Louise Currie Movies

The genesis for Queen for a Day was the Dorothy Parker short story Horsie, all about a homely woman who takes a job as a nanny in the household of a selfish, insensitive couple. Months later, the husband receives a gift of an electric razor from "Horsie," out of gratitude for his kindnesses -- kindnesses which, of course, he never consciously extended. "Horsie" ended up as one of three short stories adapted to film by producer Robert Stillman in 1951. The unifying theme of the film was that each of the three female protagonists were contestants on the TV series Queen for a Day. You may remember that this long-running program was hosted by Jack Bailey, who on a daily basis selected one of three deserving women to be the recipient of fabulous prizes, the decision, which was made by the audience (there was an "applause meter" on the set), was predicated upon which of the three ladies had the saddest or most fascinating life story to tell. In addition to "Horsie," aka Miss Wilmarth (Edith Meiser), the other contestants in the film are Phyllis Avery and Kasia Orzazewski. Avery stars in the vignette titled "The Gossamer World," based on a John Answorth story, this episode concerns Avery's son Rudy Lee, a victim of polio. Orzazewski figures into the Faith Baldwyn story "High Diver," wherein she plays the immigrant mother of a college-bound boy (Adam Williams) who takes a job at a carnival to make ends meet. Queen for a Day was originally released as Horsie, until it was decided that the TV series' title was more saleable. (It wasn't, despite an aggressive ad campaign conducted on the Queen for a Day television program.) ~ Hal Erickson, All Movie Guide

In this suspense film, a detective must find the murderer of a rich and jealous wife and her husband, a doctor with a tendency to work late into the night. After many missteps and false leads, he finally finds himself confronted with a sexy former patient of the deceased doc. Is she the guilty party, or does the determined detective find another guilty party? ~ Sandra Brennan, All Movie Guide

Three on a Ticket was the fourth entry in PRC's "Michael Shayne" series, and arguably the best of the batch. Hugh Beaumont, still ten years away from Leave It to Beaver, stars as Brett Halliday's red-headed private eye Michael Shayne, who this time out is assigned to locate a fortune in stolen bank funds. Mike's only clue is a baggage claim check, which has been torn in three pieces. Tracing these missing fragments, Shayne methodically tracks down the thieves. Though officially based on a story by Brett Halliday, the plot of Three on a Ticket is remarkably similar to the storyline of PRC's Lash LaRue western Law of the Lash. ~ Hal Erickson, All Movie Guide

Roland Winters takes over the role of wily oriental sleuth Charlie Chan in the so-so Monogram programmer The Chinese Ring. The film is a remake of 1939's Mr. Wong in Chinatown, right down to dialogue and camera angles. Charlie Chan gets dragged into the story when a beautiful Chinese princess (Jean Wong) drops dead in his living room. Chan's only clue to the murderer and his motives is the letter "K," leading him to such likely suspects as Captains Kelso (Thayer Roberts) and Kong (Philip Ahn). Aiding and abetting Chan at every turn are his erstwhile "assistants," son Tommy (Victor Sen Yung) and chauffeur Birmingham Brown (Mantan Moreland), not to mention loud-mouthed police sergeant Davidson (Warren Douglas) and perky gal reporter Peggy Cartwright (Louise Currie). The fact that Roland Winters refuses to take his role seriously greatly enhances the film's enjoyment. ~ Hal Erickson, All Movie Guide

In this western, the leader of an outlaw band tries to take over the reins of a stagecoach line. The outlaw's gal is a singer and saloon keeper who does all she can to assist her man. It looks as if they will succeed in stealing the stage company when a good-guy intervenes. Not only does he save the stage, he also steals the girl. ~ Sandra Brennan, All Movie Guide

In this crime drama, a naive, honest young woman falls for a louse who takes her to illicit gambling houses. When one of them is raided and she is there, her angry father throws her out of the house. After that her life takes a real dive until she is able to talk her way into joining a chorus-line at the night club frequented by the creepy boyfriend. Even a job doesn't stop her downward spiral and soon her boyfriend jilts her for her best friend. In the end she shoots them both. More tragedy ensues. ~ Sandra Brennan, All Movie Guide

Originally titled simply Sensations, this musical comedy was the final starring film for dancer Eleanor Powell and the final film, period, for comedian W.C. Fields. Powell is the prize client of flamboyant press agent Eugene Pallette. Dennis O'Keefe, Pallette's stiff-necked son, disapproves of his dad's razzle-dazzle promotional techniques, but finds himself just as shameless as his father when he takes over the business. Powell's particular highlight is a dance staged in a huge pinball machine (yes, critics in 1945 did say "Tilt!") W.C. Fields' contribution, based on one of his old Ziegfeld Follies sketches, is astonishingly unfunny; this protracted shaggy-dog story about a man who refuses to vacate his train compartment comes to life only during the byplay between a visibly ailing Fields and his sprightly female companion Louise Currie. Other guest stars in Sensations include Sophie Tucker, Cab Calloway, Woody Herman and a pre-Mary Ford Les Paul. ~ Hal Erickson, All Movie Guide

The popular screen team of Claudette Colbert and Fred MacMurray stars in this wartime farce. MacMurray is an army pilot who develops engine trouble during a vital mission. Thinking he's about to die, MacMurray radios back his undying affection for his dog "Piggy." But the radio reception is fuzzy, and it is assumed that he has said "Peggy"--which happens to be the character name of Colbert, who intercepts the message. MacMurray survives the plane crash, whereupon he is whisked back home into the arms of Peggy, which is not to the liking of Peggy's gormless fiance (Gil Lamb). Practically Yours was guaranteed to make money, which it did. Its humor not meant to survive the ages, which it hasn't. ~ Hal Erickson, All Movie Guide

Whatever poor Bela Lugosi may have done in a past life, the man did not deserve The Ape Man, arguably the worst of his Monogram horror clunkers. Viewed today, it seems that screenwriter Barney Sarecky and infamous director William Beaudine (whose nickname "One Shot" was earned helming movies like this) were out to humiliate the proud Hungarian actor at every opportunity. They had the man, who once turned down the Frankenstein monster because he found the role demeaning, walk about the entire film in a manner that was supposed to appear simian but ended up looking merely foolish. They gave him an Anglo-Saxon name, Dr. James Brewster, without bothering to explain that familiar Middle European accent. And they provided him with a spiritualist sister (Minerva Urecal), whose character name, Agatha, Lugosi of course was incapable of pronouncing. To compound matters, they wrote in a mysterious character named Zippo (Ralph Littlefield), who, in a silly porkpie hat, drifted in and out of the narrative being annoyingly mysterious, only to reveal himself in the end as "the author of the story." "Screwy idea, wasn't it?" he says blithely putting the final nail in Lugosi's coffin.

Lugosi's Dr. Brewster had experimented with a spinal serum derived from the fluids of a gorilla. The dedicated medico naturally tested the serum on himself and now appears incapable of walking upright, in dire need of a shave. Needless to say, the only antidote is human spinal fluid (which Lugosi pronounces "fluit"). Accompanied by screaming headlines such as "Ape man killer still on the loose!" Dr. Brewster and his gorilla henchman (Emil VanHorn, whose simian suit paid his rent for years) stalk the dark streets for human prey. A couple of wisecracking reporters (Wallace Ford and Louise Currie, both surprisingly tolerable) briefly wander into harm's way, knocking each other over the head with prop vases. Happily, for unexplained reasons, the gorilla suddenly turns on his master and breaks his neck, ending the nightmare for all concerned, including, one would imagine, Lugosi himself. Typical for cheap Monogram, Lugosi stayed in his ape-like makeup throughout, the expected transformation scene never materializing. The critics were understandably severe -- "Monogram's writer didn't have to wipe the dust from Bela Lugosi's Ape Man, he had to take the mold off," chuckled the Daily News -- but as horror-film historian Tom Weaver so succinctly put it: "Despite their ruinous effects on Lugosi's career, had these Monogram pictures been made without him, they would not merit discussion today." ~ Hans J. Wollstein, All Movie Guide

In this '40s film Kay Kyser parades an entertainment group all over the globe providing laughs for the boys in battle. This film realistically portrays the role of the USO during the WW II time period. ~ All Movie Guide

The Bashful Bachelor was the second of six 1940s B films inspired by the popular radio series Lum 'N' Abner. The two principal characters are the proprietors of the Jot 'Em Down Store in Pine Bluff, Arkansas. Lum (Chester Lauck) endeavors to impress a marriageable middle-aged lady (ZaSu Pitts) by becoming a hero. Lum's partner Abner (Norris Goff) reluctantly agrees to pretend to be the victim of several staged accidents, so that Lum can come to the rescue and prove his courage. Somehow this ends with a slapstick horse race. Director Mal St. Clair reaps better results from Lum 'N' Abner than he would in his subsequent Laurel & Hardy comedies at 20th Century-Fox. The Bashful Bachelor was put together by independent Voco Productions, and released by RKO Radio. ~ Hal Erickson, All Movie Guide

Pinto Kid was one of Charles Starrett's last "formula" westerns before he permanently assumed the screen guise of the Durango Kid. The story takes places just after the Civil War, with hostilities between Yanks and Rebels still in effect between Kansas and Texas. The villain, cattle rustler Vic Landreau (Paul Sutton), intends to play both factions down the middle for his own benefit. But Landreau meets his match in the form of wandering do-gooder Jud Calvert (Charles Starrett). The film is highlighted by a violent gun battle, in which, incredibly, nary a drop of blood is spilled. ~ Hal Erickson, All Movie Guide

Several popular radio personalities converge in the RKO Radio "comedy salad" Look Who's Laughing. Taking a vacation from his radio series, ventriloquist Edgar Bergen sets out in his private plane, accompanied by his dummy Charlie McCarthy. Developing engine trouble, Bergen makes a forced landing in the town of Wistful Vista, home of Fibber McGee and Molly (Jim and Marian Jordan). Here he gets mixed up in a municipal dispute between Fibber and Throckmorton Gildersleeve (Harold Peary) over the impending construction of a local aircraft factory. Before the film's multitude of complications can be straightened out, Fibber and Molly find themselves aloft in a runaway plane, while Charlie McCarthy falls in love with a squeaky-voiced little girl (who turns out to be Molly in disguise). Best scene: A disconsolate Charlie getting "wasted" on ice-cream sodas while counterman Sterling Holloway looks on sympathetically. Lucille Ball is largely wasted as Bergen's secretary, while Fibber McGee and Molly's radio announcer Harlow Wilcox shows up in a character bit. A box-office bonanza, Look Who's Laughing spawned an abundance of future screen assignments for Bergen, McCarthy, Fibber, Molly, and "Gildersleeve." ~ Hal Erickson, All Movie Guide