Finlay Currie Movies

In this spy adventure taken from the TV series The Saint, suave Simon Templar must stop a Sicilian Mafioso from succeeding on his personal vendetta. ~ Sandra Brennan, Rovi

Based on the mystery novel by Marryam Modell (using the pseudonym Evelyn Piper), Bunny Lake Is Missing is a bizarre study in motherhood, kindness, enigma, and insanity. Ann Lake (Carol Lynley), an American freshly relocated to England, wishes to drop off her daughter Bunny for the girl's first day at a new nursery school. Oddly, Ann cannot locate any teachers or administrators, only the school's disgruntled cook (Lucie Mannheim). She is forced to leave Bunny unsupervised in the building's "first day" room, under the reassurance that the cook will be responsible for the child. When Ann returns in the afternoon, the cook has quit and Bunny Lake is missing. The school's remaining employees vehemently deny ever seeing the child, and Ann desperately calls her older brother Stephen (Keir Dullea) for help. Ann was raised fatherless and never married; she and Bunny have lived under Stephen's care and protection for the majority of both their lives. Stephen is enraged by the irresponsibility of the staff, but as Scotland Yard begins its investigation, it comes to light that he had never officially enrolled a child at the school. When Police Superintendent Newhouse (Laurence Olivier) begins to unravel the Lakes' lives and search their belongings, he discovers that not only did Ann once have an imaginary childhood daughter named "Bunny," but that the young Bunny seemed to have no tangible possessions at the Lake apartment. Bunny Lake (whom we have yet to see onscreen) may not be missing: she may not even be real. Terrified that Newhouse will now abandon the search for the girl, the hysterical Ann sets out to prove her sanity and, in the process, surprisingly uncovers the true psychosis behind the disappearance of her little Bunny Lake. ~ Aubry Anne D'Arminio, Rovi

Though Fall of the Roman Empire is now infamous as the epic which destroyed the cinematic "empire" of producer Samuel Bronston, the film is actually an above-average historical drama, attempting to make sense of the political intrigues which resulted in the dissolution of the Glory That Was Rome. The film begins with wise, diplomatic emperor Marcus Aurelius (Alec Guinness) calling together the various representatives of the many nations within the Empire as a means of securing peace and prosperity for all involved. When Marcus intimates that he intends to turn over his crown to adopted son Livius (Stephen Boyd) rather than the logical successor Commodus (Christopher Plummer), he is poisoned by one of Commodus' cronies. Marcus' daughter Lucilla (Sophia Loren) tries to get Livius to claim the throne, but he wants no part of it; thus, the fate of the empire is in the incompetent hands of the preening Commodus. Despite efforts by cooler heads to save Rome from ruin, Commodus vainly declares himself a god and kills anyone who poses a threat to him. When he learns that Lucilla actually has a stronger claim to the throne than he does, Commodus condemns her to be burned at the stake. Only then does Livius intervene, slaying Commodus and promising to try to pick up the pieces of the disintegrating empire. Attempting to find a common ground between history buffs and action fans, Fall of the Roman Empire has come to be regarded as a classic. Alas, audiences in 1964 had grown weary of epics (especially after the highly touted but disappointing Cleopatra), and failed to turn out in sufficient enough numbers to justify Fall's exorbitant cost. Virtually wiped out, Samuel Bronston would not be able to return to filmmaking until 1971, and then only on a much smaller and more pinchpenny scale. ~ Hal Erickson, Rovi

The most carefully laid plans of mice and crooks.... A gang of criminals plots the robbery of a bookmaking joint. Unfortunately, on the day of the heist, things go haywire and tragedy ensues. ~ Sandra Brennan, Rovi

Billy Fisher (Tom Courtenay) is known to his blue-collar British mates as Billy Liar because of his vivid imagination. This film version of the Keith Waterhouse-Willis Hall stage play "visualizes" some of Billy's more outrageous fabrications. He periodically escapes the drudgery of his job at a funeral parlor by conjuring up impossible adventures, usually involving the conquest of women. In one of her first film roles, Julie Christie plays one of two "real" girls who wish that Billy would come down to earth and pop the question. Following this film adaptation, Billy Liar was transformed into a stage musical, and later resurfaced as a British TV series. ~ Hal Erickson, Rovi

This is one of a series of competent murder mysteries directed by George Pollock based on the Agatha Christie character, Miss Marple. Margaret Rutherford stars as the grey-haired, wily sleuth who will not give up until all the pieces of a puzzle have been neatly put in place. This time around, an old village recluse is found dead and everyone except Miss Marple believes he had a heart attack. She is suspicious because four members of the dead man's family stand to benefit from his death, especially when a highly valuable painting is added into the kitty. As she follows her instincts and logic, a few more murders eliminate the same number of suspects, and Miss Marple is compelled to lend haste to her investigation before someone else turns up dead. ~ Eleanor Mannikka, Rovi

In 1963, this colossal and opulent $60 million spectacular was epic in every sense of the word -- an epic investment, an epic in the annals of Hollywood gossip, and, ultimately, an epic flop that nearly dragged 20th Century Fox down the Nile along with Cleopatra's barge. Handsomely mounted by Joseph L. Mankiewicz, who replaced Rouben Mamoulian as director after six days of shooting), the drama follows the eighteen tumultuous years that led to the founding of the Roman Empire. Cleopatra (Elizabeth Taylor) meets up with Julius Caesar (Rex Harrison) and plans to lure Caesar to her boudoir in order to forge an alliance with Rome so that she may hold on to her Egyptian empire. When Caesar is stabbed to death in the Roman Senate, Cleopatra is left without an ally, and Egypt is up for grabs. When Roman general Mark Antony (Richard Burton) comes along, she seduces him in order to make him over into her new protector. But, under the charms of Cleopatra, Mark Antony is reduced from a an awesome and dominating general to a sniveling, drunken wimp. At the Battle of Actium, Mark Antony is defeated and Cleopatra withdraws her troops, dooming Mark Antony and his army. With Egypt in peril, Antony and Cleopatra, the doomed lovers, meet each other for the last time, as the enemy forces close in. ~ Paul Brenner, Rovi

In this biblical epic, the rise of the humble Joseph from hapless slave to prophet and advisor to the Pharoah is chronicled. ~ Sandra Brennan, Rovi

Three losing crooks are featured as Stooge-like misfits (sans slapstick) in this conventional comedy by director Michael Truman. Bernard (Dave King) is the ringleader, while Harry and Alfie (Daniel Massey and Norman Rossington) do their best to contribute to the trio's success -- and fail each time. First the group screw up their escape after a robbery because they are stuck in traffic by a fire engine. That gives them the idea of getting a fire engine to pull off a heist, and that goes wrong because they are detoured to a real fire. Next, they recruit an ex-fireman with a record for setting blazes himself (Robert Morley) in the hopes that a decoy fire can take attention away from the bank they want to rob. With their batting average, the bank seems fairly safe. ~ Eleanor Mannikka, Rovi

This Ernie Kovacs cult comedy was the last film directed by Mario Zampi and follows the exploits of Aldo Bondi (Kovacs) who earns his living off wealthy widows. When he consoles the beautiful and impoverished Baroness Sandra (Cyd Charisse), he makes the mistake of falling in love with her. That gets him into a complex con game with three other widows and a huge sum of money, meant to be invested to earn a bundle based on the five-hour time difference between the East coast of the U.S. and Europe. Bondi gets into one tight situation after the next, as his loot is stolen by the Baroness and he needs a way to save his skin. ~ Eleanor Mannikka, Rovi

MGM's all-star 1960 filmization of The Adventures of Huckleberry Finn surgically removes the sociological subtext of Mark Twain's novel in the interests of "entertainment for the whole family." The emphasis is on the adventuresome escapades of Huck (Eddie Hodges) and fugitive slave Jim (played by boxing champ Archie Moore), and on the comic elements inherent in the characters of the King (Tony Randall) and the Duke (Mickey Shaughnessy). In the manner of Around the World in 80 Days, every role is filled by a "name" actor: featured in the cast are Judy Canova, Andy Devine, Buster Keaton, Sterling Holloway, Finlay Currie, Josephine Hutchinson and John Carradine. ~ Hal Erickson, Rovi

This is an indecisive, ultimately unconvincing wartime drama set in the 1930s when Spain was caught in a bloody civil war, a situation that is never clearly delineated in that the story supports the fascists without specifically saying so. The hero is a voluntarily defrocked priest, Arturo Carrera (Dirk Bogarde) who is being hunted by the leftist, anti-clerical, and anti-fascist forces. While on the run himself, he encounters a beautiful prostitute, Soledad (Ava Gardner) and as sure as the sun rises, the two fall in love and stay together. Eventually, they are both caught by the anti-Franco fighters who are trying to get their hands on a precious holy relic. The ex-priest is trapped into making a no-win decision between his love for Soledad and his love for the church while she has a similar but more tragic decision to make on her own. ~ Eleanor Mannikka, Rovi

Irving Rapper's film is a dramatization of the Old Testament tale of Joseph, who ascends from slavery to the position of minister in the court of the pharaoh. ~ Jason Ankeny, Rovi