Jerry Sohl Movies

Also known as Monster of Terror, this British-made horror opus is very loosely based on H.P. Lovecraft's story "The Colour Out of Space". The story begins with an American scientist (Nick Adams) paying a visit to the remote estate of his fiancee's family (located in Lovecraft's fictional Arkham County, Massachusetts) and finding many of the surrounding flora and fauna horribly mutated by strange radiation. The source of the contamination is discovered to be a glowing meteorite kept hidden in the basement by his girlfriend's father (Boris Karloff), who has been using the radiation to mutate local plant life. As one might expect, the experiment has gotten a bit out of hand... and poor mommy has changed into something unspeakably horrible. Designed as a vehicle for Karloff (who is excellent), this is a decent freshman effort from director Daniel Haller (formerly Roger Corman's production designer), but the effectively creepy atmosphere would have been greatly assisted by a better script -- perhaps one more loyal to the source material. The same story was adapted (again, loosely) in 1987 for The Curse. ~ Cavett Binion, All Movie Guide

This hilarious monster mess from the makers of the Godzilla series (including director Inoshiro Honda) essentially recruits Mary Shelley's classic creature into the ever-growing ranks of Japanese city-stomping behemoths -- albeit with a less colorful costume. The only nod to the original Frankenstein involves the monster's reanimated heart, rescued from Nazi Germany and blasted with radiation in the Hiroshima blast. When the heart is accidentally eaten (don't ask) by a Japanese youth, the poor kid bulks up to titanic (though hardly Godzilla-esque) proportions, apparently presenting a threat to Mount Fuji's current guardian, the lizard-monster Baragon. The two duke it out Toho-style while token yank Nick Adams comments on the proceedings. The plot originally pitted the colossal Frankenstein monster against a giant sea creature (the film's original title was Frankenstein vs. the Giant Devilfish), but the alternate opponent was edited out of the final print. ~ Cavett Binion, All Movie Guide

The M-1, a two-man American mission, reaches Mars. The landing goes smoothly, but first one and then the other member of the crew is attacked and killed, suddenly and without warning. The mission controllers on Earth are baffled, and, three years later, the M-2, with a four-man crew, is sent with strict orders as to how to conduct extra-vehicular activity. Still, they start disappearing, slaughtered by an unseen attacker until there are only two left, straight-arrow mission commander Major Merritt (Adam West) and perpetual screw-up Captain Jack Buckley (Rudy Solari), who must figure out what killed these men. ~ Bruce Eder, All Movie Guide

Though credited to Charles Beaumont, this Twilight Zone episode was actually written by Beaumont's associate Jerry Sohl. Telly Savalas heads the cast as Erich Streator, whose life becomes Hell on Earth when his stepdaughter Christie (Tracy Stratford) is presented with an expensive "Talky Tina" doll. It seems that the doll doesn't like Erich, and it has expressed this dislike by making such chirrupy pronouncements as "My name is Talky Tina. . .and I'm going to kill you." June Foray provides the voice for the doll, as she had previously supplied the voice for the once-popular doll Chatty Cathy. "Living Doll" first aired November 1, 1963. ~ Hal Erickson, All Movie Guide

After a fight with his wife (Gena Rowlands) in which he tells her that he wishes he was single again, Ralph Jones (Dick York) is miraculously transported back to his bachelorhood, two years earlier. At least, that's the story Ralph tells his psychiatrist (John Zaremba), who has trouble believing such a far-fetched tale. The truth of Ralph's claim may well be confirmed by something as simple as a waterlogged baseball card! ~ Hal Erickson, All Movie Guide

Although this quickly made, routine drama has some future television talent acting in it (Barbara Eden, Gavin MacLeod, Ted Knight), the story wanders back and forth between straight drama and an unintentional parody. Martin (Nico Minardos) has just witnessed a murder and in order to protect him, the police establish him in relative obscurity in a suburban neighborhood. What Martin does not know is that one of the policemen is not what he seems, and the cop sets up the unsuspecting man as a target to be eliminated. This is another in a long list of similar dramas directed by Edward L. Cahn in 1960-61. ~ Eleanor Mannikka, All Movie Guide