Martha de Laurentiis Movies

Director Robert Rodriguez revives the sexy space heroine originally created by French artist Jean-Claude Forest and memorably portrayed by Jane Fonda in the 1968 science fiction film for this scintillating space adventure set in the distant future. Screenwriters Neal Purvis and Robert Wade collaborate on the script, with Rose McGowan stepping into the lead role. ~ Jason Buchanan, All Movie Guide

Co-adapted by Tom Butterworth and Jez Butterworth from Valerio Massimo Manfredi's best-selling historical adventure novel, Doug Lefler's period epic The Last Legion unfurls in 470 A.D., just prior to the fall of the colossal Roman Empire. As the most recent in a long line of caesars, a young Roman child, Romulus (Thomas Sangster), is poised to inherit the throne -- until Germanic forces invade, lay siege to the city, and brutally murder his parents. At the last second, with his life hanging by a thread, Romulus receives the protection of military commander Aurelius (Colin Firth), who assembles a cadre of rebels, including Romulus, the boy's magician instructor, Ambrosinus (Sir Ben Kingsley), and the Indian female warrior Mira (Aishwarya Rai). After Romulus discovers an enchanted sword once claimed by Julius Caesar, the troupe heads out to the province of Britannia and Hadrian's Wall. There, the men will regroup with the Ninth Legion and plan one final triumphant stand against the barbarian invaders of Rome. ~ Nathan Southern, Rovi

Following the phenomenal success of The Silence of the Lambs and Hannibal, Anthony Hopkins returns as brilliant madman Hannibal Lecter in this thriller based on the novel in which author Thomas Harris introduced the character. Will Graham (Edward Norton) is an FBI agent with a rare gift for tracking serial killers who brought Hannibal Lecter to justice; however, his confrontation with Lecter proved to be a bloody, near-death experience, and afterward Graham retired from the Bureau, moving to Florida to spend his time with his wife, Molly (Mary-Louise Parker), and their son. However, a particularly grisly killer is on the loose, and Jack Crawford (Harvey Keitel), Graham's one-time mentor at the Bureau, asks him to return to duty to find him. The "Tooth Fairy" is a vicious murderer who kills entire families at once, covering the eyes of his victims with bits of a shattered mirror. Graham finds he needs help putting together the pieces of the "Tooth Fairy" case, and he calls upon Lecter looking for advice. Lecter, at once vaguely helpful and self-serving, as usual, offers scraps of information to Graham which help him zero in on the killer. But Lecter knows more than he's telling; the "Tooth Fairy" is actually Francis Dolarhyde (Ralph Fiennes), a troubled and withdrawn man who admires Lecter's violent panache and corresponds with him. Dolarhyde works at a film processing lab, where one of his co-workers, a blind woman named Reba McClane (Emily Watson), seems to be quite attracted to him. As Dolarhyde wrestles with both his murderous impulses and his feelings for McClane, Lecter plays Graham and Dolarhyde against one another so that, as the FBI agent comes closer to catching "the Tooth Fairy," Dolarhyde moves in on his next victim -- Graham's family. Red Dragon marked the second time Harris' novel of the same name had been brought to the screen; five years prior to The Silence of the Lambs, Michael Mann adapted the book for the screen as Manhunter, which starred William Petersen as Graham and Brian Cox as Lecter. ~ Mark Deming, Rovi

In this World War II action thriller, American reconnaissance agents learn that a German submarine is sinking. The doomed ship carries an Enigma Machine, a special coding device that allows high-level Axis forces to send messages that can't be read without a similar encryption mechanism. Obtaining a working Enigma device would be invaluable for the Allied war effort, so a U.S. sub is sent out to rescue the machine. However, German forces have already picked up the sub's distress signal and are en route to rescue their comrades. U-571 features a distinguished cast, including Matthew McConaughey, Bill Paxton, Harvey Keitel, and Jon Bon Jovi. ~ Mark Deming, All Movie Guide

Iconoclastic director John Dahl used a screenplay by John Geddie as the basis for this far-fetched story of a man -- suspected of killing his wife -- who borrows murder victims' memories to track the real culprit. Ray Liotta plays Dr. David Krane, a Seattle medical examiner charged with murdering his wife Cara (Caroline Elliot). Charges are dropped because a police officer mishandled evidence. Krane has recovered from alcoholism and is obsessed with proving his innocence. While investigating a store shooting, he discovers clues that convince him that the murderer also killed his wife. Krane attends a lecture by researcher Dr. Martha Briggs (Linda Fiorentino), who is studying a technique to transfer memory that involves injecting rats with the spinal fluid of other rats combined with a serum that she has perfected. Krane steals the serum, breaks into a police evidence room and steals his wife's spinal fluid, and injects himself, even though Briggs has warned that the technique may lead to heart attacks in humans. It's not until Krane has injected himself with the fluid of the store shooting victims that he gets a clear picture of the presumed killer, Eddie Dutton (Kim Coates). ~ Michael Betzold, Rovi

The Desperate Hours directed by Michael Cimino, is an attempt to remake the Humphrey Bogart classic of the same name with indifferent results. Bosworth (Mickey Rourke), a brutal criminal on the run with his partners, takes over a house occupied by an unhappily married couple Nora (Mimi Rogers) and Tim (Anthony Hopkins) and their young son and daughter. Bosworth has escaped from jail with the help of his defense attorney Nancy Breyers (Kelly Lynch). The film focuses on the interactions of the family and Bosworth as he plans his escape to Mexico. Cimino wastes little time in developing the characters or explaining the implausible premise that Bosworth would chose an occupied house and hold an innocent family captive when the logical choice would be to lay low and wait for his chance to escape. Both Hopkins and Rourke, usually excellent actors, give wildly over-the-top performances, aided by the lurid, over-written dialogue of the screenplay and the badly paced, ill-conceived direction by Cimino, which instead of creating tension and suspense, simply confuses the already muddled and incomprehensible plot. The Desperate Hours is a pale example of the original with little to recommend it. ~ Linda Rasmussen, Rovi

In director/writer Curtis Hanson's 1987 chiller The Bedroom Window, architect Terry Lambert (Steve Guttenberg) experiences a most disorienting turn of events when his French lover, Sylvia (Isabelle Huppert) - the wife of his boss - walks over to the titular window in-between lovemaking sessions and witnesses a mysterious man strangling a helpless victim (Elizabeth McGovern). By the time Guttenberg comes to the window, he can see only a crowd of spectators. Because Sylvia wants to avoid a messy involvement in the case (which would soil her reputation, ruin her marriage and cost Lambert his job), Guttenberg agrees to pretend that he witnessed the attack. The ruse, of course, leads to a myriad of complications. And meanwhile, with the psycho still on the loose, Lambert sets out to find him. ~ Hal Erickson, Rovi

Pandering über-producer Dino De Laurentiis followed his unnecessary 1976 remake of King Kong with this even more pointless sequel ten years later. Though the colossal ape Kong took a half-gainer off the World Trade Center for Jessica Lange at the previous film's climax, we are told at the sequel's outset that Kong survived and is being kept alive through artificial means by a secret scientific team (headed by Linda Hamilton in her pre-action-heroine days) dedicated to designing a synthetic replacement heart. When the hilariously huge device is deemed ready for implant, the scientists seek out the only known donor for the requisite blood transfusion: a female Kong, recently captured in Borneo by adventurer Brian Kerwin. Kong's luck turns out to be twofold: not only is the implant a success, the big lug now has a potential mate who's more his type. After Kong rescues his fellow captive, the amorous behemoths eventually thunder off to the mountains to make a great big baby. Director John Guillermin (who helmed the previous film) plays the unbelievably silly premise absolutely straight, including a hilarious heart-transplant scene featuring surgical tools the size of freeway signs, leading viewers to believe that the joke's on them for sitting through this inane exercise. ~ Cavett Binion, Rovi

In this undistinguished Stephen King horror adaptation, the good residents of Tarker's Mill are dense enough to ignore or explain away a series of violent deaths until a little boy is torn to pieces while flying his kite after dark. At that point, the men gang up and go into the fog-shrouded woods to hunt down whatever slasher is out there. The most they achieve is the sighting of one hairy arm and a few more sacrificial victims. But life goes on, and when the summer fireworks show is cancelled because people have deduced it might be fatal to stay out after dark, the Coslaw family's invalid, wheelchair-bound son Marty goes coasting off to the bridge to shoot his own fireworks. Needless to say, the hairy killer beast that is certain to be lurking there gets shot in the eyeball by one of Marty's rockets and is now an unhappy hairy killer beast. Even when a respected town biggie starts wearing an eyepatch, no one really takes notice. They must not watch many horror films. ~ Eleanor Mannikka, Rovi

Firestarter is based on a bone-chilling novel by Steven King. Drew Barrymore plays Charlie McGee the young daughter of Andrew (David Keith) and Vicky (Heather Locklear) McGee, who years earlier had been guinea pigs for a top secret experiment. As a result, Charlie has acquired the unenviable ability to start fires simply by thinking about fires. Charlie is pursued over hill and dale by The Shop, a secret government organization bent upon using her skills for nefarious purposes. The special effects are undeniably startling, even when the script and dialogue are straight out of the funny papers (it's hard to keep a straight face during the New York Times final shot!) The high-priced cast--including George C. Scott, Art Carney, Louise Fletcher--seems to be having a grand ole time. ~ Hal Erickson, Rovi