities from the various CBS affiliates throughout the land would appear in minor roles on Gunsmoke; for example, Chicago talk-show hostess Lee Philips showed up as a frightened stagecoach passenger, while Milwaukee kiddie-show emcee Tommy Richards was seen as a big-time gambler. These appearances, though amusing, invariably smacked of gimmickry, something Gunsmoke had never been guilty of in the past. By the time Gunsmoke reached the end of its tenth season, producer Leacock would have gone far beyond local TV personalities and provided guest roles for the likes of Jean Arthur and Betty Hutton--talented ladies admittedly, but rather out of place in Dodge City. Also, Dennis Weaver,aka the loyal lovable deputy marshal Chester Good, had left the series, never to return. The producers still hadn't hit upon a suitable replacement for Chester, despite trying out Burt Reynolds in the role of halfbreed blacksmith Quint Asper and Ken Curtis as mercurial hillbilly Festus Haggen. Fortunately, Curtis firmly cemented his position on the series with the mid-season episode "Deputy Festus", and would remain with Gunsmoke until its final episode ten years later. For Reynolds, however, Season Ten was the end of the line: he was clearly far more comfortable as a leading man than as a supporting player, and within seven years he would ascend to the top of his profession in theatrical features. Happily, James Arness, Amanda Blake and Milburn Stone were still in fine fettle in their respective roles as Matt Dillon, Miss Kitty and Doc Adams. And, of course, Gunsmoke benefited from a steady stream of reliable supporting players, among them George Kennedy, Denver Pyle, Jack Elam, Mariette Hartley, Claude Akins, Jeanette Nolan, Hal Needham and Forrest Tucker. ~ Hal Erickson, Rovi

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Starring:
James ArnessAmanda Blake, (more)
 
1964  
 
Add Cheyenne Autumn to Queue Add Cheyenne Autumn to top of Queue  
John Ford's last western film, Cheyenne Autumn was allegedly produced to compensate for the hundreds of Native Americans who had bitten the dust in Ford's earlier films (that was the director's story, anyway). Set in 1887, the film recounts the defiant migration of 300 Cheyennes from their reservation in Oklahoma territory to their original home in Wyoming. They have done this at the behest of chiefs Little Wolf (Ricardo Montalban) and Dull Knife (Gilbert Roland), peaceful souls who have been driven to desperate measures because the US government has ignored their pleas for food and shelter. Since the Cheyennes' trek is in defiance of their treaty, Captain Thomas Archer (Richard Widmark), who agrees with the Indians in principle, reluctantly leads his troops in pursuit of the tribe. While there was never any intention to shed blood, the white press finds it politically expedient to distort the Cheyennes' action into a declaration of war. Thanks to the cruelties of such chauvinistic whites as Captain Oscar Wessels (Karl Malden), the Cheyennes are forced to defend themselves--and whenever Indians take arms against whites in the 1880s, it's usually misrepresented as a massacre. Only the intervention of US secretary of the interior Carl Schurz (Edward G. Robinson) prevents the hostilities from erupting into wholesale bloodshed. Based on a novel by Mari Sandoz, Cheyenne Autumn is a cinematic elegy--not only for the beleaguered Cheyennes, but for John Ford's fifty years in pictures. It is weakest when arbitrarily throwing in a wearisome romance between Richard Widmark and pacifistic schoolmarm Carroll Baker, who out of sympathy for the Indians has joined them in their 1500-mile westward journey. When the Warner Bros. people decided that the film ran too long, they chopped out the wholly unnecessary but very funny episode involving a poker-obsessed Wyatt Earp (James Stewart). Contrary to popular belief, this episode was included in the earliest non-roadshow prints of Cheyenne Autumn; the scene was excised only when the film went into its second and third runs in 1966 (it has since been restored). ~ Hal Erickson, Rovi

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Starring:
Richard WidmarkCarroll Baker, (more)
 
1962  
G  
Add How the West Was Won to Queue Add How the West Was Won to top of Queue  
Filmed in panoramic Cinerama, this star-studded, epic Western adventure is a true cinematic classic. Three legendary directors (Henry Hathaway, John Ford, and George Marshall) combine their skills to tell the story of three families and their travels from the Erie Canal to California between 1839 and 1889. Spencer Tracy narrates the film, which cost an estimated 15 million dollars to complete. In the first segment, "The Rivers," pioneer Zebulon Prescott (Karl Malden) sets out to settle in the West with his wife (Agnes Moorehead) and their four children. Along with other settlers and river pirates, they run into mountain man Linus Rawlings (James Stewart), who sells animal hides. The Prescotts try to raft down the Ohio River in a raft, but only daughters Lilith (Debbie Reynolds) and Eve (Carroll Baker) survive. Eve and Linus get married, while Lilith continues on. In the second segment, "The Plains," Lilith ends up singing in a saloon in St. Louis, but she really wants to head west in a wagon train led by Roger Morgan (Robert Preston). Along the way, she's accompanied by the roguish gambler Cleve Van Valen (Gregory Peck), who claims he can protect her. After he saves her life during an Indian attack, they get married and move to San Francisco. In the third segment, "The Civil War," Eve and Linus' son, Zeb (George Peppard), fights for the Union. After he's forced to kill his Confederate friend, he returns home and gives the family farm to his brother. In the fourth segment, "The Railroads," Zeb fights with his railroad boss (Richard Widmark), who wants to cut straight through Indian territory. Zeb's co-worker Jethro (Henry Fonda) refuses to cut through the land, so he quits and moves to the mountains. After the railway camp is destroyed, Zeb heads for the mountains to visit him. In the fifth segment, "The Outlaws," Lilith is an old widow traveling from California to Arizona to stay with her nephew Zeb on his ranch. However, he has to fight a gang of desperadoes first. How the West Was Won garnered three Oscars, for screenplay, film editing, and sound production. ~ Andrea LeVasseur, Rovi

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Starring:
James StewartHenry Fonda, (more)
 
1962  
 
In this curiously Brechtian drama, a government official (Lewis Martin) secretly hires Paladin to bring murder suspect Billy Joe (Martin West) to trial. The reason for the secrecy is that Billy Joe is the son of Paladin's client. Upon capturing Billy Joe, Paladin is unable to turn over boy to the authorities thanks to the interference of a wandering band of saloon bums (male and female). ~ Hal Erickson, Rovi

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1961  
 
Paladin (Richard Boone) is hired to bring outlaw Bud McPhater (Ed Faulkner) to trial. Unfortunately, rumors persist that Bud's brother has died of diptheria. Before proceeding any further, Paladin, his prisoner and several other people are compelled to await confirmation of those rumors in the town of Soledad Crossing--whose citizens are violently opposed to being exposed to a possible diptheria epidemic. This is the final episode of Have Gun, Will Travel's fourth season. ~ Hal Erickson, Rovi

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1961  
 
One of director John Ford's least characteristic films, it derives from the latter part of his career, when the director's belief in the myth of the West had faded, and he was beset by failing health and personal problems. In the cynicism of its humor, the director seems be to taking a page from the work of his friend Howard Hawks. James Stewart stars as Guthrie McCabe, the marshal of a Texas town who spends most of his time in front of the local saloon, where he gets 10 percent of the action, in addition to favors from its owner, Belle Aragon Anelle Hayes. Based on his knowledge of the Commanche tribe, his friend, cavalry officer Jim Gary (Richard Widmark), asks him to help the army to recover long-missing white captives. Despite his initial reluctance, the ability of the opportunistic McCabe to neogotiate a lucrative per capita deal for his recovery of the captives, in addition to his desire to evade the marital intentions of Belle, seal the deal. Even after interviewing the captives' desperate relatives, the hardened McCabe is unmoved, although he believes their chance of ever seeing their relatives again as they once knew them is remote. However, as events unfold, the all-knowing marshal find he has a few things to learn. ~ Michael Costello, Rovi

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Starring:
James StewartRichard Widmark, (more)