Finlay Currie Movies

In this episode of the cult-favorite TV series The Prisoner, Number 6 (Patrick McGoohan) appears to be developing an artistic side when he begins work on a series of sculptures for an art exhibit. What his captors do not realize is that they can be assembled into a boat, and Number 6 uses them to sail away from the Village. In time, Number Six reaches England, where he returns to the offices of the espionage organization from which he attempted to resign, only to discover he's fallen into a trap. Leo McKern plays Village leader Number Two in this episode, while Finlay Currie and Nadia Gray highlight the supporting cast. ~ Mark Deming, All Movie Guide

Though Fall of the Roman Empire is now infamous as the epic which destroyed the cinematic "empire" of producer Samuel Bronston, the film is actually an above-average historical drama, attempting to make sense of the political intrigues which resulted in the dissolution of the Glory That Was Rome. The film begins with wise, diplomatic emperor Marcus Aurelius (Alec Guinness) calling together the various representatives of the many nations within the Empire as a means of securing peace and prosperity for all involved. When Marcus intimates that he intends to turn over his crown to adopted son Livius (Stephen Boyd) rather than the logical successor Commodus (Christopher Plummer), he is poisoned by one of Commodus' cronies. Marcus' daughter Lucilla (Sophia Loren) tries to get Livius to claim the throne, but he wants no part of it; thus, the fate of the empire is in the incompetent hands of the preening Commodus. Despite efforts by cooler heads to save Rome from ruin, Commodus vainly declares himself a god and kills anyone who poses a threat to him. When he learns that Lucilla actually has a stronger claim to the throne than he does, Commodus condemns her to be burned at the stake. Only then does Livius intervene, slaying Commodus and promising to try to pick up the pieces of the disintegrating empire. Attempting to find a common ground between history buffs and action fans, Fall of the Roman Empire has come to be regarded as a classic. Alas, audiences in 1964 had grown weary of epics (especially after the highly touted but disappointing Cleopatra), and failed to turn out in sufficient enough numbers to justify Fall's exorbitant cost. Virtually wiped out, Samuel Bronston would not be able to return to filmmaking until 1971, and then only on a much smaller and more pinchpenny scale. ~ Hal Erickson, All Movie Guide

The most carefully laid plans of mice and crooks.... A gang of criminals plots the robbery of a bookmaking joint. Unfortunately, on the day of the heist, things go haywire and tragedy ensues. ~ Sandra Brennan, All Movie Guide

Billy Fisher (Tom Courtenay) is known to his blue-collar British mates as Billy Liar because of his vivid imagination. This film version of the Keith Waterhouse-Willis Hall stage play "visualizes" some of Billy's more outrageous fabrications. He periodically escapes the drudgery of his job at a funeral parlor by conjuring up impossible adventures, usually involving the conquest of women. In one of her first film roles, Julie Christie plays one of two "real" girls who wish that Billy would come down to earth and pop the question. Following this film adaptation, Billy Liar was transformed into a stage musical, and later resurfaced as a British TV series. ~ Hal Erickson, All Movie Guide

This is one of a series of competent murder mysteries directed by George Pollock based on the Agatha Christie character, Miss Marple. Margaret Rutherford stars as the grey-haired, wily sleuth who will not give up until all the pieces of a puzzle have been neatly put in place. This time around, an old village recluse is found dead and everyone except Miss Marple believes he had a heart attack. She is suspicious because four members of the dead man's family stand to benefit from his death, especially when a highly valuable painting is added into the kitty. As she follows her instincts and logic, a few more murders eliminate the same number of suspects, and Miss Marple is compelled to lend haste to her investigation before someone else turns up dead. ~ Eleanor Mannikka, All Movie Guide

Based on Anthony Kimmins' stage success The Amorous Prawn, this British light comedy stars Joan Greenwood as the wife of an Army general (Cecil Parker). Having fallen upon hard times, the wife hits upon a scheme to raise some quick cash. She opens her husband's highland headquarters to visiting salmon fishermen, a circumstance that displeases the general when several of those anglers turn out to be handsome young men. On the assumption that American audiences would think The Amorous Prawn was a film about shrimp instead of salmon, the US distributor added the "Mr." to the original. When filmgoers failed to respond, the picture was re-retitled The Playgirl and the War Minister, a shameless attempt to exploit the then-current Profumo political scandal. ~ Hal Erickson, All Movie Guide

The British The Inspector was released in the U.S. as Lisa. Dolores Hart plays Lisa Held, a Dutch Jewish girl who has survived the horror of Auschwitz. Anxious to leave Holland for Israel, Lisa enlists the aid of Dutch police inspector Stephen Boyd. He does all he can to help Lisa, hoping in this way to atone for his unwillingness to protect Jews from the Nazis during the war. Terrified at the prospect of a barrage of interrogations before being granted a pass, Lisa flees Holland by "illegal" means, travelling from country to country en route to the Holy Land. The Inspector marked the next-to-last film appearance of Dolores Hart before she left Hollywood behind to become a nun. ~ Hal Erickson, All Movie Guide

This Edgar Wallace-based second feature headlines Bernard Lee, the beloved 5 of the James Bond pictures. Here Lee is a Scotland Yard inspector, baffled by a seemingly unrelated string of murders. The link between these homicides is the silver key of the title, which yields surprising results. It takes Lee very nearly the whole 59 minutes to unravel the mystery, thus Clue of the Silver Key is paced more like a serial episode than a standard British mystery. The film was the ninth in producer Jack Greenwood's 47-installment series of Edgar Wallace thrillers. ~ Hal Erickson, All Movie Guide

This penultimate film by director Michael Curtiz, perhaps best known for his 1942 Casablanca, is a verbose, routine religious drama on the life of St. Francis of Assisi. After quickly passing over St. Francis' early life as the son of a wealthy cloth merchant in Assisi, the story notes his talents in and out of battle. St. Francis hears the call to the cloth (in his hagiography, the call was repeated several times before he finally responded completely), and gives up all his worldly goods to dedicate himself to God. The main focus of attention is then on his relationship to Clare (Dolores Hart) a young aristocratic woman who was so taken with St. Francis that she left her family and became a nun. St. Francis by this time (1212 A.D.) had a well-established reputation for his vows of poverty, and aside from the dubious aspersions cast on his interest in Clare, the drama goes on to note miracles and other aspects of his life, up to and including his death on October 3, 1226. ~ Eleanor Mannikka, All Movie Guide

This is an indecisive, ultimately unconvincing wartime drama set in the 1930s when Spain was caught in a bloody civil war, a situation that is never clearly delineated in that the story supports the fascists without specifically saying so. The hero is a voluntarily defrocked priest, Arturo Carrera (Dirk Bogarde) who is being hunted by the leftist, anti-clerical, and anti-fascist forces. While on the run himself, he encounters a beautiful prostitute, Soledad (Ava Gardner) and as sure as the sun rises, the two fall in love and stay together. Eventually, they are both caught by the anti-Franco fighters who are trying to get their hands on a precious holy relic. The ex-priest is trapped into making a no-win decision between his love for Soledad and his love for the church while she has a similar but more tragic decision to make on her own. ~ Eleanor Mannikka, All Movie Guide

Irving Rapper's film is a dramatization of the Old Testament tale of Joseph, who ascends from slavery to the position of minister in the court of the pharaoh. ~ Jason Ankeny, All Movie Guide

This enjoyably twisted British thriller was shot back-to-back with the equally warped Haunted Strangler and is one of the first films of any genre to address the subject of drug addiction. It stars Boris Karloff as Dr. Thomas Bolton, a London surgeon who believes he has developed a safe and effective anesthetic serum which he hopes will revolutionize the world of medicine. Unfortunately, a demonstration of the drug before a panel of his peers ends in a horrific mishap -- with his patient awakening under the knife -- and he is forced to leave his position in disgrace. To complicate matters, Bolton has become addicted to his own concoctions and is forced to enter an illicit arrangement, forging death certificates for a pair of grave-robbers (including Christopher Lee) in exchange for a regular fix and the means to continue his experiments. As one would imagine, this shady partnership leads him further down the road to ruin, culminating in his unwitting participation in murder -- for which he becomes the victim of a blackmail scheme. Karloff's multi-layered performance is one of his finest, bringing a great deal of pathos to his tragic character. This film was also something of a turning point for Lee, who had already risen to international fame in many Hammer productions by the time this film was acquired by MGM for American distribution. ~ Cavett Binion, All Movie Guide