Marion Dougherty Movies

Across 110th Street is a violent urban thriller about a corrupt, older white cop (Anthony Quinn) and an honest, young African-American cop (Yaphet Kotto) chasing three robbers-cum-murderers who ran away with $300,000 that belonged to the Italian mob. The police must find them before the sadistic Mafia henchman Nick D'Salvio (Anthony Franciosa) reaches them first. The film has reached a cult status; the title song, performed by Bobby Womack, was later used in Jackie Brown, Quentin Tarantino's extended homage to the crime flicks of the 1970s. ~ Yuri German, All Movie Guide

Porter (Mel Gibson) is pulled into a heist by his old friend, Val (Brian De Palma regular, Gregg Henry). As they're stealing $130,000 in laundered drug money from Chinese Triads, no one is going to call the police. Everything goes smoothly until Porter's wife, Lynn (Deborah Kara Unger), shoots Porter in the back. After Val had shown Lynn a photo of Porter in the arms of another girl (Maria Bello), the two planned the double-cross together to pay off Val's mob debts so he could return to "The Syndicate." They didn't plan well enough, though, because five months later Porter's back, a complete sociopath who wants his $70,000. Brian Helgeland, the screenwriter for L.A. Confidential and Conspiracy Theory, makes his directing debut with this adaptation of the novel The Hunter by Donald E. Westlake writing under the pseudonym, Richard Stark. The same novel served as the basis for John Boorman's Point Blank starring Lee Marvin. ~ Chris Gore, All Movie Guide

Jerry Fletcher (Mel Gibson) is a New York City cab driver who seems to have absorbed every bit of crackpot information passed along as "suppressed news" that's surfaced on talk radio or the Internet in the past 20 years. Anti-United Nations militia men who are actually U.N. operatives? NASA scientists engineering earthquakes? Oliver Stone's secret life as a government agent discrediting conspiracy theorists? Jerry's heard 'em all and believes most of them, and even publishes his own journal of forbidden information, with a subscription list that now totals five people. In short, Jerry seems like just another New York City lunatic, and while he spends a fair amount of his spare time following Alice Sutton (Julia Roberts), a government attorney, Alice regards him as harmless; he once intervened while she was being mugged, and he's been acting like her benign if whacked-out protector ever since. However, one day Jerry is kidnapped and worked over by CIA operatives; he is convinced that one of the theories he uncovered must be for real -- but he has no idea which one. He tries to get Alice to help him, and before long both are drawn into a dangerous web that leads to a startling revelation of just how Jerry got this way. Mel Gibson gives a fine comic performance, and those with a taste for alternative media will have fun dissecting which of the theories Jerry spouts are "real" (or at least appeared before this film was made) and which were the invention of the screenwriters. ~ Mark Deming, All Movie Guide

Rosewood is the true story of an almost unknown incident in a small Florida town, (fictionalized, but faithful to the known facts, as documented in a 1994 report by the Florida Legislature). The town was inhabited almost entirely by quiet, "middle-class" African- Americans (most of them home and land owners and better off than average at the time.) On New Year's day, 1923, the town was wiped off the face of the earth by angry whites from a neighboring community. Based on palpably false testimony by a single white woman against one "Black" stranger, many of the men of Rosewood were hunted down and lynched, or shot, or burned. The rest of the town's residents fled into the swamps and never returned. At the time, official reports stated that two to six people from the black community were slain. Neither the perpetrators nor the victims spoke of the incident again, which was promptly forgotten until 1983 when a reporter stumbled across the old story and began investigating. Interviews with surviving victims indicated that the previous reports were wrong; in reality, between 70 and 250 people were killed in Rosewood during the four-day attack.

The film is a human story, about human envy, greed and lust, about the totally insane psychology of a mob, but also about the courage and decency of common folks facing an unbelievable onslaught of evil. The courage of the black residents is self evident, and the decency on the part of a few white neighbors is reluctant, until they realize that they can't live with themselves if they don't help the woman and children to escape. The most notable black heroes are Sylvester (Don Cheadle) -- a music teacher and the best-educated man in town -- and Mann (Ving Rhames) -- a stranger on horseback with Samson-like strength who becomes the focus of white hatred and black resistance. The penny-pinching, adulterous town grocer John Wright (John Voight), one of the few white residents, also plays a key role in saving lives, but before he does, he must resolve painful racial issues and make a difficult personal choice. Eventually, though, he sees enough of the mob's evil to know what he must do, and with the help of the reluctant owner-operators of the Gainesville railway, he does it. John Singleton's powerful epic film does not present a "comfortable" view of the circumstances of this grim, little-known page from American history. ~ Michael P. Rogers, All Movie Guide

The feminist outrage of Thelma & Louise (1991) screenwriter Callie Khouri blended superbly with director Lasse Hallstrom's predilection for stories about idiosyncratic families in this effective comedy-drama. Julia Roberts stars as Grace King Bichon, a prim small-town wife who is incensed when she learns that her husband Eddie Bichon (Dennis Quaid) is having an affair, and that it's not his first dalliance. Grace embarrasses her husband publicly -- then moves in with her wise-mouthed little sister Emma Rae (the scene-stealing Kyra Sedgwick). Grace becomes even angrier when her mother Georgia (Gena Rowlands) and wealthy father, horse breeder Wyly King (Robert Duvall), side with Eddie in the conflict, fearing the small-town gossip that's sure to swirl around their daughter's marital woes. However, when Georgia finds that Wyly has been a long-term philanderer as well, she kicks him out of his palatial home, embroiling the entire King family in a war between the sexes. Something to Talk About went through several title changes, variously being named "Game of Love" and "Grace Under Pressure" before producers settled on the title of the popular Bonnie Raitt song. ~ Karl Williams, All Movie Guide

It's just not William Foster's (Michael Douglas) day. Laid off from his defense job, Foster gets stuck in the middle of the mother of all traffic jams. Desirous of attending his daughter's birthday party at the home of his ex-wife (Barbara Hershey), Foster abandons his car and begins walking, encountering one urban humiliation after another (the Korean shopkeeper who obstinately refuses to give change is the worst of the batch). He also slowly unravels mentally, finally snapping at a fast-food restaurant that refuses to serve him breakfast because it's "too late." Running amok with an arsenal of weapons at the ready, Foster -- also known as "D-FENS" because of his vanity license plate -- rapidly becomes a source of terror to some, a folk hero to others. It's up to reluctant cop Prendergast (Robert Duvall), on the eve of his retirement, to bring D-FENS down. ~ Hal Erickson, All Movie Guide

River Phoenix stars in this period drama about a young man, naive in some ways and worldly in others, who learns an important lesson about the nature of beauty. In the fall of 1963, Eddie Birdlace (River Phoenix) is an 18-year-old Marine Corps volunteer who is about to ship out with three of his buddies for a tour of duty in Viet Nam. Planning a massive blowout for their last night in San Francisco, Eddie, his buddies, and a number of other Marines set up a contest they call a "dog fight." Each man contributes $50 to the pot, and whoever can bring the ugliest date for their meeting that night at the bar wins the prize. Not having much luck finding a suitable contestant, Eddie finds a plain and slightly zaftig woman named Rose Feeney (Lili Taylor), who works in a coffeeshop and dreams of a career as a folk singer. Rose agrees to go out with Eddie, partly because she feels sorry for him, but as the evening wears on, Eddie finds himself growing fond of Rose and tries to worm his way out of taking her to the "party" he's told her so much about. When Rose learns the true nature of the contest, she is furious, not just for herself but for the other women who were cruelly and pointlessly humiliated; Eddie, severely chagrined, asks her out to dinner, hoping to somehow earn her forgiveness. Noted folk singer Holly Near appears as Rose's mother. ~ Mark Deming, All Movie Guide

Lethal Weapon 2 reteams Mel Gibson and Danny Glover as, respectively, "loose cannon" LA detective Martin Riggs and Riggs' partner, the cautious family man Roger Murtaugh. The villain this time is a South African diplomat (Joss Ackland) who doubles as a drug dealer. Though Riggs knows what's going on thanks to characterless character witness Joe Pesci, he can't touch the villain because of "diplomatic immunity." After perils too numerous to mention, Riggs and Murtaugh shoot it out with the heavies on the deck of a South African cargo ship. Lethal Weapon 2, of course, contains as one of its comic high-points a now famous suspense scene: Mel Gibson agonizingly attempting to extricate a terrified Danny Glover from a booby-trapped toilet seat. Gibson, Glover, Donner and Joe Pesci would be reunited three years later for Lethal Weapon 3 and in 1998 for Lethal Weapon 4. ~ Hal Erickson, All Movie Guide

The directorial debut of Glenn Gordon Caron, the creator of the television series Moonlighting (1985-89), this intense, gritty drama was received as one of the best-ever cinematic treatments of substance abuse. Michael Keaton stars as Daryl Poynter, a hustling, successful Philadelphia real estate agent who has become addicted to cocaine. He's already got problems, including nearly a $100,000 embezzled from his employer and lost on the stock market, when he wakes up one morning with a young woman dead in his bed from a coke overdose. His company is asking questions about the missing funds, and the dead girl's father is plastering his neighborhood with posters accusing Daryl of being a murderer, so he decides to hide out in an anonymous drug treatment program. There, however, Daryl runs into tough-minded counselor and former addict Craig (Morgan Freeman), who has heard all of Daryl's lies and tricks before. Daryl also finds romance with an abused fellow addict, Charlie Standers (Kathy Baker), and understanding with his Alcoholics Anonymous sponsor (M. Emmet Walsh). ~ Karl Williams, All Movie Guide

High-priced hooker Barbra Streisand has been arrested for the murder of one of her clients. The attorney engaged by Streisand's parents hope to cop an insanity plea so that she can avoid a trial and manslaughter conviction. But she refuses this, citing a proviso in New York law that may result in her spending the rest of her life in an institution. Against all odds, struggling lawyer Richard Dreyfuss tries to prove that Streisand is not crazy and capable of standing trial. Dreyfuss certainly has his work cut out for him: from what we've seen in the film thus far, the violently impulsive Streisand is not only "nuts," but certifiably so. Though she has plenty of opportunity in Nuts to give out with her usual bravura Streisandisms, Streisand (who also produced the film and wrote the songs) is surprisingly restrained through most of the proceedings. And then there's that extended-monologue climax. Nuts was adapted by Tom Topor, Darryl Ponicsan and Alvin Sargent from Topor's stage play. ~ Hal Erickson, All Movie Guide

Blonde-haired, blue-eyed women's libber Molly McGrath (Goldie Hawn) quits her teaching job at a comfortable middle-class school to take a new position as varsity football coach at a predominantly black inner-city school. Culture and gender clashes abound; she must win over the hard-boiled youths, convince them to practice hard and show up for class, and convince them they can win football games. Her job begins to take a toll on her family, however, when her ex-husband (James Keach) attempts to take away her daughter, claiming she is neglecting her responsibilities as a mother. Wildcats marked the fourth sports film directed by Michael Ritchie. ~ Jeremy Beday, All Movie Guide

Steve Martin and Carl Reiner concoct one of Martin's best comic vehicles with Martin playing the world's top brain surgeon, Dr. Michael Hfuhruhurr -- he ought to know, he said so himself. Hfuhruhurr pioneered the radical new cranial screw-top technique, but he grieves over the untimely death of his wife Rebecca, carrying around a small plastic likeness of her to get through the long and lonely evenings. Thinking of her while driving home, Hfuhruhurr takes his eyes off the road and runs down the beautiful but deadly Dolores Benedict (Kathleen Turner). Hfuhruhurr performs surgery which saves her life, but as she recovers, Hfuhruhurr doesn't realize Dolores is a gold-digging vixen who has driven her latest husband (George Furth) to death by apoplexy. She is now looking for a new victim and Hfuhruhurr fits the bill. They marry, but Dolores denies her husband sexual favors, which frustrates Hfuhruhurr to distraction. He takes Dolores on a belated honeymoon to Austria, where he meets fellow brain surgeon Dr. Necessiter (David Warner), who keeps a wide assortment of brains in his laboratory. Dolores takes the opportunity to have an extramarital affair, and when Hfuhruhurr finds out he dumps her. But in Necessiter's laboratory, Hfuhruhurr becomes attracted to Brain #21, Ann Uumellmahaye (voice of Sissy Spacek), with whom he communicates telepathically. At last, here is one case where a man loves a woman for her mind rather than her body (which doesn't exist)! But Ann's brain is deteriorating rapidly; Hfuhruhurr needs to find a body and transplant the brain quickly in order to save Ann. ~ Paul Brenner, All Movie Guide