Cecil Cunningham Movies
Statuesque, foghorn-voiced comedienne Cecil Cunningham at one time pursued an operatic career. After extensive training, Cunningham made her stage debut in the chorus of a Fritzi Scheff musical. She played her first important role in the 1911 production Will o' the Wisp, then enjoyed her greatest success as a serious singer in the 1913 operetta Pink Lady. Alas, nervous tension robbed Cunningham of her glorious singing voice, whereupon she cut her losses and went into comedy. For many years she was a headliner in vaudeville, performing first-rate material written for her by her then-husband Jean Havez. When vaudeville went into decline in 1930, she headed to Hollywood. Signed by Paramount, she played roles of varying sizes, usually portraying a mannish society matron or show-business diva. Cunningham can be seen as a brutally frank party hostess in Paramount on Parade (1930), as supercilious opera star Madame Swempski in the Marx Brothers' Monkey Business (1932), as a outraged dowager whose beauty treatment has left her totally bald in Kiss and Make Up (1934) and as Jack Benny's dry-witted secretary in Artists and Models (1937). Comedy fans hold a special place in their hearts for two of Cunningham's 1930s appearances: in If I Had a Million, she plays the haughty ex-trapeze artist who is put down in short order by W.C. Fields; and in Leo McCarey's The Awful Truth, she enjoys one of her juiciest parts as Irene Dunne's waspish Aunt Patsy. Even in her briefest appearances, Cecil Cunningham managed to draw attention to herself, usually through such simple expedients as a firmly planted tongue in cheek and a withering, all-knowing glare. ~ Hal Erickson, All Movie Guide- 1948
In this funny tale of deception and romantic fireworks, a rather prissy New England school marm finally gets a chance to achieve her dream and become a commercial artist when she is hired to illustrate the beloved "Uncle Bump's" latest children's book. She adores Bump's earlier works and is anxious to meet this gentle fellow in New York. Imagine her shock to discover that Bump is actually a boozy, cynical, young man who despises all children. Appalled, she decides to expose him as a fraud. The author's publisher nearly goes bazinga when he thinks of all the money to be lost and so tells the teacher a whopper about how the writer became bitter after his wife died and left him with a troublesome son. This melts the teacher's heart and she decides to help out. But first she wants to speak to the boy. In desperation, the publisher pays a tough, wiseacre urchin to impersonate the nonexistent son. This tough little cookie helps to bring the two opponents closer and love blooms until she learns the truth. Broken-hearted and angry, the teacher returns to New England to marry an old beau. Fortunately, the cagey orphan, who has come to love them both, has a few aces up his sleeve and insures that the two are reunited. A happy family is born and romantic bliss ensues. ~ Sandra Brennan, All Movie Guide
- Starring:
- Van Johnson, June Allyson, (more)
A woman struggling to rebuild her life becomes the victim of uncharitable rumors in this sudsy drama. After the recent death of her husband, and with her sons away at school, Jessica Drummond (Barbara Stanwyck) is lonely and out of sorts -- and uninterested in the potential suitors her mother, Mrs. Kimball (Lucile Watson), chooses for her. Jessica joins her close friend Ginna Abbott (Eve Arden) on a skiing trip and meets Maj. Scott Landis (George Brent), a handsome man who is clearly attracted to her. Jessica makes it clear that she has no interest in a short-term fling, and upon returning home, she meets Frank Everett (Warner Anderson), a sweet but dull man whom she begins dating. Frank is willing to marry Jessica, but by chance she meets Scott again, and while she's not willing to be seduced by him, she finds him more exciting and alluring than Frank. As Jessica debates the merits of passion vs. security, she becomes the subject of mean-spirited gossipmongers who speculate that her relationship with Scott has become inappropriately intimate for a new widow. My Reputation was shot in 1944, but it wasn't released until 1946, as the studio believed that it would be better received after the end of WWII. ~ Mark Deming, All Movie Guide
- Starring:
- Barbara Stanwyck, George Brent, (more)
- 1945
Danny Kaye plays the first of his cinematic dual roles in Goldwyn's Wonder Man. Kaye appears as timid librarian Edwin Dingle and Edwin's extroverted twin brother, nightclub entertainer Buzzy Bellew. When Buzzy witnesses a gangland shooting, he himself is rubbed out by mob boss Ten-Grand Jackson (Steve Cochran, in his movie debut). Before long, Edwin is visited by Buzzy's ghost, who persuades his bookish brother to help bring Jackson to justice. For the rest of the film, poor Edwin is possessed by his brother's sportive spirit, causing no end of confusion for Edwin's demure lady friend Ellen Shanley (Virginia Mayo) and Buzzy's more outgoing girlfriend, dancer Midge Mallon (Vera-Ellen, also making her first film appearance). Done up in splashy Technicolor, Wonder Man is perhaps Kaye's best Goldwyn-produced vehicle, permitting him to play a character (or characters) rather than a caricature. Highlights include an opera spoof (a variation of which showed up in Kaye's 1954 feature Knock on Wood), Danny's allergic rendition of "Otchi Chornya," and a wonderful vignette wherein Kaye imitates all the "inhabitants" of a pet shop. ~ Hal Erickson, All Movie Guide
- Starring:
- Danny Kaye, Virginia Mayo, (more)
The racy, ribald Cole Porter musical Du Barry Was a Lady is here given a thorough dry-cleaning by prudish MGM. Richard "Red" Skelton takes over the role of Louis Blore (played on Broadway by Bert Lahr), while Lucille Ball steps into the shoes of the original play's Ethel Merman. The story proposes that Blore is a men's room attendant in a New York nightclub who has a yen for gorgeous showgirl May Daly (Lucille Ball). After drinking a potent mixture, Louis dreams that he is King Louis XV of France, and May is the magnificent Madame Du Barry. Also showing up in Louis' dream is Alex Howe (Gene Kelly), who in "real life" is the guy who ends up with May at fade out-time. It's hard to determine what's more fun to watch in Du Barry Was a Lady: the three stars, the antics of supporting player Zero Mostel, or the incredible sequence in which Tommy Dorsey & His Band -- including drummer Buddy Rich -- perform in 18th century garb and powdered wigs. Five of the original Cole Porter songs are retained for this Technicolor-ful film: "Katie Went to Haiti," "Do I Love You, Do I?," "Well, Did You Evah?," "Taliostro's Dance,", and, best of all, "Friendship." ~ Hal Erickson, All Movie Guide
- Starring:
- Red Skelton, Lucille Ball, (more)
In Old Oklahoma is better known today by its reissue title, War of the Wildcats. John Wayne heads the cast as oil man Dan Somers, who carries on a bitter feud with his crooked rival Hunk Gardner (Albert Dekker). Furthering the animosity between the two men is schoolteacher-turned-novelist Catherine Allen (Martha Scott), with whom both Dan and Hunk fall in love. The main story and the romantic second story both come to a head when Dan is offered a valuable contract if he can deliver an oil shipment within a specific deadline. Naturally, Hunk does everything he can to keep Dan from fulfilling his contract, resulting in a thrill-packed chase sequence that served as stock footage for many a future Republic western and serial. A pre-Roy Rogers Dale Evans costars as sexy dancehall chanteuse "Cuddles" Walker. ~ Hal Erickson, All Movie Guide
- Starring:
- John Wayne, Martha Scott, (more)
- 1943
If you believe all-American Fred MacMurray as an Oxford don, you'll probably swallow the rest of Above Suspicion. Newly married to Joan Crawford, MacMurray goes on a honeymoon in prewar Germany. Actually it's more business than pleasure: they are secret agents for the British, attempting to smuggle back information about a new superweapon being developed by the Nazis. Evil, mean, cruel and also wicked German officer Basil Rathbone imprisons and tortures Crawford (though she still looks like a million bucks), but McMurray comes to the rescue, paving the way for a suspenseful race-to-the-border climax. The tenor of Above Suspicion can be summed up in a scene in which, after being confronted by a monolingual stormtrooper, Fred MacMurray says in English "Nuts to you, dope!," whereupon the Nazi scratches his head and wonders aloud, "Vass iss das 'dope'?" ~ Hal Erickson, All Movie Guide
- Starring:
- Joan Crawford, Fred MacMurray, (more)
- 1942
Everybody seems to have had a good time making the overripe melodrama The Hidden Hand, especially cadaverous Milton Parsons as insane-asylum escapee John Channing. In her efforts to protect her brother from the authorities, John's sister Lorinda (Cecil Cunningham) opens the door for a series of grisly murders. Hero Peter Thorne (Craig Stevens) and heroine Mary Winfield (Elizabeth Fraser) try to stop John before he overracts-er, kills-again. Absolutely impossible to take seriously, The Hidden Hand is nonetheless worth a glance, if for no other reason than to see perennial bit player Parsons in a juicy leading role. The film was based on Invitation to a Murder, a play by Rufus King. ~ Hal Erickson, All Movie Guide
- Starring:
- Craig Stevens, Elisabeth Fraser, (more)
- 1942
In this WW II spy comedy, an American pilot stationed in England is flying a routine mission when the Nazis shoot down his plane. He ends up seeking shelter in the home of an unhappily married Dutch woman. She covers for the pilot by introducing him as her mentally unbalanced but basically harmless husband. A Nazi major has taken over her home, and mayhem ensues when he and her "husband" meet. In the end, the pilot steals a German plane and takes the woman safely to England. The film is also known as Yank in Dutch. ~ Sandra Brennan, All Movie Guide
- Starring:
- Joan Bennett, Franchot Tone, (more)
- 1942
Once Upon a Thursday was the original released title of The Affairs of Martha, a 1942 Marsha Hunt vehicle from the MGM B-picutre mills. The delightful Hunt plays Martha Lindstrom, a humble maid for the Sommerfield family. Falling in love with young Jeff Sommerfield (Richard Carlson), she marries him in a secret ceremony. As a source of extra income, Martha writes a pseudonymous autobiography, throwing her community into an uproar, since every family assumes that it is their maid who has penned the best-selling tome. Deftly directed by Jules Dassin, The Affairs of Martha was given a surprisingly big buildup by MGM, including a preferred slot in the studio's annual coming-attractions trailer; the extra "push" paid off at the box-office in spades. ~ Hal Erickson, All Movie Guide
- Starring:
- Marsha Hunt, Richard Carlson, (more)
- 1942
The final pairing of Jeanette MacDonald and Nelson Eddy, an adaptation of a Rodgers & Hart musical, stars Eddy as a playboy who fantasizes that he is romancing an angel (MacDonald). ~ Jason Ankeny, All Movie Guide
- Starring:
- Jeanette MacDonald, Nelson Eddy, (more)
- 1942
Just before entering the armed services, Gene Autry delivered one of his best Republic westerns, Cowboy Serenade. Many of Autry's previous vehicles had suffered from too much music and not enough action. Happily, Cowboy Serenade struck the happy medium common to Autry's vintage 1930s efforts. There's even time for a mystery angle as Autry tries to ascertain the identity of the head of a crooked gambling ring. Autry's leading lady this time out is Fay McKenzie, in real life the sister-in-law of comedian Billy Gilbert. ~ Hal Erickson, All Movie Guide
- Starring:
- Gene Autry, Smiley Burnette, (more)
- 1942
This third film version of the hectic Margaret Mayo-Salisbury Field stage farce Twin Beds officially stars George Brent and Joan Bennett, but it's Mischa Auer's picture all the way. Newlyweds Mike and Julia Abbott (Brent and Bennett) can never be "alone at last" thanks to the unwelcome drop-ins by their friends, including flamboyant Russian musician Nicolai Cherupin (Auer) and his wife Sonya (Glenda Farrell), and by Julia's ex-beau Larky (Ernest Truex) and his wife Lydia (Una Merkel). Seeking to escape their well-meaning but intrusive chums, Mike and Julia move into a luxury apartment, only to discover that their next-door neighbors are?.you guessed it. The fun begins when the drunken Nicolai wanders into Julia's boudoir by mistake. Attempting to hide Nicolai's presence from Mike, Julia gets deeper and deeper in trouble when Sonya shows up demanding to know her husband's whereabouts. Just when it seems that things can't get any worse, who should arrive on the scene but Larky, in hot pursuit of a nonexistent burglar. Twin Beds is one of several screwball comedies (Nothing Sacred, Rage of Paris, My Man Godfrey) currently available on the Public Domain video circuit. ~ Hal Erickson, All Movie Guide
- Starring:
- George Brent, Joan Bennett, (more)
- 1942
In providing the "synopsis" for Are Husbands Necessary?, one best-selling film source says merely "And what about this film?" There's more to the story than that, of course--but not much. The film was based on Mr. and Mrs. Cugat, a novel by Frank Davis. Ray Milland and Betty Field play a warring married couple who hope to patch up their differences by adopting a baby. When Milland's ex-flame Patricia Morrison shows up unexpectedly, the fur flies. ~ Hal Erickson, All Movie Guide
- Starring:
- Ray Milland, Betty Field, (more)
- 1942
Written by real-life intelligence agent Ladislas Fodor, Cairo is both a spoof of espionage thrillers and a good-natured refutation of Jeanette MacDonald's established screen image (it was her last film on her MGM contract). MacDonald plays wisecracking movie star Marcia Warren, who while "between pictures" in London hires fellow American Homer Smith (Robert Young) as her butler. What Marcia doesn't know is that Smith is an American newspaperman, who strongly suspects that our heroine is a Nazi spy (the real enemy agent is played by Mona Barrie, who looks not at all like dear Marcia). All such misunderstandings are forgotten once the principal characters end up in Cairo, with Marcia and her maidservant Cleona (Ethel Waters) pitching in to help Smith break up an Axis espionage ring. There are "in jokes" aplenty in Cairo, ranging from Jeanette MacDonald's flippant reference to her 1936 film hit San Francisco to the "it's only a movie, folks" closing shot. The music isn't bad, either. ~ Hal Erickson, All Movie Guide
- Starring:
- Jeanette MacDonald, Robert Young, (more)
- 1941
In this comedy, the marital conflicts between a meek banker and his nagging wife are chronicled. First they fight over their daughter's future. His snooty, domineering wife wants her to marry a wealthy man, but he, realizing that she really loves the humble delivery boy for the bakery encourages he to follow her heart. Meanwhile, the wife tries to browbeat her husband into attending a posh mountain resort with her. He weasels out by claiming that he must journey to Washington to meet with the vice president. He does not mention that it is Washington, Oklahoma where he plans to do a little fishing. Upon his return he is shocked to discover that the whole town, believing that he has really important political connections, has come out to welcome him home. Not wanting to lose his credibility, the banker uses a variety of convoluted techniques to maintain the illusion until the real Vice President appears and helps him out. ~ Sandra Brennan, All Movie Guide
- Starring:
- Leon Errol, Mildred Coles, (more)
- 1941
Charles Boyer and Margaret Sullavan star in this adaptation of Fannie Hurst's tearjerking novel about a woman who chooses to stand beside a man who cannot marry her. Rae (Margaret Sullavan) is a woman from Ohio who meets a dashing gentleman from out of town, Walter (Charles Boyer). They soon fall for each other, but he's due to leave town shortly. As he's about to leave, he calls her from the ship with a question: there's a minister on board who can marry them. Will she join him? As she dashes to the docks, she meets an old flame, and the delay causes her to miss the boat. Five years later, Rae is in New York City and unexpectedly runs into Walter; assuming that she left him behind intentionally, he married another woman. When he realizes that she still loves him, they begin an affair. Rae is content to live her life as "the other woman" until Walter travels to Europe and neglects to call her when he returns; convinced that their romance is over, Rae goes back to Ohio and agrees to marry Curt (Richard Carlson), who loved her long ago. When Walter discovers that Rae has gone back home, he races to Ohio to reclaim her hand. This was the second film version of Back Street, following a 1932 adaptation starring Irene Dunne and John Boles and preceding a 1961 remake with Susan Hayward and John Gavin. ~ Mark Deming, All Movie Guide
- Starring:
- Charles Boyer, Margaret Sullavan, (more)
- 1941
In this romance, a wealthy young heiress marries an avaricious foreigner to please her father and then dreams of finding herself an all-American boy who falls in love her and not her fortune. Not surprisingly, her marriage falls apart and soon afterward, she falls in love with and marries a fellow who works in the necktie department of her daddy's store. She does not tell her husband that she is going to someday going to someday inherit the store. Meanwhile, her husband gets a series of promotions and is happy until the truth slips out. Enraged, he immediately goes to work for the company's biggest rival. Fortunately for the marriage, that is not the end of the story. ~ Sandra Brennan, All Movie Guide
- Starring:
- Kent Taylor, Wendy Barrie, (more)
Greer Garson is dignity and integrity personified in the role of the real-life Edna Gladney. After several life experiences which rival daytime drama for unrelenting misery and melodrama, Edna marries flour-mill owner Sam Gladney (Walter Pidgeon). They have a baby, who dies shortly after Edna discovers that she can never have any other children. To give her life some meaning, Edna sets up the Texas Children's Home and Aid Society, which specializes in caring for illegitimate children and offering them for adoption. After her husband's death, Edna becomes a powerful political figure, succeeding in removing the stigma of illegitimacy by having that word stricken from all future Texas birth certificates; in this way, she honors the memory of her own half sister, who had killed herself upon discovering she was born out of wedlock. MGM thought enough of Blossoms in the Dust to film the production in Technicolor, a luxury usually reserved in 1941 for musicals or Westerns. ~ Hal Erickson, All Movie Guide
- Starring:
- Greer Garson, Walter Pidgeon, (more)
- 1940
This touching romance is based on a play by Rachel Crothers. An aging sea captain squanders his fortune on a bad business deal. Now he faces having to put his beloved wife in a poor house. He himself also has no place to live. Desperate for cash, he sells interest in a ship he has nothing to do with. This money gets her in a decent home for old ladies. To be with her, he dresses as an old woman and goes to live in the home with her. Eventually the administrators allow him to stay and the other residents begin calling him "Old Lady 31." The fortunes of the couple changes after the brave old salt saves a shipwrecked schooner. The salvage rights restore his fortune and all is well. ~ Sandra Brennan, All Movie Guide
- Starring:
- Charles Coburn, Beulah Bondi, (more)
- 1940
John Barrymore provides an embarrassing spectacle in the semi-autobiographical role of a ham actor. Constantly in debt and always half-loaded, Barrymore accepts a role in an important play, which he nearly ruins by his intemperate antics. Anne Baxter plays a sincere young woman who tries to pull Barrymore back together. He makes a triumphant comeback, but there's always the chance that he'll be back to his old tricks before long. Tastelessly exploiting the real-life relationship between John Barrymore and Elaine Barrie, The Great Profile is supposed to be a comedy. Ha ha. ~ Hal Erickson, All Movie Guide
- Starring:
- John Barrymore, Mary Beth Hughes, (more)
Though Ginger Rogers' starring vehicles always turned a profit for RKO Radio, many filmgoers thought of Rogers only in terms of "Fred Astaire's partner." Others considered her a delightful comedienne, but no great shakes as a dramatic actress. Thus it was both a personal and professional triumph when Ms. Rogers walked home with an Oscar for her performance in Kitty Foyle. Based on Christopher Morley's Story of an American Girl, the film, told in flashback, relates the progress of working-girl Kitty Foyle (Ginger Rogers) as she pursues her Cinderella dreams. While employed at a department store, Kitty is wooed by Dennis Morgan, scion of a wealthy Philadelphia family. She flirts with the notion of marrying Morgan for his money, but decides that he's a bit too weak-willed for her tastes. Kitty enters into a romance with poor-but-dedicated doctor James Craig, then does an about-face by accepting Morgan's proposal. She quickly runs afoul of Morgan's snobbish family, who are so tightly bound by centuries-old tradition that Kitty is moved to exclaim "You mean to say you let all those dead people tell you what do?" She walks out on Morgan, then discovers that she's pregnant. Even after the trauma of delivering a stillborn child, Kitty is too proud to go back to Morgan. When true-blue Craig comes back into her life, Kitty, repeating her favorite phrase "By Judas Priest!", decides to forego money for love. Though successful to the tune of an $860,000 profit in 1940, Kitty Foyle seems stilted and over-rehearsed when seen today, save for the refreshing spontaneity of Ginger Rogers' performance. The film's best scene is the opening montage of the American Woman's "progress" once she enters the workplace (an uncredited Heather Angel is the central character in this delightful pantomimic vignette). Featured in the cast of Kitty Foyle is director Sam Wood's daughter Katherine Stevens, better known as K.T. Stevens. ~ Hal Erickson, All Movie Guide
- Starring:
- Ginger Rogers, Dennis Morgan, (more)
- 1940
A gold-digger facing middle-age decides to pass her special talents on to a younger woman. Her young student learns quickly and is soon raking in the dough from wealthy suckers, but when she falls in love with a handsome Texan, she abandons her golddigging ways. The older woman is appalled that she would go for mere romance when she could have glorious money. But the girl makes a good choice, especially when she discovers that her Texan is a cattle magnate worth millions. ~ Sandra Brennan, All Movie Guide
- Starring:
- Kay Francis, James Ellison, (more)
Lillian Russell is the sanitized musical biopic of the legendary (and much-married) 19th century musical comedy star. Discovered in 1880 by bandleader Tony Pastor (Leo Carrillo), Lillian Russell (Alice Faye) wastes no time rising to fame and fortune on the Broadway stage. Along the way, she curries the favor of such eligible bachelors as newspaperman Alexander Moore (Henry Fonda), composer Edward Solomon (Don Ameche), and railroad tycoon Diamond Jim Brady (Edward Arnold). She marries the first two, and has a high old time (albeit chastely) with the third. The story ends with Russell's retirement in 1912, and her reunion with the one true love of her life. The film's hands-down highlight is a timeworn but classic routine involving those two Broadway comedy giants Joe Weber and Lew Fields, both of whom had appeared on-stage with the real Lillian Russell. ~ Hal Erickson, All Movie Guide
- Starring:
- Alice Faye, Don Ameche, (more)
- 1940
Previously filmed in 1930 with Lawrence Tibbett and Grace Moore, the robust Sigmund Romberg operetta New Moon was given another airing in 1940 as Nelson Eddy-Jeanette MacDonald vehicle. Set in 18th century Louisiana, the story concerns the relationship between haughty plantation owner Marianne de Beaumanoir (MacDonald) and her handsome bondservant Charles (Eddy). Actually a French nobleman in disguise, Charles leads his fellow bondsman in revolt, commandeering a ship and heading out to sea. He ends up capturing a vessel carrying Marianne and a cargo of mail-order brides. Though the bondsmen and the brides get along just fine, the romance between Marianne and Charles is noticeably strained, but the French Revolution comes along to solve everyone's problems. The soaring Romberg musical score includes such favorites as "One Kiss", "Stout-Hearted Men" and "Lover Come Back to Me", all performed con brio by the stars. Comedian Buster Keaton, whose supporting role was cut from the final release print of New Moon, can still be glimpsed among the bondsmen. ~ Hal Erickson, All Movie Guide
- Starring:
- Jeanette MacDonald, Nelson Eddy, (more)
- 1939
It's "Never the Twain Shall Meet" time again in the MGM romantic melodrama Lady of the Tropics. The lady in question is half-caste Manon De Vargnes (Hedy Lamarr), a resident of prewar Saigon. American playboy Bill Carey (Robert Taylor) falls madly in love with Manon, but both have their crosses to bear: she is affianced to an Indochinese prince, and he is unable to secure a passport to bring her back to the United States. Adding to the dilemma is influential bureaucrat Pierre Delaroch (Joseph Schildkraut), who agrees to arrange an exit visa for Manon in exchange for a few "favors." Nothing good can come from this, and nothing does. ~ Hal Erickson, All Movie Guide
- Starring:
- Robert Taylor, Hedy Lamarr, (more)
