Alan Curtis Movies

Apache Chief was the second film to be lensed with the Garutso Balanced Lens, which gave the illusion of a three-dimensional effect (the first was Deputy Marshal). Alan Curtis plays the title character, a pacifistic Native American named Young Eagle. When his tribesmen begin killing off white settlers, Young Eagle is opposed to the carnage. In order to assure a lasting peace, however, the chief must deal with renegade Apache Black Wolf (Russell Hayden). The white soldier gives Young Eagle six days to bring Black Wolf to justice before they strike back. Produced under the Screen Guild banner, Apache Chief was released by that company's successor, Lippert Films. ~ Hal Erickson, All Movie Guide

The peaceful, solitary existence of a crippled lad and his grandfather living in a remote wooded valley is disturbed when two armed robbers accompanied by moll visit. On the lam from the law, the crooks are desperate and dangerous. But as time passes and they get to know the strange and gentle boy, the robbers begin to think about giving up on crime. ~ Sandra Brennan, All Movie Guide

S.S. Van Dine's gentleman detective is reduced to an ordinary "hard boiled" gumshoe in this inexpensive mystery. Philo Vance (Alan Curtis) is hired by a magazine publisher, ostensibly as a technical advisor for a crime periodical. This is a cover for his "secret mission": to learn the truth behind the death of the publisher's former partner seven years earlier. When the publisher is himself killed, Vance learns that practically everyone who came in contact with the dead man had a motive. Vance gets to the bottom of things with the dubious help of his pretty secretary (Sheila Ryan). Philo Vance's Secret Mission was the fourteenth and final Hollywood film based on Van Dyne's creation. ~ Hal Erickson, All Movie Guide

In this crime drama, two ex-hoods find their attempts to straighten up and fly right are foiled by a blackmailing gangster who threatens to expose their past who forces them to rob the department store they work at. Outwardly, the crooks go along with the scam, but they have also devised a scam of their own. In the end, the extortionist is killed by a cop and the two reluctant robbers turn themselves in. ~ Sandra Brennan, All Movie Guide

In this action western, the notorious Dalton Boys have decided to go straight and move to Argentina. Just before they leave, they learn of a friend whose land is about to be seized by a greedy land company. Before they can help, the man is killed by a company assassin. The brothers do manage to rescue his widow and head for the hills. There, they decide to revert back to outlaw life. Meanwhile, a newspaper publisher's daughter falls for one of the brothers. The boys decide to rob a bank. The robbery goes horribly wrong and three of the four are killed. The remaining brother stands trial and is given a life sentence. The publisher's daughter vows to wait for him. ~ Sandra Brennan, All Movie Guide

In this costume drama, a woman travels from New England to California's Barbary coast to avenge her brother's death. There she becomes a saloon singer in a sleazy bar, the bar frequented by the killer. The bar's owner, and the local crime lord begin fighting over control of coastal operations. The woman falls for the bar owner until she learns that he may have been involved in her brother's demise. Happiness ensues when it is discovered that the brother is not dead at all. ~ Sandra Brennan, All Movie Guide

Abbott and Costello's The Naughty Nineties offers a million laughs and a nickel's worth of plot. Most of the film takes place aboard a 19th century showboat, owned by kindly Captain Sam (Henry Travers). Bud Abbott plays the showboat's leading man Dexter Broadhurst, while Lou Costello is handyman Sebastian Dinwiddie. A group of slick gamblers (Alan Curtis, Rita Johnson and Joe Sawyer) cheat Captain Sam out of his boat, turning the place into a floating gambling palace, but Dexter and Sebastian foil the villains and save the day. The film is a virtual encyclopedia of wheezy but still hilarious comedy routines, many of them devised by veteran Laurel & Hardy and Three Stooges gagman Felix Adler. The film's highlight is a full-length performance of Abbott and Costello's verbal classic "Who's on First?"-and if one listens very closely, one can hear the cameramen and crew members laughing! ~ Hal Erickson, All Movie Guide

Engineer Scott Henderson (Alan Curtis) is at a seedy midtown Manhattan bar early one evening, drowning his sorrows over a failed marriage, when he strikes up a conversation with a woman (Fay Helm). She's well dressed, with a very ornate hat topping off her ensemble, and also seems even sadder and more lost than he is. Henderson persuades her to join him in taking advantage of the two theater tickets he has. They attend the show -- a song-and-dance showcase by a Brazilian artist (Aurora) -- and then part company without ever exchanging names. He returns home to find three detectives in his apartment and his wife strangled. Inspector Burgess (Thomas Gomez) questions Henderson and tries to verify his alibi, but no one -- not the bartender, the cabbie who hauled them to the theater, or the drummer in the band who was watching her -- admits to remembering the woman. Henderson can't prove that he was elsewhere when his wife was strangled and is convicted of murder and sentenced to death. His assistant, Carol Richman (Ella Raines), who has watched all of this happen, can't sit by while Scott is destroyed, and decides to get at the truth, joined by Inspector Burgess, who now believes Henderson to be innocent. Carol hounds the bartender (Andrew Tombes) until he seems ready to crack, but before he talks, he tries to get away from her and dies in an accident. The drummer, Cliff Milburn (Elisha Cook Jr.), proves more talkative and reveals that someone paid him 500 dollars to forget about the woman, but before Burgess can question him, he's strangled. It seems as though there's no hope left, even with the added help of Jack Marlow (Franchot Tone), Scott's best friend, newly returned from Brazil, when Carol gets a line on the unusual hat the woman was wearing. She traces the hat to its owner in a mansion on Long Island, where she is recovering from a breakdown over the death of her fiancé -- that was her trouble on the night she crossed paths with Scott Henderson. It is only on returning to New York, while awaiting Burgess' arrival, that she realizes that Jack Marlow is the murderer -- that he returned after having dinner with them, following their fight, and strangled Henderson's wife; paid off the bartender, the cab driver, and Cliff Milburn to keep them from revealing the existence of the woman that Scott was with; and killed Milburn to prevent him from talking; and he plans to kill Carol before she can talk to Burgess. ~ Bruce Eder, All Movie Guide

Olsen and Johnson's followup to their zany, iconoclastic Hellzapoppin' was the more conventional Crazy House. The premise: Having nearly laid waste to Universal while filming Hellzapoppin', O & J are thrown out of the studio when they arrive with plans for a new picture. Only momentarily daunted, our heroes decide to produce the film themselves, renting a studio and hiring carhop Margie (Martha O'Driscoll) as their leading lady. The success of this plan hinges upon an "angel", self-proclaimed millionaire Col. Merriweather (Percy Kilbride), who promises to advance the money for the new film. Things get sticky when the Colonel turns out to be a balmy eccentric with nary a cent to his name. After a wild courtroom trial presided over by ever-scowling Edgar Kennedy, it is decided that Olsen and Johnson will be permitted to screen their new film before a gathering of Hollywood studio executives, with distribution rights going to the highest bidder. The finale devolves into frantic slapstick when the last reel of the film turns up missing (a plot device later utilized in Mel Brooks' Silent Movie). Though Crazy House gets off to a suitably wacky start-when word arrives at Universal that Olsen and Johnson are coming, barricades are set up and armed guards posted, while every studio contractee from Leo Carrillo to "Sherlock Holmes" (Basil Rathbone) and "Dr. Watson" (Nigel Bruce) brace themselves for the comedians' invasion-the film quickly settles into a standard musical-comedy groove, complete with such guest stars as Allan Jones, Count Basie, the Delta Rhythm Boys and the Glenn Miller Singers. Still, there are plenty of hilarious moments along the way, most of them handled by raucous comedienne Cass Daley, playing a dual role. And there's seldom been a more satisfying movie finale than the last gag of Crazy House, which literally disposes of tiresome romantic leads Martha O'Driscoll and Patric Knowles. ~ Hal Erickson, All Movie Guide

Accepted in 1943 as standard wartime propaganda, Gung Ho can be seen today as an outrageous exercise in raging machismo. Randolph Scott plays Thorwald, a marine colonel assigned to assemble a crack squadron of fearless jungle fighters for the all-important raid on Japanese-held Makim Island (which in real life was recaptured only a few weeks before the film's release). Thorwald seems determine to select the dregs of the earth for this mission: most of his squadron is comprised of misfits, barroom brawlers, borderline psychos and outright murderers. It is suggested that these sociopaths are the only men truly qualified for the mission at hand, and by film's end the squadron members-living and dead-are lauded as true-blue patriots. Once one gets past the questionable premise, Gung Ho is a fairly exciting WWII melodrama, with a particularly thrilling climax. The film is currently available in its original form and in a computer-colorized version. ~ Hal Erickson, All Movie Guide

No sooner had the Japanese bombed Pearl Harbor on December 7, 1941 than Republic Pictures managed to register the title Remember Pearl Harbor for copyright, beating out all the "major" studios in the process. The title was far more dramatic than the film attached to it, which has something to do with pugnacious American GI Lucky Smith (a rare non-western appearance by Don "Red" Barry). Our hero spends the first few reels being tossed in the stockade, often accompanied by his buddies Bruce Gordon (Alan Curtis) and Portly Potter (Maynard Holmes). Shortly after the demolition of Pearl Harbor, Lucky and Bruce uncover a gang of Fifth Columnists, operating in the Philippines. Shaping up in a hurry, Lucky volunteers to lead a suicidal air mission against a Japanese troop ship, thereby redeeming himself for inadvertently causing the death of his pal Portly in an earlier scene. Under closer scrutiny, Remember Pearl Harbor turns out to be a remake of 1940's Girl from Havana, itself a remake of the 1939 Roy Rogers western Rough Riders' Roundup, which was a remake of another 1939 effort, Forged Passport, which was first filmed in 1936 as The Leathernecks Have Landed! ~ Hal Erickson, All Movie Guide

In a manner of speaking, Humphrey Bogart had George Raft to thank for his ascendancy to stardom: after all, if Raft hadn't turned down both High Sierra and The Maltese Falcon, Bogart might have continued playing second-billed gangsters to the end of his days. Adapted from W. R. Burnett's novel by Burnett and John Huston, High Sierra opens with gangster Roy Earle (Bogart) being paroled after a lengthy prison term. Though he enjoys the fresh air and sunshine of the outside world, Earle has no intention of giving up his criminal ways. In fact, his parole has been arranged by Big Mac (Donald MacBride), so that Earle can mastermind a big-time heist at a fancy California resort hotel. After a few unkind words with a crooked cop, Kranmer (Barton MacLane), in Big Mac's employ, Earle heads toward a fishing resort, where he is to commiserate with his inexperienced, hot-headed cohorts Babe (Alan Curtis) and Red (Arthur Kennedy). En route, he befriends a farm family, heading to LA in search of work. He falls in love with the family's club-footed daughter Velma (Joan Leslie)--though she never really gives him any encouragement--and makes a silent promise to finance an operation on her foot once he's gotten his share of the loot. At the mountain cabin rendezvous, Earle meets Marie (Ida Lupino), Babe's tough-but-vulnerable girlfriend. He angrily orders her to scram, but she stubbornly remains. Earle also finds himself the owner of a "jinxed" dog, whose previous masters have all met with early demises (a none-too-subtle foretaste of things to come). Marie is strongly attracted to Earle, but he refuses to have anything to do with her, reserving his affections for Velma. He arranges an operation for the girl with mob doctor Banton (Henry Hull), never suspecting that the self-serving Velma is planning all along to marry someone else. The robbery goes off without a hitch, save for the fact that "inside man" Mendoza (Cornel Wilde) panics and nearly gives the game away. While escaping, Babe and Red are killed in a car accident, but Earle and Marie escape. Having been disillusioned by Velma's indifference and by the fact that the untrustworthy Kranmer has taken over the late Big Mac's operation, Earle at last realizes that the only person he can truly depend upon is the faithful Marie. With the police hot on his trail, Earle tells Marie to look after herself, then heads alone into the High Sierras--where, in Greek Tragedy fashion, he "busts out" of life. As in Petrified Forest, Humphrey Bogart plays a burnt-out anachronism from an earlier era in crime in High Sierra; in the latter film, however, Bogart has an innate nobility that allows the audience to empathize with him throughout. It is nothing short of amazing that, despite his superb performance in this 1940 film, he still had to wait until The Maltese Falcon for top billing in an "A picture." High Sierra was remade in 1949 as Colorado Territory and in 1955 as I Died a Thousand Times. ~ Hal Erickson, All Movie Guide