Peggy Cummins Movies

Gamboling along in a series of sketches without great regard for anything except the next joke, this is a light-minded, unevenly funny comedy by family-oriented director Don Chaffey, put together not long before he began working for Disney studios. At the nexus of the action are David (Bob Monkhouse) and Brian (Ronnie Stevens), two students in the dental school, and Sam (Kenneth Connor) the petty thief who tricks them into selling stolen dental equipment. Humor derives from the antics of the two students after they discover the truth, as Brian the thief poses as a dental student. The usual college staff of deans and secretaries and lecturers throw in extra comic fodder. ~ Eleanor Mannikka, All Movie Guide

A typical light comedy based on a novel by Richard Gordon, The Captain's Table has director Jack Lee at its own helm, riding high on the success of his 1956 A Town Like Alice. Captain Ebbs (John Gregson) brings a part of his freighter experience with him as he takes charge of an ocean liner for the first time. He soon finds that the tactics that worked on the freighter do not work here, though his crew could use some discipline. His purser has sticky fingers, his chief officer has a roving eye, and the steward has his own problems. And then there are passengers like the secret heiress, the charming widow, the temptress, the would-be novelist, and the offensive VIP. Eventually, the captain catches on to the nuances of his new role, confident that he and the "Love Boat" can weather any storm. ~ Eleanor Mannikka, All Movie Guide

In this efficient British crime drama, Tom Yately (Stanley Baker) is an ex-con looking for honest work. He thinks he's found it when he takes a job as a truck driver, but he soon discovers that the trucking firm he's signed on with is not playing by the rules. Red (Patrick McGoohan), the company's best driver, and Cartley (William Hartnell), the manager, have created five fictional drivers who have been added to the payroll. The other staff drivers are given the shifts that the phony drivers are supposed to be working, while Red and Cartley divide their pay packets. When Tom attempts to expose the corruption at the trucking firm, he soon discovers that he's taken his life in his hands in the process. Keep an eye peeled for a supporting performance by a young Sean Connery (it was only his fifth screen role); the cast also includes Herbert Lom, Jill Ireland, Peggy Cummins, and David McCallum. ~ Mark Deming, All Movie Guide

Set in Ireland, The March Hare stars Terence Morgan as Sir Charles Hare, a wastrelly aristocrat who gambles away his family fortune. About to be evicted from his ancestral racing stables, Hare decides to stay on when he's mistaken for a groom by the new American owner's pretty daughter Pat Maguire (Peggy Cummins). Continuing to conceal his true identity, Hare helps Pat to raise a colt for racing purposes, leading to a lengthy but exciting Derby Day finale. Though The March Hare has lapsed into public domain, most existing prints retain the vivid color cinematography of Patrick Hildyard. The film was based on Gamblers Sometimes Win, a novel by Captain Field. ~ Hal Erickson, All Movie Guide

David Niven returns to his native England to star in the frothy comedy The Love Lottery. Niven plays a Hollywood movie star who is the "prize" in a lottery dreamed up by his press agent. The lucky lady who "wins" Niven will be able to spend a week in his company. Sensing the silliness of the whole enterprise, Niven promises publicly to marry the winner--and that's where starry-eyed fan Peggy Cummins enters the proceedings. Herbert Lom is the film's fly in the ointment, dogging Niven's trail to Italy to make certain that he keeps his promise. There's an amusing celebrity cameo in The Love Lottery, but to reveal the identity of the film's "special guest star" might spoil the viewer's fun. ~ Hal Erickson, All Movie Guide

Always a Bride stars Terence Morgan as an officer of the British Treasury who tells himself he's a honest man. Then he falls in love with Peggy Cummins, the daughter of a jovial swindler (Ronald Squire). Using privileged information, Morgan conspires with the father to separate several people from their earnings, then abscond with the swag. Things get sticky when tougher criminals who play for keeps become involved in the scheme. Always a Bride is consistently fun to watch, even when the plot threatens to overwhelm the comedy. ~ Hal Erickson, All Movie Guide

Street Corner was a marginally realistic study of British policewomen. The film takes its female cast through a typical day on the Chelsea beat. In the manner of Dragnet and The Blue Lamp, the skimpy plotline is merely there to string together several anecdotal incidents, illustrating that while a policewoman's lot is not a happy one, neither is it dull. Feminist film fans might point with pride to the fact that Street Corner was written and directed by a woman, Muriel Box. The fact that Box had been working in this capacity in the British film industry for years, while Hollywood had been relegating women to second-class status during the same period of time, is equally worthy of being pointed out. ~ Hal Erickson, All Movie Guide

Denied steady work in the U.S. because of his alleged left-wing political beliefs, Edward G. Robinson was obliged to seek out film roles elsewhere in 1950. My Daughter Joy stars Robinson as self-made businessman George Constantin, whose ruthlessness knows no bounds. In fact, Constantin hopes to control the economy of the world, thereby calling the shots for everything and everybody. Outside of his business activities, the only thing he cares about is his daughter Georgette (Peggy Cummins), known to everyone as Joy. As part of a scheme to gain a valuable material necessary for a top-secret project, Constantin arranges a marriage between Joy and the son of a Middle Eastern potentate. But Joy is in love with journalist Larry Boyd (Richard Greene), who has been conducting an investigation of Constantin's questionable business practices. Constantin has every intention of squelching his beloved daughter's happiness for the sake of megalomania -- until he is devastated by the revelation of a deep, dark secret long held by his wife (Nora Swinburne). My Daughter Joy was released in the U.S. as Operation X. ~ Hal Erickson, All Movie Guide

The definitive Joseph H. Lewis-directed melodrama, Gun Crazy is the "Bonnie and Clyde" story retooled for the disillusioned postwar generation. John Dall plays a timorous, emotionally disturbed World War II veteran who has had a lifelong fixation with guns. He meets a kindred spirit in carnival sharpshooter Peggy Cummins, who is equally disturbed -- but a lot smarter, and hence a lot more dangerous. Beyond their physical attraction to one another, both Dall and Cummins are obsessed with firearms. They embark on a crime spree, with Cummins as the brains and Dall as the trigger man. As sociopathic a duo as are likely to be found in a 1940s film, Dall and Cummins are also perversely fascinating. As they dance their last dance before dying in a hail of police bullets, the audience is half hoping that somehow they'll escape the Inevitable. Some critics have complained that Dall is far too effeminate and Cummins too butch, but Joseph H. Lewis was never known to draw anything in less than broad strokes: recall the climax of Terror in a Texas Town, wherein Sterling Hayden participates in a western showdown armed with a whaler's harpoon. The best and most talked-about scene in Gun Crazy is the bank robbery sequence, shot in "real time" from the back seat of Dall and Cummins' getaway car. Originally slated for Monogram release, Gun Crazy enjoyed a wider exposure when its producers, the enterprising King Brothers, chose United Artists as the distributor. The film was based on a magazine article by MacKinlay Kantor; one of the scenarists was uncredited blacklistee Dalton Trumbo. ~ Hal Erickson, All Movie Guide

In this drama, set after the war, a WW II flying ace and hero comes to the aid of a hooker who is being harassed by a policeman. He pushes the abusive cop away during the tussle; the cop falls, hits his head, and dies. The former flier is promptly tried and given a three-year prison sentence. He escapes one night during a heavy fog. He is taken in by a caring woman who tries convincing him to surrender. The fugitive at first refuses, but then after seeking sanctuary in a church relents because he does not want the parson to have to lie on his behalf. His surrender is made easier by the knowledge that the woman will wait for him. ~ Sandra Brennan, All Movie Guide

A woman trying to solve the mystery of a friend's murder finds that she may be the next victim in this suspense story set in turn-of-the-century London. Belle Adair (Peggy Cummins) is a struggling showgirl willing to use her charms to snare an eligible bachelor. When her roommate is murdered, Belle's suspicions turn to Michael Drego (Victor Mature), the wealthy but mysterious gentlemen whom the late woman had been dating. Belle pulls some strings and gets an invitation to dine at the estate that Michael shares with his mother, Lady Sterling (Ethel Barrymore); she learns that Michael has a new fiancée, Audrey (Patricia Medina). When Audrey later dies under suspicious circumstances, Inspector Clinner (Vincent Price) from Scotland Yard is assigned to investigate, and he finds himself protecting Belle when the murderer begins following her trail. Keep an eye peeled for horror movie great George Zucco, who plays Craxton. ~ Mark Deming, All Movie Guide

Like the better-known (and more popular) A Canterbury Tale, Welcome Mr. Washington is a sometimes amusing, sometimes poignant dramatization of what happened when American troops "invaded" England during WW II. Dismissed as "overpaid, oversexed and over here," the Yanks face some hostility while trying to adjust to British manners and mores. But when a farming community finds itself dangerously short-handed at harvest time, the American GIs pitch in and help their British brethren in true "hands across the sea" fashion. Real-life American army lieutenant Donald Stewart is cast as the nominal romantic lead, his lack of professional polish all the more obvious in his scenes with the talented Barbara Mullen. The film is stolen by Peggy Cummins as a precocious teenager, some three years before Cummins was brought to Hollywood to star in Forever Amber (which, as it turned out, she didn't). ~ Hal Erickson, All Movie Guide